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      LeBron James and Deni Avdija React to Kyrie Irving Posts

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      “If you are promoting or soliciting or saying harmful things to any community that harm people, then I don’t respect it,” LeBron James said. “I don’t condone it.”The Los Angeles Lakers star LeBron James and Deni Avdija, a Washington Wizards forward from Israel, said Friday that they hoped Nets guard Kyrie Irving understood that he had hurt people when he promoted an antisemitic film on social media.Calling Irving a role model and great player who had made a mistake, Avdija said: “I don’t think it’s right to go out in public and publish it and let little kids that follow you see it and the generations to come after to think like that because it’s not true. And I don’t think it’s fair.”On Thursday, the Nets suspended Irving for at least five games, after he would not say that he did not have antisemitic beliefs. It had been a week since he tweeted a link to an antisemitic film and posted a screenshot of its online rental page to Instagram. He apologized late Thursday night, after he was suspended.James, who won an N.B.A. championship with Irving in Cleveland in 2016, said that he loved Irving but that what he had done was “unfortunate.”“I believe what Kyrie did caused some harm to a lot of people,” James said Friday in Los Angeles after the Lakers lost to the Utah Jazz. He added: “If you are promoting or soliciting or saying harmful things to any community that harm people, then I don’t respect it. I don’t condone it.”In 2018, James apologized for posting music lyrics on Instagram that included the phrase “getting that Jewish money.”“I actually thought it was a compliment, and obviously it wasn’t through the lens of a lot of people,” James said at the time.Few current N.B.A. players have spoken about Irving amid the public backlash to his social media posts. The N.B.A. said it had 120 international players at the start of the season last month, but Avdija was the only one from Israel. His comments about Irving came after the Nets beat the Wizards in Washington in the Nets’ first game since Irving’s suspension.“I think there need to be consequences for the actions that players do,” Avdija said. “I don’t know the amount, the punishment that the league gives, but I think it needs to be known that there’s no room for words like that.”Irving did not add captions or comments to his social media posts about the antisemitic 2018 film, “Hebrews to Negroes: Wake Up Black America.” But over the past week, he has been vague when asked what he did and did not agree with in the film. He has distanced himself from its claim that the Holocaust did not happen. On Wednesday, he announced with the Anti-Defamation League that he would donate $500,000 to anti-hate causes. The Nets said they would do the same.But Irving did not apologize at that time, drawing criticism from Kareem Abdul-Jabbar, the N.B.A. Hall of Famer who is known for his social justice work.“There was no explicit apology — which tells us everything about what he really believes,” Abdul-Jabbar said in a post on Substack. “Honestly, there’s little hope that he will change because he’s insulated by fame and money and surrounded by yes-people. There is no motivation to learn how to distinguish propaganda from facts. All that’s left is for the world to decide how it should respond to him.”Abdul-Jabbar also praised three former players who criticized Irving during a TNT broadcast of the Nets’ game against the Chicago Bulls on Tuesday: Charles Barkley, Shaquille O’Neal and Reggie Miller.Avdija said he hoped Irving was sorry. “He needs to understand that he gives example to people, and people look up to him,” he said. More

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      The Lakers Can’t Make a 3-Pointer

