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      NBA Under Pressure to Remove Phoenix Suns Owner Robert Sarver

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      A sponsor, team owner and players are calling for a harsher penalty for Robert Sarver, the Phoenix Suns owner, after an investigation found he mistreated employees for years.Minutes before the N.B.A. announced the results of an independent investigation into Robert Sarver, the majority owner of the Phoenix Suns, on Tuesday, a call took place between N.B.A. Commissioner Adam Silver and Tamika Tremaglio, the executive director of the players’ union.Silver told Tremaglio the report was coming and that, based on its findings, he’d given Sarver a $10 million fine and one-year suspension.It was one of many conversations they have had this week. Once Tremaglio had read the 43-page public report that said Sarver had used racial slurs and treated women unfairly, she met with players on the union’s executive committee. Then, she told Silver that a one-year suspension would not do. Sarver, she told him, should never return to the Suns.“We do have to step up; I have to protect our players,” Tremaglio said in an interview Friday. “In my mind, this is not protecting our players. We are putting them in a situation that we already know is toxic if we were to permit that.”She said Silver had said he understood.“I think he also was torn with regards to what needed to be done,” Tremaglio said.Tremaglio and N.B.A. players aren’t alone in wanting Sarver out of the N.B.A. for good. A prominent sponsor and a Suns minority owner also have called for Sarver to no longer be involved with the team, part of mounting pressure for a dissolution of the relationship between Sarver and the N.B.A. Sarver also owns the W.N.B.A.’s Phoenix Mercury.“I cannot in good judgment sit back and allow our children and future generations of fans to think that this behavior is tolerated because of wealth and privilege,” Jahm Najafi, a Suns vice chairman and minority owner, said in an open letter to employees and fans Thursday calling for Sarver to resign.PayPal, which has a logo patch on the Suns jerseys, said Friday it would not renew its sponsorship after the 2022-23 season if Sarver were involved with the team after his suspension.Dan Schulman, PayPal’s president and chief executive, said in a statement that Sarver’s conduct was “unacceptable and in conflict with our values.”What to Know: Robert Sarver Misconduct CaseCard 1 of 6A suspension and a fine. More

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      Why LeBron James Is Worth $100 Million to the Lakers, Win or Lose

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      If all James did was win basketball games, that would be more than enough. But his value goes beyond the court.If one believes in science, historical trends and the limits of human capabilities, there’s a high likelihood that the 37-year-old LeBron James soon will no longer play like a superstar.After all, in the history of the N.B.A., few players were even in the league at that age, much less playing as well as he does. Last year with the Los Angeles Lakers, in his 19th season, James averaged 30.3 points a game, the second highest of his career and the most on the team. He was named an All-Star for the 18th time.James makes it look easy, but the short list of players who were competing at an All-Star level around James’s age shows that it is not: Kareem Abdul-Jabbar, Karl Malone, John Stockton and Michael Jordan. Chris Paul, who turned 37 in May, may deserve to be on the list.Still, trends would suggest that the Lakers’ recent decision to sign James to a two-year, $97.1 million extension with a player option for a third year might not pay off on the court. The Lakers didn’t make the playoffs last season, and James played just 56 of 82 games because of injuries and rest. His contract will eat up a significant percentage of the team’s salary cap space, making it harder for the team to add other top-tier players. James has defied human limits thus far, but each year is a new chance for science to win.Yet deals like his are often unbound by the rules of basketball, finance or science.“There is a very strong emotional component as well,” Mark Cuban, the owner of the Dallas Mavericks, said in an email. “Professional sports are unlike any other business. You will not find the emotional attachment to players that Mavs and N.B.A. fans have, like they do to Dirk or LeBron or so many others, in any other business.”James’s connection with Los Angeles and Lakers fans can help explain why the team would sign him to a contract extension at an age when most stars have already retired.Chris Young/The Canadian Press, via Associated PressCuban employed his own franchise star in Dirk Nowitzki, who spent his whole career with the Mavericks, from 1998 to 2019. Nowitzki retired at 40 and received multiple late-career contracts for close to the maximum amount.