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    Pretty in Any Color: Women in Basketball Make the Style Rules

    Angel Reese considers herself “a pink kind of girl.”Pink nails, pink hair tie, pink shoes, sometimes even “a little bit of pink in my lashes,” Reese said of the eyelash extensions she applies before basketball games. “Everything’s pink.”It’s all part of the pregame routine for Reese, who in May transferred to Louisiana State after a breakout season on Maryland’s women’s basketball team. Before Reese hits the court, she swipes on lip gloss and gels down her edges — her hairline — to prevent flyaways.“Grandma would always emphasize, ‘Don’t let anybody make your makeup sweat,’” Reese said.Reese’s devotion to her appearance for games expresses who she is as much as her playing style. Players in women’s basketball freely mix a traditionally feminine beauty standard with finishing touches that are popular in Black and Latina culture, like gelled edges. It’s a freedom that some say is an advancement in a sport whose athletes have historically been pressured to fit a mass-market ideal that has long benefited straight, white women. Reese is Black.But the introduction of name, image and likeness deals in college sports and an influx of marketing money in professional women’s basketball have added dollars-and-cents stakes to female players’ decisions to glam up. In interviews with a dozen college and professional players, women talked about how the decision on how to express themselves through their appearance has been changing.“I’ve never really felt the pressure until the N.I.L. thing started,” said Reese, whose endorsement deals include Xfinity, Amazon, Wingstop and a Washington, D.C.-area supermarket chain.Camille Lenain for The New York Times‘There is a pressure for me to look a certain way.’Stanford forward Cameron Brink usually applies concealer, eyebrow gel, mascara and maybe a little blush before she heads out for a game, but she scoffed at the idea of in-game touch-ups. “I look like this when I was playing, I’m going to live with it,” she said.Her shot-blocking was a key piece of Stanford’s run to the 2022 Final Four, where the team lost to Connecticut in front of 3.23 million TV viewers, a 19 percent increase over the previous season and a 49 percent bump from 2019, before the coronavirus pandemic. But there’s also a swelling fan base that follows Brink on social media. She posts makeup tutorials, which she loves because she views makeup as art. “It’s really relaxing to me,” she said. Brink has had deals with ThirdLove, Visible Mobile, the energy drink Celsius and Portland Gear.She acknowledged that her following — 203,000 on Instagram and 62,800 on TikTok — had built up at least in part “because I do play into that role of being feminine and dressing femininely.”“There is a pressure for me to look a certain way,” said Brink, who is white. “Sometimes it’s refreshing to go out and play sports and not worry about it.”Stanford’s Cameron Brink said that she felt some pressure to conform to traditionally feminine beauty standards but that her beauty routine was also something she enjoyed.Rikkí D. Wright for The New York TimesRikkí D. Wright for The New York TimesLast year, the N.C.A.A. changed its rules to allow college athletes to profit from their names, images and likenesses in marketing deals. Women’s college basketball players quickly began out-earning athletes in every other sport besides football, according to the marketing company Opendorse. Connecticut’s Paige Bueckers, who is white, signed with Gatorade for an estimated $1 million.Blake Lawrence, a co-founder of Opendorse, said female college basketball players had outshined their male counterparts in the N.I.L. marketplace in part because of how they distinguish themselves through their appearance.“They’re willing to create content; they’re willing to create a character that you want to follow and cheer for while on the court, while on the track, while on the grass,” Lawrence said. “That may be through hairstyle changes; that may be through makeup changes; that may be through the accessories that you bring to the field.”But with that can come tremendous pressure to fit traditional notions of attractiveness, adding another layer of competition to college basketball.“Comparing yourself to other people — oh, this girl is really pretty; oh, she looks really pretty — it’s hard,” Oklahoma guard Kelbie Washington said.Washington enjoys spraying on perfume as part of her pregame routine (Jimmy Choo is her favorite), and she pays for eyelash extensions, which can cost more than $130 a set.“Everyone is human,” she said of the urge to compare herself with others. “Everyone has those emotions, whether they say it out loud or not.”‘Women have to be so much more marketable than men.’TV ratings for college and W.N.B.A. games are rising, and the profiles of the players — among the most vocal and visible social justice activists in sports — are exploding.Within that explosion, Victoria Jackson, a sports historian at Arizona State, sees the players driving a generational shift, a reframing of norms. “Athletes themselves are pushing back against historical ideas of what it means to be a female athlete and what’s acceptable to be performed as a female athlete,” Jackson said, adding that the W.N.B.A. is “a good example” of that.Nefertiti A. Walker, an associate professor in sports management at the University of Massachusetts Amherst and a former college basketball player, said players didn’t necessarily feel as if they had to fit the usual standards.