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      The Whirlwind of a Rising Daniil Medvedev

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      He won his first Grand Slam this year and is ranked No. 2, and his impressed peers call him a genius and an octopus.Watching Daniil Medvedev speak is like watching a tornado from inside Dorothy’s farmhouse in “The Wizard of Oz.” His thoughts whirl at such a rapid clip that you do not even have time to run to a storm cellar.Then it becomes clear: Medvedev, the world No. 2 and winner of this year’s United States Open, answers questions a little like he plays tennis — fast and furious, seemingly without stopping to take a breath.“The most important thing is that I’m trying to be myself on the court,” he said on a video chat from Paris when told that his peers have described him as a chess master, a genius and an octopus. “I’m just trying to play good tennis and win matches. Then I let other people decide what they think.”In September, Medvedev, 25, of Russia, served as the ultimate spoiler when he upset the world No. 1, Novak Djokovic, 6-4, 6-4, 6-4 to win his first major at the U.S. Open. Djokovic had already won the Australian and French Opens and Wimbledon in 2021, and a win at the U.S. Open would have made him just the sixth singles player, and third man, to capture the Grand Slam. Medvedev’s win also denied Djokovic a record-breaking 21st career major. Instead, he, Roger Federer and Rafael Nadal are still tied with 20 majors apiece.“He has definitely improved a lot, and the Grand Slam win at the U.S. Open did not come as a surprise to me,” Djokovic said. “He has a tremendous serve, and he hits his spots in the box incredibly well. That’s the biggest weapon of his game, without a doubt.“Then, of course, that backhand is very flat, and he’s just as strong as a wall from that side,” Djokovic added. “He just doesn’t miss. And he’s improved his forehand a lot. He’s very professional and very smart on the court. He’s game savvy. He understands how to use the court, how to position himself when he’s defending, when he’s attacking. His net game has improved as well, so he doesn’t hesitate to come forward. Nowadays he’s become a more all-around player, more complete and, as a result, he’s a Grand Slam champion.”Djokovic, right, defeated Medvedev, 4-6, 6-3, 6-3, to win the Paris Masters last week.Justin Setterfield/Getty ImagesMedvedev is trying to defend his championship at the season-ending Nitto ATP Finals, which begins Sunday and has moved from London to Turin, Italy, this year. Last year, Medvedev beat Alexander Zverev, Djokovic, Diego Schwartzman, Nadal and Dominic Thiem to capture the title.When Medvedev first ascended to No. 2 in March, it was, in large part, because he won his last 10 matches of 2020 and his first 10 of 2021. He was finally stopped by Djokovic in the Australian Open final in February.“Daniil has perfected the game that he’s playing that not many players can play,” said the fourth-ranked Stefanos Tsitsipas, who has lost to Medvedev six of the eight times they have played. “I call him ‘octopus’ for a reason. He’s just able to get balls that not many people are able to.”It is odd, then, that Medvedev constantly refers to his flagging self confidence.“There was a moment when I was not confident in myself,” he said. “I was doubting a few things about my physical abilities, my tennis abilities. I was in doubt, which is what tennis is all about. Then I won these two amazing tournaments [2020 Rolex Paris Masters and Nitto ATP Finals], beat a lot of top players, got a boost of confidence where I was like, ‘OK, I believe in myself. There is no reason not to believe anymore.’”“I call him ‘octopus’ for a reason,” said Stefanos Tsitsipas of Medvedev. “He’s just able to get balls that not many people are able to.”Asanka Brendon Ratnayake/ReutersMedvedev was never a prodigy. He was not ranked No. 1 in the juniors, never even went beyond the third round at any of the major junior tournaments. But that did not stop him from aspiring to play among the best.“I was never even in the quarters of a slam,” Medvedev said. “But when you come to these Grand Slams, no matter if you’re ranked 30, 20 or I think I was 13 at the max, you see all these top players that you look at on TV and they actually do normal things. They eat, they take a shower, they go play matches, they can even laugh with you juniors. And you actually feel in a way that you belong with this group.”Before Medvedev ever played tennis, he said he was known in the family for his temper tantrums around the house. His two older sisters, Julia and Elena, were powerless to control him.“I remember when I was 4 years old, I was a little bit ‘wanty,’” Medvedev said with a chuckle. “Like if I wanted something I could start crying. I think that’s the part that could sometimes show on the tennis court, especially when I was younger, because the thing is, what do you want on the tennis court? You want to win.”Medevedev has proved his petulance more than once in his pro career. In 2016, he was defaulted from a Challenger match in Savannah, Ga., for suggesting that the chair umpire was favoring his opponent based on race.Then, during the 2019 U.S. Open, Medvedev was booed by the New York crowd during a match against Feliciano Lopez when he got a warning from the umpire for tossing his racket and then snatching a towel from a ball man. As the fans roared their disapproval, Medvedev tugged on his ear, imploring them to continue.Then, during his post-match interview, Medvedev told the crowd: “Thank you all, guys, because your energy tonight gave me the win. If you were not here, guys, I would probably lose the match. So I want all of you to know, when you sleep tonight, I won because of you.”Medvedev was booed by the New York crowd during his match against Feliciano Lopez at the 2019 U.S. Open.Dominick Reuter/Agence France-Presse — Getty ImagesThe crowd responded by booing even louder. Medvedev won his next three matches before he was beaten by Nadal in the final.Just before the start of the Paris Masters in October, Medvedev and Djokovic had a two-hour practice session at the Mouratoglou Academy on the French Riviera. It was the first time the two had seen each other since their U.S. Open final in September. They chatted for 15 minutes after the practice, but neither one mentioned their encounter in New York.