“No one says they have a favorite programmer at Google or the person who updated their iOS at Apple is their all-time favorite and they have their trading card,” Cuban said. “I’m not saying all owners look at it this way, but I know quite a few of us do.”Cuban said he was influenced by Jerry Buss, a former owner of the Lakers, who in 1981 signed Magic Johnson to an unusual 25-year contract worth $25 million after just two seasons with the team. The Lakers also gave a 35-year-old Kobe Bryant a two-year extension worth $48.5 million in 2013 months after he had torn his Achilles’ tendon, keeping him as the highest-paid player in the N.B.A.“When someone has given as much to the organization as Dirk did for the Mavs, you just ask what he wants to do and do it,” Cuban said.This approach serves as a signal to stars on other teams that the Lakers are willing to keep them long-term. Bryant and Johnson, who each separately led the Lakers to five championships, helped recruit James to the Lakers, directly and indirectly.“It will speak volumes in terms of attracting people to that,” Julius Erving, the Hall of Fame guard and forward, said of James’s extension.There’s also a branding benefit for the Lakers in having James — or stars like Johnson and Bryant — associated with the team, said Rick Burton, a sports management professor at Syracuse University.“These are players that the Lakers want you to know: ‘These guys are with us. The best players in the world play for us,’” Burton said.Kobe Bryant’s final season with the Lakers wasn’t very good, but his final game was an all-out spectacle, full of celebrities and a roaring crowd.Harry How/Getty ImagesA souvenir jacket for Bryant’s last game was on sale for $5,824 at the Lakers’ arena.Lucy Nicholson/ReutersBut even if James soon is no longer among the best in the world, his contract is likely to pay off for the Lakers in ways beyond wins: on the business side.“Having his retirement date closer on the horizon creates a sense of urgency, and a scarcity effect,” Irina Pavlova, a former executive for the Nets, said in an email.She added: “I think of it the same way as if it were announced that ‘Hamilton’ only had four more weeks to run: All those people who have been delaying seeing it are now going to rush to do it, paying (even more) exorbitant prices for tickets, and probably buying commemorative playbills.”James has not said when he plans to retire, though it seems it may not be soon: He has said he wants to play with his 17-year-old son, LeBron James Jr., who is known as Bronny. And in a Sports Illustrated article this week, he hinted that he might want to play with his 15-year-old son, Bryce, too.Bryant retired after the last year of his two-year extension. The Lakers were among the worst teams in the N.B.A. those two years, and though outsiders criticized the deal, Bryant never seemed to lose the good will of Lakers fans and staff.“This is a year that’s dedicated to Kobe and his farewell,” Mitch Kupchak, then the Lakers’ general manager, said during Bryant’s final season.Fans flocked to Bryant’s games, hoping to catch a final glimpse of him and generating TV ratings and merchandise sales for the team. In his last game, the Lakers’ home arena reportedly sold more than $1.2 million in merchandise, including five cashmere diamond-encrusted Bryant baseball hats for $24,008. (Bryant wore the jersey numbers 8 and 24.)James has defied conventional wisdom, and science, that says he should not still be playing this well at his age. He averaged 30.3 points per game in 56 games last season.Ron Schwane/Associated PressEven if James is not retiring, he is just 1,325 points behind Abdul-Jabbar for first on the N.B.A.’s career scoring list, giving the Lakers an opportunity to cash in on that chase through apparel and other such sales. James has scored at least that many points in every season except 2020-21, when he played in just 45 games because of injuries. (The season was shortened by 10 games, to 72, because of the coronavirus pandemic.)Non-basketball factors make up “a small percentage” of decision making on contracts, said Rod Thorn, a former N.B.A. front office executive, who drafted Jordan with the Chicago Bulls. The Lakers, he said, want to be a strong basketball team because they have “a big rival on their doorstep” in the Los Angeles Clippers, who are expected to leave their shared arena by the 2024-25 season for their own venue.“It’s still a Laker town, but the Clippers may eclipse them as a team,” Thorn said, adding: “They want to have a great team. That’s how they get to where they want to go. That’s how they maximize the money they can take in. That’s how they maximize their brand.”Of course, if the Lakers continue to underwhelm, as they did last season, James’s contract could draw criticism much like Bryant’s extension did, even though James led the Lakers to a championship in 2020. Jeanie Buss, Jerry Buss’s daughter and the majority owner of the Lakers, declined to comment for this article. But James has long escaped the clutches of critics, and the Lakers have shown that, in special cases, they are willing to invest in their stars.“If we go back, it was Kobe, it was Magic, it was Kareem,” Erving said. “It was Wilt. It was Jerry West. Elgin Baylor was the greatest — he was my favorite. So they’ve always had a guy who fans locally and globally could identify with, and LeBron is that guy for the Lakers.” More