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      Russell Westbrook is getting most of the heat, but the Lakers’ problem is its roster.LOS ANGELES — As Lakers guard Russell Westbrook went up for a 3-pointer against the Clippers, his home crowd groaned before the ball even left his hand. The shot clanked off the rim, justifying the fans’ apprehension.Westbrook missed all six of his 3-pointers in the game on Thursday. It was a microcosm of the two biggest issues facing the Lakers this season: Westbrook and shooting. Again and again on Thursday night, the Lakers faithful remained subdued as the team kept shooting. And missing. And shooting. And missing some more. There were enough bricks that the Lakers could offer themselves up as an infrastructure project.Through the first two games of the season, the Lakers have shot an almost unfathomable 19 for 85 from 3-point range (22.4 percent). That was the biggest factor in a blowout loss to Golden State in the season opener on Tuesday and in a 103-97 loss to the Clippers on Thursday night.In a league where deep shots have evolved from being quirky additions to being the driving force of contemporary scoring, the Lakers constructed their roster without enough players equipped to maximize that style of play. This summer, the Lakers let more formidable shooters like Wayne Ellington and Malik Monk walk, and instead opted to bring in the athletic guard Lonnie Walker IV and Dennis Schröder, neither of whom is known for perimeter prowess.It’s not that the Lakers are in a shooting slump. If someone put tap dancing shoes on a flamingo, one would not say the flamingo was struggling to be Fred Astaire. It’s that — as LeBron James factually noted after Tuesday night’s drubbing by Golden State — the Lakers just don’t have many good shooters. They weren’t built for this.LeBron James had 20 points on Thursday, but, like everyone else, he was cold from outside. He was just 2 of 8 from 3.Mark J. Terrill/Associated Press“We’re getting great looks, but it could also be teams giving us great looks,” James said. “To be completely honest, we’re not a team that’s constructed of great shooting. That’s just the truth of the matter. It’s not like we’re sitting here with a lot of lasers on our team.”And yet the Lakers have launched a bevy of 3s. The penetration skills of Anthony Davis and James have generated open looks outside for other Lakers, but both Golden State and the Clippers also continuously dared the Lakers to shoot.“They want to give us those shots?” Lakers Coach Darvin Ham said Thursday. “We will accept it wholeheartedly. That’s the way we want to play. We want to play fast, physical and free.”He added: “We see these guys making shots in practice and shootaround. They’ve got to do it on game floor. It’s as simple as that.”The Lakers climbed back from multiple deficits on Thursday to keep the game close down the stretch. But they weren’t able to sustain their periods of strong play. After the game, James was asked about his “laser” comments.“I love the way we’re playing basketball right now,” James said. “We’re really sharing the ball offensively. We’re moving bodies. And I think we will begin to knock down shots.”James does have good reason for optimism, but it has to do with the other side of the ball. In the loss to Golden State, the Lakers had a defensive rating of 107.0, which would have been good for fourth in the N.B.A. last season, a fact that guard Patrick Beverley pointed out after the Thursday morning shootaround. The Lakers were even better on Thursday with a rating of 100.0. When the Lakers fell into deficits against the Clippers, they turned up the defensive intensity and forced several turnovers to get out in transition to get back in the game.“I’m definitely not going to sit here and harp on what we can’t do every single game,” James said. “That’s not leadership. What I know we can do: We can defend our ass off.”The Clippers turned the ball over 22 times Thursday, contributing to some of the Lakers’ 15 fast-break points. This is where Westbrook’s skills can be useful to the Lakers. He had five steals Thursday, and as he is known to do, immediately focused on pushing the ball down the floor off those forced turnovers.Anthony Davis had a scary fall against the Clippers, but he returned to the game and led all scorers with 25 points. He was 2 of 4 from 3.Mark J. Terrill/Associated PressBut Westbrook remains a lightning rod for criticism, at times unfairly. He missed all 11 of his shots against the Clippers, much to the chagrin of the crowd. But through another lens, Westbrook played the exact type of game that the Lakers need from him.“We’ve all had bad shooting nights,” James said. “I’ve had bad shooting nights. Everybody in this league has had bad shooting nights. Who cares? I thought he played a great game. Defensively, he was in tune. He was locked in. He pushed the tempo. He just didn’t make any shots. That’s OK.”A key criticism of Westbrook last season was his penchant for turnovers and for playing out of control. He had only one turnover on Thursday while quarterbacking the offense. Westbrook has also been bashed for his shot selection. He has, so far, focused on taking fewer shots of higher quality. Almost all of his 11 shots on Thursday were strong looks.Westbrook is not the issue for the Lakers; that would be roster construction. But if the 33-year-old Westbrook cannot be at least a passable shooter, defenders won’t have to pay him much attention, leaving James and Davis with less room to operate. And if the Lakers want someone other than Westbrook to be their starting point guard, there aren’t many better options on the bench. (And Westbrook has grumbled about coming off the bench.)The Lakers and Westbrook are, for now, stuck with each other. However, Westbrook’s frenetic energy could be a boost for a team suddenly reliant on fast-break points to counter its bad shootingThe Lakers are a work in progress, and while the team lacks shooters, the 3-point shooting percentage will almost surely increase from the low 20s. That improvement, combined with their defensive effort, left Ham upbeat despite the difficult start to the season.“The way we stepped out there and scrapped, even when we did get down, to be able to get back in the game, make it a game, that’s the definition of identity building,” Ham said.He added: “I’ll sleep well. I won’t be angry or depressed. And we still have 80 games left, but we’re trending in the right direction.” More

