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    Unrivaled Charts a New Path for Women’s Basketball

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    When Breanna Stewart of the New York Liberty steps onto the court on Friday night, she will not have a thunderous crowd of 19,000 fans behind her, as she often does when she tips off at Barclays Center.Instead, she will be playing in front of just 850 fans on a soundstage near Miami.But organizers of Unrivaled, a new 3-on-3 women’s basketball league, are banking that thousands more will tune in from home, drawn by a condensed format, some of the best players in the world and a made-for-TV approach that aims to bring viewers close to the action.“The content piece and the TV piece of this is huge for us,” said Napheesa Collier, a forward for the Minnesota Lynx who founded the league with Stewart. “We want to make it the most interactive, fun and exciting experience we can for people.”Breanna Stewart of the New York Liberty, right, is one of six players on the Mist, one of the Unrivaled league’s six teams.Unrivaled LeagueIn addition to packaging the game in a digestible format, the league is also firmly centered around its athletes, providing equity stakes, child care, on-site therapeutic services and, for many players, a higher salary for the eight-week competition than they will make in the five-month Women’s National Basketball Association season.“Success can be a bunch of different things, but most importantly it’s making sure the player experience was the best one possible,” Stewart said. She added, “The red carpet is rolled out.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Greg Gumbel, Who Called N.F.L. and N.C.A.A. Games, Dies at 78

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      The sportscaster combined play-by-play excitement with a knack for precision in his decades as a sports broadcaster calling N.F.L. and N.C.A.A. games for CBS.Greg Gumbel, the sports broadcaster who called some of the biggest football and college basketball games on two networks during a career that spanned five decades, has died. He was 78.His family confirmed his death on Friday afternoon in a social media post from CBS Sports, where Mr. Gumbel had worked since 1989. He had been diagnosed with cancer.For decades, Mr. Gumbel served as a play-by-play announcer for CBS’s National Football League coverage. In 2001, he became the first Black sportscaster in that role covering a Super Bowl. He also covered the National Collegiate Athletic Association men’s basketball tournament for the network and had spent four years reporting on the American Football Conference for NBC Sports.He got his first chance as an announcer in the early 1970s, when a boss at the NBC affiliate in Chicago, Channel 5, told him that he wanted to broadcast a high school basketball game every Saturday, as Mr. Gumbel recalled in an interview with the sportscaster Kenny McReynolds published in 2021.“He said, ‘I have this idea, and I want you to take it and run with it,’” Mr. Gumbel said in the interview. “We introduced our audience to a lot of guys who went on to become famous.”Mr. Gumbel’s career took off in the 1980s, when he began to cover the National Basketball Association. He called his first N.F.L. game in 1988.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      FIFA Secures $1 Billion Broadcast Deal With DAZN for Club World Cup

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      An agreement with the London-based streaming company DAZN came just a day before the draw for the inaugural event and after other networks balked at FIFA’s demands.With time running out, and most broadcasters running away, FIFA said on Wednesday that it had finally managed to secure a broadcast partner for its inaugural 32-team Club World Cup in the United States next year.The announcement of a global deal with the London-based streaming company DAZN came just a day before FIFA president Gianni Infantino, who has championed the event, was set to preside over the draw for the monthlong tournament.While financial details of the agreement have not been announced publicly, DAZN is paying close to $1 billion, according to two people familiar with the deal who spoke on condition of anonymity because they were not authorized to discuss financial matters. DAZN has also secured an option for future rights for the event. In recent weeks, FIFA told teams and other officials that it expected to raise $800 million in television rights fees, part of the roughly $2 billion it expected the event to generate, a figure most market professionals said was unrealistic.FIFA initially tried to secure a $1 billion global deal with Apple before the technology company walked away, believing FIFA’s demands, which had already halved in value from Mr. Infantino’s earlier estimates, were too high.DAZN, a sports media company owned by the Ukraine-born and Russia-raised British billionaire Len Blavatnik, has been growing its footprint in soccer. The company has secured prime rights for major leagues and competitions across Europe and beyond, though it has hemorrhaged considerable amounts of cash along the way. Mr. Blavatnik has invested more than $5 billion since starting DAZN in 2016, and has counted losses in the billions of dollars since then.The company has cycled through business strategies and chief executive officers. Most recently, it partnered with Saudi Arabia as the Gulf nation emerged as one of the biggest investors in global sports. DAZN has become the go-to destination for Saudi sports properties including tennis, boxing and domestic soccer, raising speculation that the partnership may soon lead to direct Saudi investment in DAZN as the country looks to build a sports network of its own. FIFA will award the 2034 men’s World Cup to Saudi Arabia next week.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Every 4 Years, Timmy McCarthy Gives Ireland a Reason to Watch Basketball