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      A Paean to the Gods (and Shammgods) of New York City Hoops

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      Some of the most memorable characters in New York basketball history gathered in Manhattan for a screening of the documentary film “NYC Point Gods,” a tribute to — well, to them.There is little left that defines New York City basketball, save for the Knicks’ eternal search for an impactful lead guard. It’s a search that has always been inflamed, exacerbated and magnified by the abundance of point guards bred by the city.There was the incandescent Pearl Washington, who rode a motorcycle and sometimes wore a fur to playground games, and whose tremendous dribbling for Syracuse destroyed Georgetown’s dominant full-court press in the Big East tournament.And God Shammgod, the worshiped Harlem guard who played a game within the game by offering the ball up to defenders with his right hand and then ripping it back with his left. The move, still replicated in N.B.A. games by Russell Westbrook and others, is known as the Shammgod.From them and others, New York point guards learned that moxie, flair and unimpeachable handles were just as important as the ability to initiate an offense. But the era that established the archetype of the New York point guard — pillared in the 1970s and 80s by Catholic schools that have since closed for lack of funding and playground courts that saw their rims removed during the Covid-19 pandemic — is gone.For a rare moment on Wednesday night, it was reanimated at a screening of “NYC Point Gods,” a feature-length Showtime documentary that pays homage to the guards who gave the city its rep. The film was produced by Kevin Durant and his business partner and agent, Rich Kleiman. Durant, a New York transplant, wore Dior as he doled out hugs to the documentary’s subjects. Kleiman, a native, gleamed in gold aviator glasses as he introduced the film to shouts from the audience that referred to him as Ace, as in Rothstein, the protagonist of the movie “Casino.”Durant and God Shammgod greet each other at the premiere.Theo Wargo/Getty ImagesThe venue was Manhattan West Plaza, a cathedral to the power of real estate development ordained into usefulness by a New York tradition: hoopers paying homage to hoopers.That term is an honorific that disregards professional status and statistics and can be conferred only by another hooper. It doesn’t matter if you had a 20-year N.B.A. career or if your best performances are now remembered only by basketball griots. There’s a reverence among hoopers. Did you make those who watched you play love the game as you did? Did you give the crowd an “I was there when” story?Outside the Midnight Theatre, camera flashes greeted Rafer Alston and Kenny Anderson, who walked the red carpet with his mom. Sabrina Ionescu, of the W.N.B.A.’s Liberty, sidled up for hugs with Nancy Lieberman and Niesha Butler. Jayson Tatum, of the Boston Celtics, deferentially cupped hands with Anderson as Paul Pierce spelled his name for a puzzled list-holding publicist.Once the film rolled, though, the guards’ trademark toughness washed away as they listened to each other’s stories. “It was very emotional, not just for myself, but, you know, I lived and witnessed those stories of the other guys and girls also,” said Mark Jackson, a former Knicks point guard who starred at St. John’s. Seated alongside his four children, he dabbed at his eyes as he heard Kenny Smith, a Queens-born retired N.B.A. champion, describe how Jackson’s smarts led him to a nearly 17-year pro career.Mark Jackson with his children.Amanda Westcott/ShowtimeAt its heart, “Point Gods” is the hoopers’ oral history of how the city created a lineage at the position. Shammgod developed his dribble because his gym teacher, Tiny Archibald, told him it would make him perpetually valuable to any team. Only by watching a V.H.S. mixtape compilation of point guard highlights called “Below the Rim” did he learn of Archibald’s previous work.That revelation drew a crack of laughter inside the screening, where, earlier, attendees jostled over seats and settled in with the shoulder-to-shoulder intimacy of the city’s bandbox parks. Dao-Yi Chow, a lauded fashion designer, sat near a far wall wearing Jackson’s Knicks jersey. Clark Kent, whose real name is Rodolfo Franklin and who goes by the Rucker Park-ian nickname “God’s Favorite DJ,” held down a back-row seat. Kent produced a chunk of Jay-Z’s debut “Reasonable Doubt,” which dropped in 1996, the year Jeff Van Gundy took over the Knicks.For his part, Jay-Z had welcomed Shammgod on a nearby rooftop patio before the screening. The rapper and mogul was a mainstay of Rucker Park’s Entertainer’s Basketball Classic in the early aughts, and his attempt to woo Kareem Reid from a rival’s team with a bag of cash is told by that rival, the rapper Fat Joe. The exact sum, rumored to be in the thousands, is bleeped out in the retelling as Joe recounts the Mafioso-style meeting he had with Reid to convince him not to jump ship. Reid, who had a cup of coffee with the N.B.A.’s Hornets in 2003, stayed.When the film showed LeBron James, Beyoncé and N.B.A. Commissioner David Stern (wearing Joe’s platinum and diamond chain) making summer pilgrimages to the park, a woman seated four rows from the screen yelped, “I was there,” “I was there,” “There too,” both tallying her attendance and bringing Harlem into the room.In another scene, the rapper Cam’ron — a Harlem native who played on several high school travel teams alongside some of the documentary’s subjects — explained that oohs and ahhs from the crowd were worth “five or six points” to a New York point guard.Cut to Anderson in a 1991 A.C.C. game. He’d been a high school legend at Archbishop Molloy in Queens, and New Yorkers who followed his career to Georgia Tech couldn’t wait to see him mix up Duke’s Bobby Hurley, who was notorious for his lax defense. The point guard cast hypes up what’s about to come, and Smith urges the director to pull the game footage up so he can narrate a grainy ESPN clip of the one-on-one clash.Kenny Anderson on the red carpet.Amanda Westcott/ShowtimeAnderson meets Hurley at the elbow, then takes his dribble behind his back and between his legs before gliding past a dazed Hurley for a floating layup. Unnoted was the fact that Duke won the game.Small matter. When it happened, only Dickie V’s hyperventilation on ESPN marked the moment as something special. “NYC Point Gods,” though, layered in the soundtrack of the hoopers who have told and retold the story as one of many chapters in their aggrandizing mythology.On film, though, Shammgod is awed. Stephon Marbury, who sported Anderson’s center-parted haircut in high school and followed him to Georgia Tech, leans into the retelling. The unscripted, ephemeral whoops from inside the screening, from N.B.A. stars and high school coaches and their playground peers, fell anew upon Anderson in the theater’s dark. More

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      Is That Steph Curry … or a Work of Art?