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      What to Know About the New NBA Season

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      Much of the conversation around the league the past few months hasn’t been about basketball.The N.B.A. will begin a new season Tuesday under a cloud of scandals and drama that has distracted from the basketball and that has challenged the progressive image the league has long cultivated.“I think right now the best thing that can happen is the season start on the court,” said Chris Mullin, a Hall of Fame former player.Last season’s finals teams — Golden State and Boston — are navigating internal crises. Two teams in top media markets — the Nets and the Los Angeles Lakers — are trying to integrate their stars.And a situation in Phoenix has brought the league’s leaders and image under scrutiny. The majority owner of the Suns and the W.N.B.A.’s Mercury, Robert Sarver, was found to have used racial slurs and engaged in sexist behavior over many years, but the league’s punishment — a $10 million fine and one-year suspension — was immediately criticized by players and fans as being too light. Soon, under public pressure, Sarver said he would sell the teams.Though there are still many things for fans to be excited about, such as a new rule to speed up games and the improved health of some injured stars, several issues are lingering as the season gets underway.Here’s what you need to know:How will Draymond Green’s punch affect Golden State?Suns owner Robert Sarver’s misconduct casts a shadow.Celtics Coach Ime Udoka’s suspension is a mystery.The trade rumors of the summer aren’t over yet.A new rule and stars’ returns could up the excitement.How will Draymond Green’s punch affect Golden State?Golden State’s Jordan Poole, left, and Draymond Green, right, played together Friday for the first time since an altercation during practice this month.Jeff Chiu/Associated PressAfter defeating the Celtics in six games to the win the N.B.A. championship in June, Golden State looked poised for a strong campaign in pursuit of a repeat. Then TMZ posted a video of forward Draymond Green punching his teammate Jordan Poole during a practice this month.“I don’t think anyone could watch that and not say that it’s upsetting,” said Mullin, who spent most of his 16-year career with Golden State and is now a broadcaster for the team. “It’s unacceptable behavior.”After Green was fined and agreed to stay away from the team for about a week, Golden State welcomed him back and publicly put on a “Nothing To See Here” face. Green apologized privately and publicly, and Poole said Sunday that they would coexist professionally.What to Know: Robert Sarver Misconduct CaseCard 1 of 7A suspension and a fine. More

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      ‘The Redeem Team’ Review: Squad Goals

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      A documentary looks at the 2008 U.S. men’s Olympic basketball team and its mission to bring back gold after a humiliating loss.As narratives of national uplift go, the 1992 U.S. Olympic men’s basketball consortium, known as the “Dream Team,” was one of the most shamelessly contrived. Once international players started to get the hang of hoops, how was America to maintain hegemony? Blitz them with the cream of the professional crop. This strategy wasn’t foolproof. A humiliating loss to Argentina in 2004 deprived the United States of the gold. This aggression would not stand.“The Redeem Team,” a documentary about the 2008 squad that was charged with getting the Americans back to the top spot, is smart in not asking the viewer to feel too bad for the 2004 group. The Argentine player Pepe Sanchez nailed the issue right after the match: “This is a team sport. You play five on five, not one on one.”Taking charge for the 2008 run is the Duke coach Mike Krzyzewski, a figure both respected and despised (the team member LeBron James is frank: “Growing up in the inner city, you hate Duke”). Krzyzewski makes teamwork the priority, and he holds to that even when he brings aboard Kobe Bryant, then a notorious lone wolf.The movie, directed by Jon Weinbach, offers several eye-opening mini-narratives on the way to a rematch with Argentina. Doug Collins, a member of the U.S. team in 1972, speaks to the 2008 players about his painful experience in a game arguably stolen by the Soviet Union. Bryant softens up his old friend Pau Gasol, a member of Spain’s team, the better to execute a shocking “who’s the boss” move on the court. The intimidating presence of Argentina’s ace shooter Manu Ginóbili causes no small concern. While no realistic observer of American sports could call this movie inspirational, these sequences definitely make it engrossing.The Redeem TeamNot rated. Running time: 1 hour 37 minutes. Watch on Netflix. More