“What you’re seeing is certainly athletes now who, because of the changes we’ve seen in college sport — they all have pride nights, there’s gay marriage now — all these changes that have happened in their lifetime that signal it might be OK to perform their gender in a different way,” she said.That may be true on the court, but a recent swimsuit edition of Sports Illustrated suggested a narrower view of sex appeal, which can be an important factor in marketing. The magazine included five W.N.B.A. players in bikinis and one-piece swimsuits with cutouts.Courtney Williams, an All-Star guard on the Connecticut Sun, said on Twitter that the shoot would have been better if it had included a player in a sports bra and baggy shorts. “There’s more than one way to look sexy, and I hope in the future we can tap into that,” she said.Gabriella Angotti-Jones for The New York TimesCamille Lenain for The New York TimesRikkí D Wright for The New York TimesGabriella Angotti-Jones for The New York TimesJonquel Jones was the W.N.B.A.’s most valuable player in 2021. “If u don’t fit into the normal stereotype of what feminine is or what it ‘should be’ you lose opportunities,” Jones said in an August 2020 Twitter post. “Women have to be so much more marketable than men.”W.N.B.A. players, with a maximum base salary of about $230,000, earn far less than their millionaire counterparts in the N.B.A., making marketing dollars even more important. The W.N.B.A. has a pool of $1 million that it must spend on marketing deals for players, and each team has to spend between $50,000 and $100,000 per year on player marketing deals. Any unspent amount carries over to the next season on top of the minimum.The league said it selects players to participate in marketing efforts based on a variety of factors: on-court performance, an established personal brand with an active fan base, and the willingness to travel and participate in league events.“Ideas about bodies play out most explicitly on the bodies of athletes — harmful ideas and also positive ideas,” Jackson said. “That’s another way in which this can be a space of conflict and a space of harm, too, depending on the way those ideas are packaged and sold.”‘They have no idea about what a Black woman goes through, let alone an athlete.’Tiffany Mitchell likes to feel the swing of her ponytail as she runs the court.Mitchell, who is Black, has often worn her hair in long, braided styles past her waist since she starred at South Carolina from 2012 to 2016. This kind of protective hairstyling allows her to go longer between restyling and can prevent breakage during the grind of the season with the W.N.B.A.’s Indiana Fever.Those swinging braids became an issue during the W.N.B.A. off-season in December, when she was competing with the Melbourne Boomers, a professional women’s team in Australia. Basketball Australia, the sport’s governing body, said the league’s players had to tie their hair back or up, mistakenly attributing the policy to a FIBA rule that was no longer in effect. Mitchell, one of just three Black players on the Boomers’ roster, felt targeted, since she had never had to change her hair for other international competitions. Basketball Australia later apologized and rescinded what it called a “discriminatory” policy.“They have no idea about what a Black woman goes through, let alone an athlete,” Mitchell said. “So I think that me bringing it to their attention called out the ignorance because there have been players in this league that have had braids before me, and it was never an issue.”Tiffany Mitchell loves playing basketball while wearing long braids. But that became an issue when she was competing in Australia.Gabriella Angotti-Jones for The New York Times‘When I look good, I feel good, I play good.’As early as fifth grade, Deja Kelly’s mother encouraged her to create a signature hairstyle.“She would call it a ‘D-I do’: If you want to go D-I, you have to look like you play D-I,” Kelly said.She adopted a slicked-back ponytail or a bun as her preferred hairstyles. Her glam routine now — eyelash extensions, a tight bun and detailed edges — “has never affected my performance” as the University of North Carolina at Chapel Hill’s leading scorer last season. Kelly has had endorsement deals with Dunkin’, Beats by Dre, Forever 21 and the sports drink Barcode, among others.“For me, when I look good, I feel good, I play good,” Kelly said. “That’s something I always prided myself in.”Walker, the sports management professor, said her studies on women’s sports pointed to a trend: Women in basketball are showcasing greater agency and self-determination by glamming.Video by Gabriella Angotti-JonesDiJonai Carrington of the W.N.B.A.’s Connecticut Sun said she felt that she played better after she had gone through her glam routine.Gabriella Angotti-Jones for The New York TimesGabriella Angotti-Jones for The New York Times“A lot of women’s basketball players feel free to express themselves, to perform in a way aesthetically that accomplishes whatever they want to accomplish,” Walker said. “Sometimes we underestimate how business savvy they are, particularly in this day and age.”Connecticut Sun guard DiJonai Carrington has had an endorsement deal with Savage X Fenty, Rihanna’s lingerie brand. She makes sure she has on her 20-millimeter mink eyelash extensions before every game. Her nails, typically coated with some sort of bright polish, are usually done with acrylic extensions. She’s grown so accustomed to applying gel to her hairline that it takes her only about 30 seconds.