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      This Instagram account will change how you see basketball.In the flat red frame of a photograph, a woman smiles upward. With the camera, we gaze down upon the whirl of her body. Near her face, a basketball sinks through the net; below her feet, a white line divides the image, like the fold of a pocket mirror. On the other side of the line, the matte red of a basketball court gives way to textured brush strokes, punctuated by lines and grids in black and white. These abstracted shapes reflect, with a difference, the woman’s radiant skill. This image is titled “A’ja Wilson and Team USA Extend Win Streak to 51 | Kandinsky.” You can find it at my favorite place on the internet: the Instagram account @b_a_l_l_h_a_u_s.@b_a_l_l_h_a_u_s posts partner a photograph of an N.B.A. or W.N.B.A. player with an accompanying detail, sometimes modified, from an artwork, usually an oil painting. If you (me) feel a nervous frisson around the name’s reference to a famous German design school, don’t worry: @b_a_l_l_h_a_u_s never flattens the players into high culture’s dupes, and never flattens their sport into some noble but vague idea of “art.” Instead, @b_a_l_l_h_a_u_s’s comparisons recognize professional basketball as a synthesis of labor and creativity, craft and art, practice and personality. I love its vision of the game.The breadth of these images makes clear that most sports media praises a narrow range of characteristics.Using comparisons to explain objects of interest — whether artistic, athletic or both — isn’t a new strategy. But @b_a_l_l_h_a_u_s’s posts have a gorgeous uncanniness, rewiring the expectations I bring to the players they depict. Their physical and emotional insights surpass what a “SportsCenter” highlight reel can show. Look: LeBron James swaggering, warped and cerebral like a Lucian Freud self-​portrait; Giannis Antetokounmpo grieving, his loose joints weighted like Jennifer Packer’s seated figure in “Mario II”; Sophie Cunningham triumphant, hair flaring, fierce and radiant like Delacroix’s “Liberty Leading the People” and Botticelli’s “The Birth of Venus.” The breadth of these images makes clear that most sports media praises a narrow range of characteristics. Think of the side-eye cast at Philadelphia’s James Harden, whose stubborn eccentricity is illegible to most analysts. @b_a_l_l_h_a_u_s’s images show something different. They dive into the players’ sensibilities and seem to understand that being weird, effete or ambivalent might be part of these athletes’ power. In one @b_a_l_l_h_a_u_s post, Harden stares cryptically out of the frame, eyes full of secrets, next to Paul Gauguin’s “The Sorcerer of Hiva Oa.”I realized the force of @b_a_l_l_h_a_u_s during the N.B.A. playoffs, which culminated in a collision between the Golden State Warriors’ Stephen Curry, the sweetest three-point shooter the sport has ever known, and the Boston Celtics’ Jayson Tatum, an emerging young star. How to understand these players as people and artists? Rather than asking where Tatum would fit in the pantheon of N.B.A. greats, @b_a_l_l_h_a_u_s posted images like “Celtics up 3-0 | Edgar Degas.” Surrounded by Nets players, Tatum stretches into the air, his arm extending toward the basket in an elegant port de bras. His uniform finds its mirror in the tulle skirt of a ballerina, shimmering as she sweeps into an arabesque. Gracefully balanced, the dancer’s leg lifts away from the tilt of her head; Tatum’s muscled shoulder echoes the delicate arch of the ballerina’s toe shoes.Seeing this iconic image of (white) femininity used to complement Tatum’s strength felt like a revelation. The critic John Berger famously observed that in art and life, “men act and women appear.” But @b_a_l_l_h_a_u_s’s figures, across gender and genre, define their meaning through what their movement can do. @b_a_l_l_h_a_u_s went on to interpret Curry’s play via a series of juxtapositions to dancers: Sometimes he’s lithe and smooth, like Loïs Mailou Jones’s painting “La Baker”; sometimes monumental in strength, like Picasso’s women on the beach. In this context, envisioning Tatum with Degas’s ballerina seems neither a joke nor a too-easy equivalence. Instead, it highlights the precision of his technique. What might the rest of our sports media accomplish if it were equally willing to reconsider gender as a final mark of an athlete’s worth or ability? What stories might it tell about these athletes, or their world, if its attention was focused through @b_a_l_l_h_a_u_s’s wider lens?Sports are played to win; that’s part of their pleasure. It may seem odd to chafe against sports media’s rankings, which arguably only track the competitive structure of the game itself. But basketball, like art, is worth more than a final score or a price tag. No simple calculus can determine what a given player might mean to the game or to fans. I love how @b_a_l_l_h_a_u_s recognizes the players’ cosmopolitanism and humor alongside their ferocity and sweat, and how all this persists even in defeat. @b_a_l_l_h_a_u_s’s way of seeing appeals to me because its comparisons resist both simple equivalence and forced hierarchy. It enriches images on both sides of the frame, making art and athlete seem wilder, more compelling. Criticism, whether of sport or art, doesn’t often manage to capture this thrill. At its best, @b_a_l_l_h_a_u_s can feel like the greatest kind of basketball game, one with both teams playing at their most elegant and strong. One team wins, but it’s seeing everyone’s talents that makes the victory a work of art.Sarah Mesle is a professor, writer and editor based in Los Angeles. She is on the faculty at the University of Southern California and the editor of the Los Angeles Review of Books online magazine Avidly. More

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      Naomi Osaka Starts a Media Company, With Help From LeBron James

