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    Carl Nassib Made History, but Also a Big Play

    Last week Nassib, 28, became the first openly gay player to compete in an N.F.L. game. Teammates, the news media and observers casually noted the feat, then cheered his game-changing play.One of the most significant cultural milestones in the recent history of North American sports occurred with about as much pomp and circumstance as a shrug of the shoulders.No openly gay player had ever competed in a regular-season game in the N.F.L.’s 102-year history until Sept. 13, when Las Vegas Raiders defensive end Carl Nassib strode onto the field just as he had done in every game of his six-year pro career.Amid the pageantry of a Monday Night Football game, Nassib’s barrier-breaking moment took a back seat to the Raiders’ ceremonial opening of their new jet-black, $2 billion stadium to fans. The biggest acknowledgment of Nassib’s feat came from some attendants wearing his No. 94 jersey, not from any other orchestrated gesture.On Sunday, he will do it again as the Raiders play the Steelers, with Nassib and the team making a concerted effort to take what he has achieved in stride and leaving it to others to discern and dissect whether a significant cultural shift has occurred in the league.Experts on diversity and inclusion in sports said that was how it should be.“I think the fact that it wasn’t a distraction is a very positive sign,” said Richard Lapchick, director of the Institute for Diversity and Ethics in Sport. “This is a sign of how much this has been accepted and that there was not a big fuss being made.”On June 21, Nassib, came out as gay in a video posted to his Instagram account, saying he had internalized his sexuality as a secret for 15 years. The one-minute video, filmed outside of his home in West Chester, Pa., ignited a flurry of congratulatory messages on social media, including from his N.F.L. peers, celebrities and President Biden. Nassib’s jersey became the top-seller in the N.F.L. withing 24 hours, according to Fanatics, the league’s e-commerce partner.Before Nassib, 15 players in league history identified as gay or bisexual, according to Outsports, a news website that covers L.G.B.T.Q. athletes and issues in sports. But unlike Nassib, they either announced their sexuality after their playing days had ended or had never appeared in a regular-season game.Nassib’s hit on Ravens quarterback Lamar Jackson in overtime gave the Raiders possession with less than five minutes remaining. David Becker/Associated PressAhead of the season’s start, Nassib said he would donate $100,000 to the Trevor Project, a crisis intervention organization for L.G.B.T.Q. youth. He contacted he organization about two months before his Instagram post to discuss a plan, said Amit Paley, the Trevor Project’s executive director. In their conversations, Paley said Nassib wanted to raise awareness of L.G.B.T.Q. issues rather than just focus the spotlight on himself.Forty percent of the more than 60,000 L.G.B.T.Q. youth respondents in a 2020 Trevor Project survey said they had contemplated suicide, and 68 percent of respondents in another survey conducted by the organization released this month said they had not participated in sports for their school or community club for fear of discrimination.As Nassib’s post spread, traffic to the Trevor Project’s website increased by over 350 percent, and the organization received at least $225,000 in pledged donations by the end of that week.“I think Carl really didn’t want this to be a big deal, and hopefully one day it isn’t a big deal when someone comes out,” Paley said in an interview. “But clearly it was a big deal to come out and be the first in this way.”Things quieted as training camp began a month later. Nassib’s jersey no longer tops league sales, but it remains in the top five among Raiders players, according to Fanatics.He declined multiple interview requests and spoke publicly only once before the first game. Against the Baltimore Ravens, Nassib played 44 percent of the defensive snaps in a rotational role, making three tackles. But in overtime, he collided with Ravens quarterback Lamar Jackson for a sack and forced a fumble that the Raiders’ defense recovered. The offense scored a walk-off touchdown to win the game, 33-27, two plays later.Nassib, now on his third team since the Cleveland Browns drafted him in 2016, led the nation with 15.5 sacks at Penn State as a senior and won the Lombardi Award as the nation’s best lineman. He tries to remember things from every game, he said, but he especially savored the Monday night win.“It was really special,” Nassib said in a postgame news conference. “I’m really happy that we got the win on the day that kind of made a little bit of history.”