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      NBA Under Pressure to Remove Phoenix Suns Owner Robert Sarver

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      A sponsor, team owner and players are calling for a harsher penalty for Robert Sarver, the Phoenix Suns owner, after an investigation found he mistreated employees for years.Minutes before the N.B.A. announced the results of an independent investigation into Robert Sarver, the majority owner of the Phoenix Suns, on Tuesday, a call took place between N.B.A. Commissioner Adam Silver and Tamika Tremaglio, the executive director of the players’ union.Silver told Tremaglio the report was coming and that, based on its findings, he’d given Sarver a $10 million fine and one-year suspension.It was one of many conversations they have had this week. Once Tremaglio had read the 43-page public report that said Sarver had used racial slurs and treated women unfairly, she met with players on the union’s executive committee. Then, she told Silver that a one-year suspension would not do. Sarver, she told him, should never return to the Suns.“We do have to step up; I have to protect our players,” Tremaglio said in an interview Friday. “In my mind, this is not protecting our players. We are putting them in a situation that we already know is toxic if we were to permit that.”She said Silver had said he understood.“I think he also was torn with regards to what needed to be done,” Tremaglio said.Tremaglio and N.B.A. players aren’t alone in wanting Sarver out of the N.B.A. for good. A prominent sponsor and a Suns minority owner also have called for Sarver to no longer be involved with the team, part of mounting pressure for a dissolution of the relationship between Sarver and the N.B.A. Sarver also owns the W.N.B.A.’s Phoenix Mercury.“I cannot in good judgment sit back and allow our children and future generations of fans to think that this behavior is tolerated because of wealth and privilege,” Jahm Najafi, a Suns vice chairman and minority owner, said in an open letter to employees and fans Thursday calling for Sarver to resign.PayPal, which has a logo patch on the Suns jerseys, said Friday it would not renew its sponsorship after the 2022-23 season if Sarver were involved with the team after his suspension.Dan Schulman, PayPal’s president and chief executive, said in a statement that Sarver’s conduct was “unacceptable and in conflict with our values.”What to Know: Robert Sarver Misconduct CaseCard 1 of 6A suspension and a fine. More

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      Why LeBron James Is Worth $100 Million to the Lakers, Win or Lose