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      The tennis star, who has struggled on the court of late, is behind an entertainment company called Hana Kuma in partnership with Mr. James’s fast-growing SpringHill.She is a four-time Grand Slam singles champion who ranks as the world’s highest-paid female athlete, having earned $57 million in 2021, mostly from sponsorships. Walmart recently began to stock products from her skin care company, Kinlò, in nearly 3,000 locations. Last month, she started a sports representation agency.And now Naomi Osaka is pushing into Hollywood — with an assist from LeBron James.Ms. Osaka, 24, has started a media company called Hana Kuma in partnership with SpringHill, a fast-growing entertainment, marketing and products company co-founded by Mr. James. Ms. Osaka said in a brief Zoom interview that her ambitions for Hana Kuma, which stands for “flower bear” in Japanese, include scripted and unscripted television series, documentaries, anime and branded content, which is entertainment programming that has embedded or integrated advertising.“I honestly can’t say if I’ll personally be in anything right now,” Ms. Osaka said. “What excites me is being able to inspire people and tell new stories, particularly ones that I would have wanted to see when I was a kid. I always wanted to kind of see someone like me.” Ms. Osaka is of Japanese and Haitian ancestry.Fans should expect Ms. Osaka’s advocacy to underpin at least some of Hana Kuma’s offerings, most of which are still in development. Ms. Osaka has been outspoken on topics that many elite sports stars try to avoid. She was an early supporter of the Black Lives Matter movement. Last year, she started a global discussion about mental health in sports when she withdrew from the French Open, citing a need to make her own well-being a priority. She also disclosed past struggles with depression and anxiety.Ms. Osaka’s candor has resonated with an audience far beyond sports — young people in particular — making her a sponsorship dream even though she has recently struggled on the tennis court. (She lost in the first round of the French Open last month. She said in a social media post on Saturday that she would not play at Wimbledon this summer because of an Achilles’ injury.)One project in development involves cooking and the Haitian community. “I watch a lot of food-related shows, cooking competitions, because I like to cook,” Ms. Osaka said with a laugh. The first project with Hana Kuma credits will be a New York Times Op-Doc about Patsy Mink, the first woman of color elected to Congress. Hana Kuma is also working on unspecified documentary content for Epix, a premium cable channel now owned by Amazon.SpringHill, co-founded by Maverick Carter in 2020, will serve as a financing, operations and producing partner for Hana Kuma. SpringHill has roughly 200 employees and was valued at $725 million when selling a minority stake to raise capital last year. Operations include a marketing consultancy and a media and apparel division dedicated to athlete empowerment. Another unit focuses on film and television production. There is also an events team.“Naomi can just plug into what we have built,” Mr. Carter said.SpringHill wants to replicate the Hana Kuma deal with other athletes who have global appeal. “We want to do a lot more of this in the future,” Mr. Carter said, noting that discussions have started with other sports stars.It must be asked: Isn’t this just a newfangled vanity deal? For decades, old-line studios gave favored stars funding to start affiliated companies, most of which never amounted to much — aside from keeping the star happy.“Under the old system, sometimes those ended up being for vanity,” Mr. Carter said. “But the goal here is to build Hana Kuma into a real company and a real brand.” SpringHill’s emphasis on branded content sets it apart from old-line studios, he added. Hana Kuma has been hired by FTX, a cryptocurrency exchange, to produce branded content.LeBron James at the premiere of Netflix’s “Hustle” in Los Angeles this month.Kevin Winter/Getty ImagesMr. James said by telephone that Ms. Osaka’s “grace and power” on and off the court made her a good match for SpringHill, “which exists to empower athlete creators.”“We don’t take for granted the position we are in to lend a helping hand, in this case to Naomi, to help empower her to do even more great things,” Mr. James said.Ms. Osaka has 12 sponsors, including Nike, Mastercard, Louis Vuitton and Panasonic. Her longtime agent and business partner, Stuart Duguid, said some could be involved with Hana Kuma content. Mr. Duguid is a Hana Kuma co-founder.“We really want to bring that number down and have more in-depth relationships with the ones that continue,” Mr. Duguid said, referring to corporate sponsors. “We want to take bigger swings and start companies, invest in companies, things that might have potentially a bigger outcome than if you did a McDonald’s deal and got paid year to year. What will really move the needle?”Building a portfolio of businesses — while still in the middle of her tennis career — makes Ms. Osaka something of a pioneer among female athletes. At least, it will if she succeeds.“We haven’t seen any female athlete do anything like what we are trying to achieve,” Mr. Duguid said. “Serena has done well with her venture business. But she’s toward the end of her career, and, you know, we’re in the middle.” He was referring to the tennis legend Serena Williams, whose venture capital firm, Serena Ventures, has raised an inaugural fund of $111 million to invest in founders with diverse points of view.Because she is still playing tennis, Ms. Osaka will not be sitting in on many production meetings. “But everything creative and everything strategic, it’s obviously going to have Naomi’s stamp on it and her style and her input,” Mr. Duguid said. More

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      Stephen Curry’s Golden State Is the NBA’s Newest Dynasty