“It was really special,” Nassib said in a postgame news conference. “I’m really happy that we got the win on the day that kind of made a little bit of history.”Rick Scuteri/Associated PressHis teammates did not mention Nassib’s historic role in the win. Coach Jon Gruden complimented only his performance on the field. Defensive end Maxx Crosby did, too, saying simply, “Carl’s a baller and I am proud of the guy.”ESPN, the network which broadcast the game, also treated Nassib’s achievement subtly. It aired a 28-second video in the third quarter with clips of his Instagram video and a few pictures. On an alternate broadcast on ESPN2 featuring retired N.F.L. quarterbacks Peyton Manning and Eli Manning, the former N.B.A. player Charles Barkley appeared as a guest and wore Nassib’s jersey.The nonchalant attitude of the coverage in some ways mimicked the reception of other male pro athletes who played their first games after coming out. The former N.B.A. player Jason Collins received modest applause from an opposing crowd when he entered a game for the Nets in 2014, 10 months after announcing that he was gay. But there was no other form of acknowledgment inside the arena, and Collins and his teammates downplayed the moment to the news media.Robbie Rogers, the first M.L.S. player to appear in a game while openly gay, said things felt “normal” amid a typical atmosphere for a Los Angeles Galaxy game in 2013.Nassib in August said his teammates had supported him since he came out. The Raiders did not make any players available for comment, but quarterback Derek Carr, who said his locker is only a few spots away from Nassib’s, said during training camp that he had not seen anything to dispute that.“When he came in, I just like to watch, and not one person from my point of view has treated him any different,” Carr said.Amy Trask, the former Raiders’ chief executive, said that fits tradition for a team that has historically embraced diversity. In 1997, she became the first woman chief executive in the N.F.L. Tom Flores, who is Mexican American, was the first Latino coach in the N.F.L. to win a Super Bowl, winning two with the Raiders, in the 1980 and 1983 seasons. The team also drafted Eldridge Dickey, the first Black quarterback taken in the first round, in 1968, when the Raiders played in the A.F.L.“He went out and did his job, the way anyone would want any player to do his job,” said Amy Trask, the former Raiders’ chief executive.David Becker/Associated PressTrask said she did not focus on the history she made during her first day or whether her colleagues would change the way they acted toward her. She is not surprised at how Nassib and the Raiders handled last week.“This is an organization that has a track record of hiring without regard to race, gender or any other individuality which has no bearing whatsoever on whether one can do a job,” Trask said in an interview. “It’s very, very special, from my perspective, that Carl is a Raider.“He went out and did his job, the way anyone would want any player to do his job,” she added.If he continues to do the job well, said Wayne Mabry, arguably the Raiders’ most recognizable fan, Nassib’s sexuality would not change how he views the player. For nearly 30 years, Mabry, nicknamed, “The Violator,” attended almost every Raiders home game dressed as a pirate with black-and-silver face paint, leather boots and spiked shoulder pads.It was a tribute he said was inspired partly by the team’s colloquial reputation as the “Bad Boys” of the league. It is irrelevant, he said, that a gay player is on a team with such a historically gritty perception.“Warriors come in all shapes and sizes,” Mabry, 64, said. “It’s about what you bring to the table. As long as he can help us win, he’s a warrior to me.” More

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    ESPN Cancels Nichols's Show After Maria Taylor Comments

    Rachel Nichols said in a recorded conversation that Maria Taylor, who is Black, was tabbed to host 2020 N.B.A. finals coverage because the network “felt pressure” on diversity.ESPN has taken Rachel Nichols off its N.B.A. programming and canceled “The Jump,” the daily basketball show she has hosted for five years, the network confirmed Wednesday.The show’s cancellation comes one month after The New York Times reported on disparaging comments made by Nichols about Maria Taylor, one of her colleagues at ESPN at the time. In a conversation with an adviser to the Lakers star LeBron James, Nichols, who is white, said that Taylor, who is Black, had been chosen to host 2020 N.B.A. finals coverage instead of her because ESPN executives were “feeling pressure” on diversity.Nichols, who was in her hotel room at the N.B.A.’s Walt Disney World bubble in 2020, was unaware her video camera was on and the conversation was being recorded to an ESPN server. Taylor has since left ESPN and joined NBC.“We mutually agreed that this approach regarding our N.B.A. coverage was best for all concerned,” said Dave Roberts, the executive who oversees ESPN’s N.B.A. studio shows.The moves were first reported by Sports Business Journal.It is unclear whether Nichols will be on ESPN’s airwaves again. She signed a contract extension last year, but ESPN declined to say whether she will appear on other shows. A representative for Nichols did not respond to a request for comment.In a post on Twitter, Nichols thanked the show’s crew and wrote that “The Jump was never built to last forever but it sure was fun.”In the wake of the Times report, ESPN removed Nichols from her role as a sideline reporter for the N.B.A. finals and canceled one episode of “The Jump.” But she continued hosting the show through the finals until Aug. 16, when she went on vacation. Malika Andrews hosted for the rest of the week in her