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    At the U.S. Open, Saving the House That Built Golf

    Francis Ouimet, an amateur who improbably won the 1913 U.S. Open at the Country Club, grew up across the street. Now his home will be given back to the game, and the course, that made him famous.BROOKLINE, Mass. — The small, 19th-century home with the golf course view is hardly noticeable to the hundreds of drivers whizzing by at 40 miles an hour on Clyde Street in the Boston suburb of Brookline. While the two-story house once stood like a sentry overlooking acres of cow pasture, the neighborhood is now replete with luxury housing, four-lane roads and a bustle worthy of a community just seven miles from downtown.The location does not look like a landmark to the birthplace of American golf. But it is, in ways both tangible and symbolic. This week, the site will be newly in the spotlight as the U.S. Open returns for a fourth time to the Country Club in Brookline.Neighbors of the Clyde Street property have recently noticed a flurry of activity at the residence as contractors’ vans filled the driveway daily for what is clearly a moneyed restoration project. In late April, two workers peeled back attic ceiling panels of the 1893 dwelling and then had to duck as a pair of antique golf clubs tumbled to the floor.“They’re Francis’s clubs!” one of the workers, Aldeir Filho, yelped. His colleague, Christian Herbet, dashed down the stairs to alert the crew of tradesman below.From the second floor, Herbet shouted: “We found Mr. Ouimet’s clubs.”The American golfer Francis DeSales Ouimet in 1913.George Grantham Bain Collection (Library of Congress)In 1913, Francis Ouimet, then a 20-year-old self-taught amateur golfer, left the second-floor bedroom he shared with his brother at 246 Clyde Street and crossed the street to the Country Club, where he defeated the world’s two most accomplished British professionals, Ted Ray and Harry Vardon, to win the U.S. Open.The stunning upset by Ouimet, the son of immigrants and a caddie at the club, was front-page news across the nation and has been credited with spawning explosive nationwide growth in the game. While there were only 350,000 American golfers in 1913, that number had swelled to 2.1 million less than 10 years later. The fame of Ouimet’s groundbreaking accomplishment — no amateur had ever won the U.S. Open and few golfers from working-class roots had ever played in championships — has endured for 109 years, no doubt helped by a popular 2005 movie, “The Greatest Game Ever Played.”The house that Ouimet’s father, Arthur, just happened to purchase across from the Country Club has often played a prominent factor in Francis Ouimet’s winsome story. The humble dwelling astride a tony country club came to represent the two worlds Ouimet daringly traversed when he walked down his unadorned wooden front steps and marched onto the club’s gilded grounds for the last 18 holes of the 1913 U.S. Open. About four hours later, he was carried from the last green on the shoulders of cheering fans. The duality of Ouimet’s life on either side of Clyde Street, including the cramped, meager confines of his upbringing, are a robust part of the narrative. There are, for example, 17 scenes depicting life in the Ouimet house in the 2005 movie.And yet, until recently, preserving or formally recognizing the home’s significance was never a priority. While the structure remained in the Ouimet family for 94 years, it changed ownership multiple times. The exterior and interior were altered and a tall white fence rose in the front yard to eclipse most of the ground floor from the road.The dining room of the Ouimet HouseAlex Gagne for The New York TimesAlex Gagne for The New York TimesAlex Gagne for The New York TimesAs housing prices in Brookline soared across the decades, some at the nearby club, which is a founding member of the United States Golf Association, worried what might happen if the property was bought and redeveloped. Years ago, for instance, what had been the family barn next to the Ouimet house was sold, rebuilt and turned into condominiums.“If you let that house be torn down,” Fred Waterman, the club historian, said of the Ouimet house in an interview last month, “you’ve allowed a very important part of American sports history to disappear.”Tom Hynes, a member of the Country Club who has a Boston real estate background that stretches to the 1960s, casually befriended the owners of the house, Jerome and Dedie Wieler, not long after they moved to the neighborhood in 1989. Hynes lives nearby and would see the Wielers walking their dog almost daily.“When you’re ready to sell your house,” Hynes told the couple, “I’m your buyer.”The Wielers answered that they were not selling and were curious why Hynes would want it. Hynes explained Ouimet’s history to the Wielers, who knew nothing of golf. But the Wielers were intrigued by a heartwarming story.