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      Stephen Curry, Klay Thompson and Draymond Green won four N.B.A. championship teams in eight years.BOSTON — The N.B.A.’s dynasties share certain commonalities that have helped them tip the scales from being run-of-the-mill championship teams to those remembered for decades.Among them: Each has had a generational player in contention for Mount Rushmore at his position.The 1980s had Larry Bird’s Boston Celtics battling Magic Johnson and Kareem Abdul-Jabbar’s Los Angeles Lakers. Michael Jordan’s Bulls ruled the ’90s, then passed a flickering torch — a championship here and there, but never twice in a row — to the San Antonio Spurs with Tim Duncan.Shaquille O’Neal and Kobe Bryant sneaked in a Lakers three-peat at the start of the 2000s.And then there were … none. There were other all-time players — LeBron James, of course. And James’s Heat came close to the top tier by becoming champions in 2012 and 2013, but fell apart soon after.Dynasties require more than that.Patience. Money. Owners willing to spend. And above all, it seems, the ability to “break” basketball and change the way the game is played or perceived. That’s why there were no new dynasties until the union of Golden State and Stephen Curry.Curry said the fourth championshp “hits different.”Elsa/Getty ImagesDonning a white N.B.A. championship baseball cap late Thursday, Curry pounded a table with both hands in response to the first question of the night from the news media.“We’ve got four championships,” Curry said, adding, “This one hits different, for sure.”Curry repeated the phrase “hits different” four times during the media session — perhaps appropriately so. Curry, Klay Thompson, Draymond Green and Andre Iguodala had just won an N.B.A. championship together for the fourth time in eight years.“It’s amazing because none of us are the same,” Green said. “You usually clash with people when you’re alike. The one thing that’s constant for us is winning is the most important thing. That is always the goal.”Golden State has won with ruthless, methodical efficiency, like Duncan’s Spurs. San Antonio won five championships between 1999 and 2014. Duncan, Manu Ginobili and Tony Parker were All-Stars, though Duncan was in a league of his own. Their championships were spread out — Parker and Ginobili weren’t in the N.B.A. for the first one — but they posed a constant threat because of their disciplined excellence.Tim Duncan, left, Manu Ginobili, center, and Tony Parker won four championships together on the San Antonio Spurs. Duncan won a fifth, in 1999.Eric Gay/Associated PressDuncan, left, Ginobili, center, and Parker at Parker’s jersey retirement ceremony in 2019.Eric Gay/Associated Press“Steph reminds me so much of Tim Duncan,” said Golden State Coach Steve Kerr, who won two championships as Duncan’s teammate. “Totally different players. But from a humanity standpoint, talent standpoint, humility, confidence, this wonderful combination that just makes everybody want to win for him.”Unlike Golden State, the influence of Duncan’s Spurs is more subtle, which is appropriate for a team not known for its flash. Several of Coach Gregg Popovich’s assistants have carried the team-oriented culture they saw in San Antonio to other teams as successful head coaches, including Memphis’s Taylor Jenkins, Boston’s Ime Udoka and Milwaukee’s Mike Budenholzer. Another former Spurs assistant, Mike Brown, was Kerr’s assistant for the last six years. For San Antonio, sacrifice has mattered above all else, whether in sharing the ball with precision on offense or in Ginobili’s willingness to accept a bench role in his prime, likely costing himself individual accolades.Johnson’s Showtime Lakers embraced fast-paced, creative basketball. The Bulls and Bryant’s Lakers popularized the triangle offense favored by their coach, Phil Jackson. O’Neal was so dominant that the league changed the rules because of him. (The N.B.A. changed rules because of Jordan, too.)Even so, Golden State may have shifted the game more than all of them, having been at the forefront of the 3-point revolution in the N.B.A. Curry’s 3-point shooting has become so ubiquitous that players at all levels try to be like him, much to the frustration of coaches.“When I go back home to Milwaukee and watch my A.A.U. team play and practice, everybody wants to be Steph,” Golden State center Kevon Looney said. “Everyone wants to shoot 3s, and I’m like, ‘Man, you’ve got to work a little harder to shoot like him.’ ”Michael Jordan, right, and Scottie Pippen, left, won six championships as the Chicago Bulls dominated the N.B.A. in the 1990s.Andy Hayt/NBA, via ESPNThe defining distinction for Golden State is not just Curry, who has more career 3-pointers than anyone in N.B.A. history. The team also selected Green in the second round of the 2012 N.B.A. draft. In a previous era, he likely would have been considered too short at 6-foot-6 to play forward, and not fast enough to be a guard. Now, teams search to find their own version of Green — an exceptional passer who can defend all five positions. And they often fail.The dynasties also had coaches adept at managing egos, like Jackson in Chicago and Los Angeles, and Popovich in San Antonio.Golden State has Kerr, who incidentally is also a common denominator in three dynasties: He won three championships as a player with the Bulls, the two with the Spurs, and now he has four more as Curry’s head coach.In today’s N.B.A., Kerr is a rarity. He has led Golden State for eight seasons, while in much of the rest of the league, coaches don’t last that long. The Lakers recently fired Frank Vogel just two seasons after he helped them win a championship. Tyronn Lue coached the Cavaliers to a championship in 2016 in his first season as head coach, and was gone a little over two seasons later — despite having made it at least to the conference finals three years in a row.The 2000s Lakers with Kobe Bryant, left, and Shaquille O’Neal, right, were the last team to win three championships in a row. Jordan’s Bulls did that twice in the 1990s.MATT CAMPBELL/AFP via Getty ImagesSince Golden State hired Kerr in 2014, all but two other teams have changed coaches: San Antonio, which still has Popovich, and Miami, led by Erik Spoelstra.In a decade of rampant player movement, Golden State has been able to rely on continuity to regain its status as king of the N.B.A. But that continuity isn’t the result of a fairy-tale bond between top-level athletes who want to keep winning together. Not totally, anyway.Golden State has a structural advantage that many franchises today can’t or choose not to have: an owner in Joe Lacob who is willing to spend gobs of money on the team, including hundreds of millions of dollars in luxury tax to have the highest payroll in the N.B.A. This means that Golden State has built a dynasty in part because its top stars are getting paid to stay together, rather than relying on the fraught decisions of management about who to keep.The N.B.A.’s salary cap system is designed to not let this happen. David Stern, the former commissioner of the N.B.A., said a decade ago that to achieve parity, he wanted teams to “share in players” and not amass stars — hence the steep luxury tax penalties for Lacob. Compare Golden State’s approach to that of the Oklahoma City Thunder, who in 2012 traded a young James Harden rather than pay him for an expensive contract extension. The Thunder could’ve had a dynasty of their own with Harden, Russell Westbrook and — a key part of two Golden State championships — Kevin Durant.Either one of the leg injuries Thompson sustained in recent years could have ended his career.Kyle Terada/USA Today Sports, via ReutersAnd there’s another factor that every dynasty needs: luck.Golden State was able to sign Durant in 2016 because of a temporary salary cap spike. Winning a championship, or several, requires good health, which is often out of the team’s control. Thompson missed two straight years because of leg injuries, but didn’t appear to suffer setbacks this year after he returned. Of course, Golden State has also seen some bad luck, such as injuries to Thompson and Durant in the 2019 finals, which may have cost the team that series.The N.B.A.’s legacy graveyard is full of “almosts” and “could haves.” Golden State simply has — now for a fourth time. There may be more runs left for Curry, Thompson and Green, but as of Thursday night, their legacy was secure. They’re not chasing other dynasties for legitimacy. Golden State is the one being chased now.“I don’t like to put a number on things and say, ‘Oh, man, we can get five or we can get six,’” Green said. “We’re going to get them until the wheels fall off.” More

