Showtime

Subterms

    Latest story

    138 Shares139 Views

    Different Sides of Bill Walton and Wilt Chamberlain in New Series

    by

    New documentaries explore the star-crossed careers and delicate spirits of Wilt Chamberlain and Bill Walton, two of basketball’s greatest.Pity the poor 7-footer.That’s the message of two new documentary series about storied basketball players: “The Luckiest Guy in the World,” about Bill Walton (available in the “30 for 30” hub at ESPN Plus), and “Goliath,” about Wilt Chamberlain (premiering Friday at Paramount+ and Sunday on Showtime).Serious and thorough, “Luckiest Guy” and “Goliath” are positioned to draft on the success of an earlier basketball biography, ESPN’s popular Michael Jordan series, “The Last Dance.” But while they are also portraits of men with supreme physical gifts, they are less focused on their subjects’ on-court exploits and more determined to get inside the players’ heads. The sportswriter Jackie MacMullan delivers what could be a thesis statement for both in “Goliath”: “I’ve found that big men are much more sensitive than we realize.”Chamberlain, who died of heart failure in 1999, and Walton both have well-defined personas, which they participated in creating. Each series spends a lot of its time picking apart the received wisdom about its subject while also indulging, for the sake of dramatic impact and storytelling shorthand, the very stereotypes it wants to deconstruct: Chamberlain the unstoppable, insatiable giant; Walton the goofy, fragile flower child.The four-episode “Luckiest Guy” was directed by the accomplished documentarian Steve James, always to be remembered for “Hoop Dreams,” and was made with the full cooperation of Walton, 70, who revisits old haunts and sits down for an entertaining round table with Portland Trail Blazers teammates like Lionel Hollins and Dave Twardzik. It’s engagingly introspective and personal, in part because James pushes back against Walton’s incessant recitation of the title phrase. How can Walton call himself the luckiest guy in the world, James asks from behind the camera, when his career was utterly ravaged by injuries that eventually crippled him and drove him to consider suicide?That, broadly speaking, is the idea that haunts both documentaries. The conundrum of Walton’s and Chamberlain’s careers is that they were marked by success — college and professional championships, statistical domination (in Chamberlain’s case), reputations for unmatched athletic skills — and defined by disappointment. Neither won as often or as easily as he should have, in Walton’s case because of injury and in Chamberlain’s because of the dominance during the 1960s of the rival Boston Celtics and their center, Bill Russell, enshrined in sports mythology as the hard-working Everyman to Chamberlain’s sex-and-statistics-obsessed egotist.“Goliath,” directed by Rob Ford and Christopher Dillon, is a more workmanlike and conventional project than “Luckiest Guy.” But across three episodes it makes a persuasive case for Chamberlain as a generous, sensitive soul who was both blessed and constrained by his stature and his extraordinary all-around athletic ability.It does its sports-documentary duty, laying out Chamberlain’s triumphs and more frequent setbacks on the court. But it is more interested in the trails he blazed as a Black cultural figure and self-determining professional athlete, and it favors writers, pundits and scholars over basketball players in its interviews. (The scarcity of images from Chamberlain’s younger days in the 1940s and ’50s is compensated for with shadow-puppet scenes reminiscent of the work of Kara Walker.)Watching the series side by side, the differences between the two men are less interesting than the sense of commonality that emerges. Both were self-conscious stutterers who learned to endure, and perform under, the most intense scrutiny. Chamberlain may have been more flamboyant, but Walton, in “Luckiest Guy,” is just as conscious of his affect — there’s an ostentatiousness, and no small amount of ego, in the way he performs modesty. (James also challenges Walton’s lifelong, generally debunked claim to be only 6 feet 11 inches tall.)The veteran sports fan might see another commonality: As good as they are, neither “The Luckiest Guy in the World” nor “Goliath” is as exciting to watch as “The Last Dance.” This is a bit of a conundrum, because both Chamberlain and Walton are, quite arguably, more complex, interesting and moving figures than Michael Jordan. But Michael Jordan is a nearly unparalleled winner. And while winning isn’t the only thing, it is, for better or worse, the most compelling thing about the subject of a sports documentary. More