“Someday, maybe 20 years from now, you might be selling and please let me know,” said Hynes, who added that he would remind the Wielers about once a year. “I just wanted the house returned to golf.”Late in 2020, the Wielers contacted Hynes, who set foot in the house at 246 Clyde Street for the first time and 30 minutes later had a handshake agreement to buy the property for $875,000.The actor Shia LaBeouf as Francis Ouimet in the 2005 movie “The Greatest Game Ever Played.” Entertainment Pictures / AlamyFrancis Ouimet, center, with the professional British golfers he beat to win the 1913 U.S. Open, Harry Vardon, left, and Ted Ray.Associated PressHynes set about trying to defray the purchase cost by raising money with the intent of donating the house to the club, which could use it for myriad activities, including staff and guest housing on the second floor. The decision was also made to restore the house to make it appear as it did when the Ouimets lived there in 1913.“When you walk into the house we want you to have the feeling of what it was like to have walked into the family’s home 109 years ago,” Waterman said.But first, there was much work to do. While the house was in good shape, it needed innumerable improvements to meet modern building codes. The cost of the restoration swelled. As Hynes, the nephew of a three-term Boston mayor who has brokered some of the city’s most sweeping real estate deals, said: “I started going around town with my tin cup out.”Hynes had a potent, almost divine ally in his fund-raising mission. It was as if Francis Ouimet was mystically assisting him. Ouimet, who died in 1967, remained a lifelong resident of the Boston area and continued to win golf championships as an amateur for many years after 1913. He also had a career in finance.In 1949, a Ouimet college scholarship program for caddies was created. Since then, the Ouimet Fund has awarded nearly $44 million to more than 6,300 men and women. The need-based scholarships can be worth as much as $80,000 across four years of study.As Hynes began to solicit help for his restoration, he occasionally was surprised to find donors who were unflinchingly generous with their money. They were Ouimet Scholars, now middle-aged, who believed they would have never attended college without the fund’s assistance.Fred Waterman, historian at the Country Club.Alex Gagne for The New York TimesTom Hynes, who bought the Ouimet house.Alex Gagne for The New York TimesThe Ouimet house’s living room has been restored.Alex Gagne for The New York TimesAdditionally, more than 40 members of the Country Club have contributed, most donating $25,000 each. The first phase of the renovation was finished last week.A tour of the 1,550-square foot, six-room Ouimet house these days is like stepping back in time since its appearance has been curated to match an early-20th-century style. The wallpaper, lighting, drapes and shades are vintage. The furnishings are faithful to the period: chairs, sofas and tables from the early 1900s presented to the club by an architect who heard about the renovation. Common rooms were small then, but add to the cozy, familial feel.Just inside the first-floor entry is an old, preserved wooden wall telephone, the kind with a crank on the side. It is rigged so visitors can lift the receiver and hear a recording of Ouimet describing his U.S. Open victory. He is joined on the audiotape by Eddie Lowery, who was Ouimet’s 10-year-old caddie. The two remained lifelong friends.Elsewhere on the first floor are mementos acknowledging what took place nearby in 1913, including newspaper clippings and photographs. The tall, imposing street-side fence has been removed to reveal newly planted sod with a border of perennials.The second phase, which will renovate the building’s exterior by adding new clapboard, windows and a cedar shingle roof, will not be complete until next year. After that, Hynes hopes to hand off the house to the club. Since the club, which has about 1,300 members, has yet to take possession of the Ouimet house, its president, Lyman Bullard, said there was no decision yet on access or its primary use.Hynes, who mentioned being sensitive to neighbors of a property in a residential area, does not envision the house being open to the public, or offering tours like a museum. But Waterman felt there might be a sense of obligation to share the house, and its history, in some way.A photo taken in 1900 shows Francis as a 7-year-old, next to his mother, Mary, and father, Arthur.Courtesy The Country ClubIn the movie “The Greatest Game Ever Played,” there is an early bit of foreshadowing: a scene of the young Francis Ouimet dutifully but surreptitiously practicing his putting at night after his parents had gone to bed. If that might be Hollywood mythmaking, there is no disputing the golf-centric, stirring view from Ouimet’s second-floor bedroom window. Across Clyde