“It’s normal, no matter if you lose or win you don’t speak about these matches because there’s going to be one loser who’s not going to want to speak about it,” said Medvedev, who also lost to Djokovic last Sunday in the final of the Paris Masters. “And when I win I also don’t want to say, ‘Hey, remember …’”When Medvedev was about 14, he said, he read the book “Eragon” by Christopher Paolini. He was so captivated by the fantastical story about magic, glory and power that he read all 528 pages in three nights, at the same time imagining he was part of that world.Now that he is enmeshed in his own fantastical world, Medvedev refuses to revel in it.“I don’t look back too much in my life,” he said. “I like to think about the present and the future more than the past, even if the past is good. I use it more as confidence, to say, ‘Wow, I managed to win, to beat Novak in the final of a slam.’ I’m going to use it more if I have doubt in my career, which can happen.“If you lose first round or quarters of some tournaments, maybe two in a row, you’re always going to have questions, like ‘Am I going to be able to come back?’ That’s when you can look back at this match and say to yourself, ‘Wow, it’s possible.’” More

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      It’s Been a Long Season on the ATP Tour

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      With injuries and fatigue, it has taken its toll on the players, who say they will work through the challenges during these finals.Winning on the ATP Tour means surviving perpetual battles of endurance inside a war of attrition. Relentless baseline rallies lead to longer, more draining matches in a season that runs nearly year-round.There was additional concern that after the pandemic-shortened 2020 season, this year’s schedule might take an even greater toll as players get back into shape.“Our season is too long given the physicality of today’s tennis,” the third-ranked Alexander Zverev said in late October. “We don’t really have time to let our injuries heal.”Roger Federer, Rafael Nadal and Dominic Thiem were sidelined by injuries this year, and at the Paris Masters last week, the fourth-ranked Stefanos Tsitsipas retired with a nagging arm injury. Tsitsipas said he dropped out to preserve his shot at an even bigger prize, the year-end Nitto ATP Finals.The finals, which moves this year to Turin, Italy, from London, is what the game’s elite have been grinding to reach. The tournament has the game’s top eight players split into two groups of four that confront each other in a round-robin format before two from each half advance to the semifinals.Stefanos Tsitsipas retired from his Paris Masters match with an arm injury.Christophe Archambault/Agence France-Presse — Getty ImagesBrad Gilbert, an ESPN analyst, said the move to Turin should not impact the style of play because, like London’s O2 Arena where the event was played last year, it is indoors with a hard court made by GreenSet, which has produced relatively slow, low-bouncing surfaces.“So we could have more long rallies,” he said. He said that the week off between the Paris Masters and the ATP Finals should benefit the players if there were long points. (This final does not even end the season, with the Davis Cup Finals coming a few days later.)Paul Annacone, who coached Pete Sampras and Federer and is a Tennis Channel analyst, said the players who made it to the ATP Finals feel a sense of accomplishment. “They understand the magnitude of this event, featuring the best of best, so they’ll do whatever they can to win.”The players said that they would indeed play through their fatigue after a grueling season. Zverev, Tsitsipas and Andrey Rublev also said they would not change tactics with bigger serves or ground strokes, more drop shots or a race to get to the net — just for the sake of ending points quickly.“I’ll play the way I play,” Zverev said, who at the United States Open semifinal against Novak Djokovic won a 53-shot rally in a game where the other five points averaged nearly 20 shots each.Novak Djokovic is ranked No. 1 and will be favored to win the ATP Finals.Sarah Stier/Getty ImagesTsitsipas said his game had not changed just because of the time of year, so the players strategies would not budge much either. “If there’s some sort of difference it will be very small.”Rublev said that Tsitsipas, who had the ability to charge the net and the finesse to win on drop shots, was perhaps best suited to change his game if the match demanded it, whereas he was set in his ways. “I’m an aggressive player, and I like to be the one to lead the rally, to dictate the point,” Rublev said. “This is the goal for all the matches.”The home crowd should give an advantage to Matteo Berrettini, ranked No. 7 in the world, the only Italian in the final.“Berrettini has a huge serve and a huge forehand, so he can keep points short,” Annacone said. “And this is a new event for Italy, featuring one of their top young superstars, so I expect the crowd to sound like a concert of Italian fanatics. Berrettini could be right there with the top players.”Annacone said Daniil Medvedev and Zverev had a strong shot at winning because they had proved their stamina, playing excellent tennis since the summer, adding that they had big serves and first strikes so they could shorten points without changing tactics.And Zverev proved his staying power in those long U.S. Open rallies, while Medvedev thrived on counterpunching and could wear tired opponents down, Annacone said. By contrast, Tsitsipas and Rublev have faltered in the second half of the season, making them less likely to survive this gantlet.Still, Djokovic, the world No. 1, remains the favorite. While second-ranked Medvedev beat him in the finals of the U.S. Open on a hard court, and indoors in last year’s ATP Finals, Djokovic has not lost an ATP match in the last two years to any of the other competitors. (Zverev beat him in the Olympics.)Djokovic also took time off after the U.S. Open, meaning he may be fresher than his rivals, which Annacone said could prove crucial.“It will come down to who is freshest and healthiest,” he said, “and can find their form that week.” More