absence.Outside of games themselves, “The Jump” was ESPN’s most prominent N.B.A. programming. Nichols frequently interviewed stars and newsmakers like Adam Silver, the commissioner of the N.B.A., on the show. “The Jump” was nominated for one sports Emmy, as was Nichols for her hosting role, but it never found huge viewership.Roberts is the ESPN executive who decided to end “The Jump” and pull Nichols from N.B.A. studio programming. Two weeks ago, he received a promotion and took over some of the duties previously held by Stephanie Druley, the executive who previously oversaw N.B.A. studio programming and the person who had to deal with Nichols’s comments on the recorded call.The cancellation of “The Jump” is just one part of a broader reshuffling of ESPN’s daytime lineup.On Tuesday, ESPN announced that Max Kellerman was leaving “First Take” — where he had sparred with Stephen A. Smith — to host a new show that is being developed. That show will likely be in the afternoon, as will be a new daily N.B.A. show that will supplant “The Jump.”Besides creating the new basketball show, before the N.B.A. season begins in eight weeks, ESPN will also have to find a replacement for Taylor as host of “N.B.A. Countdown,” ESPN’s pregame and halftime show. More

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    Maria Taylor Leaves ESPN After NBA Finals

    The popular studio host and reporter was widely expected to depart after disparaging remarks made by a colleague were made public. Her next stop could be NBC.On Tuesday, she hosted the N.B.A. finals for ESPN. The next day she was gone.ESPN announced on Wednesday that Maria Taylor, one of the network’s high-profile talents, had left the company. More

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    Rachel Nichols Out for N.B.A. Finals Coverage on ABC

    Comments made by Nichols that were caught on tape caused tremendous upheaval within ESPN over the past year. Nichols, who is white, suggested that a Black colleague, Maria Taylor, had been selected for a marquee job because of her race.When a sideline reporter first appeared on ABC’s broadcast of the N.B.A. finals on Tuesday night, it was not Rachel Nichols, an abrupt change announced by ESPN earlier in the day. It was an attempt to stanch a yearlong scandal that has spilled into public view about the company’s handling of conflicts centered around race. More

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    A Storm at ESPN Over Rachel Nichols Comments on Maria Taylor

    In comments still rippling through the network, the reporter Rachel Nichols, who is white, said Maria Taylor, who is Black, earned the job to host 2020 N.B.A. finals coverage because ESPN was “feeling pressure” on diversity.As the N.B.A. playoffs started in May, the stars of ESPN’s marquee basketball show, “NBA Countdown,” discussed whether they would refuse to appear on it.They were objecting to a production edict from executives that they believed was issued to benefit a sideline reporter and fellow star, Rachel Nichols, despite comments she had made suggesting that the host of “NBA Countdown,” Maria Taylor, had gotten that job because she is Black. Nichols is white.A preshow call with Taylor and the other commentators — Jalen Rose, Adrian Wojnarowski and Jay Williams — as well as “NBA Countdown” staff members had turned acrimonious, and Jimmy Pitaro, ESPN’s president, had several phone conversations while at a family event to try to help smooth things over.Some of those involved saw the initial maneuvering as a sign of the network favoring Nichols despite a backdrop of criticism from employees who complained that the sports network has long mishandled problems with racism. It had declined to discipline Nichols despite fury throughout the company over her remark, which she made during a phone conversation nearly a year ago after learning that she would not host coverage during the 2020 N.B.A. finals, as she had been expecting.“I wish Maria Taylor all the success in the world — she covers football, she covers basketball,” Nichols said in July 2020. “If you need to give her more things to do because you are feeling pressure about your crappy longtime record on diversity — which, by the way, I know personally from the female side of it — like, go for it. Just find it somewhere else. You are not going to find it from me or taking my thing away.”ESPN has been trying, and often failing, to deal with the scandal for months. But a fast-approaching deadline is forcing the network to show at least some of its cards. Taylor’s contract expires during the N.B.A. finals, which start on Tuesday between the Phoenix Suns and the Milwaukee Bucks, yet few substantive steps have been taken toward a new deal even though Pitaro has identified Taylor as one of ESPN’s rising stars.Whether or not ESPN and Taylor agree on a contract, the internal damage from the past year has been substantial.This article is based upon interviews with more than a dozen current and former ESPN employees, as well as others with knowledge of the company’s inner workings. Most of them spoke on condition of anonymity because they were not authorized by ESPN to speak to the news media or because of paperwork they had signed upon leaving the company.The VideoIn mid-July last year, Nichols