    More stories

    • 100 Shares99 Views

      in Basket

      Rachel Nichols Joins Showtime After Contentious ESPN Exit

      by

      Nichols was pulled from the air at ESPN last year after The New York Times reported on disparaging comments that Nichols, who is white, had made about a Black colleague.One year after the high-profile canceling of her television show, Rachel Nichols is back.Showtime Sports announced Friday that Nichols would be joining the premium television network to contribute to its basketball coverage, with her first appearance coming on the “All the Smoke” podcast Friday.For five years, Nichols was the face of ESPN’s N.B.A. coverage, sitting down for interviews with big stars, covering the playoffs and hosting its daily basketball show, “The Jump.” But she was pulled from the air and her show was canceled last year after The New York Times reported on disparaging comments Nichols had made about Maria Taylor, who at the time was her colleague at ESPN.In a conversation with an adviser to the Los Angeles Lakers star LeBron James that was unknowingly recorded in July 2020, Nichols, who is white, said that Taylor, who is Black, had been chosen to host 2020 N.B.A. finals coverage instead of her because ESPN executives were “feeling pressure” on diversity.Shortly after The Times’s report, Taylor left ESPN for NBC, where she hosts “Football Night in America,” among other duties. ESPN replaced “The Jump” with a similar daily show called “NBA Today,” which is hosted by Malika Andrews.On the “All the Smoke” podcast — which is hosted by the former N.B.A. players Stephen Jackson and Matt Barnes, who worked with Nichols on “The Jump” — Nichols made her most extensive comments yet on her departure from ESPN, though she revealed little that had not already been said or reported.Nichols said that the job of hosting N.B.A. finals coverage had been written into her contract with ESPN. But as the company was preparing for the unprecedented airing of the rest of the regular season and the playoffs from a bubble environment near Orlando, Fla., because of the coronavirus pandemic, she was asked instead to be a sideline reporter so that Taylor could host finals studio coverage.“They stressed it was my choice; they weren’t telling me to do this, because it was in my contract,” Nichols said on the podcast. “But they were putting a lot of pressure on me. I was being told, ‘Well, you’re not a team player.’ Which any woman in business knows is code, right?”An ESPN spokesman declined to comment last year when asked whether hosting the finals was in Nichols’s contract. The spokesman declined to comment when asked again Friday. Generally, most ESPN contracts for on-air commentators are what are known as “pay or play” contracts, meaning ESPN has the right to take anybody off the air for any reason, but the company must continue to pay them.Nichols was inadvertently recorded from her hotel room near Orlando. A camera in her room was left on after she finished taping for a show, feeding its recording to a server at ESPN’s headquarters in Bristol, Conn. Her conversation came as the country was roiled by racial justice protests after the police in Minneapolis killed George Floyd, and right after The Times reported that many Black employees at ESPN felt they were harmed by racism at the company.On the recording, the adviser Nichols was speaking to, Adam Mendelsohn, who is white, said he was “exhausted” by Black Lives Matter and Nichols laughed.Maria Taylor left ESPN and joined NBC, where she has covered the Olympics and hosts “Football Night in America.”Nick Cammett/Getty ImagesOn the podcast Friday, Nichols said she believed that ESPN was asking her to help fix employee and audience complaints about a lack of diversity in a way they would not have asked a man to do. “Do you think ESPN would ever say to Rece Davis: ‘Hey, we want to give Maria this opportunity. You go be the sideline reporter?’” Nichols said, referring to Davis, a white man who hosts “College GameDay.” “They don’t say that to men.”Nichols added that she attempted to set up a meeting to apologize to Taylor after Taylor learned of her comments but that Taylor would not meet with her.“I feel sorry that any of this touched Maria Taylor,” Nichols said. “She’s a fellow woman in the business. It wasn’t her fault what was going on.”Nichols, without naming anyone, said she thought “people who had bad feelings” held on to the hotel room recording, then leaked it to the media for “leverage with their own situations.”It is not immediately clear how big of a role Nichols will have at Showtime, which does not have rights to show N.B.A. games. According to a statement from Showtime, Nichols will “contribute to multiple programs and projects from Showtime Basketball across multiple platforms.” More