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      ‘Football Is Like Food’: Afghan Female Soccer Players Find a Home in Italy

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      Members of a team from Herat left behind the lives they had built in Afghanistan in hopes that they can build a future where they can play, and thrive.AVEZZANO, Italy — Two days after Taliban fighters seized Herat, Afghanistan’s third-largest city, the Italian journalist Stefano Liberti received a message via Facebook: “Hi sir, we are in trouble. Can you help us?”The message last month came from Susan, 21, the former captain of Bastan, a women’s soccer team that had once been the subject of a documentary by Mr. Liberti and his colleague Mario Poeta.“Football is like food to me,” Susan would say later, and the fear that she might never play again under Taliban rule, “made me feel as though I was dead.” Like others interviewed in this article, only her first name is used to protect her identity.Thirteen days after she made contact with Mr. Liberti, Susan arrived in Italy along with two of her teammates, their coach and several family members. They touched down at Rome’s main airport after a flight made possible by the two journalists, a Florence-based NGO, several Italian lawmakers and officials in the Italian Defense and Foreign Ministries.The Herat group, 16 people in all, transited through a tent camp run by the Italian Red Cross in Avezzano, in the Apennine Mountains, where more than 1,400 Afghans evacuated to Italy have quarantined in recent weeks.Susan lined up with other Afghan refugees for a clothes distribution at the Red Cross camp.Fabio Bucciarelli for The New York TimesLike so many Afghans, the players left behind the lives they had built in order to make the trip. Susan halted her university studies in English literature to leave the country with her parents, two sisters and a brother.Women were banned from sports during the first Taliban era. Even after the group was ousted from power in 2001, playing sports continued to be a challenge for Afghan women, and for the men who helped them.In “Herat Football Club” the journalists’ 2017 documentary about the team, Najibullah, the coach, said that he had been repeatedly threatened by the Taliban for coaching young women.The Taliban’s return to power has raised fears not only that restrictions on sports will be reimposed, but also that the female athletes who emerged in the past 20 years will be subject to reprisals.Khalida Popal, the former captain of the national women’s team who left Afghanistan in 2011 and now lives in Copenhagen, used social and mainstream media last month to advise women who’d played sports in Afghanistan to shut down their social media accounts, remove any online presence and even burn their uniforms.“They have nobody to go to, to seek protection, to ask for help if they are in danger,” she said in an interview with Reuters. Another Herat player, Fatema, 19, also left behind her university studies, in public administration and policy. She arrived in Italy with a brother, but her father fell ill while they tried to get through the crowds at the Kabul airport, so he and her mother remained behind.“They said to me, ‘You go, go for your future, for football, for your education,’” Fatema said.“Playing football makes me feel powerful and an example for other girls, to show that you can do anything you want to do,” Fatema said. She expressed hope that would be the case in Italy, too. “I want to make it my country now,” she said.Fatema at the tent camp in Avezzano last week. “Playing football makes me feel powerful and an example for other girls,” she said.Fabio Bucciarelli for The New York TimesThe oldest of the three players, Maryam, 23, had already earned a degree in management and had worked as a driving school instructor in Herat. She saw herself as a role model, inspiring young women by example “because of football, because of driving.”“I was an active member of society,” Maryam said, a role she was certain she could not have under the Taliban.Maryam was the only team member to arrive in Italy alone, though she said she was hoping that her family would join her. “It’s hard for me to smile,” she said. “But I hope my future will be good, certainly better than under the Taliban.”The players say that many of their Herat teammates are still in Kabul, hoping to find transit to Australia, where some players on Afghanistan’s women’s national team have been evacuated.Last Friday, the three women and their families were relocated to the Italian city of Florence. In Italy, the national soccer federation, some soccer clubs and the captain of the national team, Sara Gama, have offered their support to the young Afghan players.Administering a coronavirus swab test at the Avezzano camp this month.Fabio Bucciarelli for The New York Times“There’s been a lot of solidarity,” Mr. Liberti, the documentary maker, said.And on a warm afternoon last week, Fatema and Maryam did something they had never done before: They kicked a ball around with a couple of boys.Asked how it felt, Maryam grinned broadly and gave a thumbs up.“It felt good,” added Fatema. “People didn’t look at us as though we had done something wrong.” More

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      The Two Ciro Immobiles