“I feel like I play better. I don’t know if I do or I don’t, but I just feel like I do,” Carrington said. “And I never have wanted to compromise one thing or another, whether that’s being a hooper and being a dog on the court and still being able to look a certain way.” More

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    Trae Young, Your Hair Is a Magnificent Unsolved Mystery

    The complex ’do of the Hawks player has been debated, dissed and memed. But our critic pays respect to its “confusion, awe and strength.”What now? He’s gone. I mean, it’s gone. The single most fascinating thing about the N.B.A. playoffs hasn’t been, “Were the Nets ever really a team?” Or: “Whose death wish is better: Charles Bronson’s or Philly’s?” It’s not even: “Lord. What. Is. Ben Simmons. Wearing. To-night?” The single most fascinating thing about the last two postseasons has obviously been Trae Young’s hair.And now the matter is shelved, because the Hawks were just eliminated in Round 1 by the Heat, which means Trae Young is gone, which means so is that magnificent unsolved mystery of a haircut. I’m calling it a haircut. But that’s the thing about Young’s hair: cut where? How? This is hair so rich with paradoxical intrigue that a season of “Serial” wouldn’t be unwarranted. It’s thin yet full, short and long, wet but also dry, seemingly “young buck” despite seeming geriatric too, an optical illusion of barbering. There’s a fade, a part and bangs. It’s simply not a haircut. It’s a Michael Crichton novel.Young can be one of those thrilling, how-did-he-just-do-that basketball players, able to make passes that no regular body should be able to.Kevin C. Cox/Getty ImagesThe reason to pay any attention at all to this is that Young can be one of those thrilling, how-did-he-just-do-that basketball players, a Cubist’s rendition of a Houdini routine. On a good night, he seems to ooze between players on his way to the basket or while making passes that no regular body — no regular N.B.A. body — should be able to. He sprays his way to the basket. Makes sense, he’s 23 and at 6-foot-1 is below the league’s average height, and therefore a squirt. But he’s got the swagger of 30 7-footers. The hair completes the thrill. It’s the fuse on a stick of dynamite, candelabra flames. The swagger’s not a secret. It’s even got a nickname: Ice Trae.Young’s an entertainer, and the hair’s part of the entertainment. His breakaway lob won Game 3 against the Heat. In this series, the hair was full in the rear, like maybe a bustle was back there. Part of the fun of that particular game was studying how any time Young took off, the back of his head seemed to gallop full on behind him, like something you might fly to Pamplona in order to flee. Anytime he juked somebody on the Heat, the hair could seem a-twerk. After his veritable game winner, the clock was stopped at 4.4 seconds, and Young strolled to the sideline where you might have noticed that the bangs had been upended, turned back, folded over, something. On television, this short, dark coastline bore no immediate relation to the darker plume behind it. Except: of course they were related! It was a lawn in two phases: mowed and wild. It was a geologic table: Triassic and Neogene. It was a treat: cotton candy and fruit roll-up.Kevin C. Cox/Getty ImagesEverybody wants to know, what’s the point of this hair? Is it falling out? Is it being replaced? Is it still coming in? Are we looking at a technology in progress, at expensive science? Or is this simply, brilliantly, the art of nature? Nobody knows. But seemingly everybody with the N.B.A.’s app and a Twitter account would like to. Denzel Washington just wants it gone. “Tell that little boy to get a haircut,” he told Young’s Heat opponents on Sunday, after he ran into them in a hotel lobby and gave a pretty moving impromptu motivational speech. His advice for the “little boy” we all presume is poor Trae Young was just a bewildered aside: “What kind of haircut he workin’ with?” Um, Denzel: All of them! The real answer’s none of our business. I just adore how it seems to embolden Young, to make him brasher, slyer, swaggier. Or at least it did.Last year, in Game 7 of Round 2 against the Sixers, Young was dribbling down the court at top speed when he was flattened by Dwight Howard, who must weigh what two Trae Youngs do (and, for that game, wore his hair in a golden dread mohawk that said “dancehall rooster”). Down on his stomach, Young proceeded to do a set of push-ups right there on the court. One thing to love about that hair is that it doesn’t stop Young from doing stuff like that, straight trolling. The person wearing that hair wants you to think it’s going to bring him down.Young does push-ups after a collision with Dwight Howard of the Sixers in 2021.Matt