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      If all James did was win basketball games, that would be more than enough. But his value goes beyond the court.If one believes in science, historical trends and the limits of human capabilities, there’s a high likelihood that the 37-year-old LeBron James soon will no longer play like a superstar.After all, in the history of the N.B.A., few players were even in the league at that age, much less playing as well as he does. Last year with the Los Angeles Lakers, in his 19th season, James averaged 30.3 points a game, the second highest of his career and the most on the team. He was named an All-Star for the 18th time.James makes it look easy, but the short list of players who were competing at an All-Star level around James’s age shows that it is not: Kareem Abdul-Jabbar, Karl Malone, John Stockton and Michael Jordan. Chris Paul, who turned 37 in May, may deserve to be on the list.Still, trends would suggest that the Lakers’ recent decision to sign James to a two-year, $97.1 million extension with a player option for a third year might not pay off on the court. The Lakers didn’t make the playoffs last season, and James played just 56 of 82 games because of injuries and rest. His contract will eat up a significant percentage of the team’s salary cap space, making it harder for the team to add other top-tier players. James has defied human limits thus far, but each year is a new chance for science to win.Yet deals like his are often unbound by the rules of basketball, finance or science.“There is a very strong emotional component as well,” Mark Cuban, the owner of the Dallas Mavericks, said in an email. “Professional sports are unlike any other business. You will not find the emotional attachment to players that Mavs and N.B.A. fans have, like they do to Dirk or LeBron or so many others, in any other business.”James’s connection with Los Angeles and Lakers fans can help explain why the team would sign him to a contract extension at an age when most stars have already retired.Chris Young/The Canadian Press, via Associated PressCuban employed his own franchise star in Dirk Nowitzki, who spent his whole career with the Mavericks, from 1998 to 2019. Nowitzki retired at 40 and received multiple late-career contracts for close to the maximum amount.“No one says they have a favorite programmer at Google or the person who updated their iOS at Apple is their all-time favorite and they have their trading card,” Cuban said. “I’m not saying all owners look at it this way, but I know quite a few of us do.”Cuban said he was influenced by Jerry Buss, a former owner of the Lakers, who in 1981 signed Magic Johnson to an unusual 25-year contract worth $25 million after just two seasons with the team. The Lakers also gave a 35-year-old Kobe Bryant a two-year extension worth $48.5 million in 2013 months after he had torn his Achilles’ tendon, keeping him as the highest-paid player in the N.B.A.“When someone has given as much to the organization as Dirk did for the Mavs, you just ask what he wants to do and do it,” Cuban said.This approach serves as a signal to stars on other teams that the Lakers are willing to keep them long-term. Bryant and Johnson, who each separately led the Lakers to five championships, helped recruit James to the Lakers, directly and indirectly.“It will speak volumes in terms of attracting people to that,” Julius Erving, the Hall of Fame guard and forward, said of James’s extension.There’s also a branding benefit for the Lakers in having James — or stars like Johnson and Bryant — associated with the team, said Rick Burton, a sports management professor at Syracuse University.