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      The spearhead of Italy’s attack is either its secret weapon or its fatal flaw. At age 31, it is still not clear which.The raw facts are, on the surface, overwhelming. In the last five seasons, Ciro Immobile has scored 26 goals, then 41 goals, followed by 19, 39 and 25. Over the course of that run, he has won the Golden Boot — the prize given annually to Europe’s most prolific goal-scorer — once, and tied the record for the most goals scored in a single season in Italy’s top league, Serie A.The context of those facts only serves to embellish them. Immobile does not play for an all-conquering superpower, the sort of team that carves out a dozen chances a game and regularly dispatches overmatched opponents by four- and five-goal margins. He plays, instead, for Lazio, a side constructed — by superclub standards — on a shoestring.And he operates in Serie A, a league which no less an authority than Cristiano Ronaldo regards as the most difficult in the world in which to score goals. A league in which Ashley Cole, among the greatest defenders of his era, was regarded as being surprisingly naïve, tactically.The conclusion, then, should be obvious. Immobile, 31, belongs in the front rank of contemporary forwards, perhaps not quite an equal to the only four players in Europe’s major leagues to have scored more than him in the last five years — Lionel Messi, Ronaldo, Robert Lewandowski and Harry Kane — but not out of his depth in their company.Immobile has scored twice at Euro 2020 for Italy, which cruised in the group stage and faces Austria on Saturday in the round of 16.Pool photo by Andreas SolaroThat, certainly, is how he looks up close. Simone Inzaghi, Immobile’s coach at Lazio for the last five years, regards him as “one of the three or five best attackers” in Italy in the last two decades. On his goal totals alone, he should have been in contention for a Ballon D’Or.From a distance, though, everything changes. Immobile’s name is rarely mentioned when lists of the finest attackers of his era are compiled. On the eve of Euro 2020, the most pressing question asked of Italy’s coach was whether his team could hope to fare well in the tournament when it was lacking a top-class forward. And no, Immobile, the striker who had scored 123 goals in 177 games, did not count.A few weeks ago, as the Italian season drew to a close, Immobile had a brief and vaguely unbecoming spat with Urbano Cairo, the president of Torino. Cairo had, at one time, regarded the forward as “a protégé.” It was a prolific season in Turin, in fact, that had first made Immobile one of Italy’s hottest properties.But Cairo was annoyed to see Immobile, in his view, diving to win a penalty in a game between Torino and Lazio, so he waited for him by the locker room to make his feelings known. That night, Immobile posted a message to his Instagram account denying Cairo’s accusation. “Everybody knows who Ciro Immobile is,” he wrote.He was almost right. Everybody thinks they know who Ciro Immobile is. It is just that not everybody thinks the same thing.The Real CiroThe conversation, as Monchi remembers it, was “very open, very honest, very mature.” Five months earlier, in July 2015, he had brokered the deal to bring Immobile to Sevilla from Borussia Dortmund. As Sevilla’s sporting director, Monchi had been looking for a third striker, one “with a different profile” from the two the club currently employed: the rangy Fernando Llorente and the explosive, hard-running Kevin Gameiro.Immobile — who describes his own gifts as “strength, tenacity and cunning” — fit the bill. Monchi, renowned as among the shrewdest pilots of the transfer market, spotted the potential for a deal. Immobile’s service were no longer needed at Dortmund; Sevilla could obtain him on an initial loan, and later, and permanently, at a bargain price if he met certain performance clauses.Instead, the striker would go down as one of Monchi’s rare missteps. He did not score his first goal for the club until November. He made only a handful of appearances. And then, early in January, he requested a meeting with Monchi and Unai Emery, the club’s coach at the time, to discuss his future.Immobile explained that he felt he needed a change of scenery; he admitted that he was not performing as he should. “He was worried about the European Championship,” Monchi said of the 2016 tournament then looming just over the horizon. “He wanted to be in the Italy squad, and he knew that to do that he had to be playing. And he was not playing enough here.” Sevilla acquiesced, and allowed him to join Torino on loan.“There are two reason transfers go wrong,” Monchi said. “One is that the player does not find the confidence they need at their new club, or in a new league. That is especially important for strikers. And the second is that the style of play of the team does not suit them. I think both applied to Ciro.” To him, it was just one of those things. He knows that, sometimes, deals just do not work out. He and Sevilla moved on.Immobile has been a prolific scorer at Lazio, but his ventures outside Italy did not go as well.Pool photo by Friedemann VogelFor Immobile, the consequences lasted a bit longer. He had spent 18 months abroad, and they had been an unmitigated failure. At Dortmund, he would later say, he felt “unsupported” by the club. In eight months, he told Gazzetta dello Sport’s SportWeek magazine, not one of his teammates had invited him out for dinner.Dortmund was “cold,” there was “nothing to do,” and while the coach who signed him, Jürgen Klopp, had insisted on providing him with a German translator, his replacement, Thomas Tuchel, removed that privilege, insisting on holding even one-on-one meetings in German, a language that Immobile found “impossible” to learn.More pertinent, he found himself unable to cope with the weight of expectations. He had been pinpointed as a replacement for the Bayern Munich-bound Lewandowski and he sensed his predecessor’s gold-fringed shadow at every turn. “The error I made at Dortmund was that Lewandowski left and I felt the responsibility,” he