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    When Will Federer and the Williams Sisters Call It Quits? Maybe Never.

    Advances in physical preparation keep their bodies in the game, and so can the changing nature of sports business and celebrity.WIMBLEDON, England — Most tennis professionals are retired by their mid-30s. But last week, there was Serena Williams, at almost 41, grinding against a competitor a little more than half her age for more than three hours at Wimbledon.Venus Williams, too, is here. She played mixed doubles, with tape on her right knee and not so much spring in her step at age 42. Roger Federer, who has not played since limping away from Wimbledon last year, is angling to return to the tennis tour in September, when he will be freshly 41. Rafael Nadal is threatening a deep Wimbledon run and eyeing the Grand Slam at 36 after a medical procedure that deadened the nerves in his troublesome left foot.To varying degrees, the biggest names in tennis keep going. Why is it so hard, with their best years behind them, to leave the stage and kick back with their millions? And it’s not just tennis. Tiger Woods, with an estimated net worth of $1 billion, is struggling to come back from devastating leg injuries at 46. Tom Brady can’t stay away from football. Regular working people go through life believing that retirement is the endgame. Not so with professional athletes.It is not just advances in physical preparation and nutrition keeping their bodies in the game. The changing nature of sports business and celebrity is conspiring to keep stars at it far longer than they have in the past. But there is also another element that has remained constant across the generations.“I get it 100 percent why they want to keep going,” said Martina Navratilova, a longtime No. 1 and 18-time major singles champion who retired at 37 in 1994, came back to play doubles and did not retire for good until she was almost 50.“You really appreciate it, and you realize how lucky you are to be out there doing what we do,” Navratilova said. “It’s a drug. It’s a very legal drug that many people would like to have but they can’t get.”Serena Williams exited Wimbledon in the first round for the second consecutive year, far from her fittest and gasping for air down the stretch. She and Federer soon face having no ranking in the sport they dominated for decades. Venus Williams decided at the last minute to play in mixed doubles at Wimbledon. But there have been no announcements on exit strategies; no target dates on end dates.“You never know where I’ll pop up,” Venus Williams said Friday, before she and Jamie Murray lost on Sunday to Alicia Barnett and Jonny O’Mara in a third-set tiebreaker in the round of 16.Earlier Sunday, at a ceremony at Centre Court, Federer, who has a men’s record eight Wimbledon titles but has not played a match in a year, said he hoped to play Wimbledon “one more time” before he retired.Roger Federer, 40, has not played since limping away from Wimbledon last year. He said on Sunday that he hoped to play another Wimbledon before he retired.Hannah Mckay/ReutersIt is a new sort of limbo: great champions well past their primes but not yet ready to call it a career while outsiders occupy themselves with speculation on when the call will come. Nadal, who has generated plenty of retirement chatter himself and said he was close to retiring only a couple of weeks ago because of chronic foot pain, understands the public’s quest for clarity. Famous athletes “become part of the life of so many people,” he said after advancing to the third round of Wimbledon.Even Nadal said he felt unsettled after seeing his friend Woods become only a part-time golfer. “That’s a change in my life, too.” But Woods, and the Williams sisters, like other aging and often-absent sports stars, remain active, not retired. There can be commercial incentives to keep it that way. Official retirement not only terminates a playing career. It can terminate an endorsement contract or a sponsorship deal and reduce a star’s visibility.“Typically, it’s black and white that when you announce your retirement, that’s clearly giving the company a right to terminate,” said Tom Ross, a longtime American tennis agent.But there are exceptions, Ross said, and champions who are late in their careers and of the stature of Federer and Serena Williams often have deals that provide them with security even if they retire before the deal expires. Federer’s 10-year clothing contract with Uniqlo is one example. He, like Serena Williams, also has the luxury of time.Nearly any other tennis player without a ranking would not be able to secure regular entry into top tournaments if they did decide to continue. But Federer and Williams have access to wild cards with their buzz-generating cachet, and can thus pick their spots.Nike, as Federer and some others have discovered, is disinclined to commit major money to superstars close to retirement, favoring active athletes with longer runways. But Mike Nakajima, a former director of tennis at Nike, said that Williams, still sponsored by Nike, was in an exceptional position. She has her own building on Nike’s campus.“Her building is bigger than the Portland International Airport,” Nakajima said. He added, “She’s had her hands in so many different things, so many interests, so many passions, that I think in a lot of ways it won’t matter when she stops. Serena will always be Serena.”This week, EleVen by Venus Williams, her lifestyle brand, started a Wimbledon collection of all-white clothing that was not hurt by the fact that Williams was actually playing at Wimbledon, if only in mixed doubles, after more than 10 months away from the tour.“Just inspired by Serena,” Venus Williams said.Venus Williams and Jamie Murray during their mixed doubles match at Wimbledon.Adrian Dennis/Agence France-Presse — Getty ImagesNavratilova, like many in the game, believes that Venus and Serena Williams will retire together when the time comes. If it comes. The advantages of formally announcing retirement are few: a temporary surge in publicity and an end to random drug testing. It can, in some cases, start the clock on your pension or on making you eligible to be elected into a sport’s Hall of Fame.Retirement is perhaps more a rite than a necessity. John McEnroe, for one, never officially retired, a technicality which, in his case, did allow him to keep earning more for a time from some existing contracts.“Well, look how well retirement worked out for Tom Brady; it got a lot of attention and then it was, ‘Oh, I changed my mind.’ OK!” Navratilova said with a laugh. She added, “Do you ask a doctor or a lawyer how much longer are you going to keep practicing? People put thoughts in your head that might not be there otherwise.”Federer has been hearing retirement questions since he finally won the French Open in 2009, completing his set of singles titles at each of the four Grand Slam events at age 27. Venus Williams, who went through a midcareer dip partially linked to an autoimmune disorder, has been hearing them for over a decade, as well.“When it’s my last, I’ll let you know,” she said at Wimbledon last year.Here she is, back for more, just like her kid sister, although perhaps even the Williamses don’t know how much more. Navratilova does not recommend giving too much advance notice. When she announced that 1994 would be her last season, she regretted it.“If I had to do it over again, I would definitely not say anything, because it was exhausting; it was much more emotionally draining than it would have been otherwise,” she said. “For your own good, forget whatever it may do for or against your brand. I wouldn’t announce it until that’s it.”And it was not it. She came back and ended up winning the U.S. Open mixed doubles title with Bob Bryan in her real last tour-level match at age 49, one of tennis’s better final acts.“My thing is, if you enjoy playing and really get something out of it still, then play,” Navratilova said. “Venus has been playing and people say she’s hurting her legacy. No, those titles are still there.” More

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    Nigeria Adds Up the Costs of Missing the World Cup