Slocum/Associated PressEarlier in that run of the Hawks’, I’d watched them shock the Knicks in the opening game of their first-round series. We were all at Madison Square Garden and even the overjoyed, eventually crestfallen Knicks fans were, at least, appreciably flummoxed by how impossible Young looked. Slight yet entirely assured, daring, pressing, artistic. Little of that was on display this year. It was as if he was locked out of his own élan. The ’do had lost its derring. And now it’s back at home.I SUPPOSE WHAT some people want for Young’s hair is a Devin Booker or a Jayson Tatum. Something with evident shape. Hair that tells a story that doesn’t require trips to a glossary or reliance on a family tree. Something to dam a critic from a flood of metaphors. Indeed, Booker, who plays for the Suns and is currently saddled with a bum hamstring, and Tatum, who’s superseded Young as this postseason’s astonishment, do have more straightforward versions of what it seems like Young “should” be going for. Booker’s hair piles into a substantial, substantially handsome box of subtle curds. (Yes, curds!) And Tatum’s waving, almost ringleted, faded incarnation, complete with a short, shaped-up front curtain, really is the Bizarro Trae. You feel like you can explain it in five words or fewer: Renaissance Cupid goes to Freaknik.Young tries to shoot against Caleb Martin of the Heat on Sunday.John Bazemore/Associated PressBut the more time I spend with Tatum’s and Booker’s eligible-bachelor hair, the more I appreciate the gumption of Young’s. This hair is not an accident. (In fact, off-court, it’s tamed: a slick, glamorous number in a single inky shade.) Between games 3 and 4 of last year’s Knicks series, he got it cut. He did not cut if off. The back simply had less action than it had that month. Pure Ice Trae. This haircut happened in the Atlanta area, where the Hawks play. You just don’t play basketball for a team whose home also answers to Chocolate City with that hair and not know that people are going to have questions, that barbershops are likely twitching with exasperation, that as many stylists are probably waiting to jump you as Knicks fans were. Nonetheless, he persists. Well, he did.THE CLASH THIS MONTH between the Hawks and the Heat was exciting for its contrasting superstar hair. Jimmy Butler is the captain of Miami’s ship. For years, he’s had the single best hair in the N.B.A., an intricate tower of curls, twists and maybe dreads. In a league currently rich in cornrows and swinging plaits, thick with spilling meringues that may or may not require the aid of a hair sponge, there was nothing else like the control of Butler’s geyser. Every time I saw it, I wanted his hair to teach mine a class in structure, imagination and fades (fades that would tickle Mark Rothko). This did not look like easy hair to maintain. How, for instance, did he keep a consistent ratio among hair that seemed to dread, hair that twisted and hair that did something else? A delightful, loosely instructive video exists of Butler’s first post-N.B.A.-bubble haircut after the Lakers had beaten the Heat in the finals.John Bazemore/Associated PressAnd now? Well, that video’s an index of a glorious, bygone era, because all season he’s been playing with his hair braided. In poured inevitable comparisons to Allen Iverson’s cornrows. What Butler’s got going on is more artisanally illustrious than Iverson’s, which, nonetheless, remains the yardstick by which all other braided basketball hair is measured. He’s its Xerox, its Kleenex. Butler’s new hair, which is seemingly redone for each game, achieves grandeur (rivers, rivulets, lightning bolts, sculptures, crop circles, braids that clasp behind his head in a bunlet that rests just above the headbands he’s been playing in). This hair is a clear kick for him. There it is in another Michelob Ultra ad as its owner croons “I Only Wanna Be with You.” But me? I only wanna be with that box.So it felt fitting for this new hair to meet Trae Young’s in a playoff series. It’s got a clear purpose that isn’t all business and yet, in its way, is serious. And it must be said that Young’s does seem to be figuring itself out. Still, I remember what happened last year, going from Young’s Hawks to some other game. I was bored. After four quarters of Trae Young, everything else felt … flat. With him gone, it’s not all gloom. Hardly! The juicy Round 1 series between the Grizzlies and the Timberwolves is both an action franchise and a hair convention. It’s just that Young is a convention of one.Of late, Denzel Washington has become a meaningful font of fatherly wisdom. But on Trae Young’s hair, we must part. I don’t want it to change, although it probably will. It’s become too much of a thing. This has been hair that’s felt like it’s on its way somewhere, anyway; and I want to pay my respects before it gets there. Hopefully, its arrival won’t be too drastic. Young might owe his swagger to that hair, given the defiance required to wear it that way — those ways. It flies and swings and bounces and struts. It can do that thing that Mick Jagger does onstage, where he whips around as if to see who’s tapped him on the shoulder. It’s a source of amusement, confusion, awe and strength. It’s biblical that way. Cut that hair and a city might fall. More