said.Immobile looks back on his time in Germany with regret. He and Klopp encountered each other at “the wrong time in their careers,” he has said. Had the timing been different, been right, then he feels that Klopp’s percussive style would have suited him perfectly. As it was, Klopp never had chance — in Immobile’s words — to work with “the real Ciro.”And yet, for many, that was precisely what Klopp, and later Monchi, had seen. Those unhappy 18 months came to define Immobile’s career, to set his reputation. No matter what he did afterward, no matter how many goals he scored in Italy, no matter what the context, the fact that he had failed in Dortmund and in Seville meant his fate was sealed. Everybody thought they knew who Ciro Immobile was.Italy’s coach, Roberto Mancini, at times seemed to be searching for any striker who was not Immobile.Mike Hewitt/Getty ImagesRevengeUntil almost the last moment, the one part of Italy’s team that remained a mystery — to Roberto Mancini, its coach, as much as anyone — was the attack.Over the course of his three years in charge of the national side, Mancini has experimented with various systems, and various options: the young Moise Kean and the experienced Fabio Quagliarella, the traditional Andrea Belotti and the unorthodox Federico Bernadeschi. From the outside, Mancini has looked, at times, like a man searching for a way not to play Immobile upfront.That is not because Mancini doubts whether Immobile is right for international soccer — he has no doubts as to his ability — but if international soccer is right for him. “If we played 38 games over the season, Ciro would score 25 goals,” Mancini said a few weeks before naming his squad for Euro 2020. “It is tougher when you only join up two or three times a year.”That is as close to a consensus as there is on Immobile: He can be devastating, but he needs everything to feel just right, on the field and off it. At Lazio, he has found it. Inzaghi designed the team to suit Immobile’s strengths, deploying Luis Alberto and Joaquin Correa as foils for his darting runs, his elusive movement, his hunter’s instinct.Just as important, his family is settled in Rome. He feels valued by the club — Lazio’s president, Claudio Lotito, organized a private audience with the Pope a few months ago — and he has a grander animating force.Italy may advance only as far as Immobile can carry it.Pool photo by Andreas SolaroIn 2020, when Immobile won the Golden Boot, the first player not based in Spain to win the prize since 2014, he admitted that it was “a kind of revenge.” Quite who he was taking it on was not clear — it was “not against anyone personally,” he said — but it seemed fair to read it as a riposte to all who doubted him, who took the disappointments of Dortmund and Seville as shorthand for his career, who did not see the player that Immobile saw in himself.That award, perhaps, started to shift the debate in his favor just a little. Five goals in five games in the Champions League last season will have helped, too; that is the stage, after all, on which soccer now ordains greatness, and it has been to Immobile’s detriment that he has graced it only rarely.Euro 2020, then, offers him a precious chance to prove his point, to demonstrate that Italy does have a forward fit for a place among the elite, that all of those goals cannot just be written off as circumstantial evidence. He may, yet, be allowed a little autumnal afterglow to bathe his career.The group stage brought two goals in two starts on home soil. The knockout rounds, starting with Austria on Saturday, are an opportunity to build his case. All he needs to do is what he has been doing, with a relentless consistency, for the last five years: scoring goals, making the raw facts of the matter overwhelming. More

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      Euro 2020: Italy Bets on Youth, and Fun

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      A nation steeped in soccer stopped producing trophies because it stopped producing players. Can a commitment to youth, and fun, bring back the glory days?At one point, for reasons that presumably made sense in context, the coach and one of his assistants spent a few minutes onstage playing padel — a Basque version of tennis — with a set of frying pans. At another, three players were lined up in descending order of height and asked to perform as backing vocalists for someone who, apparently, self-identifies as a rapper.Most of the countries competing in this summer’s European Championship announced their squads in the traditional manner: a list of names and some anodyne quotes in a simple news release or, for those investing a little more effort, a slick graphic released on social media.Italy, though — well, Italy went in a very different direction. It unveiled its players for the tournament during a variety show, broadcast live and late into the night, that did not actually conclude with confirmation of the squad. The federation never quite managed to fit it in, what with all the music and games and cooking equipment. Italy’s list was released on social media a couple of hours later.The proceedings, though, created just the sort of impression Roberto Mancini — the pan-wielding coach — wanted. Italy’s record at major tournaments over the last decade or so has been checkered at best. It reached one final, at Euro 2012, and performed creditably in 2016. In 2010 and 2014, though, the Azzurri slunk home from the World Cup at the end of the group stage. In 2018, for the first time in more than half a century, they did not even qualify.Italy’s players after they failed to qualify for the 2018 World Cup. The team’s recent history is filled with devastation.Luca Bruno/Associated PressSo as they prepare for the opening match of the postponed Euro 2020, against Turkey on Friday in Rome, Mancini and his team should be under intense pressure. Major tournaments, ordinarily, are a time of high expectation and hair-trigger tension.This Italy, though? Well, it has gone another way. The variety show was only the first piece of media content the national team will put out over the next few days. There is a fly-on-the-wall documentary, too, and an official song that is one long inside joke. Mancini appears, singing along, in the video for it.The angst and the anguish of recent years have been thoroughly banished. Instead, as Mancini said while he stood onstage that night, broadcasting live to the nation, his frying pan laid to one side, he is going to try something novel.