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      Carlos Alcaraz and Novak Djokovic to Meet in French Open Semifinals

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      Carlos Alcaraz and Novak Djokovic, who have played each other only once, will finally do so again on Friday in the French Open semifinals. Can the ultimate young talent beat the ultimate tennis mind?A moment arrives nearly every time a younger player seizes the advantage over Novak Djokovic, with designs of toppling him from his perch at the top of tennis.It doesn’t matter how deep a hole Djokovic has dug for himself, or how well the whippersnapper on the other side of the net might be playing.Maybe Djokovic is down by two sets, as he was against Stefanos Tsitsipas in the French Open final two years ago and against Jannik Sinner in the quarterfinals at Wimbledon last year. Perhaps Djokovic is hobbling around the court with an injury after letting his opponent draw even, as he was after four sets against Taylor Fritz at the Australian Open in 2021, when he had torn an abdominal muscle and coughed up a two-set lead.Then the other guy begins to think he might actually be on the verge of something grand, just as Carlos Alcaraz, the 20-year-old Spanish sensation, might do on Friday at the French Open in his semifinal showdown with Djokovic, a match the sport has been yearning for since the spring of 2022.The racket becomes a little heavier, the elbow a little tighter, as Djokovic’s foes start to imagine pulling off the win. After all these years, all these matches in the deep end of a Grand Slam tournament, Djokovic, 36, can spot it from a mile away.He doesn’t have to. Djokovic, a 22-time Grand Slam champion, is within 80 feet, and he believes in his heart that everything is about to go his way.It happened again on Tuesday after more than two hours of struggle against Karen Khachanov in the quarterfinals. Khachanov, the big, burly Russian with a hammer-like serve and forehand and nearly a decade less mileage on his legs, had taken the first set and forced a tiebreaker in the second. He had his opening.“He’s always there, you know, he’s always pushing,” said Karen Khachanov, who lost to Djokovic on Tuesday though he won the first set. “He always tries to find a way.”James Hill for The New York TimesOr not. A perfect, 7-0 tiebreaker drew Djokovic even. A break of serve in the first game of the next set put him ahead. Khachanov was finished.“The energy of the court shifted to my side,” Djokovic said after dispatching Khachanov.But when Djokovic faces Alcaraz, who has taken the No. 1 ranking from him twice in the past nine months, it will be a test against youth unlike anything Djokovic has faced before. The two have played only once, in May 2022, in Madrid; Djokovic and Alcaraz kept missing each other for one reason or another in the 13 months since.“A complete player,” Lorenzo Musetti, 21, of Italy, an Alcaraz victim this week in the fourth round, said of the player he came to know on Europe’s junior circuit.Singular moments when one generation takes over from another can feel like the shifting of tectonic plates. Every so often, men’s tennis delivers a torch-passing match: Pete Sampras tearing through John McEnroe at the 1990 U.S. Open; Roger Federer beating Sampras on Centre Court at Wimbledon in 2001. Is another one at hand?Daniil Medvedev, the world’s second-ranked player, and the only player currently in his 20s to beat Djokovic in a Grand Slam final, said not long ago that it is nearly impossible to beat Djokovic until you have first lost to him several times. Opponents need to get used to his shot patterns and his relentless ability to make them hit one more ball after they think they have ended the point.Not so for Alcaraz. Alcaraz beat Djokovic in their lone meeting, in a deciding-set tiebreaker no less (albeit in a best-of-three-sets match). So far Alcaraz has exhibited none of the fragility displayed against Djokovic in big moments by his contemporaries, or even the players a few years older than he is who were supposed to be the next generation of tennis stars.“I really want to play that match,” Alcaraz said late Tuesday after he blasted through Tsitsipas in the quarterfinals to lock in the showdown with Djokovic. “I’m going to enjoy it.”Maybe.One of the age-old adages about sports in general and tennis in particular is that by the time athletes have gained the wisdom and experience necessary to truly crack their sport’s code, their bodies have betrayed them. Djokovic has been giving this idea a run for its money.That is not accidental. He almost never drinks alcohol. He tries to sleep eight and a half hours a night, with a focus on his prime R.E.M. sleep hours. His postmatch gym and stretching routine sometimes looks as hard as a normal person’s workout.It is also difficult to argue that there is a sounder, more developed brain in tennis. Djokovic long ago redrew the angles of the game, finding new shots to hit and new ways to win matches and titles, becoming the world’s top-ranked player in an era when Roger Federer, Rafael Nadal and Andy Murray were making that as hard as it had ever been. These days, he changes the pace and rhythm of points with ease, like a baseball pitcher mixing in fastballs, curveballs, sinkers and changeups in every at-bat. And then he uses a serve-and-volley like a player from the 1980s, just to make sure everyone knows he can do that, too.He has spent years trading notes on mental fortitude with superstar athletes in tennis and other sports — Boris Becker, Kobe Bryant, Zlatan Ibrahimovic, to name a few. He meditates. He knows how to focus when he needs to like no one else. He has played five tiebreakers in this tournament without making an unforced error.Approaching his 45th Grand Slam semifinal, Djokovic has become a master of the five-set format, its almost inevitable emotional dips and swings. He seems to spend the first set gathering information about his opponent. If he loses that set, as he did in the last two Wimbledon finals, or even the next one, no big deal. There’s still plenty of time.“He’s always there, you know, he’s always pushing,” Khachanov said. “He always tries to find a way.”Whether that will work against Alcaraz is Friday’s great mystery. Alcaraz has so far shown so many of the benefits of youth — speed, strength, power, the optimism of a player who has scarcely any bad days — and so few of the pitfalls. He plays with a kind of limitless joy and freedom that other players struggle to comprehend, in the same way they struggle to handle the velocity of his forehand and his unmatched improvisational shotmaking.“He is able to make any shots on the court,” said Juan Carlos Ferrero, Alcaraz’s coach.James Hill for The New York TimesJuan Carlos Ferrero, Alcaraz’s coach, said he has always wanted to surge a step ahead. When he was playing Futures tournaments, in the sport’s third tier, he believed he was ready for Challengers, the second tier; when he was playing Challengers, he believed he was ready for the main tour.“He is able to make any shots on the court,” Ferrero said. “If you ask him to go to the net in a match point, he is able to do it. Or if I ask to return and go to the net, he is able to do it and make the drop shot.”He can play long points or short ones. Whatever the moment calls for.After Tuesday night, Tsitsipas had lost to both Djokovic and Alcaraz on the court where the two will face off Friday. Like everyone else, Tsitsipas said he had sized up the match as a showdown between the game’s most advanced brain, a player who seeks to maneuver his opponent and control every shot, and the game’s purest and fastest of talents.“One has experience, the other one has legs and moves like Speedy Gonzales,” Tsitsipas said. “One can hit huge, super big shots; and the other one prefers precision, to apply pressure and make his opponent move as much as possible.”Who will win?“I root for the kids,” Tsitsipas said.Against Djokovic, they need all the help they can get. More