was staying at the Coronado Springs Resort at Walt Disney World near Orlando, Fla., confined to her room for seven days because of the N.B.A.’s coronavirus protocols before the season resumed. She had with her a video camera so that she could continue appearing on ESPN shows, primarily “The Jump,” a daily N.B.A. show she has hosted since 2016.But she was eyeing hosting duties for ESPN’s pregame and postgame shows during the playoffs and finals, the network’s most important studio basketball programming. That host is the face of ESPN’s N.B.A. coverage, and before the pandemic, both she and Taylor hosted different versions of the show.About the time Nichols arrived in Florida, she was told by executives that Taylor would host coverage during the N.B.A. finals.Nichols discussed her career on a phone call on July 13, 2020, with Adam Mendelsohn, the longtime adviser of the Los Angeles Lakers superstar LeBron James and James’s agent, Rich Paul. Nichols was speaking with Mendelsohn to request an interview with James and his Lakers teammate Anthony Davis, whom Paul also represents. During the conversation, she also sought advice from Mendelsohn because she believed her bosses were advancing Taylor at her expense.“I just want them to go somewhere else — it’s in my contract, by the way; this job is in my contract in writing,” Nichols told Mendelsohn, referring to hosting coverage during the N.B.A. finals a few minutes after saying ESPN was “feeling pressure” about racial diversity.Nichols, an ESPN reporter, and Mendelsohn, a spokesman for LeBron James, had a phone conversation that was recorded on video from ESPN’s server. This is an excerpt from a recording of more than 20 minutes that was obtained by The New York Times.“We, of course, are not going to comment on the specifics of any commentator contract,” said Josh Krulewitz, an ESPN spokesman. Krulewitz declined to make Pitaro available for an interview.Unbeknown to Nichols, her video camera was on, and the call was being recorded to a server at ESPN’s headquarters in Bristol, Conn.It is not clear why her camera was on, but most people at ESPN believe that Nichols, using new technology during a pandemic, did not turn it off properly. It was effectively the remote pandemic version of a hot mic incident.Dozens of ESPN employees have access to the company’s video servers as part of their normal work flow.At least one of these people watched the video on the server, recorded it on a cellphone and shared it with others. Soon, more copies of the conversation were spreading around ESPN, and within hours it reached ESPN executives, in part because of some of the comments from Mendelsohn. He is a prominent political and communications strategist who has worked for the giant private equity firm TPG; was a communications director and deputy chief of staff for Arnold Schwarzenegger, then the governor of California; and is a co-founder of James’s voting rights group, More Than a Vote, which focused on encouraging access for Black voters during the 2020 election.In a recording of the video obtained by The New York Times, Nichols and Mendelsohn paused for a moment during the conversation after Nichols said she planned to wait for ESPN’s next move. Mendelsohn, who is white, then said: “I don’t know. I’m exhausted. Between Me Too and Black Lives Matter, I got nothing left.” Nichols then laughed.Nichols and Mendelsohn discussed her career and wider issues of diversity at ESPN and in corporate America. This is an excerpt from a longer video obtained by The New York Times.Mendelsohn, throughout the conversation, strategized with Nichols about how she should respond to ESPN. “Be careful because that place is a snake pit,” he said. They considered a move that Mendelsohn described as “baller” but “hard to pull off”: telling Pitaro and others that having two women competing over the same job was a sign of ESPN’s wider shortcomings with female employees.“Those same people — who are, like, generally white conservative male Trump voters — is part of the reason I’ve had a hard time at ESPN,” Nichols said during the conversation. “I basically finally just outworked everyone for so long that they had to recognize it. I don’t want to then be a victim of them trying to play catch-up for the same damage that affected me in the first place, you know what I mean. So I’m trying to just be nice.”Multiple Black ESPN employees said they told one another after hearing the conversation that it confirmed their suspicions that outwardly supportive white people talk differently behind closed doors.In a statement, Mendelsohn said: “I will share what I believed then and still believe to be true. Maria deserved and earned the position, and Rachel must respect it. Maria deserved it because of her work, and ESPN recognized that like many people and companies in America, they must intentionally change. Just because Maria got the job does not mean Rachel shouldn’t get paid what she deserves. Rachel and Maria should not be forced into a zero-sum game by ESPN, and Rachel needed to call them out.”He declined to answer follow-up questions about their conversation.In response to questions from The Times, Nichols said she was frustrated and was “unloading to a friend about ESPN’s process, not about Maria.” But she added: “My own intentions in that conversation, and the opinion of those in charge at ESPN, are not the sum of what matters here — if Maria felt the conversation was upsetting, then it was, and I was the cause of that for her.”Nichols said she reached out to Taylor to apologize through texts and phone calls. “Maria has chosen not to respond to these offers, which is completely fair and a decision I respect,” Nichols said.Taylor declined to comment.Nichols said the recording of the video by an ESPN colleague was hurtful. “I was shaken that a fellow employee would do this, and that other employees, including some of those within the N.B.A. project, had no remorse about passing around a spy video of a female co-worker alone in her hotel room,” she said, adding, “I would in no way suggest that the way the comments came to light should grant a free pass on them being hurtful to other people.”Krulewitz, the spokesman, said: “A diverse group of executives thoroughly and fairly considered all the facts related to the incident and then addressed the situation appropriately. We’re proud of the coverage we continue to produce, and our focus will remain on Maria, Rachel and the rest of the talented team collectively serving N.B.A. fans.”Maria Taylor’s contract with ESPN expires this month.Eleanor ShakespeareThe ResponseWithin ESPN, particularly among the N.B.A. group that works with both Taylor and Nichols, many employees were outraged upon watching the video. They were especially upset by what they perceived as Nichols’s expression of a common criticism used by white workers in many workplaces to disparage nonwhite colleagues — that Taylor was offered the hosting job only because of her race, not because she was the best person for the job.The employees also said that Nichols made Taylor’s job more difficult because Taylor also needs to go to Mendelsohn to secure interviews with basketball newsmakers.As ESPN executives were deciding what to do about the video, a four-minute cut of the conversation was leaked to Deadspin. (The video obtained by The Times is more than 20 minutes of continuous conversation.)The leak had a major effect on how ESPN responded. Multiple former ESPN employees, including a former executive, said that company executives expressed fears of a lawsuit from Nichols and that Disney, ESPN’s parent company, became heavily involved.Krulewitz said the leak did not change how the company reacted. Nichols said she spoke with a lawyer to better understand how an ESPN investigation would work, but she did not threaten to sue.ESPN declined to say whether any employees were disciplined, and Nichols said that she was told that the “content of the conversation did not warrant any discipline.” The only person known to be punished was Kayla Johnson, a digital video producer who told ESPN human resources that she had sent the video to Taylor. Johnson, who is Black, was suspended for two weeks without pay, and later was given less desirable tasks at work.Johnson did not respond to requests for comment and recently left ESPN.Taylor, who had recently gained widespread acclaim for her on-air comments about the murder of George Floyd by a police officer, was fed up because she had also been disparaged recently by at least one other ESPN colleague for speaking about Floyd. She told executives, including Pitaro, the company’s president, that she would not finish covering the season.“I will not call myself a victim, but I certainly have felt victimized and I do not feel as though my complaints have been taken seriously,” she wrote in an email to ESPN executives, including Pitaro, two weeks after the incident, which was obtained by The Times. “In fact, the first time I have heard from HR after 2 incidents of racial insensitivity was to ask if I leaked Rachel’s tape to the media. I would never do that.”She added: “Simply being a front facing black woman at this company has taken its toll physically and mentally.”A few days later, Taylor reconsidered and told the company she would host “NBA Countdown” during the playoffs on one condition: She did not want Nichols to appear on the show.In Taylor’s view, according to six people who have spoken to her, ESPN executives agreed to the stipulation but violated it almost immediately by allowing Nichols to make short appearances without interacting with Taylor. ESPN declined to comment about the arrangement.All of Rachel Nichols’s appearances on “NBA Countdown” this season have been prerecorded.Eleanor ShakespeareRenewed ConfrontationOne employee involved in N.B.A. coverage said that ESPN’s decision not to punish Nichols was still an “active source of pain” and discussion among co-workers.It also has potentially affected coverage and assignments. For the 2020-21 N.B.A. season, in addition to her role hosting “The Jump,” Nichols was made the sideline reporter for ESPN’s most important N.B.A. games.Taylor, meanwhile, has become increasingly comfortable with expressing her views within the company. In the spring, she admonished executives for appointing a game coverage team for the N.C.A.A. women’s Final Four that did not include any Black women and pressured the company to add LaChina Robinson as an analyst, which they did.Taylor also has given Malika Andrews, who is Black, a bigger role on “NBA Countdown,” which directly led to the latest internal tug of war.To avoid having Taylor and Nichols interact, all of Nichols’s appearances on “NBA Countdown” this season were prerecorded, but often in a way to make segments appear as if they aired live. Appearances by other sideline reporters were a mixture of live and prerecorded.Shortly before the playoffs, however, ESPN executives said that if Taylor continued to refuse to interact with Nichols on air, no reporters would be allowed on the show live. “NBA Countdown” pushed back to no avail.