“We will get the fans on board,” he said, “by having fun.”Long ShadowsMarcello Lippi did not hear the bell tolling, not at the time. As he pored over his choice of players to take to the 2010 World Cup, Lippi found himself picking the familiar names, the familiar faces over and over again. The core of the squad was much the same as the one that had won the tournament for him in Germany four years before. The coach chose the players, he would say later, out of “gratitude.”“I realized too late that some had given all they had,” he said.That moment of realization can be timed and placed with unerring accuracy: Ellis Park, Johannesburg, June 24, 2010, when Slovakia — appearing in a World Cup for the first time — beat Italy to send the reigning champion home, violet with indignity.That night, Lippi sat on a raised platform in a media center and described how his team had played with “terror in its heart and its head and its legs.” The responsibility for the national humiliation — there had also been a draw, a few days earlier, against New Zealand — was his, and his alone, he said. He would fall on his sword soon after.Young players like goalkeeper Gianluigi Donnarumma have helped change the face of Italy’s national team.Filippo Monteforte/Agence France-Presse — Getty ImagesOver the last decade, Italians have grown accustomed to that sort of denouement in a major tournament. In 2014, when Italy was again eliminated at the World Cup’s first hurdle, the coach and the two top executives at the national soccer federation all resigned live on television. Failure to qualify for 2018 cost not only the head of Gian Piero Ventura, the coach, but that of his boss, too. Italy has spent a decade leaping out of frying pans and into fires.At the same time, the explanation offered by Lippi for that failure in 2010 has been internalized on a national level, automatically applied to every disappointment that has followed. “I did not think we would win the World Cup,” he said that night in Johannesburg, not far off heresy for an Italian manager. “But I thought we could perform better than that. This is clearly not a fantastic moment for Italian football.”Heads still rolled, but Italy accepted that its tournament performances were symptoms, rather than causes, of a broader malaise. Lippi suffered because the team that had won the World Cup had grown old. His successors failed because no new generation had emerged to replace them. As the shadow of that glorious team of 2006 grew longer, the darker and deeper the gloom became.There are any number of explanations for why that might be. Massimiliano Allegri, Juventus’s coach of the past and present, argues that youth soccer in Italy is, effectively, too tactical: Coaches are so worried about their jobs that they mask the individual shortcomings of their players with strategy.“Instead of letting kids learn how to defend one-on-one, they give them cover,” Allegri said. “They double up. But that means the kid doesn’t learn. So when they have to play one-on-one, they don’t know how.” That, in his mind, is why “Italy does not produce champions anymore.”Paolo Nicolato, the country’s under-21 coach, contends that Italy’s soccer culture is too intolerant of errors, which he labels “a necessary step of growth.” It suffers from a “bad relationship with the future,” he says. “We are very focused on the present.”That assertion is borne out by facts. Last season, of the 50 youngest teams in Europe’s top 20 leagues, only one was Italian: A.C. Milan. Only three Italian sides appeared in the top 100. More significantly, only five percent of all the minutes Serie A teams played last season were given over to homegrown, academy-reared players. Italian soccer remains a culture that is deeply distrustful of youth.“It is a strange championship,” said Maurizio Costanzi, the head of youth development for one of the few teams to buck the trend: Atalanta. He has spent four decades working with young players in Italy, and he has noticed a definite, incontrovertible change in both the quality and the quantity of emerging prospects.He wonders if that might be related, in part, to the demise of street soccer, or to the rise in athleticism in the sport squeezing out the sorts of players — playmakers and schemers — who long characterized the Italian game. But he is sure that those who do make it are not given a chance either quickly or reliably enough to succeed.“You get cycles in every country, and you can’t plan out when players come through precisely,” he said. “But in Italy one of our problems is that we only think about the result. It puts a limit on us. It means that our players seem to mature more slowly.”Striker Ciro Immobile has been a prolific scorer in Serie A.Filippo Monteforte/Agence France-Presse — Getty ImagesAs a player, four decades ago, Mancini was an exception to that rule, making his debut at 16, rising to become an international long before he hit 20. Perhaps it was natural, then, that as a coach he should set about trying to change the culture.The problem, to him, was a lack of opportunity, not a lack of ability. “Maybe you are a little afraid to let the young players play,” he said not long after taking the job as national team coach. “It is just a matter of time. You just have to believe it.”Notti MagicheThe high-speed Frecciarossa train that collected Italy’s squad in Florence on Thursday had been specially painted, its bullet-nosed front decked out in a streak of bright blue. The journey to