    Failure to qualify for Qatar has condemned Nigeria to a humbling summer instead of months of World Cup hype. Then there’s the fate of its famous jersey.In those initial moments of agony in March after Nigeria was eliminated from qualification for this year’s World Cup, the most immediate thoughts of Amaju Pinnick, the president of Nigeria’s soccer federation, were of the disappointment being felt by his 200 million countrymen in Africa’s most populous nation.He needed only to look down on the scenes unfolding inside Moshood Abiola National Stadium in Abuja, Nigeria, to see what it meant. Thousands of angry supporters had poured onto the field after the final whistle to vent their anger, knocking over the advertising boards, chasing the players from the field and clashing with security officers. “My first thought,” Pinnick said, “was to resign immediately.”But his mind quickly drifted elsewhere, too. In those first days after Nigeria’s elimination in a home-and-home playoff against Ghana, Pinnick said he would wake up in the middle of the night thinking about another group feeling the sting of the team’s failure.“Oh what have we done,” he said, “to Nike.”For any country accustomed to attending the World Cup, the consequences of missing the tournament are substantial. The United States Soccer Federation stumbled through just such a soccer catastrophe in 2017, and Italy has now done it in two World Cup cycles in a row.For Nigeria, a leading light of African soccer that until this year had failed to qualify for the World Cup only once since 1994, the emotional and financial cost of elimination may be best told through the demise of a single deal: the carefully calibrated plan, worth millions of dollars and priceless publicity, linked to the release of a new national team jersey made by Nike.Nigeria’s jersey for the 2018 World Cup had been a breakout star, creating a frenzy and the type of buzz more expected from an appearance by one of the game’s star players than the arrival of a piece of apparel. Brightly colored and featuring a design that set it apart from the more staid, conservative offerings of most of the other teams at the tournament in Russia, Nigeria’s jersey became a must-have that summer, selling out almost immediately.Nigeria national soccer gear in London in 2018. It didn’t stay in stores for long.Frank Augstein/Associated PressNike received at least three million orders for the $90 shirt even before it went on sale. Lines formed at the company’s flagship stores in London and other cities on the day of its release. When it was finally made available online, it sold out in three minutes.Four years later, Nike and Nigeria — whose federation officials have sought to take full advantage of their brand through their relationship with the company — were hoping to build on that success with a new design this summer.“Nike has been very religious about us,” Pinnick said. “I feel very, very bad — I feel like crying when you mention Nike. They went all the way to bringing out what would have been the best jersey again in this tournament.”The World Cup is a major sales moment for Nike, which outfits some of the tournament’s most prominent teams, including the current champion, France, but also the United States, England and Brazil, which has won more titles than any other nation.Designing and manufacturing World Cup jerseys is not a short process, either; it typically takes about two years before the products appear in stores. Pinnick’s reaction, then, was understandable: Nigeria’s failure to qualify will mean a colossal loss in what the soccer federation could have expected to reap from its share of sales, he said. (Fans of the shirt will still get a chance to own one: The shirt will be released, presumably amid much less excitement, in September.)Pinnick estimated that as many as five million jerseys might have been sold after qualification, though it is unclear how many jerseys Nike was planning to produce; the company declined multiple requests to comment for this article.Joe Aribo and Nigeria lost to Ecuador, 1-0, in a friendly on Thursday in New Jersey. It was the team’s second defeat in a week on its United States tour.Tim Nwachukwu/Getty ImagesThrough its contract with Nike, Nigeria was entitled to a royalty of about 8 percent of each sale, Pinnick suggested. It would also have received a further $1 million in bonus fees from the company for making the World Cup. Those payouts, as well as additional eight-figure paydays from FIFA just for playing in the tournament, most likely would have meant a doubling of the Nigerian federation’s annual revenues of $20 million — a figure that was less than a tenth of what the biggest national soccer associations in South America and Europe generate.Shehu Dikko, the vice president of the federation, said a significant amount of the money earned through qualification would have been allocated before the tournament, on items like player bonuses, tuneup matches and training camps. (The team is currently in North America: It lost to Mexico on Saturday in Texas and again to Ecuador at Red Bull Arena in New Jersey on Thursday night.) “It is a huge financial blow for us,” he said, “and we have to recover.”There is another element of Nigeria’s failure, though, that is much harder to quantify. Over the decades, the Nigeria men’s soccer team, particularly when it is performing at major tournaments, has become a rallying point like no other for a population cleaved by social, ethnic and religious differences.“Football in Nigeria is life — it’s more than anybody can explain with words,” Dikko said. “You have to feel it. Nigeria has over 500 tribes, so many traditions, but football is the only activity that breaks through all of our fault lines. Once there is a football, everybody is a Nigerian. Nobody cares who you are, what you do or what language you speak. So football is more than just a game for us. It’s what binds this country together.”“Football is more than just a game for us,” one Nigerian official said of the sport and the national team. “It’s what binds this country together.”Afolabi Sotunde/ReutersThat level of interest and passion, though, means there also is a sharper focus on the performance of the federation.Under Pinnick, who assumed the role in 2014 and is the longest-serving soccer president in Nigeria’s history and who is also a member of FIFA’s governing council, Nigeria has had a mixed record. While he claims credit for modernizing the federation and attracting new sponsors, his tenure has failed to yield any major titles. A round of 16 elimination in the most recent edition of the Africa Cup of Nations — months before the team’s World Cup ouster — was its worst performance in that event since 1984. That came after a third-place finish in the previous edition and two consecutive catastrophic qualification campaigns in which Nigeria missed the competition in 2015 and 2017.Despite his initial impulse to resign in March, Pinnick now says he will stay on through the end of his term later this year. Not everyone supports the decision.Days after its World Cup exit, with Pinnick at his lowest, dozens of placard-holding protesters gathered outside the Nigerian headquarters in Abuja, calling for his ouster. Pinnick said the protest was not what it seemed; he suggested the crowd had been assembled — and paid — by opponents who have been trying to stymie his efforts since the day he first stepped into office.“They are professional placard carriers — you employ them, you rent them,” Pinnick said of the group that called for his ouster. “If you ask the guy why they are carrying the placards, they say they don’t know. They rent them for as low as 10 cents, 20 cents. People are hungry.”A few days later, there was another demonstration, more placards. This time the messages were different. They called on Pinnick to stay on. More

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    Are the Next Global Tennis Stars Among These ’Tweens?