    • 125 Shares189 Views

      in Basket

      Kevin Garnett Talks Missed Opportunities, On and Off the Court

      by

      Garnett, the 15-time N.B.A. All-Star, discusses the new owners of the Timberwolves, whether he’s ready to forgive Ray Allen and his thoughts on player activism.At one point in a new Showtime documentary, Kevin Garnett unexpectedly jumps out of his seat during an interview to curse into a boom microphone.Sitting down has never been one of his strengths, whether on the basketball court or in typically sleepy affairs, like talking about yourself on camera.The film, titled “Kevin Garnett: Anything Is Possible,” premieres on Nov. 12. It traces Garnett’s life story, from his upbringing in South Carolina through his ascent to being one of the most celebrated prep-to-pros players in basketball history by winning an N.B.A. championship with the Boston Celtics in 2008.This documentary is the latest in a trend of athletes trying to shape the narratives about themselves through their own productions. Michael Jordan, Tom Brady and Russell Westbrook have been involved in similar projects.In Garnett’s documentary, for which he is an executive producer, one scene stands out. Garnett and the rapper Snoop Dogg are in a recording studio discussing athlete activism, and Garnett criticizes the N.B.A. players who resumed the playoffs after walking out to protest social injustice in the summer of 2020.“I actually thought for a second that the players had momentum to where, if they could’ve took a stance, all of them together, and said, ‘No, we’re not playing,’ that they could’ve actually went on Capitol Hill and started a conversation, a real one, and started talking about police reform,” Garnett tells Snoop Dogg.Garnett added, “Just falling in line actually didn’t really help anything.”In a recent interview, Garnett discussed those comments on player activism, his acting ambitions and his relationship with his former Celtics teammate Ray Allen.You do a very impressive impersonation of Doc Rivers, the former Celtics coach, in the documentary. We’ve seen your acting skills in “Uncut Gems.” What is your interest in continuing your acting career?I feel like obviously the character that I played in the “Uncut Gems” was myself, and I didn’t think that I can mess that up, and I felt confident in that. I’m getting some opportunities, just nothing that speaks to me. Some of the things that have come across my desk are just things that I can’t relate to and I don’t feel like fit me. But I have very high interest. I would love to do more movies if possible.There’s an interesting scene with Snoop Dogg where you’re talking about the N.B.A. players and the post-George Floyd protests. You essentially suggested that the players fell in line when it came to protesting police shootings, and that they should have stopped playing until there was real reform. Is that an accurate framing of how you feel?Well, if I’m being frank, yeah. I think what I tried to insinuate, if not say, was that I just think that if players really, really felt passionate about the George Floyd situation, and they wanted to do more, I think the way that — or at least the way I thought that — you should actually effect change is changing. If that meant you all not playing, then you shouldn’t. I thought that should’ve been an option.I thought the league actually took advantage of the players and knowing that the majority of the players needed to play and needed the opportunity to play, and that wasn’t going to be an option.It seems like during the pandemic, the world linked on sports for entertainment, or to keep things at a calm. With that type of leverage, you got to know how to actually use that leverage. I don’t think the players really had a firm leadership in being able to devise a plan and put it together.Were you particularly political in your playing career? For example, would you have been willing to stop playing until there was legislation addressing a reform that you were passionate about?I would have taken the opportunity to go on Capitol Hill and use my platform to be loud and to say whatever it was I felt. You’ve got to remember, this is your livelihood. And as 400-plus players, you’re not just speaking for yourself. You’re trying to speak for a body of players that think differently, on all accounts. This is how you eat. This is how you feed yourself, and everybody is in different categories as far as economics, when it comes to the league.I probably would have been in a position to take a stance and actually want to initiate a conversation. But, again, I felt like it would have been important to have proper people, proper politicians and proper partnerships to be able to go to the table with proper vision to talk about reform. That’s all.[Later, Garnett added a clarification.]I want to make clear that I actually love the way the players stayed together, and whatever decision they came up with, they were in unison with it. I don’t want to come off like I’m going at the future players or the players that are current and they should have did this.I actually support the players, LeBron, Chris Paul and all they do for the union and for the players.Garnett and some of his Celtics teammates were upset that Ray Allen, left, would join the Miami Heat right after Miami defeated Boston in the 2012 playoffs.Mike Blake/ReutersPaul Pierce is featured heavily in the documentary, as are several other Celtics teammates from 2008. One who is barely mentioned is Ray Allen. Have you softened your stance toward Ray at all? [Some of Allen’s teammates were angry after Allen, who was with the Celtics from 2007 to 2012, left for Miami in free agency after the Heat defeated the Celtics in the playoffs.]I wish Ray all the best, and I wish him and his family all the best, and whatever he’s doing, I’ll always be supportive of it. And that’s all I got to say.Your teammates from that team have said, “It’s K.G. who has to be the one who wants to talk to Ray.” Are you open to any sort of reconciliation with him?It’s not that big of a deal to me. I think Ray’s living his life. I’m living mine. That’s where I stand on it. I think if people wanted to do something, we would have done it by now. So it’s pretty obvious where we’re at, but I wish all the best to all my teammates and people that I played with. Not just Ray, everybody.Paul Pierce mentioned recently that you and he were in the process of maybe starting a podcast. Who would you have as your first guest?Probably [former President Barack] Obama or Jamie Dimon [the chief executive of JPMorgan Chase]. Yeah. You caught me off guard.Well, you can call Paul after and talk about it.I was just about to say, right? “So Paul, since you put it out, who would be the first guest, right?” Paul would be like, some “Girls Gone Wild”-type stuff.Garnett was the fifth overall pick in 1995 when the Minnesota Timberwolves drafted him out of high school.Ann Heisenfelt/Associated PressCan you tell me a bit about your relationship with Marc Lore and Alex Rodriguez, the new ownership group of the Minnesota Timberwolves?I haven’t had any conversations with them. I haven’t spoken to A-Rod personally.Do you have any interest in being part of the new ownership group, whether in basketball operations or as a minority owner or in some way being part of the franchise?I think that opportunity has passed. I actually think I’ve been hearing whispers that A-Rod is actually going to take the Timberwolves to Seattle. So we’ll see. I don’t know.Would you be upset if that happened? [The Timberwolves didn’t respond to a request for comment.]No one wants to see the Wolves leave Minneapolis, but you know, it’s business. I would never want the Timberwolves to leave Minneapolis and Minnesota. I think that team means a lot to that state. More