Rome would take only a couple of hours. When the squad disembarked, though, the plan was for the players to find themselves back in 1990.This is the first time since that year’s World Cup that Italy has hosted a major international tournament. Rome may be one of Euro 2020’s side stages — London has more games than anywhere else, including both semifinals and the final — but that has been more than enough to stoke the memory.The authorities have encouraged it: The opening ceremony on Friday will feature the tenor Andrea Bocelli, playing the role of Luciano Pavarotti and singing “Nessun Dorma,” the soundtrack of that Italian World Cup.The media has perpetuated it: Italy will play the opening game, La Gazzetta dello Sport noted this week, in the stadium that was home to so many of what, in 1990, became known as the notti magiche: magical nights. Even Mancini has embraced it, his decision to call up the unheralded Sassuolo striker Giacomo Raspadori seemingly an attempt to unearth his own Totò Schillaci, the captivating icon of that long, sweltering Italian summer three decades ago.For the first time in a long time, the country seems to have a team capable of wearing its history lightly. Mancini’s Italy has not lost in 27 games, since late 2018. At one point, it had won 11 consecutive games, a record. It may not have faced any of its putative rivals for the crown this summer — the Netherlands aside — but the sense of momentum is undeniable.Mancini has created an Italy refreshed and rejuvenated. In the three years of his tenure, he has given international debuts to 35 players. By Italian standards, there is youth shot through his team. Goalkeeper Gianluigi Donnarumma and defender Alessandro Bastoni are both 22. Midfielders Manuel Locatelli and Federico Chiesa are a year older. Nicolò Barella and Lorenzo Pellegrini are 24.The 21-year-old striker Giacomo Raspadori played his first game for Italy last Friday.Darko Bandic/Associated PressThat the squad has the air of a team for the future, not the present, works in its favor. Italy feels young and daring, new and different. It feels like the sort of team a country might find fun. It is, though, a testament to serious, painstaking work.Ever since that defeat in 2010, Italian soccer has been trying to restore its course, to piece together some idea of how it might produce players again. To do so, it commissioned a series of reviews and assessments carried out by some of the sport’s greatest names: Gianni Rivera, Demetrio Albertini, Arrigo Sacchi, Alessandro Costacurta.The key figure in Italy’s reconstruction, though, is an unknown: Maurizio Viscidi, the coordinator of the country’s youth teams. It was Viscidi — initially hired by Sacchi a decade ago — who oversaw a revolution not only in the structure of Italian youth soccer, introducing an under-15 team and reorganizing youth competitions, but also in its mind-set.He has tried to wean the programs he oversees off an addiction to the result, to the here and now, and to make it think more about the players it is developing. He has instituted a policy linking Italy’s youth teams more intrinsically to the senior side, making the step up easier.And in Mancini, he has found a coach after his own heart. A few months after taking the job, Mancini organized a joint training camp involving Italy’s senior team, its under-21s, and its under-20s. The message was clear: Youth would no longer be overlooked. It would, instead, be front and center. The squad he has named for the tournament is made up of his children of the revolution.How that revolution ends is not yet clear. This summer may be the redemptive climax. It may have to wait until Qatar, next year. It may never come at all.To Mancini, though, that is not the point. What matters, now, is that his team and his country have a little fun in finding out. More

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      Young Italian Men Are Taking Over the French Open. They Have No Idea Why.

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      Italy has 10 players in the top 100, the most ever, and two 19-year-olds who look like major stars in the making. Just don’t ask them what’s going on.PARIS — The Grand Slam event currently underway may be called the French Open. The overwhelming favorite in men’s singles is from Spain. But this tournament, and perhaps even the future of men’s tennis, suddenly feels very Italian.That may sound strange, especially to the Italians, who have never produced a world No. 1. But on Thursday, a pair of 19-year-olds, Jannik Sinner, the surprise quarterfinalist at Roland Garros last year, and Lorenzo Musetti, who is playing in his first Grand Slam tournament, stormed into the final 32. So did Matteo Berrettini, 25, who is seeded ninth. They joined the 34-year-old veteran Fabio Fognini, the No. 27 seed, who has crushed his first two opponents and serves as the spiritual leader for the younger set driving this unprecedented Italian charge.“It’s something we are not used to,” Berrettini said after pummeling Federico Coria of Argentina, 6-3, 6-3, 6-2, Thursday. “Nobody is used to it.”Tennis may be the ultimate individual sport, but countries sometimes produce waves of top players. Germans (Boris Becker, Steffi Graf) had their day in the late 1980s. Americans (Pete Sampras, Andre Agassi, Jim Courier, Michael Chang) were mainstays of the top 10 in the 1990s. A decade ago, Spain was tennis royalty, winning the Davis Cup, the sport’s leading national competition, four times in eight years, with Rafael Nadal leading the way.If a country produces a generational star, it stands to reason more will follow. But as many times as not, countries produce a champion, and then the tennis cupboard is largely empty. There are no hot young Swiss players in the top 100 ready to fill Roger Federer’s shoes. Spain’s youngest player in the top 40, Pablo Carreño Busta, is 29.