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      While the Irish have no team in the Olympic tournament, Timmy McCarthy’s eccentric, enthusiastic commentary has earned him his own fervent fan base.Every four years, the Summer Olympics brings forth a collective fever dream of strange, communal treasures. We discuss synchronized diving instead of the weather. Flava Flav is temporarily rebranded as a champion of women’s water polo. The phrase “pommel horse” re-enters our shared lexicon. Snoop Dogg feeds carrots to dressage horses.And, for those who know where to look, the lyrical lilt of Timmy McCarthy returns to the Irish airwaves to commentate — at loud, joyous volume — on basketball. He growls. He sputters. He shrieks so loudly the microphone crackles.SHAKE AND BAKE!COAST TO COAST!Taking a shot from….DOOWWNNTOWWNN!In a crowded field of feel-good Olympic quirks, Mr. McCarthy, who turns 64 on Friday, may be one of the longest-running — a hidden gem that is both uniquely Olympian and uniquely Irish, broadcast only to those with access to Ireland’s state broadcast channel.First tapped by Raidió Teilifís Éireann in 2004 to anchor basketball for the Athens games, Mr. McCarthy’s commentary has since spawned memes, a Soundboard, Facebook fan pages, YouTube remixes and a modest but mighty fandom for whom his appearances are an Olympic touchstone — and the only Irish connection to the Games’ popular basketball series, in which Ireland has failed to qualify.“Timmy is a national treasure that gets dusted off every four years,” said Brendan Boyle, an Irish writer and basketball fan who lives in Spain and has followed Mr. McCarthy’s broadcasts.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      N.B.A. Announces Lucrative Rights Deals With Disney, Comcast and Amazon

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      The league rejected a bid by Warner Bros. Discovery to match Amazon’s offer.The National Basketball Association announced new rights agreements with Disney, Comcast and Amazon on Wednesday after rejecting a rival bid by Warner Bros. Discovery that would have kept games on its TNT network, which has broadcast the N.B.A. since the 1980s.The companies will collectively pay more than $76 billion over 11 years, according to four people familiar with the negotiations who spoke on the condition of anonymity to discuss the financial details. That will substantially increase the league’s annual revenue and reflects the continued importance of live sports programming even as streaming has reconfigured the entertainment industry.In making the announcement, the league said it had rejected Warner Bros. Discovery’s bid this week to match Amazon’s offer for its share of the package.“Throughout these negotiations, our primary objective has been to maximize the reach and accessibility of our games for our fans,” the league said in a statement. “Our new arrangement with Amazon supports this goal by complementing the broadcast, cable and streaming packages that are already part of our new Disney and NBCUniversal arrangements.” (NBCUniversal is owned by Comcast.)“All three partners have also committed substantial resources to promote the league and enhance the fan experience,” the statement added.The new deals, which include N.B.A. and some W.N.B.A. games, will take effect with the 2025-26 season and are more than two and a half times the average annual value of the league’s current rights agreements.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      As N.B.A. TV Deal Nears, Warner Bros. Discovery Is on the Outside

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      The company’s TNT channel and the N.B.A. have long been inextricably linked, but that may end after next season. Plus, Charles Barkley is retiring.Warner Bros. Discovery executives thought they had given the National Basketball Association a proposal it would accept.In April, after months of negotiations, the company made an offer to pay billions of dollars to the league for the rights to continue showing its games on TNT, as well as its Max streaming service. TNT has shown N.B.A. games since the 1980s, and its “Inside the NBA” is widely considered one of the best-ever sports studio shows.But with the end of Warner Bros. Discovery’s exclusive negotiating window looming, the N.B.A. insisted on changing the package of games the company would receive, according to two people familiar with the negotiations, who spoke on condition of anonymity to discuss the private dealings. Warner Bros. Discovery balked, and while the two sides have continued negotiating, the company now finds itself on the verge of losing the rights to televise the sport with which it has become inextricably linked. And on Friday night, the beating heart of “Inside the NBA,” the Hall of Famer Charles Barkley, said he would be retiring from TV after next season.“The first thing anybody thinks about when you say TNT is the N.B.A.,” said John Skipper, the former president of ESPN.Media companies, including Warner Bros. Discovery, were prepared for bruising negotiations with the N.B.A. Sports rights remain an extremely valuable commodity for traditional TV networks, and companies increasingly also see them as a way to attract more subscribers to their streaming services.The league made clear it wanted a sizable increase on the roughly $2.66 billion in total it receives annually, on average, from Warner Bros. Discovery and ESPN under its current rights agreements, which went into effect in 2016. Executives at those companies knew if they wanted to retain N.B.A. rights they would have to pay more for fewer games so that the N.B.A. could create a third package of games to sell.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Charles Barkley Has Thoughts on the Future of ‘Inside the NBA’