“These are players that the Lakers want you to know: ‘These guys are with us. The best players in the world play for us,’” Burton said.Kobe Bryant’s final season with the Lakers wasn’t very good, but his final game was an all-out spectacle, full of celebrities and a roaring crowd.Harry How/Getty ImagesA souvenir jacket for Bryant’s last game was on sale for $5,824 at the Lakers’ arena.Lucy Nicholson/ReutersBut even if James soon is no longer among the best in the world, his contract is likely to pay off for the Lakers in ways beyond wins: on the business side.“Having his retirement date closer on the horizon creates a sense of urgency, and a scarcity effect,” Irina Pavlova, a former executive for the Nets, said in an email.She added: “I think of it the same way as if it were announced that ‘Hamilton’ only had four more weeks to run: All those people who have been delaying seeing it are now going to rush to do it, paying (even more) exorbitant prices for tickets, and probably buying commemorative playbills.”James has not said when he plans to retire, though it seems it may not be soon: He has said he wants to play with his 17-year-old son, LeBron James Jr., who is known as Bronny. And in a Sports Illustrated article this week, he hinted that he might want to play with his 15-year-old son, Bryce, too.Bryant retired after the last year of his two-year extension. The Lakers were among the worst teams in the N.B.A. those two years, and though outsiders criticized the deal, Bryant never seemed to lose the good will of Lakers fans and staff.“This is a year that’s dedicated to Kobe and his farewell,” Mitch Kupchak, then the Lakers’ general manager, said during Bryant’s final season.Fans flocked to Bryant’s games, hoping to catch a final glimpse of him and generating TV ratings and merchandise sales for the team. In his last game, the Lakers’ home arena reportedly sold more than $1.2 million in merchandise, including five cashmere diamond-encrusted Bryant baseball hats for $24,008. (Bryant wore the jersey numbers 8 and 24.)James has defied conventional wisdom, and science, that says he should not still be playing this well at his age. He averaged 30.3 points per game in 56 games last season.Ron Schwane/Associated PressEven if James is not retiring, he is just 1,325 points behind Abdul-Jabbar for first on the N.B.A.’s career scoring list, giving the Lakers an opportunity to cash in on that chase through apparel and other such sales. James has scored at least that many points in every season except 2020-21, when he played in just 45 games because of injuries. (The season was shortened by 10 games, to 72, because of the coronavirus pandemic.)Non-basketball factors make up “a small percentage” of decision making on contracts, said Rod Thorn, a former N.B.A. front office executive, who drafted Jordan with the Chicago Bulls. The Lakers, he said, want to be a strong basketball team because they have “a big rival on their doorstep” in the Los Angeles Clippers, who are expected to leave their shared arena by the 2024-25 season for their own venue.“It’s still a Laker town, but the Clippers may eclipse them as a team,” Thorn said, adding: “They want to have a great team. That’s how they get to where they want to go. That’s how they maximize the money they can take in. That’s how they maximize their brand.”Of course, if the Lakers continue to underwhelm, as they did last season, James’s contract could draw criticism much like Bryant’s extension did, even though James led the Lakers to a championship in 2020. Jeanie Buss, Jerry Buss’s daughter and the majority owner of the Lakers, declined to comment for this article. But James has long escaped the clutches of critics, and the Lakers have shown that, in special cases, they are willing to invest in their stars.“If we go back, it was Kobe, it was Magic, it was Kareem,” Erving said. “It was Wilt. It was Jerry West. Elgin Baylor was the greatest — he was my favorite. So they’ve always had a guy who fans locally and globally could identify with, and LeBron is that guy for the Lakers.” More