    ACHARNES, Greece — Behold Dominik Defoe. Ten years old and barely taller than the net. Golden brown shoulder-length curls bouncing in the air as he chases and crushes tennis balls, which he does better than just about any kid his age.Defoe loves to fiddle with the GPS in his mother’s car, so in the morning when they head to school, the phone directs them to Roland Garros, site of the French Open. He does it so often that his mother knows Roland Garros is 2 hours 47 minutes away from their home in Belgium.Defoe was nearly in tears earlier this year when he received one of the 48 invitations from IMG, the sports and entertainment conglomerate, to attend the first Future Stars Invitational Tournament at the posh Tatoi Club in the northern suburbs of Athens. The event, for boys and girls aged 12 and under, is both a tournament and a weeklong education in the life that might await Defoe and his rarefied peers, complete with seminars led by executives at Nike and the men’s and women’s pro tours, the ATP and the WTA.The race to find the sport’s next stars has come to this: With eight-figure fortunes potentially at stake, agents and scouts are evaluating and cultivating players even younger than 10 who are just getting started in serious competition. Future Stars is the newest and most extravagant recruitment effort for IMG, the company that essentially invented the sports representation business and dominated tennis for years.“Nobody wants to have a tournament for 11- and 12-year-olds,” said Max Eisenbud, who leads the company’s tennis division. “I’d rather wait, but the competition forced us into this situation.”For years, IMG’s agents collected future stars in two ways: Tweens and young teens (Maria Sharapova for example) either showed up at its academy in Bradenton, Fla., once the premier training ground in the sport, looking for one of the plentiful scholarships; or the agents showed up in Tarbes, France, for Les Petit As, the world’s premier tournament for players younger than 14. There, they often had something close to the pick of the litter.Max Eisenbud, onetime agent to Maria Sharapova and today a senior vice president of IMG Tennis, poses for a portrait on an indoor court at the Tatoi Club.Myrto Papadopoulos for The New York TimesDuring the past decade though, rival academies opened across Europe and IMG’s academy focused more on profiting from families paying tuition rather than making long-shot bets on teenagers. Also, in recent years, when Eisenbud and his colleagues made their annual trips to Les Petit As, they found that nearly all the most promising players had already signed contracts with other management companies, many of them well-funded boutique operations that were offering generous financial guarantees, sometimes stretching well beyond covering the roughly $50,000 annual cost for coaching and travel on the junior circuit.And so, in a sign of cutthroat times in tennis, IMG is aiming younger, even if prospecting preteen talent can be nearly impossible and highly fraught, risking increasing the pressure on children who already put plenty on themselves and, in some cases, carry the financial responsibilities for their struggling families.If stars like Naomi Osaka and Bianca Andreescu, Grand Slam tournament champions who are in their 20s, have had to take breaks from tennis to care for their mental health, it’s not a stretch to consider the risks of raising expectations so explicitly for prepubescent children. During a talk for the girls on how to stay physically and mentally healthy, Saga Shermis, an athlete development specialist with the WTA, said she expected to see them on the tour in the coming years. It can be a lot.“At this age they are still learning,” said Adam Molenda, a youth coach with Poland’s tennis federation, after watching two of his players, Antonina Snochowska and Maja Schweika, rally for an hour on Monday. “You never can say who will make it. Life is full of surprises.”And decisions.Grace Bernstein, a young Swedish standout, floated across the court and blasted balls against a boy as her mother watched from the fence. Whether she plays tennis or cards, Bernstein competes relentlessly, said her mother, Catharina, a former player whose singles ranking peaked at 286 in 1991. She plays at an academy run by Magnus Norman, once the world’s second-ranked men’s singles player. She is also a top soccer player.“She goes back and forth, but for now it’s tennis, so she plays tennis,” Catharina Bernstein said.Dominik Defoe, far right, participated in outdoor games organized on the sidelines of the event; these games aim to provide the children with an opportunity to decompress and bond.Myrto Papadopoulos for The New York TimesFor some, fame and fortune really can seem inevitable. Eisenbud famously signed Sharapova when she was 11 years old after watching her hit for 45 minutes with an intensity and flawlessness he had never before seen. Carlos Alcaraz, who turns 19 on Thursday and is already the hottest young player in the men’s game, was deemed worthy of investment as a can’t-miss 11-year-old, too. Then again, Eisenbud was sure the first player he signed, Horia Tecau of Romania, was destined for greatness. Tecau became a top doubles specialist but never cracked the top 300 in singles.Eisenbud hatched his plan 18 months ago for a lavish competition with most expenses covered and all the perks of a professional event — ball kids, chair umpires, immaculate red clay courts, Beats headphones and swag from Nike for all the kids.“We want to treat them like professional athletes,” said Elli Vizantiou, the chief executive of the Tatoi Club.Not entirely forgetting they are kids, there was also a treasure hunt, group dinners each night and a tour of the Parthenon. IMG brought in Alcaraz, fresh off his win in the Barcelona Open final, to play an exhibition against Hubert Hurkacz, the 14th-ranked men’s singles player.Assembling the Future Stars field required months of interviews with coaches and tennis federation officials all over the world, evaluating resumes and tournament results, and scouring videos, looking for the magical combination of athleticism and skill. Creating a globally representative field was important, too. Finding a future top 50 player from a country or a demographic group that has never produced a tennis star could be groundbreaking and incredibly lucrative. Players had to come with a chaperone, which in most cases was a parent, and a coach, giving IMG the chance to build relationships..Maria Sharapova at age 11 at the Bollettieri Sports Academy in Bradenton, Fla., in 1998. Gary I. Rothstein for The New York TimesEisenbud encouraged the coaches to pepper the Italian coach Riccardo Piatti, who led a coaching seminar, with questions, describing him as the “best” in the world.Piatti spent Tuesday morning with an eye on Tyson Grant, a top under-12 player whose family he has been working with for nearly seven years. Piatti also oversees the coaching for Tyson’s 14-year-old sister, Tyra, who is already an IMG client. Tyson and Tyra’s father, Tyrone Grant, is nearly 6-foot-8 and played basketball professionally for a decade in Europe. With good genes, an early start and guidance from a renowned coach, Tyson Grant could be a decent bet.A few courts over, Haniya Minhas was ripping one of the great young backhands, which she begins with the nub of her racket handle just about resting on her back hip.“My favorite shot,” she said. “Everyone tells me to extend my arms, but I like the way I do it.”Minhas, 11, is Pakistani and Muslim. She plays in a hijab, long sleeves and tights, and already looks like a billboard in the making. She has been winning tournaments since she was 5 years old. Her search for suitable competition has taken her from Pakistan, where there is little support for girls’ sports and where she competed against and beat all of the boys her age, to Turkey. Her mother, Annie, said she and her daughter want to prove that someone who looks and dresses differently from most players and is from a country that has never had a tennis star can beat anyone. They expect to sign with an agent when Haniya turns 12.“We are trying to change the thinking,” Annie Minhas said.Sevil Parviz, 12 and from Great Britain, rested after practicing on one of the Tatoi Club’s indoor courts.Myrto Papadopoulos for The New York TimesTeo Davidov has a neat trick. Davidov, arguably the top boys’ player under 12, lives in Florida. His parents moved from Bulgaria to Colorado a decade ago when his father won the green card lottery. Born right-handed, he hits forehands on both sides and can serve with either hand, too. His father and coach, Kalin, started trying to make Teo ambidextrous in tennis when he was 8 years old because he was hyperactive. Kalin thought that stimulating the right hemisphere of his brain, which controls attention and memory, and the left side of the body, with left-handed exercises, would make him calmer.“Hopefully it also helps his game,” said Kalin Davidov. The technique is devastating for now, but a top player has never succeeded by playing that way.The Davidovs first got to know Eisenbud and IMG three years ago, after Kalin posted a video of his son’s double-forehand game on Facebook. Soon, the phone rang. Babolat, the French racket maker, is a sponsor.Michael Chang, who won the French Open in 1989 at 17, came with his daughter, Lani, who displayed an awfully familiar-looking drop shot and buried her nose in a Rick Riordan novel on the shuttle bus between the courts and the hotel. Chang said the circuit for young juniors has transformed since his childhood, with far more travel and international competition.“They’re getting a taste of what it’s like,” he said.In 1989 Michael Chang won the French Open at age 17. Now, Chang watches his daughter Lani play at the Tatoi Club.From left: Associated Press; Matthew FuttermanGunther Darkey, a former middling pro from Britain, brought his son, Denzell, a top prospect and one of the few Black elite juniors for the Lawn Tennis Association. Alcaraz has a 10-year-old brother, Jaime, who was good enough to receive an invitation. So was Meghan Knight, the daughter of a well-known cricketer from England.“You’ve got to be the kind of person who from 9 years old can improve consistently while taking losses every week for 10 or 15 years,” said Seb Lavie, who brought two players from his academy in Auckland, New Zealand.Dominik Defoe insisted he is prepared for whatever it takes to make it. He was just about the smallest of the two dozen boys. He still plays with a junior-size racket and struggled to keep up with Grant in his first match. His opponents all try to hit with heavy topspin to bury him in the backcourt. He swats the ball back on a short hop before it kicks above his head.Young players at the IMG tennis camp.Matthew FuttermanDefoe, who is fluent in four languages, promised himself as a toddler that he would win the French Open. He has built his existence around giving himself the best chance to make that happen.He attends school in the morning for math and language lessons, but he works independently on the rest of his studies to free up more hours for tennis. Studying the pros closely, he decided not to have one favorite but built a composite player who has Dominic Thiem’s forehand, Nick Kyrgios’s serve, Novak Djokovic’s backhand, Rafael Nadal’s attitude, Roger Federer’s net game and Felix Auger-Aliassime’s footwork. He practices mindfulness by writing in a journal.“He told me when we were coming here that this journey was like a train ride,” said his mother, Rachel, who was his first coach. “This is just one stop, one station. Then the train goes on.” More

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    Golf Shoes Are Getting a Makeover Thanks to Streetwear and Sneaker Culture