Street, Francis could see the Country Club’s pristine 17th hole. The vista now is altered by the decades-long growth of trees sprouting on the perimeter of the grounds. But standing at the bedroom window, with the house’s revitalized original flooring creaking underfoot, the manicured 17th hole is still plainly visible.Francis Ouimet’s boyhood dreams seem present, not distant.His impact on golf, even American sport, is alive in the spirit of his home.In 1913, the golf icon Gene Sarazen, then known as Eugenio Saraceni, was an 11-year old caddie in the New York suburbs. The son of Sicilian immigrants, he read about Ouimet’s stunning victory over the renowned British professionals. As Waterman noted, Sarazen said to himself at the time: “If he can do it, I can do it.”When Sarazen was 20, like Ouimet, he won the U.S. Open, the first of the seven major golf championships he won from 1922 to 1935.For Waterman and Hynes, one of their fondest hopes is that the Ouimet house, newly returned to golf, is not done influencing future U.S. Open champions. Hynes floated the possibility that one of the golfers in this year’s field might wish to stay in the house during the competition.Calling that “the ultimate thing,” Waterman added: “It would be a player who says, ‘I want to wake up in Francis Ouimet’s bedroom because he walked down the stairs and won the U.S. Open. Maybe that’s what will happen for me.’ ”Ouimet’s win at the U.S. Open made the front page of The New York Times, top left, on Sept. 21, 1913.The New York Times More

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    At the French Open Grounds, a Guided Tour of Change

    PARIS — In my 30th year of covering the French Open, I am in need of a map.The courts where I have watched so many matches on the crushed red brick of Roland Garros are almost all gone — demolished or remodeled beyond recognition, like the main Philippe Chatrier Court with its retractable roof. Passageways that led somewhere familiar now run into concrete walls or freshly painted gates or take you to new-age landscapes like the sculpture garden behind Chatrier with its rows of ocher deck chairs and its cruise ship vibe.All four of the Grand Slam tournaments have been on a building spree, but Roland Garros at this stage is the major that seems the most transformed.It is the one I know — or used to know — best. I covered it for the first time in 1991, the year Monica Seles defended her title and Jim Courier beat Andre Agassi in that distant time when all-American men’s finals were all the rage in Grand Slam tournaments. Most important for me, 1991 was the year I married Virginie, a Parisian, and moved to France from San Diego.In the early years, we lived in a studio apartment a few blocks from Roland Garros’s back gate. That meant that for two precious weeks a year, a tennis writer could walk to work from home, and I sometimes shared the commute with French players, like Guillaume Raoux, who had the good fortune to play a Grand Slam tournament in their own neighborhood.Roland Garros is technically in Paris, on the southwestern limits of the 16th Arrondissement. But in feeling, it is closer to village life. The vast Bois de Boulogne park is on one border. Low-rise, suburban Boulogne-Billancourt is on the other.Even with the expansion into the nearby botanical gardens in 2019, Roland Garros’s footprint is still the smallest of the Grand Slam tournaments, but the expansion also has made it the most eye-catching of the majors.You could already watch tennis in Paris with the shadows lengthening across the clay in the early evening, one of the most photogenic moments in sports. Now you can watch tennis in a greenhouse, too.It is high time for a visit to the new Roland Garros, and in lieu of a map, I called in a tour guide: Gilles Jourdan, who was once a ball boy at the tournament but is now the silver-haired manager of the stadium’s modernization project.Where’s the Bullring?A packed court one during the third-round men’s singles match between Santiago Giraldo of Colombia and Andy Murray of Great Britain on Day 7 of the 2012 French Open.Matthew Stockman/Getty ImagesThere was no better seat in tennis journalism than in Court 1. In the front row along the baseline, you were so close to the action that you sometimes had to lean back to avoid a player’s swing on a wide return. Best of all was the venue: a 3,800-seat theater in the round known as the Bullring. It wasn’t the prettiest court in tennis, but it got something the architect, Jean Lovera, a former French junior champion, had not anticipated: acoustics that accentuated the strike of the ball. Courier used to love the unique thwack.