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      A Paean to the Gods (and Shammgods) of New York City Hoops

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      Some of the most memorable characters in New York basketball history gathered in Manhattan for a screening of the documentary film “NYC Point Gods,” a tribute to — well, to them.There is little left that defines New York City basketball, save for the Knicks’ eternal search for an impactful lead guard. It’s a search that has always been inflamed, exacerbated and magnified by the abundance of point guards bred by the city.There was the incandescent Pearl Washington, who rode a motorcycle and sometimes wore a fur to playground games, and whose tremendous dribbling for Syracuse destroyed Georgetown’s dominant full-court press in the Big East tournament.And God Shammgod, the worshiped Harlem guard who played a game within the game by offering the ball up to defenders with his right hand and then ripping it back with his left. The move, still replicated in N.B.A. games by Russell Westbrook and others, is known as the Shammgod.From them and others, New York point guards learned that moxie, flair and unimpeachable handles were just as important as the ability to initiate an offense. But the era that established the archetype of the New York point guard — pillared in the 1970s and 80s by Catholic schools that have since closed for lack of funding and playground courts that saw their rims removed during the Covid-19 pandemic — is gone.For a rare moment on Wednesday night, it was reanimated at a screening of “NYC Point Gods,” a feature-length Showtime documentary that pays homage to the guards who gave the city its rep. The film was produced by Kevin Durant and his business partner and agent, Rich Kleiman. Durant, a New York transplant, wore Dior as he doled out hugs to the documentary’s subjects. Kleiman, a native, gleamed in gold aviator glasses as he introduced the film to shouts from the audience that referred to him as Ace, as in Rothstein, the protagonist of the movie “Casino.”Durant and God Shammgod greet each other at the premiere.Theo Wargo/Getty ImagesThe venue was Manhattan West Plaza, a cathedral to the power of real estate development ordained into usefulness by a New York tradition: hoopers paying homage to hoopers.That term is an honorific that disregards professional status and statistics and can be conferred only by another hooper. It doesn’t matter if you had a 20-year N.B.A. career or if your best performances are now remembered only by basketball griots. There’s a reverence among hoopers. Did you make those who watched you play love the game as you did? Did you give the crowd an “I was there when” story?Outside the Midnight Theatre, camera flashes greeted Rafer Alston and Kenny Anderson, who walked the red carpet with his mom. Sabrina Ionescu, of the W.N.B.A.’s Liberty, sidled up for hugs with Nancy Lieberman and Niesha Butler. Jayson Tatum, of the Boston Celtics, deferentially cupped hands with Anderson as Paul Pierce spelled his name for a puzzled list-holding publicist.Once the film rolled, though, the guards’ trademark toughness washed away as they listened to each other’s stories. “It was very emotional, not just for myself, but, you know, I lived and witnessed those stories of the other guys and girls also,” said Mark Jackson, a former Knicks point guard who starred at St. John’s. Seated alongside his four children, he dabbed at his eyes as he heard Kenny Smith, a Queens-born retired N.B.A. champion, describe how Jackson’s smarts led him to a nearly 17-year pro career.Mark Jackson with his children.Amanda Westcott/ShowtimeAt its heart, “Point Gods” is the hoopers’ oral history of how the city created a lineage at the position. Shammgod developed his dribble because his gym teacher, Tiny Archibald, told him it would make him perpetually valuable to any team. Only by watching a V.H.S. mixtape compilation of point guard highlights called “Below the Rim” did he learn of Archibald’s previous work.That revelation drew a crack of laughter inside the screening, where, earlier, attendees jostled over seats and settled in with the shoulder-to-shoulder intimacy of the city’s bandbox parks. Dao-Yi Chow, a lauded fashion designer, sat near a far wall wearing Jackson’s Knicks jersey. Clark Kent, whose real name is Rodolfo Franklin and who goes by the Rucker Park-ian nickname “God’s Favorite DJ,” held down a back-row seat. Kent produced a chunk of Jay-Z’s debut “Reasonable Doubt,” which dropped in 1996, the year Jeff Van Gundy took over the Knicks.For his part, Jay-Z had welcomed Shammgod on a nearby rooftop patio before the screening. The rapper and mogul was a mainstay of Rucker Park’s Entertainer’s Basketball Classic in the early aughts, and his attempt to woo Kareem Reid from a rival’s team with a bag of cash is told by that rival, the rapper Fat Joe. The exact sum, rumored to be in the thousands, is bleeped out in the retelling as Joe recounts the Mafioso-style meeting he had with Reid to convince him not to jump ship. Reid, who had a cup of coffee with the N.B.A.’s Hornets in 2003, stayed.When the film showed LeBron James, Beyoncé and N.B.A. Commissioner David Stern (wearing Joe’s platinum and diamond chain) making summer pilgrimages to the park, a woman seated four rows from the screen yelped, “I was there,” “I was there,” “There too,” both tallying her attendance and bringing Harlem into the room.In another scene, the rapper Cam’ron — a Harlem native who played on several high school travel teams alongside some of the documentary’s subjects — explained that oohs and ahhs from the crowd were worth “five or six points” to a New York point guard.Cut to Anderson in a 1991 A.C.C. game. He’d been a high school legend at Archbishop Molloy in Queens, and New Yorkers who followed his career to Georgia Tech couldn’t wait to see him mix up Duke’s Bobby Hurley, who was notorious for his lax defense. The point guard cast hypes up what’s about to come, and Smith urges the director to pull the game footage up so he can narrate a grainy ESPN clip of the one-on-one clash.Kenny Anderson on the red carpet.Amanda Westcott/ShowtimeAnderson meets Hurley at the elbow, then takes his dribble behind his back and between his legs before gliding past a dazed Hurley for a floating layup. Unnoted was the fact that Duke won the game.Small matter. When it happened, only Dickie V’s hyperventilation on ESPN marked the moment as something special. “NYC Point Gods,” though, layered in the soundtrack of the hoopers who have told and retold the story as one of many chapters in their aggrandizing mythology.On film, though, Shammgod is awed. Stephon Marbury, who sported Anderson’s center-parted haircut in high school and followed him to Georgia Tech, leans into the retelling. The unscripted, ephemeral whoops from inside the screening, from N.B.A. stars and high school coaches and their playground peers, fell anew upon Anderson in the theater’s dark. More