    If you’ve seen golf shoes on the street, it is because one of the world’s most conservative sports has been getting a fresh look on the course.Streetwear — long the provenance of New York hip-hop and California surf culture — has been making its way to the green grass of golf courses.“Golf has started to get cooler, and it’s become less standoffish because there are parts of the sneaker community that have embraced it,” said Jacques Slade, a sneaker YouTuber and golfer who has been vocal about the need for more golf shoes that reflect sneaker culture.Hip-hop culture and sneakers have always had a close relationship, but the tie between hip-hop and golf might not be too far of a stretch, said Ankur Amin, an owner of the New York streetwear boutique Extra Butter. He said golf’s aspirational appeal has helped its style connect with his customers.“So much that we do in street culture is about pursuit of the good life,” he said, “and so much about golf represents that, the same way Moët & Chandon or Louis Vuitton does.”Tiger Woods, a Nike-sponsored golfer, brought a lot of new fans to the sport in the late 1990s, but dwindling interest in his products during the 2010s paved the way for a streetwear crossover into golf. Nike and a subsidiary, Jordan Brand, began releasing collectible silhouettes as golf shoes, such as the Air Max 1 and the original Air Jordans.Sneakerheads salivated. “You have people that’ve grown up with the Jordan Brand,” said the rapper and golf entrepreneur Macklemore, who has done sneaker collaborations with Jordan. “It makes sense that people are going to go nuts.”Brooks Koepka wore Nike while playing in the 2019 Masters Tournament in Augusta, Ga. Doug Mills/The New York TimesAnd sneaker culture’s grip on golf has only continued to grow. While the pandemic has devastated a number of institutions, it has also boosted participation in golf, as well as other activities conducive to social distancing like running, hiking and cycling, according to the NPD Group, a market research company.“Once golf courses started opening up again, the business just took off,” said Matt Powell, the vice president of NPD Group and an analyst for the sports business, who said participation was also slightly up before the pandemic.Many people bought golf sets at entry-level prices in 2020, he said, an indication that newcomers were picking up the sport. “Any of the beginners who are buying $400 golf sets are not going to drop $120 on golf shoes,” he said. “They’re going to play in sneakers.”Sneakers have always been an overarching part of the millennial generation’s fashion choices, but now some adults in their late 20s and 30s have the disposable income to play golf — or, at least, to try it. Locations of Top Golf and Five Iron Golf, in some ways the sport’s equivalent to bowling alleys, have also opened across the country, which has made elements of the sport more accessible in urban areas where courses are harder to find.“Golf is a game that’s very traditional, but if you look at millennials and all the generations that are following them, they’re never afraid to do something a little bit different,” said Gentry Humphrey, the former vice president of footwear at Jordan Brand who led the company’s entry into the sport.Gentry Humphrey led Nike into the golf market before he retired from the company last fall.Charley Gallay/Getty ImagesBefore Humphrey retired last fall, he also spent time leading Nike’s golf business. Part of Humphrey’s philosophy has been to transform Nike and Jordan sneakers that collectors covet into shoes that can actually be used on the fairway. “Kids are wanting to go out there,” he said, “and they’d rather go out there in something fresh.”Although producing these golf sneakers may seem as simple as adding high-traction soles, there are also other considerations like waterproofing and modifying the cushioning.“We didn’t want it to just be a basketball shoe that moves to the golf course,” Humphrey said, adding that Nike had developed new shoe technologies like the integrated traction bottom — a rubberized outsole without hard spikes that players could wear all day.Another part of Humphrey’s strategy has been to provide a wider platform to start-up golf brands through product collaborations. For instance, Eastside Golf, a brand started in 2019 by the professional golfers Olajuwon Ajanaku and Earl Cooper, who played together at Morehouse College in Atlanta, aims to increase diversity in the sport and introduce younger to it.Earl Cooper, left, and Olajuwon Ajanaku are the founders of Eastside Golf apparel.Julio Cortez/Associated Press“Who said you can’t play golf in a T-shirt?” said Cooper, the first African American all-state golfer in Delaware. “When they created these rules, minorities weren’t even allowed to play. People are trying to hold on to a tradition that was already broken or flawed.”Ajanaku, who designed the trademark for Eastside Golf’s clothing line, which features a Black man in bluejeans wearing a gold chain and baseball cap while swinging a club, said the prominent placement of a person of color on the company’s products was a milestone.“For us to actually have a logo of a Black man playing golf on our clothes speaks to everyone that has not felt welcome in the sport,” he said.Eastside Golf’s logo was shown prominently on the tongue of their Air Jordan collaboration, which used the silhouette of the original Air Jordan IV, a retro sneaker that is highly regarded among sneakerheads. The golf spikes were removable so the sneakers could also be worn off the course.Shoes that are convertible or can transition easily from the green to the clubhouse are one of the key innovations that have helped open up sneaker culture within golf. For fashion-minded individuals, half-inch spikes on the bottom of a sneaker can significantly alter the aesthetic of the shoe. So, brands are increasingly opting for subtle traction on the bottom of their golf shoes instead of straight spikes.“There were so many people buying the golf product collaborations, but didn’t even play the game,” Humphrey said. “My phone was ringing off the hook more for the Eastside Golf collab than for some of the projects we did with Christian Dior. The sport is looking for another shot of energy, and this was a great way to introduce something new to it.”Daniel Berger wearing Adidas during a practice round at the 2022 Masters.Doug Mills/The New York TimesOn tour, eagle-eyed golfers or sneaker collectors may have spotted these shoes on the feet of Bubba Watson, 43, or Harold Varner III, 31, but even younger pros are also bringing a different swagger to the PGA Tour, Slade, the sneaker YouTuber, said. A lot of the players on the tour now, he said, “grew up listening to Travis Scott or Tyler the Creator. They’re coming into this world with a totally different perspective.”Last summer, Extra Butter, Amin’s boutique, collaborated with Adidas on a streetwear golf collection inspired by the film “Happy Gilmore” that included golf shoes, sneakers, balls and putter covers. The store is also introducing new golf-based brands to its inventory, like Radda, Whim and Manors Golf.“From the beginning of hip-hop culture, there’s always been this air of wanting to represent what you aspire to,” said Bernie Gross, Extra Butter’s creative director. “We come from backgrounds that don’t represent this, but this is what we hope to achieve one day. Golf is part of that.”Rappers are also getting into the golf business. Drake launched a 10-piece golf collection with Nike that was worn by Brooks Koepka, a four-time major champion. And Macklemore, the Seattle-based rapper, launched his own golf line — dubbed Bogey Boys — in February 2021.Musician Macklemore, wearing a ‘Bogey Boys’ hat and clothing, played in the AT&T Pebble Beach Pro-Am at Monterey Peninsula Country Club last month.Orlando Ramirez/Getty ImagesMacklemore started playing just two and a half years ago while on vacation, and was immediately hooked. But even before he hit his first 5-iron out of the fairway bunker, he was thrifting for classic golf looks from the 1970s. He started his independent golf brand because he saw a market in new players who wanted to bring a unique style to their on-course looks.Since its launch a little over a year ago, Bogey Boys, whose looks are inspired by the swag of golfers like Arnold Palmer and Lee Trevino, has sold out of its first collection of limited-edition products, partnered with Nordstrom and opened its first retail location in Seattle in September.Still, beyond collectability, style and functionality, Eastside Golf’s founders believe there are bigger takeaways for the conventionalist sport.“Golf can learn from the sneaker culture,” Cooper said. “Sneaker culture is all about individuality. That’s what golf has been missing.” More

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    Julian Gaines Has a Question: ‘How Do I Paint Oregon Black?’