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      Praying the Lakers Regain a Starring Role in the N.B.A. Playoffs

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      This postseason, the only reminders of the Los Angeles Lakers’ luster appear on a fictionalized cable series and streaming documentaries.Dear God of Sports,This prayer comes in the name of N.B.A. healing and restoration.The playoffs are happening now, blessed with tension and talent. What a spectacle. Thank you for the young among us, beginning with Ja Morant and Jordan Poole. Make safe the health of the great, grizzled Noah known as Chris Paul.The vigor you have again bestowed upon the Boston Celtics is beauty to behold.But something is missing: the Los Angeles Lakers. Any postseason without the Lakers feels like a breach of a cosmic bond.For all to be right in the Kingdom of Hoops, the Lakers must be a fixture in the playoff firmament; same as they were in all but five seasons from their birth in the late 1940s until 2014, when Kobe Bryant (may he and his beloved rest easy) began edging toward retirement.The Lakers are cherished and hated like no other team. They bestow extra attention, vibe and legitimacy upon the postseason. Nothing is the same without them in the mix.Great Spirit of Sports, the Lakers now wander in the desert. With this season’s epic collapse, they have failed to reach the postseason in seven of the last nine years. Yes, they reached the highest of heights in 2020. But that season’s N.B.A. championship finished inside a pandemic bubble. Two years ago now seems like 20. Today, the journey to that title is a parable few remember. Was it just a dream?Basketball fans have been forsaken. A generation walks in the wilderness, having never seen a powerful Lakers team challenge Steph Curry and Golden State with everything on the line.But you never let us down, God of Sports. Amid the playoffs, you have sprinkled reminders of Lakers luster for all to see — at least those of us who subscribe to HBO Max and Apple TV+.Two years removed from winning an N.B.A. championship, the Lakers missed the playoffs this season.Jayne Kamin-Oncea/USA Today Sports, via ReutersLast week came the unveiling on Apple TV+ of the documentary “They Call Me Magic.”Please allow for good reviews.Heal the hearts of the Lakers family, who now live in distress over another recent depiction, the HBO series “Winning Time.” It is classic Hollywood: a glitzy blend of fact, fiction and glammed-up dramatic license that focuses on the team’s 1980s Showtime era. All that off-court excess, all that soap opera intrigue, along with those five league titles.That series has caused hurt feelings and bruised pride to consume Lakersland.Jerry West demanded a retraction and an apology from HBO over the overheated, fictive way he is depicted.Kareem Abdul-Jabbar called the series a deliberately dishonest rendering, “with characters who are stick-figure representations that resemble real people the way Lego Han Solo resembles Harrison Ford.”Magic Johnson, the show’s centerpiece, the Showtime era’s North Star, said he had not seen the series and that it did not tell the truth. Confusing, I know.Lord of Hoops, Great Giver of the Three-Point Shot, far be it from me to tell these basketball legends that their anger is misplaced. But ease their troubles. Remind them that few will watch a series like “Winning Time” in these discordant days without being in on the joke.Help them see the irony: The Lakers’ iconic modern image was built in part on Hollywood smoke and mirrors. On the cloaking and twisting of reality. Indeed, on magic.The Lakers of the 1980s were more than just a team that won five championships in a decade. Their uniqueness came not just from those titles but from the power of make-believe — the Forum Club, the Lakers Girls, the age-defying movie stars in every other seat.Remind aggrieved Lakers of their team’s twists of narrative. Their storied rise in the 1980s was cast as villains to the Boston Celtics and drawn in simple strokes: the cool, Black team standing in the path of the stodgy, white one.Yes, Boston had Larry Bird and other white stars, but it also had Black Celtics like Dennis Johnson, Robert Parish and Cedric Maxwell — legends in their own right.And which team had a Black head coach? The Celtics, led by K.C. Jones for two of their three N.B.A. crowns that decade.In the longtime telling of this duel, the city of Boston has often been projected as mired in racism. But simple stories, as you well know, sometimes mask the complicated truth. Los Angeles has always had plenty of its own problems with race.Injustice exists everywhere. Greatness is a rarer thing. The greatness of 17 N.B.A. championships ground the Lakers, even though mythology has always been a part of their story.Oh mighty one, in the name of St. Elgin, lessen the burden of former Lakers who feel wronged.Then turn back to the hardwood.Restore LeBron James, his creaky knees and 37-year-old back.Remind him that all good things come in due time — so long as due time starts next season. The entertainment empire he is building in Los Angeles is something to behold. But being a movie mogul and community force flows first from the river of N.B.A. championships.Consider purgatory for the front office executives who signed Russell Westbrook, Carmelo Anthony and the other elder-Lakers before this season.When you finish replenishing Hollywood’s team, would you mind granting an even bigger miracle to another basketball calamity?God of Sports, remember the Knicks? More

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      Not Even LeBron James Could Save the Lakers