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      Next season could be the last for TNT’s influential and beloved studio show, and Charles Barkley, for one, will not be going quietly.The future of “Inside the NBA” was already a sensitive topic when Charles Barkley stepped into an elevator in Minneapolis after Game 3 of the Western Conference finals late Friday night. Barkley’s on-air candor as an analyst is a key reason that the studio show has become so influential and beloved among basketball fans and around the league.But these are tense times for the show and those who work on it. Warner Bros. Discovery has not secured the rights to continue broadcasting N.B.A. games on TNT beyond next season. Without those, the long-term future of “Inside the NBA” is uncertain. So when Barkley, who had already batted away several attempts by security and public relations officials to prevent him from doing an interview, ushered me into an elevator filled with his co-workers, not everyone was happy.Kenny Smith, Barkley’s on-screen foil, voiced his irritation. But Barkley, as he has done throughout his decades in the public eye, made clear that he wouldn’t be muzzled.“Hey, man, I can talk to who I want to,” Barkley said to Smith, using an expletive. Others in the elevator shifted uncomfortably.“You should do that out there,” Smith said, suggesting the interview be done outside the elevator.Barkley turned to me: “Don’t worry about him.”“She should clear it through Turner,” Smith said. “She should do it the right way.”Why was it so important for him to talk, I asked Barkley, even if others around him didn’t want him to? He nodded to the impact the uncertainty has on staff members who work on the show. And not just the well-known, on-air personalities: Barkley, Smith, Shaquille O’Neal and the host, Ernie Johnson.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Caitlin Clark Hype Will Test the W.N.B.A.’s Television Limits

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      The docuseries “Full Court Press” closely tracked college stars like Clark and Kamilla Cardoso. Fans who want to follow elite W.N.B.A. rookies could have a tougher time.The decision makers for the docuseries “Full Court Press” chose wisely when selecting which women’s college basketball players they would follow for an entire season.They recruited Caitlin Clark, whose long-distance shots at the University of Iowa made her a lucrative draw. Kamilla Cardoso, a Brazilian attending the University of South Carolina, could provide an international perspective. Kiki Rice, from the University of California, Los Angeles, would be the talented but reserved young prospect.Those selections proved fortuitous when each player advanced deep into the N.C.A.A. tournament. Clark and Cardoso competed in the most-watched women’s championship game in history before becoming two of the top three picks in the W.N.B.A. draft.“The way that it turned out, it’s like, ‘This is not real life,’” said Kristen Lappas, the director of the four-part ESPN series that will air on ABC on Saturday and Sunday. “That just doesn’t happen in documentary filmmaking.”Interest in women’s basketball is surging because of young talent. Clark, Cardoso and other top rookies like Angel Reese and Cameron Brink are providing the W.N.B.A. a vital infusion of star power, quickly obliterating one record when 2.4 million viewers watched April’s draft.Now the league, whose media rights package expires in 2025, must capitalize by making sure fans can easily follow the players they grew to love during their collegiate careers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Peter Oosterhuis, British Golfer Turned Broadcaster, Dies at 75

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      He won 20 tournaments before moving into TV. “He explained the game that was going out in front of him in a very relaxed manner,” a former CBS producer said.Peter Oosterhuis, a British golfer who won 20 tournaments around the world, played in the Ryder Cup six times and later distinguished himself as a commentator for CBS and Golf Channel, died on Thursday in Charlotte, N.C. He was 75.His wife, Ruth Ann (DuClos) Oosterhuis, said that his death, at a memory care facility, was caused by complications of Alzheimer’s disease. He retired from CBS in early 2015, almost two decades after he began working there and several months after being diagnosed with early-onset Alzheimer’s.That year, Oosterhuis (pronounced OH-ster-house) spoke to Golf Digest about his life and career.“The specific memories of those events are fading, but I have this nice overall impression of things,” he said. One detailed memory he still had: “In the 1973 Ryder Cup, I played Lee Trevino in one of my singles matches. Lee told his teammates, ‘If I don’t beat Oosterhuis, I’ll come in here and kiss your butts.’ Lee didn’t beat me.”Oosterhuis finished second in the 1974 British Open, four strokes behind Gary Player. Eight years later he took second place again, in a tie with Nick Price, one stroke behind the winner, Tom Watson. The Guardian said that Oosterhuis’s final-round 70 in the 1982 Open was “due reward for the stoutest heart and most patient temperament that British golf has produced in the modern era.”Oosterhuis at the 1972 Open Championship, held at the Muirfield Golf Links in Scotland.R&A Championships, via Getty ImagesOosterhuis was, for a time, one of Europe’s best golfers. He won the Harry Vardon Trophy, for the best scoring average on the European Tour, four consecutive times, from 1971 to 1974. He won seven titles on the European Tour, now called the DP World Tour. And while his six Ryder Cup teams (first Britain, then Europe) lost to the United States from 1971 to 1981, he had his share of success, including a record of 6-2-1 in his singles matches in the biennial competition.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More