    In a cavernous studio on a wind farm in Forest Grove, Ore., about halfway between Portland and the Tillamook State Forest, Julian Gaines, an artist born and raised in Chicago, is creating a body of work devoted to Black American life.He starts his workday at 9 a.m. and goes until the work tells him he’s done, creating images of the civil rights movement’s heroes and martyrs, including James Baldwin and Malcolm X, in a state where Black people make up roughly 2 percent of the population, according to the United States Census Bureau.“I can’t complain about an environment that I’m in but not actually try to change it,” said Mr. Gaines, 31, who left Illinois in 2016. “I get out here and I see that Oregon is culturally inept. It is identical to a blank canvas. I think, ‘How do I leave my lasting mark here? How do I plant my Pan-African flag? How do I paint Oregon Black?’”On a recent afternoon, his studio was filled with the sounds of a fellow Chicagoan, Curtis Mayfield. An American flag occupied part of a 30-foot wall. Mr. Gaines lifted the flag to reveal two stark paintings that appeared to depict lynchings. They were part of a recent series, “Under the Flag.” On the other side of the room, there was a canvas, 14 feet wide, called “Better Timing.” It showed the face of Emmett Till, the Black boy from Chicago who was lynched at 14 while visiting Mississippi in one of the most brutal hate crimes of the last century.Artist at work: Julian Gaines in his Oregon studio.Amanda Lucier for The New York TimesMr. Gaines got widespread attention in 2020, when his series “KAREN(S)” was featured on the cover of New York magazine. It was Pop Art with a political edge — a bold image of a white woman holding a phone to her ear, her expression stern, a tear running down her cheek. It evoked a string of incidents involving women who had called the police on Black bystanders: a bird-watcher, a man entering his apartment building, an 8-year-old selling water.“KAREN(S)” owed something to an experience Mr. Gaines went through himself, after a neighbor damaged his car two years ago, he said. When he asked the neighbor, a white woman, to provide her insurance information, she threatened to call the police and report him for elder abuse, he said. As she approached him, ranting and pressing a finger to his chest, he recorded her with his phone. Once the police arrived, Mr. Gaines was able to show them the images on his screen. The neighbor ended up admitting to the police that she had caused the damage to the car, and the officers left soon afterward.“If I did not have that video, who knows what could have happened?” Mr. Gaines said.Nike released a limited-edition sneaker designed by Mr. Gaines in 2017.Amanda Lucier for The New York TimesAfter the incident, the woman sent Mr. Gaines a note of apology: “I am sorry for my actions and unneighborly behavior,” she wrote. The note hangs in his studio.Mr. Gaines has a key supporter in the art collector James Whitner, the chief executive of the Whitaker Group, the company behind the fashion labels A Ma Maniere, Social Status and APB. Works by Mr. Gaines, including “KAREN(S),” appear in Mr. Whitner’s North Carolina home, along with paintings and sculptures by KAWS, Nina Chanel Abney and Jammie Holmes.“He’s speaking to the Black experience, and he’s not blinded by institution,” Mr. Whitner said in an interview. “Some people don’t necessarily get Julian, but I get Julian because for years people didn’t get me.”Last summer Mr. Gaines had his first solo show, “Painting the Blueprint,” at the Steven Harvey Fine Art Projects gallery in Lower Manhattan. In September, “Benji,” his monochromatic rendering of Ben Wilson, a top basketball prospect who was killed in his Chicago neighborhood at 17 in 1984, sold for more than $20,000 at a Phillips charity auction. Mr. Gaines was born on the Southeast Side of Chicago and raised in a building owned by his great-grandmother, Gladys Pelt. His mother, Pamela Robinson, still lives there. An image of the building is tattooed on Mr. Gaines’s right wrist.He was born into a city and a world where Michael Jordan, whose Nike Air Jordans had become a streetwear staple, was everywhere. As a boy, Mr. Gaines loved Nikes, but he got only one pair a year — usually Nike Air Force 1s. He started expressing himself artistically at age 13, when he painted his Nikes to camouflage the wear and tear. In high school he kept at it, decorating classmates’ sneakers and T-shirts, sometimes for a fee.Mr. Gaines’s neckwear includes an easel pendant.Amanda Lucier for The New York TimesHe was also deeply involved in the Trinity United Church of Christ, where a young politician, Barack Obama, was a frequent presence. Mr. Obama’s rise to the presidency helped Mr. Gaines view history as something other than an abstraction.“My church family was really the first people to let me know that I could be a great artist,” he said. “I remember being in the room when Barack Obama was in the early stages of his campaign. Just being there and seeing those things really set a foundation for my work.”In 2010, he accepted a partial scholarship to play football at Northern Michigan University. He thought he had a shot at making it to National Football League, and he saw himself following the path of Ernie Barnes, a pro football player and artist who was often fined during his career for sketching when he should have been at practice. Mr. Barnes went on to make more than $100,000 a year from his art, after his retirement from the N.F.L. His painting “The Sugar Shack” appeared as the cover of the 1976 Marvin Gaye album “I Want You” and as the image shown during the credits sequence of the 1970s CBS sitcom “Good Times.”Injuries put an end to Mr. Gaines’s dream of going pro. So he focused on his art. “I got to see what it means to be a real student and not an athlete,” he said. “In college your time is monopolized if you’re an athlete. I’m really grateful for that injury.”The clothes are stained with paint after another day in the studio.Amanda Lucier for The New York TimesAn older classmate offered to buy one of his paintings for $300. His pastor and family members had purchased his artwork before, but this was the first time someone without a clear rooting interest in his success had become a patron.After graduation, he moved back to his great-grandmother’s place and used the garden apartment as a place to make art. “I wanted to paint myself out of there,” he said in his studio, before taking a drag on a joint.In 2016, before the legalization of marijuana in Illinois, he was arrested during a traffic stop after a police officer said he smelled of marijuana. During the brief time he was in custody, he decided to leave his home state. “I can’t be as creative as I want to be living in an area where my freedom was taken from me because of the way I smell,” he said.Nike, which has its headquarters in Beaverton, Ore., loomed large in his thoughts. He moved to Portland in 2017 and made regular visits to the Beaverton complex, walking seven miles there and back and taking meetings in the cafeteria with whoever would see him. In his studio he keeps a sneaker box filled with 80 visitors’ badges from those days.“You’re supposed to return those badges,” he said. “Most people didn’t know who I was. I knew three people that worked at Nike, and they were not in any position to give me a job.”While trying to join the company in some way, he was building a reputation as a sneaker artist by selling his embellished versions of Nike Air Force 1s to his Instagram followers. Nike hired him as a freelance designer to create a collection especially for people in creative fields.“What I brought to Nike, and they were so gracious to believe in, were shoes for creating in,” Mr. Gaines said. “This is a shoe that embodies me, where I can feel comfortable and stand in the shoe all day.”Mr. Gaines’s recent work on display in his studio, including KAREN(S).Amanda Lucier for The New York TimesHe worked with two Nike models, the 1982 Nike Sky Force ¾ and 1985 Nike Air Vortex, and called the collection Game Worn. Nike released it, in a limited edition at a store in Chicago, in 2017. Since then, LeBron James and Russell Westbrook have been spotted wearing his creations. As part of the sneaker release, Mr. Gaines led a weeklong workshop, backed by Nike, that included art classes at Chicago’s South Shore Cultural Center.“I wanted to do something for the kids in my community,” Mr. Gaines said. “A lot of times children in Chicago live so far from where people are doing these events that they can’t pay $50 or risk their lives taking public transportation to get to the North Side.”Now he is focused on his art as he prepares for a solo show scheduled for August at the Russo Lee Gallery in Portland.“He’s doing it in his own way,” said Gardy St. Fleur, a curator who advises National Basketball Association players on their art collections. “It’s raw and it’s real.”Mr. Whitner, the art collector, thinks there may be something missing in Mr. Gaines’s work — and that once he figures it out, his paintings may become even more interesting.“I don’t think Julian has allowed himself to be vulnerable,” Mr. Whitner said. “I don’t even think Julian has reconciled his feelings about coming from Chicago. And I’m curious to see how that shows up in his work once he does start to really reconcile those feelings.” More

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    W.N.B.A. Raises $75 Million With Hopes of Business Model Revamp

    Cathy Engelbert, the league’s commissioner, said the investment could help fund marketing, improve digital products and fan outreach to increase revenue.The W.N.B.A. has raised $75 million from more than two dozen investors in a bid to revamp its business model as players call for expansion, higher salaries and better benefits.The funding includes investments from Nike, Condoleezza Rice, Laurene Powell Jobs, Pau Gasol, N.B.A. and W.N.B.A. team owners, and other sports and business figures.“We’re going to take a huge step forward in transforming the league and getting us an economic model that is worthy of players on the court,” W.N.B.A. Commissioner Cathy Engelbert said in an interview.This was the first time that the W.N.B.A. raised money from investors. The league, which was founded by the N.B.A. in 1996, held its first season in 1997. Financial struggles have been a constant, and stark disparities in revenue, media attention and player pay distinguish the women’s league from the N.B.A. The W.N.B.A. is betting that with the right investments it can generate enough interest in its players to create a sustainable business model.“Part of it is exposure,” Engelbert said. “It’s like pushing a boulder up a hill.”The W.N.B.A. is currently owned half by the 30 N.B.A. teams, and half by the 12 W.N.B.A. teams. Ownership on both sides will be diluted as part of the deal. Engelbert declined to disclose the size of the stake the new investors are taking in the company, the valuation of the deal or the league’s annual revenue.The league has no current plans to raise further money but would consider doing so if it is “successful with deploying this capital for sustainable growth in a few years,” Engelbert said.The league is open to ideas from the players’ union about how to use the new money, she added, but it plans to prioritize marketing and improving its digital products, including its website, app and league pass, which allows fans to watch games that are out of market and not on national television.Revenue from these efforts could then be used to fund key requests from players, such as chartered flights, Engelbert said. Unlike in the N.B.A., where team members travel on private flights, W.N.B.A. players fly commercially. It’s long been a sore issue for players; on Tuesday, Elizabeth Cambage, a four-time All-Star, wrote on Twitter about having to pay “out of my own pocket” to upgrade her seats on flights to games.When asked about Cambage’s Twitter post, Engelbert said: “People get emotional. People tweet things. We all want the best travel conditions for our players. But the reason why it’s there for the men’s league is because they get these big valuations. They get media rights of their assets.”The W.N.B.A. began to raise money in January 2020, after it signed a new collective bargaining agreement with its players, though the latest fund-raising had been sidelined by the coronavirus pandemic. (The goal shifted to “let’s make sure we survive,” Engelbert said.) As the year edged closer to 2021, the league began to see “some growth” in sponsorship revenue and social media engagement — and began to try again.Investors, flush with capital, have increasingly parked their money in sports teams and leagues, which have in turn looked to outside funds to stem the losses from the pandemic. Streaming wars have created new appetite for sports rights as services look for distinguishing ways to fight for eyeballs. A wave in state legalization of sports betting has created a multibillion-dollar industry.The W.N.B.A.’s new backing could pave the way for any number of investments, spanning sports betting and online virtual experiences, Engelbert said. Top of the list of priorities: “We need more fans,” she said.Engelbert, center, said the capital investment could help the league generate enough revenue to pay for players’ requests, like chartered flights.Norm Hall/Getty ImagesEngelbert said the fan base skews young and female, but the league’s digital strategy to connect with that group has been underfunded. Last year, the W.N.B.A. struck a multiyear deal with Google, which helped sponsor the airing of 25 regular-season games on ABC and ESPN. It also signed a multiyear streaming deal with Amazon Prime and has streamed games on Twitter over the past five seasons. But the league, which holds its season over the summer, is competing with other sports that have more and more prominent TV exposure, such as the N.B.A. playoffs and Major League Baseball.Engelbert said she wanted to “market players into household names” both in the United States and abroad. That could help generate revenue to increase player salaries, which, like chartered flights, have long been a source of friction.The minimum player salary for the 2022 season is about $60,000, and the maximum is $228,094, with a team salary cap of just under $1.4 million. With just 12 roster spots on each of the league’s 12 teams, it can be difficult for even talented players to find a place in the league. But as players call for expansion, with fans eyeing Oakland, Calif., and Toronto for new teams, Engelbert has maintained that the league must increase revenue before it could expand.Other investors include Michael Dell, the founder of Dell Inc., and his wife, Susan; Joe and Clara Tsai, who own the W.N.B.A.’s Liberty and the N.B.A.’s Nets; and Swin Cash, the vice president of basketball operations for the N.B.A.’s New Orleans Pelicans. More

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    Roger Federer’s Biggest Legacy? It Might Be His Billion-Dollar Brand.