“The idea behind this was to treat every reporter equally and inclusively by providing a similar forum and platform,” Krulewitz said. Nichols said she preferred “consistency in the way the show used the reporters,” and added that she told ESPN decision makers that she did not want to take opportunities away from others.But on May 22, the first day of the N.B.A. playoffs, the tensions exploded between those who worked on the show and ESPN executives in charge of basketball.On the preshow call involving the stars of the show and production staff in both Los Angeles and New York, Taylor insisted to an executive that she be able to conduct live interviews with sideline reporters. She also brought up the recorded phone conversation. Wojnarowski jumped in and called Nichols a bad teammate. Rose said that ESPN had asked a lot from Black employees over the past year, but that he and other Black employees would extend their credibility to the company no longer.Taylor, whom executives had asked numerous times to change her interactions with Nichols, said that the only people punished by ESPN’s actions were women of color: Johnson, herself and the three sideline reporters — Lisa Salters, Cassidy Hubbarth and Andrews — who received lesser assignments so that Nichols could have the lead sideline reporter role and now were not being allowed to appear on the show live.Pitaro spoke with Taylor and Wojnarowski, and Wojnarowski alone, when Pitaro asked Wojnarowski whether going back to the status quo and allowing sideline reporters to appear on the show live would solve the problem, according to three people familiar with the conversation.By the end of the day, the restrictions were rescinded.Krulewitz declined to comment on the argument, besides saying that “the decision regarding reporters on these shows was made solely by N.B.A. production management,” and not Pitaro.The spread of the recording throughout ESPN happened less than a week after Pitaro had pledged “accountability” and improvements throughout ESPN’s workplace culture.“We are going to speak through our actions here, and we are going to improve,” Pitaro said in an interview then. “If we don’t, it is on me, I failed, because it does all start with me.”Still, nobody was outwardly punished besides Johnson, the producer who recently departed ESPN. She left with a handful of Black employees who had pressed Pitaro for changes.Taylor’s contract with ESPN expires in less than three weeks, and it looks increasingly likely that those could be her last weeks at the network. More

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    How to Watch Euro 2020: Schedule, Location, Teams and More

    11 cities, 24 teams and hundreds of headaches: The European soccer championship is here after a year’s delay. Here’s what you need to know.The European Championship, generally considered the biggest soccer tournament after the World Cup, is being held this summer after a year’s delay because of the coronavirus pandemic. Here’s a rundown on the teams, the players and the host cities for what is still being called Euro 2020.When and where is the tournament?Euro 2020 — back on, with a few changes, but still refusing to admit it’s 2021 now — runs from June 11 to July 11.The Euros, like the World Cup, traditionally have been hosted by one country, or two in partnership. But for the current edition, European soccer’s governing body, UEFA, decided to spread the games around to at least a dozen cities across Europe. The choice was not universally supported, given the inherent logistical hurdles of managing sites as far apart as Spain and Azerbaijan. But it turned out to be an even more awkward decision once the coronavirus hit.First, the entire tournament was postponed a year. Then, only weeks before the first game, coronavirus restrictions for several more changes: Dublin lost its games, and several matches in Spain were shifted to Seville from Bilbao.Unless something else changes, 11 European cities will host games: Amsterdam, Baku, Bucharest, Budapest, Budapest, Copenhagen, Glasgow, London, Munich, Seville, St. Petersburg.The first game, Italy vs. Turkey, is June 11 in Rome. The knockout stages begin on June 26, and the semifinals and final all will take place at Wembley Stadium in London. The final is July 11.Robert Lewandowski, who broke the Bundesliga goals record this season, is Poland’s biggest threat.Roman Koksarov/Associated PressWho’s playing?Twenty-four teams qualified for the tournament, including all the major European powers you would expect: France, Spain, Italy, Germany, England. New rules created qualifying paths for lower-profile countries who normally miss out, allowing North Macedonia to qualify for the first time. Finland, which