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      The team that was built to be unbeatable just kept losing.On Jan. 25, the Los Angeles Lakers went to Brooklyn to face the Nets and displayed a joyfulness that was unusual for them this season.Their top stars LeBron James, Anthony Davis and Russell Westbrook were all healthy — one of only 21 times this season that happened. It was Davis’s first game back from a knee injury. It was James’s only appearance in New York City. He had been suspended for the team’s November visit to Madison Square Garden, his favorite place to play.On back-to-back Nets possessions, James stole the ball and raced the other way as the crowd murmured in anticipation. They erupted into cheers each time James dunked.After the second one, James grinned. He laughed with Michael Strahan, the former N.F.L. star, who was sitting courtside, and jogged back to the Lakers’ bench still smiling.“The more minutes that we log, we continue to see how dynamic we can be,” James said after that game.The Lakers were in eighth place in the Western Conference, and the night offered hope. At the time it felt inconceivable that a team built to be an unbeatable superteam might get stuck in the play-in tournament, but the Lakers had plenty of time to rise in the standings. Many assumed they could still be dangerous in any playoff situation.Back then, few expected what would actually happen.The Lakers were eliminated from playoff contention by the Phoenix Suns on Tuesday, even though James had the second-highest point average of his 19-year career this season. On Friday, James was ruled out for the final two games of the season because of a lingering ankle injury that had already kept him out of the three previous games. The Lakers are likely to finish 11th in the Western Conference, a spectacular failure for a team that expected to compete for a championship this season.This season was challenging for many teams, as the N.B.A. attempted a return to normal with the coronavirus pandemic still happening and with high-profile injuries afflicting many teams. But no team in the league will finish the season with as large a chasm between expectations and reality as the Lakers did.“It’s obviously disappointing on many levels,” Westbrook said. “But there ain’t much you can do about it at this point.”Westbrook was introduced with superstar fanfare in August, as Rob Pelinka, the Lakers’ president of basketball operations, declared that he gave them a chance to win the franchise’s 18th championship. But his arrival didn’t come without questions.Russell Westbrook was booed and jeered, both at home and on the road, because of his shooting struggles.Christian Petersen/Getty ImagesHow, for example, would a player who needs the ball in his hands to be productive fit with James, one of the best offensive facilitators ever? Was it wise for the Lakers to get older — by signing a slew of over-30 veterans — when they had already been plagued by health issues that often come with age?Preseasons don’t always foretell the regular season, but the Lakers went winless in theirs.When they stumbled at the start of the season, there was an easy way for the team to explain their situation: It happens. Superstars don’t always jell right away.The pandemic offered an excuse — it made continuity nearly impossible for any team in the first few months of the season.Pandemic disruptions reached their apex during the Omicron wave in November and December, during which dozens of players entered the league’s health and safety protocols.The N.B.A.’s testing system wasn’t perfect and James suffered because of it — he flew home from Sacramento on a quarantine plane because of a false-positive coronavirus test result before a game against the Kings. It was the 12th game out of the Lakers’ first 23 that James had missed.A few weeks later, a coronavirus outbreak spread through the team, even sidelining Lakers Coach Frank Vogel for six games.Many teams, though, were hit even harder than the Lakers, including the Chicago Bulls, who had 10 players in health and safety protocols at once in December, and had to postpone two games.Injuries offered another explanation for the Lakers’ stumbles. James and Davis missed more than 60 games combined — not an unexpected outcome, given their recent histories. Davis said he was “disappointed that we haven’t had a chance to have a full team.”“Not sure how good we could have been,” he said. “With myself personally, two unfortunate injuries that kept me out for a while. That just came to be part of the season. As one of the leaders on the team, especially on the defensive end of the floor where guys need me to be out there, sucks for me, sucks for our team, our organization.”But this season, injuries throttled many teams.The Miami Heat lost Jimmy Butler for nearly a month. The Phoenix Suns lost Chris Paul for a month. The Los Angeles Clippers spent all season without Kawhi Leonard and lost their other star, Paul George, for three months.While those teams found ways to adapt and keep themselves in the playoff conversation anyway, the Lakers couldn’t.James and Anthony Davis (3) missed more than 60 games combined because of injuries this season.Gary A. Vasquez/USA Today Sports, via ReutersThis was in part owing to a roster that was thinner than it should have been because of the resources dedicated to Westbrook.To acquire Westbrook, the Lakers traded away young role players in Kentavious Caldwell-Pope and Kyle Kuzma. They declined to re-sign Alex Caruso, who went on to be an important defensive piece for the Bulls.The Lakers’ defense was among the bottom third in the N.B.A. this season, as they have given up 112.8 points for every 100 possessions. The only team that has given up more fast-break points per game is Houston.The Lakers also struggled to defend inside the paint, a symptom of their complicated big-man rotation.During their championship season two years ago, the Lakers used JaVale McGee and Dwight Howard as their primary centers, occasionally asking Davis and James to fill the role. This season they brought back Howard, two years older and less effective. They signed DeAndre Jordan, 33, who proved past his prime as well.They didn’t have the assets at the trade deadline to make a move that didn’t hamstring them further. Westbrook’s contract will become more attractive to other teams next year when he is on its last year, assuming he picks up his player option for the 2022-23 season.As clear as it was that the Lakers’ roster was not working, it was even more clear that a fix would not come soon.They were losing to the league’s bottom-dwelling teams. The best teams were beating up on them, too. Young playoff teams like the Grizzlies and Timberwolves were mocking them, with Westbrook’s poor shooting a regular target.“This was the season that we just didn’t get it done,” Lakers forward Carmelo Anthony said. “We had the tools. Some things was out of our control. Some things we could control, some things we couldn’t. We didn’t get it done. We can’t make excuses about it. We just didn’t get it done.”In the past nine years, the Lakers have missed the playoffs seven times. It is a previously unthinkable stretch for a franchise that was once used to competing for, if not always winning, championships.This is a franchise that expects adding superstars will save them, and sometimes they do. This season that equation didn’t work. More