    It was moving day in the California desert, and Roger Federer was up before dawn. We met on the tarmac in Thermal, a short drive from Indian Wells, where Federer had lost the day before in the final of the 2018 BNP Paribas Open to Juan Martín del Potro. Just the previous month, Federer had capped his remarkable late-career surge by reclaiming the No. 1 ranking for the first time in more than five years. At 36, he was the oldest player to hold the spot since the A.T.P. published its first rankings in 1973. But Indian Wells was a rather disappointing sequel. He served for the title against del Potro at 5-4 in the third set and failed to finish him off despite holding three match points.It was the sort of reversal of fortune that happened rarely — but more often to Federer than to his rivals at the top of the game. He has lost more than 20 times after holding match point, while Rafael Nadal and Novak Djokovic have lost fewer than 10 such matches. “I know it’s bad to say this,” said Günter Bresnik, one of tennis’s top coaches, who has known and respected Federer since his teenage years, “but I sometimes call Federer an underachiever in tennis, considering all the matches in big tournaments he lost being already up. The guy should be at 30 Grand Slam tournaments if you’re talking about del Potro, Djokovic, Nadal and all these matches he lost where he was clearly ahead.”And yet as we talked on the tarmac, Federer, with his long-horizon perspective and preternatural ability to compartmentalize, seemed well equipped to cope with the letdown. He was far from grumpy as he chatted and yawned in the cool of the early morning on too little sleep. “Five hours,” he said. “Not enough after a match like that.”He was soon cleared to board the private jet that would take him to Chicago. I was along for the four-hour ride: a chance to get an extended look at a day in his business life as he toured the next venue for the nascent Laver Cup, a pet project of Federer and his longtime agent, Tony Godsick. Federer did not collaborate with me on the book from which this article is adapted, but I have followed him on six continents (the Antarctic tennis scene has yet to take off) and interviewed him more than 20 times over two decades for The New York Times and The International Herald Tribune. Our meetings have taken place everywhere from a back court at Wimbledon to the back seat of a chauffeured car in Buenos Aires; from Times Square to the shores of Lake Zurich. In Paris, I once enjoyed a ridiculously good view of the Place de la Concorde from Federer’s suite at the Hôtel de Crillon while his future wife, Mirka Vavrinec, tried on designer clothes. But traveling with him and his team on a plane was the highest level of access I’d been granted to date, and a sign of how eager Federer and Godsick were for their brainchild to succeed.The Laver Cup, named in honor of the Australian great Rod Laver and inspired by golf’s Ryder Cup, seemed straightforward enough as a concept: three quick-hitting days of tennis each year that matched the best of Europe against the best from everywhere else, with Federer getting the unprecedented chance to play on the same team with Nadal or Djokovic. Despite the complications that inevitably accompanied attempts to do something new in tennis — reaching consensus among all the competing interests, finding room on the sport’s crowded schedule, getting the biggest stars to take part — the first Laver Cup in 2017 turned out to be a smash hit. Held in Prague, it attracted sellout crowds to watch Federer and Nadal join forces, victoriously, as doubles partners. But in the end, it lost significant money, because of the start‑up costs and generous participation payments.It was important to Federer that the second year’s event would build on the positive first impression. This was why he was heading to Chicago while Mirka and their four children — who, to a degree that was unusual for professional tennis, traveled full time as a family on the tour with Federer — went to Florida separately to set up base camp for the Miami Open, which would start that week. “Laver Cup is something that is very dear to me, so clearly I always have extra energy for the Laver Cup,” Federer told me. “For my own career, I don’t play as much anymore, and when I am there, it’s all out and full speed, and then I need the time away again.”Federer did not own a plane but was traveling on one provided by a company that sells fractional private-jet ownership. Federer used the service when he traveled within North America and often within Europe. It was all part of the plan to reduce the friction in his complicated global life: to make the transitions, the jet lag and the rest of his off-court existence as smooth as possible for him and his family. “I don’t need all this,” Federer said, gesturing at the plane. “It’s just an investment in yourself in terms of energy and management. Not having to beat so many checkpoints and lines and people and pictures, so I can get into the plane, and I can relax already now.”‘The thing I’m most jealous of is not the skill and not the titles,’ Andy Roddick said. ‘It’s the ease of operation with which Roger exists.’Federer had the means at this stage in his career to reduce a great deal of friction. He was on his way to becoming one of the few athletes in history to earn $1 billion during his playing career, a milestone he reportedly surpassed this year, joining Tiger Woods, Floyd Mayweather, LeBron James, Cristiano Ronaldo and Lionel Messi. Federer’s two decades of on-court achievements only begin to account for that stunning total: About $130 million of Federer’s earnings has come from official prize money, a figure that puts him second on the all-time list in tennis to Djokovic’s $152 million. The rest has come through sponsorships, endorsements, appearance fees at tournaments and lucrative exhibition events around the world. Federer’s performance in this domain has been every bit as impressive as his performance on court — perhaps even more so when you consider the disadvantage he started with. Sponsorships and endorsements tend to be easier to acquire if a tennis player comes from a major market like the United States, Britain or France. But because Federer hails from Switzerland — a wealthy place, to be sure, but also one with a population of only about 8.6 million — his appeal to potential sponsors at the beginning of his career was hampered. “When you are Swiss, you represent a small country,” said Régis Brunet, Federer’s first agent. “If you want to make serious money, being No.10 in the world does not suffice.”In the run-up to this year’s U.S. Open, with the announcement that a third operation on his right knee will sideline Federer for months, perhaps even permanently, it is not too early to begin to assess the career of this remarkable figure. Some might still claim that he is the greatest player of all time, but considering Djokovic’s and Nadal’s achievements, it’s debatable whether he’s even the greatest player of this era. What is undeniable, though, is that no tennis superstar has ever built a financial empire comparable to Federer’s — and that this, more than his greatness as a player, might well be his most enduring legacy. If the bedrock of that billion-dollar brand has been his phenomenal on-court talent and graceful game, what he has built off the court has also been based on some extremely rare qualities: impeccable strategic instincts, along with the sort of personality that might be more suited to a boardroom or a political campaign than to a pro-sports arena, all combining to make Roger Federer the greatest player-mogul the tennis world may ever see.In late 2002, it was obvious to most perceptive tennis watchers that Federer, then 21, was on his way to becoming a major player. He was ranked 13th and about to break into the top 10; most notable, he had upset the great Pete Sampras in the fourth round of Wimbledon the previous year. His own first Grand Slam title, at Wimbledon, was less than a year away.But at that point, there was not even a whiff of the billion-dollar empire builder that Federer would soon become. That year, his agent, Bill Ryan, surprised him at the U.S. Open by informing him that he was leaving the sports-management giant IMG, in circumstances so contentious that Ryan could not even explain them. “When Bill left IMG, we weren’t allowed to work with him,” Federer said to me later. “I don’t know what the reason was.”The timing was particularly bad because Federer’s five-year sponsorship contract with Nike, with an average value of $100,000 a year, was expiring, with negotiations still ongoing; Ryan had refused to accept a renewal offer from the company that he felt was too low and had been unable to find a competing sponsor to step in. “They were only offering him $600,000 a year,” Ryan told me about Nike. “Roger’s father was begging me to take the deal, and I said: ‘Robbie, your son is going to be the best player who ever walked the face of the earth. Why would I accept a $600,000 deal?’”Ryan believed, based on Federer’s on-court potential and other players’ contracts, that the young star should be getting at least $1 million guaranteed from Nike in the first year of the next contract. “Roger was on board,” Ryan told me. “But I still have the email from Robbie saying: ‘Bill, you have to talk Roger into taking this deal. He needs the money.’”With Ryan gone, Federer consulted with Mirka and his parents and made a remarkable decision: He would break ties with IMG and set up his own management team with his family. “We thought about looking for another manager, and I finally said, ‘I think we should try to handle things on our own for a while,’” he told me in Paris in 2005.This decision was far from an unalloyed success, especially at first. And it presented a cause for concern for many within the tennis industry, including rival agents like Ken Meyerson, a hard-charging American who represented Andy Roddick until 2011, when Meyerson died from a heart attack. “I feel Roger is terribly, inadequately represented and feel there are millions and millions being lost,” Meyerson told me in May 2005, when Federer had already been No.1 for more than a year and won four Grand Slam singles titles.Roddick had won one major title at that stage and was ranked No.3, but Meyerson had just closed a lucrative long-term deal for him with the French apparel manufacturer Lacoste. It