“You think the more good players you have from a nation they can groom the next generation, but then the chain breaks,” said Andrea Gaudenzi of Italy, a top 20 player in the 1990s who now leads the ATP Tour.Jannik Sinner made the quarterfinals of last year’s French Open and beat a fellow Italian, Gianluca Mager, to advance to the third round this year.Christophe Archambault/Agence France-Presse — Getty ImagesSo what has made Italy so good at this moment in men’s tennis history? Asking that is a bit like asking for directions in Rome — plenty of possible answers, none seemingly any better than the rest.Even the smartest tennis minds do not really know how to develop a phenomenal tennis player, much less several of them simultaneously. At its highest level, the game requires the mettle of boxing, the athleticism of basketball and the touch of billiards. Try manufacturing that.Italy began holding significantly more lower-level tournaments during the past decade. That allowed Sinner and Musetti easier access to pro tournaments to cut their teeth. And yet, there are other countries that have plentiful schedules of low-level pro tournaments but do not have a group similar to Italy’s. For instance, the United States, which is more than five times as large as Italy and has lots of low level tournaments, does not have a man in the top 30.Andreas Seppi, the 37-year-old Italian journeyman who notched a first-round upset at Roland Garros, credited the proliferation of top players to Italian coaches, who are more seasoned than they were when he was early in his career. Seppi said his coach, Massimo Sartori, essentially learned the trade with him.“I was my coach’s first player,” Seppi said. “Now all these coaches know what they have to do and how the tour works.”The 37-year-old veteran Andrea Seppi said Italian coaches were more seasoned now than they were as he rose up the ranks..Martin Bureau/Agence France-Presse — Getty ImagesIndeed, Sinner’s coach, Riccardo Piatti, previously worked with a young Novak Djokovic, and top pros like Richard Gasquet of France and Milos Raonic of Canada.Then again, Musetti’s coach, Simone Tartarini, who has been working with him since he was 7 years old, has coached largely national junior players in the past. The two sometimes share hotel rooms on the road.Sinner and Musetti’s disparate upbringings also offer no clues to success.Sinner, the son of a chef and a restaurant hostess, was a junior skiing champion and did not specialize in tennis until he began training at an academy in his early teens. At first, he struggled emotionally and physically with the daily grind of so many hours on the court, he said earlier this year.Musetti began playing tennis at the age of 4. Other than kicking a soccer ball occasionally with his friends, he never pursued another sport. By age 12, he was among Italy’s standout juniors.So if this golden generation of Italian players proves anything about tennis, it might be the random nature of development and how many different ways there are to play the game.“Some people might say we complain a lot inside the court,” Musetti joked the other day. “I used to, but now I have grown up a little bit.”Blame Fognini for that rap. Fognini, who played doubles with Musetti this spring, regularly offers tips about opponents and tactical advice to his young countrymen. He won’t hesitate to question a line call or hold an umpire, or even an opponent, accountable for the management of a match.He was easily handling Marton Fucsovics of Hungary on Wednesday when a fan in the rowdy crowd screamed after one of his serves, interrupting play. He made sure the chair umpire knew he was not pleased. Up two sets and two breaks, he was still taking long stares at ball marks. However in the third round on Friday, Fognini ran out of steam, losing 6-4, 6-1, 6-3, to Federico Delbonis of Argentina.On the other hand, Musetti, Sinner, Berrettini, and the 26-year-old Lorenzo Sonego — who was seeded 26th here but lost in straight sets in the first round — are mostly all-business on the court.They do not play much like Fognini either. Fognini is a classic counterpuncher. He saunters around the court, taking his time before serving, or returning. He will slice, bash and flick his forehand all during the same point, wait for the slightest opening and then pounce.On Thursday, Sinner played as he always does. All afternoon he attacked another Italian, the 87th-ranked Gianluca Mager, from the back half of the court with darts to the sidelines.Berrettini, who is 6-foot-5, leads with his booming serve, which has been clocked at 146 miles per hour. He powers his way into the court and finishes plenty of points at the net. He also has a highly effective backhand drop shot.Musetti is strong nearly everywhere on the court, with a museum quality one-hand backhand, a beautiful, low-to-high stroke that sends the ball flying off his racket. Opponents have seemingly won a point after pinning him deep on his backhand side, then end up watching a laser dive into the corner.“He’s got a lot of shots,” Stefanos Tsitsipas of Greece, the world’s fifth-ranked player, said of Musetti after beating him in Mexico in March. “He just has to work a bit on his serve.”Musetti said he spent much of the spring doing that, trying to make it less predictable.The work appears to be paying off. Musetti has yet to lose a set here. By the third set Thursday, his opponent, Yoshihito Nishioka of Japan, older by six years, was kicking his racket across the clay and tossing his cap.“I’m not trying to explain this,” Musetti said after the win. He faces, who else, another Italian, the 83rd-ranked Marco Cecchinato, in the third round.Musetti now has a 20-11 record on the ATP Tour, as good a start as any current player who has finished a season ranked in the top 10, according to Greg Sharko, the tour’s statistics whiz.The teenager from Tuscany is trying to treat these Grand Slam matches like any other, even though he knows that is impossible.“You think ‘racket, ball, opponent,’” Musetti said the other day. “But every tournament is different, especially in the Grand Slam.” More