qualified in the traditional way, is also making its debut.Just about all the top-name players from Europe, like Robert Lewandowski of Poland, Cristiano Ronaldo of Portugal and Kylian Mbappé of France, will be there. Karim Benzema is back in the French team after being dropped five years ago in a sex tape blackmail scandal, but several top players are out, and Spain will arrived at a major tournament without a Real Madrid player for the first time.Who’s missing?Qualifying knocked out regular faces like Serbia and Norway, and Romania and Azerbaijan will host games even as their teams failed to make the field.The absence of Norway will mean no Erling Haaland, whose transfer saga may be the story of the summer. Also missing will be Zlatan Ibrahimovic of Sweden, who has a knee injury, and the veteran Spain defender Sergio Ramos, who was omitted by his coach because of fitness concerns. The Netherlands goalkeeper Jasper Cillessen was dropped after testing positive for the coronavirus, and Germany’s Toni Kroos has only recently returned to training after a recent bout with it.A more recent, more worrisome injury has Belgium concerned: its star midfielder Kevin de Bruyne of Belgium sustained a fractured nose and eye socket in the Champions League final. His status for the monthlong tournament is unclear.Will fans be allowed?Yes, but the numbers and rules vary by city, and the rules are still changing. Scotland recently urged its fans, who can attend games in Glasgow, not to travel to London when the team plays there.The shifting of matches may not be over, either. As teams advance, the tournament schedule still could be affected by rules about travel set by various European governments.Who has won in the past?Portugal is the defending champion. The tournament dates to 1960, and Germany and Spain have the most wins, with three. England is the highest-profile team never to have won it (or even made the final).Who is going to win this time?France is the favorite in the betting at this stage, with England just behind. But the tournament is considered quite open, with Belgium, Spain, Germany, Portugal, Italy and the Netherlands all given a fighting chance. Slovakia and Hungary have the longest shots, at 500-1 or more.Thomas Müller and Germany will rank, as usual, among the tournament favorites.Andreas Schaad/Associated PressYou can also bet on who will score the most goals: The current favorites there are Harry Kane of England, Romelu Lukaku of Belgium, France’s Mbappé and Portugal’s Ronaldo.How does the tournament work?The 24 teams are divided into six groups of four and play three games each in the preliminary round. The top two teams from each group, plus four of the six third-place teams, all advance to a 16-team knockout round.After that, it’s single elimination, with tied games heading to extra time and then penalty kicks, if necessary, to produce a winner.How can I watch?In the United States, the bulk of the games will be on ESPN, with a few on ABC. When two games are played simultaneously, one will run on ESPN2 instead. For Spanish language coverage, many games will be on Univision. Games also will be streamed on ESPN+.Broadcasters elsewhere include Bell Media and TVA (Canada), BBC and ITV (Britain), Optus (Australia), M6 and TF1 (France), ARD and ZDF (Germany) and Wowow (Japan). Here’s a complete list.Now, the most important question. Is there a mascot?Yes. He is Skillzy. He is reportedly inspired by “freestyling, street football and panna,” which is a fancy term for a nutmeg, the move in which a player kicks the ball through an opponent’s legs.Skillzy follows in the footsteps of Super Victor (France 2016), Goaliath (England 1996) and Pinocchio (Italy 1980).Like many sporting mascots, Skillzy has drawn a mixed reception. You be the judge.You might say the Euro 2020 mascot, Skillzy, is edgy. You might also wonder why he’s wearing a hoodie and long sleeves in the summer heat.Robert Ghement/EPA, via Shutterstock More

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    N.F.L. Signs Media Deals Worth Over $100 Billion

    The new deals with broadcasters and streaming services pave the way for team owners to add a 17th regular season game to the schedule and to recoup revenue lost with reduced fan attendance in 2020.The N.F.L. signed new media rights agreements with CBS, NBC, Fox, ESPN and Amazon collectively worth about $110 billion over 11 years, nearly doubling the value of its previous contracts.The contracts, which will take effect in 2023 and run through the 2033 season, will cement the N.F.L.’s status as the country’s most lucrative sports league. They will also set the stage for the league’s owners to make good on plans to expand the regular season to include a 17th game and charge more for broadcasting rights.The league’s soaring revenues will aid far-reaching plans for the next decade, a period when team owners hope to expand the N.F.L.’s already robust calendar, make deeper inroads into overseas markets and increase the football audience via streaming services. The N.F.L. is poised to more than recoup the roughly $4 billion in losses wrought by not having maximum capacity attendance at games in 2020.