reportedly paid Roddick about $5 million annually and compared very favorably with the multiyear Nike renewal that Federer finally signed in early 2003. “I can honestly say we’ve got a substantially bigger deal than Federer, and yet Andy is clearly lower-ranked,” Meyerson said. “Whoever negotiated his current Nike deal certainly did a disservice to those who are out there representing commensurate talent. It brings down the entire market if the father, because of his inexperience, thinks a deal is worth X, and it is really worth 10 times that.” Meyerson estimated that Federer’s Nike deal paid him at best between $1.75 million and $2 million annually. “It should be worth $10 million per year,” Meyerson told me.It was also instructive to compare Federer’s fortunes with those of the women’s star Maria Sharapova, who won Wimbledon in 2004 at age 17. Her off-court sponsorship deals were approaching $20 million a year by the end of 2005, according to IMG executives, who said that Federer’s did not even total $10 million. “We were crushing deals, and we were miles ahead of where he was,” said Max Eisenbud, Sharapova’s longtime agent at IMG.In 2005, the year after Federer won three of the four major tournaments, Forbes estimated his annual earnings at $14 million — a figure that placed him well behind Andre Agassi ($28 million) and Sharapova ($19 million). Federer explained to me at the time that he enjoyed his independence and did not want to overcommit to sponsors because of the demands that would generate on him. But he clearly took note of the disparities, and of the demands on Mirka, who was busy managing his media relations and agenda.Illustration by Ryan MelgarFederer’s business career took an important turn in August 2005. That month, while in North America for the tournaments leading up to the U.S. Open, he decided to meet with management agencies. IMG had a new chairman and chief executive: Ted Forstmann, a billionaire and tennis aficionado whose private-equity firm acquired IMG in 2004. Forstmann was aware that other IMG executives had tried without success to bring Federer back into the fold. He knew the former No.1 Monica Seles and asked if she would help arrange a meeting. Seles agreed, reached out to Mirka and took part in the meeting. It went well: Forstmann and Federer connected by talking about South Africa, where Federer’s parents fell in love and where his recently started foundation was working to help children living in poverty. Forstmann had taken in two South African boys from an orphanage he had funded after touring the country with Nelson Mandela.Seles also vouched for her own IMG agent, Tony Godsick, and Roger and Mirka agreed to sign on. It was a decision that quickly led to a major change in Federer’s bottom line. By mid-2010, his annual earnings had ballooned to an estimated $43 million, according to Forbes. That included deals with the German automaker Mercedes-Benz and internationally focused Swiss brands like Rolex and Lindt chocolates.In 2008, Federer renewed his Nike deal for 10 years, reportedly at more than $10 million per year, which was believed to be a record for a tennis endorsement. This time, there were no complaints that he was bringing down the market. Godsick was also trying to bring Federer into the mainstream in the United States, perhaps the toughest market for a European tennis player, in part because tennis is a niche sport in North America compared with the major team sports. “In the beginning of the career, everybody talks about America,” Federer told me. “ ‘Have you done it in America? Are you famous in America?’”Some sponsorship contracts stipulated that Federer get exposure in the United States. So it might not be a coincidence that around this time, Federer forged an acquaintance with Tiger Woods. Each was represented by IMG and sponsored by Nike, and in 2006, Godsick and Woods’s agent, Mark Steinberg, who were friends, arranged for Woods and Federer to meet at the U.S. Open tennis tournament in New York. Their mutual admiration seemed genuine. Woods declared himself a “huge Federer fan” during the British Open in July 2006, which he won, and when I interviewed Federer several weeks later in New York, he spoke at length about being inspired by Woods’s example. “I do draw strength from it,” he said.Federer and Godsick were also interested in maximizing his commercial potential. Gillette, the Boston-based razor company, was looking for brand ambassadors to succeed the soccer star David Beckham. It was already focused on Woods and had winnowed the other final candidates to a small group that included Federer and Nadal. A real-life connection with Woods surely could not hurt. When Federer faced Roddick in the 2006 U.S. Open final, Woods met Federer beforehand. When the final began, Woods was in the front row of Federer’s box with his wife, Elin Nordegren, on one side and Mirka on the other. “It wasn’t some stunt to get the Gillette deal,” Godsick said. “Tiger and Roger just wanted to meet. The U.S. Open was the only time we could make it work.” But the optics, with Woods at the peak of his fame, were clearly valuable to Federer. In February 2007, Gillette named Federer a brand ambassador, along with Woods and the French soccer player Thierry Henry.The relationship with Gillette lasted longer for Federer than it did for Woods, who in 2009 had to deal with revelations of his serial infidelity and the subsequent collapse of his six-year marriage. Agents within the sports industry believe that Federer benefited from the implosion of Woods’s image. “It took Roger a while, many Grand Slam victories, to get it going,” Max Eisenbud said. “But I’ve just never seen a more complete package than him, and I think when a lot of things started to happen, the Tiger Woods controversy, and brands started to get really uptight and worried about brand associations, Roger really catapulted himself because he was as safe as safe could be.”By 2013, Federer’s annual income had reached an estimated $71.5 million, boosted by his first South American exhibition tour and a new endorsement deal with Moët & Chandon. That put him second on the 2013 Forbes list of the world’s highest-paid athletes, behind Woods and ahead of the basketball star Kobe Bryant. Still, the bulk of his staggering financial success was in his future. And the factor that allowed that incredible liftoff to take place was, above all, his singular personality.The French have a fine expression that applies to Federer: “joindre l’utile à l’agréable,” which translates loosely as “combining business with pleasure” but is actually broader in scope, encompassing the tasks of daily life. If you wonder how Federer managed to remain in the top 10 until age 40, part of the answer lies in his ability to embrace what some other prominent athletes might consider drudgery. That applies to long-haul travel, news conferences in three languages and mundane one-on-one interactions with various corporate partners.It is in that last category of task — his knack for delivering personalized service with sponsors — that Federer’s performance has been especially remarkable. Even in his early years, he would endeavor to visit all 20 of the sponsor suites at the Swiss Indoors to meet and greet. He has stuck with that philosophy. “He’s just so good if you’ve seen him with sponsors, with C.E.O.s,” Eisenbud said. “He just has the ability to make you feel like he really cares what you are saying and he has time for you. He’s never rushing you. If you’re a fan at a hundred-person event that one of his sponsors puts on and you are talking to him, he makes you feel he has all the time in the world to talk to you and hear what you have to say. I think it’s genuine, and I’ve never seen another athlete like that, and I think it has a lot to do with how he was brought up.”Mike Nakajima, who was a director of tennis at Nike, remembered Federer coming one year to the company’s headquarters in Beaverton, Ore., for shoe testing at Nike’s research lab. They walked out of the building and were headed for their next meeting when Federer stopped in his tracks and said, “I’ve got to go back.” Nakajima asked him if he had forgotten something, and Federer said he had forgotten to thank the people who helped him with the shoes. “So we ran back into the building, downstairs, through security so he could say thanks,” Nakajima said. “Now what athlete does that?”The French have a fine expression that applies to Federer: ‘joindre l’utile à l’agréable,’ which translates loosely as ‘combining business with pleasure.’Federer was at Nike headquarters for “Roger Federer Day,” in which all the buildings on the sprawling campus were temporarily renamed for him. But Nakajima said the day was not simply a celebration of Federer’s achievements. Federer, often up for a prank, agreed to play a few on Nike’s employees. They brought the advertising team together to watch a new advertisement. Federer surprised them by wheeling a cart around the room and serving coffee and doughnuts. At the company gym, he sat behind the front desk and handed out towels to the employees. At the company cafeteria, Federer did a shift as a cashier and then as a barista. “Of course, he didn’t know how to make coffee, so what he ended up doing was he just went around, going table to table, saying, ‘Hello, my name is Roger Federer, nice to meet you,’ as if people didn’t know who he was,” Nakajima said. “You think you could get Maria Sharapova to do that? No way. And Roger did that with a smile on his face, and then he played Wii tennis with anybody who wanted to play with him.”Andy Roddick told me that Federer came to Austin, Texas, in 2018 as a personal favor to help him with an event for his charitable foundation, which funds educational programs and activities for lower-income youths. “I pick him up at the airport, we’re driving in, and he’s like, ‘OK, what’s the run of show?’” Roddick said. “And Roger said: ‘Be very specific about what you guys do. I don’t just want to say you help kids, because that’s lazy.’ And then he goes, ‘OK, how can I add the most value to you all today?’ There wasn’t a conversation about ‘What time will I be able to leave? How much time do I have to spend?’”When they arrived at the event, Roddick expected that he would have to be Federer’s escort, introducing him to guests and donors. But Federer acted as if he’d been preparing for the event for weeks. “He breaks away from me and literally goes up to the first two people he sees, introduces himself and works the room by himself, with no agent, no manager running interference,” Roddick said. “I watched him do it for an hour, straight into a room full of strangers and just engaging with people. One of our board members has twins, and they are talking about twins. He’s able to find the parallels and the common ground. I was really impressed by that. The person who needs to do that the least is the best at it. We finished the event, and his plane was delayed, and he walked back into the donor room and started going again. He didn’t get out of Austin until 1 or 2 in the morning, and if he was pissed, no one would have known.”I asked Roddick how unusual that sort of approach was compared with other elite athletes. “The thing I’m most jealous of is not the skill and not the titles — it’s the ease of operation with which Roger exists,” Roddick said. “There are people who are as great as Roger in different sports, but there’s no chance that Jordan or Tiger had the ease of operation Roger has day to day.”Mirka, whom Federer calls his “rock,” has been the key figure in his ability to navigate between his public and private spheres. She has taken on plenty through the years, including bearing and raising two sets of identical twins. Mirka and Roger’s daughters, Charlene and Myla, were born on July 23, 2009, and the family boarded a private jet for Montreal and the Canadian Open three days after Mirka and the newborns checked out of the hospital in Zurich. Their sons, Leo and Lennart, were born on May 6, 2014, leaving just enough time for Roger to make it to the Italian Open. Family logistics have sometimes been daunting — a rotating cast of nannies and a traveling tutor have certainly smoothed some of the bumps — but Mirka’s goal was to turn the road into a home, in part so her husband could play on with peace of mind. “I wasn’t sure if that was what I really wanted for the kids at the beginning, but I must say it keeps us together,” Federer told me in 2015.“I wouldn’t be able to do it,” Roddick told me. “I was a stress ball without family obligations and all that. I needed to have tennis, and now I need to have family and business. I wouldn’t have been able to intertwine all of them.”A few years ago, Roddick asked Federer about the challenges of making all that work, and Federer responded that it was particularly fun when he and his family all shared the same room, as they did one year at the Western & Southern Open outside Cincinnati. Roddick was flabbergasted. “I was like: ‘What do you mean? You all stayed in the same room? Like a bunch of rooms connected?’ And Roger’s like, ‘No, we all had a big room.’ And I’m like: ‘See, that’s the stuff no one else does or can do without losing their minds. That’s not a real thing to stay in a room with four kids and a wife and win a Masters Series event.’”But Federer thrives on compartmentalizing. Paul Annacone, his former coach, remembered Wimbledon in 2011, when Federer lost to Jo‑Wilfried Tsonga in the quarterfinals after blowing a two-set lead for the first time in his career in a Grand Slam singles match. It was, on the surface at least, a devastating moment. “I was thinking: What am I going to say afterwards? How do I figure out the speech?” Annacone told me. “So, he does all his press, and we jump in the car and go back to his house, which is a 30-second ride at Wimbledon, and he literally puts his bags down as we walk in the door and gets down on his hands and knees, and in 30 seconds he’s on the floor with the twins, Myla and Charlene, and they are laughing and giggling and rolling around.”When I traveled with Federer to Chicago in 2018, it was arguably the year of his greatest business coup. Though I didn’t know it yet, Federer was about three months away from signing a 10-year apparel deal with Uniqlo, the Japanese mass-market clothing retailer. The agreement pays Federer $30 million per year even if he retires from competition.It was clearly far more than Nike was prepared to pay an aging superstar, no matter how beloved. Tennis is not a major money-spinner for Nike: It is a small division within the large, global company. Nike is closing in on annual revenue of $45 billion, and “the tennis business is about $350 million, so you do the math,” Nakajima said. The rule of thumb, according to Nakajima, is not to spend more than 10 percent of revenue on athlete sponsorship. Nike was already committed to stars like Serena Williams, Nadal and Sharapova, who had not yet retired. It also had rising stars like Nick Kyrgios, Denis Shapovalov and Amanda Anisimova under contract. To come closer to meeting Federer’s demands, Nakajima said the division would have had to break that 10 percent ceiling.“I’m glad it happened after I left, because I never would have lived with myself,” Nakajima said of the Nike-Federer split. “I mean, are you kidding me? You’re going to let Roger Federer go? It was sad this happened. For me, he’s like a Michael Jordan. He’s already thinking about what’s going to be happening next, and he could potentially be more successful post-career if he does things right. Who wouldn’t want to attach your name to that if you’re a company?”That year, the visit to Chicago felt like a preview not just of the 2018 Laver Cup but also of Federer’s post-competition chapter. He played no competitive tennis during the stopover and acted more like a chief executive than a road-tripping athlete. “Roger is going to have a legacy and a business that is going to live on well past his playing days, similar to a guy like Arnold Palmer in golf,” said John Tobias, a leading tennis agent.Beyond Federer’s lucrative individual pursuits, the Laver Cup has been the primary focus of Team8, the boutique management firm that Federer and Godsick left IMG to form back in 2013. It is an event that, if it prospers, could serve as both a legacy for Federer and a vehicle for him to remain involved in the game as a team captain or organizer. To protect it, he and Godsick pushed insistently behind the scenes for it to become an official part of the A.T.P. Tour, even though it awards no ranking points. They have also fought fiercely to preserve its late-September dates.A big part of Chicago’s appeal to Federer was the chance to play the Laver Cup in the United Center, the home arena of the Bulls. We soon made our way there after landing at Chicago’s Midway International Airport. Federer visited the United Center with Nick Kyrgios, the Australian who would play for the World Team in the Laver Cup but, considering his ambivalence about tennis, would surely have preferred being an N.B.A. star.The highlight was their tour guide: Scottie Pippen, a fine complement to Jordan on those Bulls championship teams. Federer got goosebumps as Pippen escorted them into the Bulls locker room and into the arena. “That was special, meeting Scottie,” Federer told me. “Nick follows basketball now a lot. I still do as well, but way back when Scottie played, that was when I was really following basketball.” The four hours in Chicago felt like an extended fast break, with visits to a deep-dish pizzeria, the Chicago Theater, Millennium Park and the Chicago Athletic Association Hotel for a news conference with Kyrgios; Rod Laver; John McEnroe, the Team World captain; and Mayor Rahm Emanuel. “Roger’s life — if it’s not hectic, it’s not Roger’s life,” Godsick said, “because it’s all he knows.”I joined Federer in the back seat for the car ride to Midway, which would return him to the private jet and his flight to Miami. I asked him if, at this stage of his life, he ever spent time alone. He laughed and seemed surprised by the question. “Not often,” he said. “But I do travel without Mirka and the kids once in a while, and so I’ll get time in my hotel room.” As he saw it, though, he had no particular need for solitude, and he made it clear that he was not yet weary of the travel.“Think about today,” he said. “We left with the sunrise, beautiful weather in Indian Wells, and we get here, and it’s cold and a totally different vibe. That’s the beauty of travel, of seeing different places. I love it. I do. I still love it.”Skipping airport security lines and airline boarding procedures certainly made that attitude easier. The chauffeur drove the car straight onto the tarmac at Midway, stopping right next to the plane. Federer’s first trip to Chicago was ending, but he did get to have one more authentic Chicago experience, as the strong winds made it a genuine struggle for him to open the car door. After winning that battle, he politely bade farewell and fought another gust or two of wind on his way up the boarding stairs before finally ducking inside the jet.My travels with Federer were over, and after writing a column the next day I was soon back in the air in very different style: in a middle seat in economy class on an overbooked American Airlines flight headed for Boston. As I ate dinner on my tray table and shared both armrests with my neighbors, it all seemed like payback — an abrupt reality check after an extended stay in Federer’s low-friction world.Upon arrival at Logan International Airport, I caught a bus north to my town near the New Hampshire border. But I got there past 2 a.m., which meant it was too late to call a local taxi. I ended up walking the three miles home along the side of the road, rolling my suitcase behind me and occasionally laughing out loud in the darkness at the contrast between the glamorous start of my journey and the pedestrian finish. This, it struck me, was the sort of solitude that Roger Federer so rarely experienced.This article is adapted from “The Master: The Long Run and Beautiful Game of Roger Federer,” by Christopher Clarey, published by Twelve on Aug. 24, 2021. More

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    Coronavirus Cases Threaten Basketball Recruiting

    Top prospects at Peach Jam, one of the most important summer basketball tournaments, hoped to impress college scouts but have been sidelined by coronavirus cases.NORTH AUGUSTA, S.C. — The recent surge of coronavirus cases has waylaid the Olympic hopes of dozens of athletes and sidelined Major League Baseball players like Aaron Judge of the Yankees in the last week, so perhaps it is predictable that a Delta variant that has thrived among unvaccinated people would pose a particular threat to the peripatetic world of grass roots youth basketball. More