“The sound moves and resonates in a bit of a different way,” Lovera told me in 2010. “And as it turns out, I think it lends itself to generating emotions and making temperatures rise and getting reactions from both the players and the crowd that are stronger than usual.”I can only concur, having once watched the Russian star Marat Safin drop his shorts midmatch to celebrate a drop-shot winner. But the Bullring and the sound effects are gone — demolished after the 2019 tournament to provide more space. The idea was to replace Court 1 with an open lawn, a flat French version of Wimbledon’s Aorangi Terrace, better known as Henman Hill. But there is not much open lawn this year. The void left by Court 1 has been filled by paving stones, new walkways, a coffee bar and other diversions.The Musketeers are backThe Place des Mousquetaires, former site of the Bullring.Pete Kiehart for The New York TimesRoland Garros was built in a hurry in 1928 because of four men: Henri Cochet, Jean Borotra, Jacques Brugnon and René Lacoste, who was not yet a brand in those distant days. They were known as the mousquetaires (Alexandre Dumas’s novels were even bigger then), and in 1927, they won the Davis Cup in the United States against a team that included Bill Tilden. The Davis Cup, a team event, was as prestigious in those days as Grand Slam titles are today, and a new stadium was constructed in less than a year to accommodate France’s Davis Cup defense.The Italian sculptor Vito Tongiani made bronze statues of the musketeers in the 1980s and the early 1990s. They were put on display at Roland Garros and then stored during renovations. But they are back this year in the new Musketeers Garden, sharing space during the tournament with the deck chairs and a big-screen television. The last buildingThe cottage that is the last of the buildings from 1928 on the grounds of Roland Garros.Pete Kiehart for The New York Times“It’s in bad shape,” Jourdan said, standing next to a large, half-timbered cottage with some cracked windows that sits on the northeastern boundary of the grounds.It is largely out of view this year, used for catering supplies, but it deserves the spotlight. After all the demolition and renovation, it is the last building standing that was there in 1928, spared because of its links to the past even though sentimentality has not saved much else.The cottage predates the stadium. It was the clubhouse for a private tennis club whose clay courts became part of the original Roland Garros. “Above all, during the musketeers’ years, they changed in there,” Jourdan said. “It was the locker room.”It later became a gardeners’ shed and then a dormitory for young tennis prospects who were training at Roland Garros. The most famous former occupant is Yannick Noah, who went on to win the French Open in 1983 and become a pop star. He remains one of the most popular figures in France.The AshesGilles Jourdan, the manager of the stadium modernization project.Pete Kiehart for The New York TimesA monument to Étienne-Jules Marey that also contains his remains.Pete Kiehart for The New York TimesRoland Garros preferred rugby and has his name on a tennis stadium only because his friends wanted to honor his memory; he was an aviator and a fighter pilot who died in combat in the final days of World War I. But the stadium also honors another figure who was not a tennis player: the French scientist Étienne-Jules Marey, who died in 1904 and whose experiments with “chronophotography” helped lay the foundations for modern cinema.A research institute bearing his name, the Institut Marey, was opened on the current site of Roland Garros in 1903 and remained in place for 50 years after the stadium was built, allowing scientists, sometimes in white lab coats, to watch matches from the roof. But it was demolished to make way for Court 1’s construction in 1980, with the agreement that a monument to Marey would remain part of the stadium in perpetuity. The marble bas-relief monument, which contains some of Marey’s ashes, has moved around the grounds through the decades, but it is now in a prominent location in the new garden. “During the construction, Mr. Marey stayed in my office for two years,” Jourdan said with a chuckle, referring to Marey’s ashes. “I’m not sure the family would have approved, but he’s back where he belongs now.”A grander entranceCourt 2 during the 2001 French Open, with the old Chatrier Court in the background.Clive Brunskill/ALLSPORT, via Getty ImagesThe Bullring’s demise is a pity, but the loss that really hurts is the old Court 2. It was my favorite spot: a close-quarters drama magnet where coaches, off-duty players and members of the news media shared the same box, entering through a door that felt like the portal to a secret garden. I once interviewed Boris Becker on a changeover.Built in 1928, it was a two-tiered court, so cozy it seemed that the fans on the upper tier were hovering over the players as they traded blows. But the expansion of the Chatrier Court left no room for Court 2, and its departure has made way for a new main entrance that allows the public to descend into Roland Garros down a wide flight of stone stairs.Jourdan