“Along with our recently completed labor agreement with the N.F.L.P.A., these distribution agreements bring an unprecedented era of stability to the League and will permit us to continue to grow and improve our game,” Commissioner Roger Goodell said in a statement.According to four people familiar with the agreements who requested anonymity because they were not authorized by the N.F.L. to speak publicly about the deals, CBS, Fox and NBC will pay more than $2 billion each to hold onto their slots, with NBC paying slightly less than CBS and Fox. ESPN will pay about $2.7 billion a year to continue airing Monday Night Football, but also to be added into the rotation to broadcast the Super Bowl beginning in 2026. The agreement with ESPN starts one year earlier, in 2022, because its current contract expires one year earlier than the others.Each of the broadcasters’ deals include agreements for their respective streaming platforms, while Amazon will show Thursday night games on its Amazon Prime Video service.“Over the last five years, we started the migration to streaming. Our fans want this option, and the league understands that streaming is the future,” said Robert K. Kraft, owner of the New England Patriots and chairman of the N.F.L.’s media committee.The N.F.L. has not yet announced who will broadcast Sunday Ticket, a subscription service that lets fans watch out-of-market weekend games that are not broadcast nationally. DirecTV has the rights to that service through 2022.The jump in revenue will not initially change the fortunes of players, who are locked into a 10-year collective bargaining agreement narrowly ratified in March 2020. Under the terms of that labor deal, players will see a bump in their share of the N.F.L.’s revenue, up to 48.5 percent from 47, while team owners negotiated the option to add a 17th game to the regular season schedule in 2021, something players had long opposed.It will be the first major expansion to the N.F.L. season in more than four decades, when teams began playing 16 games, up from 14, in 1978.Player salaries in the next few years will rise moderately because most media agreements are graduated, with the first year of a new deal worth only marginally more than the last year of an expiring deal. N.F.L. team owners are expected to formally approve the additional game at their annual meeting in late March, when there is likely to be little dissent. Once the additional game is approved, players and team owners will work out the calendar logistics, which could include eliminating one of the four preseason games teams are required to play and adding a second bye week to each of the 32 team schedules.Many other competitive issues will also have to be resolved, as extending the regular season by one game could also affect other fixtures in the N.F.L. calendar that were adjusted last season because of the coronavirus pandemic. The owners voted on Dec. 16 to make the extra game an interconference matchup so as to not affect playoff tiebreakers. But still unresolved are the timing of off-season workouts, the start dates of training camps and the regular season’s start and end dates.The league was able to fully complete its 2020 season on schedule in part because it worked hand-in-hand with the N.F.L. Players Association to hammer out Covid-19 protocols and a raft of other rules.The union’s executive director, DeMaurice Smith, has said that no decision would be made “without an eye to what we’ve learned this year.” “March and April of 2021 is not going to look like March and April of 2018 and 2019,” he added.The labor deal also included an expanded playoff format, with an extra team added in each conference, more limited training camps and a relaxation of the rules governing the use of marijuana.Many players initially balked at the idea of a longer regular season, which they said increased their chances of injury. But the team owners were eager to expand the regular season as a way to entice the league’s national television partners to pay more for broadcast rights.All of the N.F.L.’s national media agreements — which together have an average annual value of nearly $8 billion — were set to expire over the next two years. ESPN’s deal to show Monday night games was scheduled to end after the 2021 season, while agreements with CBS, Fox, NBC, DirecTV, Verizon and Amazon were in place through the 2022 season.Before the coronavirus pandemic, many television and digital media executives said the N.F.L. had the upper hand in negotiating major increases in rights fees because the league had a long-term labor deal in place and because its programming took less of a ratings hit than other broadcasts of U.S.-based sports during the pandemic. Ratings for regular season football fell just 7 percent, compared to 20 percent for prime time broadcast television and even larger declines for other marquee sports events like the Masters, the N.B.A. finals and the Stanley Cup finals.N.F.L. games are also the most watched programming on television by far, making up 76 of the 100 most watched television programs in 2020.Other leagues have also signed new agreements with big increases during the pandemic. The Southeastern Conference received nearly a sixfold increase in money for its marquee college football games, while the N.H.L. will almost assuredly see its media payments double when it finishes selling its rights. More