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      Is That Steph Curry … or a Work of Art?

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      This Instagram account will change how you see basketball.In the flat red frame of a photograph, a woman smiles upward. With the camera, we gaze down upon the whirl of her body. Near her face, a basketball sinks through the net; below her feet, a white line divides the image, like the fold of a pocket mirror. On the other side of the line, the matte red of a basketball court gives way to textured brush strokes, punctuated by lines and grids in black and white. These abstracted shapes reflect, with a difference, the woman’s radiant skill. This image is titled “A’ja Wilson and Team USA Extend Win Streak to 51 | Kandinsky.” You can find it at my favorite place on the internet: the Instagram account @b_a_l_l_h_a_u_s.@b_a_l_l_h_a_u_s posts partner a photograph of an N.B.A. or W.N.B.A. player with an accompanying detail, sometimes modified, from an artwork, usually an oil painting. If you (me) feel a nervous frisson around the name’s reference to a famous German design school, don’t worry: @b_a_l_l_h_a_u_s never flattens the players into high culture’s dupes, and never flattens their sport into some noble but vague idea of “art.” Instead, @b_a_l_l_h_a_u_s’s comparisons recognize professional basketball as a synthesis of labor and creativity, craft and art, practice and personality. I love its vision of the game.The breadth of these images makes clear that most sports media praises a narrow range of characteristics.Using comparisons to explain objects of interest — whether artistic, athletic or both — isn’t a new strategy. But @b_a_l_l_h_a_u_s’s posts have a gorgeous uncanniness, rewiring the expectations I bring to the players they depict. Their physical and emotional insights surpass what a “SportsCenter” highlight reel can show. Look: LeBron James swaggering, warped and cerebral like a Lucian Freud self-​portrait; Giannis Antetokounmpo grieving, his loose joints weighted like Jennifer Packer’s seated figure in “Mario II”; Sophie Cunningham triumphant, hair flaring, fierce and radiant like Delacroix’s “Liberty Leading the People” and Botticelli’s “The Birth of Venus.” The breadth of these images makes clear that most sports media praises a narrow range of characteristics. Think of the side-eye cast at Philadelphia’s James Harden, whose stubborn eccentricity is illegible to most analysts. @b_a_l_l_h_a_u_s’s images show something different. They dive into the players’ sensibilities and seem to understand that being weird, effete or ambivalent might be part of these athletes’ power. In one @b_a_l_l_h_a_u_s post, Harden stares cryptically out of the frame, eyes full of secrets, next to Paul Gauguin’s “The Sorcerer of Hiva Oa.”I realized the force of @b_a_l_l_h_a_u_s during the N.B.A. playoffs, which culminated in a collision between the Golden State Warriors’ Stephen Curry, the sweetest three-point shooter the sport has ever known, and the Boston Celtics’ Jayson Tatum, an emerging young star. How to understand these players as people and artists? Rather than asking where Tatum would fit in the pantheon of N.B.A. greats, @b_a_l_l_h_a_u_s posted images like “Celtics up 3-0 | Edgar Degas.” Surrounded by Nets players, Tatum stretches into the air, his arm extending toward the basket in an elegant port de bras. His uniform finds its mirror in the tulle skirt of a ballerina, shimmering as she sweeps into an arabesque. Gracefully balanced, the dancer’s leg lifts away from the tilt of her head; Tatum’s muscled shoulder echoes the delicate arch of the ballerina’s toe shoes.Seeing this iconic image of (white) femininity used to complement Tatum’s strength felt like a revelation. The critic John Berger famously observed that in art and life, “men act and women appear.” But @b_a_l_l_h_a_u_s’s figures, across gender and genre, define their meaning through what their movement can do. @b_a_l_l_h_a_u_s went on to interpret Curry’s play via a series of juxtapositions to dancers: Sometimes he’s lithe and smooth, like Loïs Mailou Jones’s painting “La Baker”; sometimes monumental in strength, like Picasso’s women on the beach. In this context, envisioning Tatum with Degas’s ballerina seems neither a joke nor a too-easy equivalence. Instead, it highlights the precision of his technique. What might the rest of our sports media accomplish if it were equally willing to reconsider gender as a final mark of an athlete’s worth or ability? What stories might it tell about these athletes, or their world, if its attention was focused through @b_a_l_l_h_a_u_s’s wider lens?Sports are played to win; that’s part of their pleasure. It may seem odd to chafe against sports media’s rankings, which arguably only track the competitive structure of the game itself. But basketball, like art, is worth more than a final score or a price tag. No simple calculus can determine what a given player might mean to the game or to fans. I love how @b_a_l_l_h_a_u_s recognizes the players’ cosmopolitanism and humor alongside their ferocity and sweat, and how all this persists even in defeat. @b_a_l_l_h_a_u_s’s way of seeing appeals to me because its comparisons resist both simple equivalence and forced hierarchy. It enriches images on both sides of the frame, making art and athlete seem wilder, more compelling. Criticism, whether of sport or art, doesn’t often manage to capture this thrill. At its best, @b_a_l_l_h_a_u_s can feel like the greatest kind of basketball game, one with both teams playing at their most elegant and strong. One team wins, but it’s seeing everyone’s talents that makes the victory a work of art.Sarah Mesle is a professor, writer and editor based in Los Angeles. She is on the faculty at the University of Southern California and the editor of the Los Angeles Review of Books online magazine Avidly. More