remembers the old entrance, which was nearby. “In those days, the center court had no reserved seating, so as soon as the gates opened it was a sprint for the best spots,” he said. “One year, it rained, so the stones were wet, and people went down in a heap when they ran around the corner. We weren’t laughing then, but we laughed later.”There are no more morning sprints, and as you walk down the stairs, you cannot help but stop to gawk at another new statue: Rafael Nadal in larger-than-life stainless steel, following through on an airborne forehand. Nadal has, of course, turned Roland Garros into his personal playground, winning a record 13 singles titles. It is a measure of Nadal’s achievement that the first thing you see when you enter one of France’s great showplaces is a Spaniard.The oasisA small pond nestled among plants labeled with their scientific names at the entrance to the Jardins des Serres d’Auteuil.Pete Kiehart for The New York TimesWe will see how the remodeled grounds work in 2022, but Roland Garros has long been oppressively overcrowded, like a rush-hour commuter train disguised as a Grand Slam tournament. For years, I would sneak away at lunchtime to the adjacent Serres d’Auteuil gardens with my ham-and-cheese baguette (and fondant au chocolat). It was a peaceful moment, although not a silent one. You could still hear the roars from the courts and the chair umpires calling the scores, which was handy in the days before the Roland Garros app.Now, after a long legal battle, one section of the gardens is officially part of Roland Garros. You can walk on a charming cobblestoned thoroughfare flanked by lovely 19th-century buhrstone buildings before arriving at the world’s only show court in a greenhouse: a semi-sunken 10,000-seat stadium that opened in 2019. It is a world apart after a short walk and a stroke of genius if you ask me, even if a few of the exotic plants appear to be wilting under glass and even if my secret picnic spot is definitely no more.Le shoppingThe Grande Boutique, a nearly 1,500-square-meter shopping space under Courts 2 and 3.Pete Kiehart for The New York TimesRoland Garros has long had great loot, often too great on a sportswriter’s salary. The prices have not gone down, but the shopping has. A new and sprawling megastore has opened underground this year, and “megastore” sounds a lot better in French: La Grande Boutique. The long walk (or ride)Court 16, the westernmost court in the complex, is used exclusively for practice.Pete Kiehart for The New York TimesIt is nearly a kilometer now from one end of the grounds to the other. It is a trek, but the players can make it faster than the masses, because they can travel below ground in the system of tunnels that connects the main Chatrier Court with the hinterlands.Players make part of the journey in golf carts to save their energy. We did it on foot with Jourdan, passing from tunnels to underground parking lots to walkways to a staircase that brought us back into the sunlight at Courts 15 and 16. These are the only fully dedicated practice courts left in Roland Garros, and I used to play here, too, but not on these courts and not on red clay.This area was once a public tennis facility with asphalt hardcourts before the French Tennis Federation took possession, as it has inexorably taken possession of all the nearby property on the same wedge of land as Roland Garros. You can understand the urge when you look at the size of the U.S.T.A.’s Billie Jean King National Tennis Center or the plans for the next mammoth expansion of Wimbledon into the adjacent golf course. The competition among the Grand Slam tournaments is real, and one of the reasons the French Open stayed in Paris in 2012 instead of moving to bigger digs in Versailles was the promise of more land. Something still familiarChristopher Clarey in the stairwell leading to the news media seats at Court Suzanne Lenglen.Pete Kiehart for The New York TimesJennifer Brady and Coco Gauff facing each other at Suzanne Lenglen Court.Clive Brunskill/Getty ImagesJourdan, it has to be said, is a great tour guide — witty, convivial and informative. I am no longer in need of a map, but nostalgia is tough to shake. So before heading back to the Chatrier Court with all its glass and steel, I made a final stop at Suzanne Lenglen Court, the second-biggest show court at Roland Garros. The court has been a fine place to watch tennis for nearly 30 years.I saw Roger Federer make his Grand Slam debut on that court in 1999 against Patrick Rafter — and lose in a backward ball cap. Lots of memories there, so I walked up the stairs, turned left and took a seat. No matches were on this late in the second week. The net was down, and a big-screen television was in place, but it still felt reassuringly familiar, and so it will remain until the new retractable roof goes up in 2024, in time for the Paris Olympics.I should have seen that coming. More