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      Tension Overshadows the Tennis Between Sabalenka and Svitolina

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      Players from Ukraine do not shake hands with players from Russia and Belarus. Aryna Sabalenka waited at the net anyway.In hindsight, this French Open was probably destined to come down to a moment like the one that unfolded Tuesday.For 10 days in Paris, and for months on the women’s professional tennis tour, Ukrainian players have made it clear that they will not shake hands with players from Russia or Belarus after their matches. Aryna Sabalenka of Belarus, the second seed and one of the favorites to win the women’s singles championship, knows this as well as anyone. She beat Ukraine’s Marta Kostyuk last week in the first round and then watched Kostyuk gather her belongs and leave the court quickly under a chorus of boos.Regardless of the hostility from the crowd, there was zero chance that Elina Svitolina, the unofficial leader of the female players from Ukraine, would behave any differently when it was her turn to face Sabalenka on Tuesday. Sabalenka dispatched Svitolina, 6-4, 6-4, with one last bullying rally and a final blasted forehand.And so, Svitolina said, as she saw Sabalenka at the net, waiting — and waiting, and waiting — and staring at her when the match was over, one thought passed through her mind: “What are you doing?”Svitolina thought Sabalenka’s move was intentional. Sabalenka said it was just instinctive.Clive Brunskill/Getty ImagesDid Svitolina think Sabalenka was taking advantage of the moment, knowing that the crowd at Roland Garros had previously howled at players who forsook the postmatch handshake?“Yes, I think so, unfortunately,” Svitolina said during a news conference after the match.Sabalenka later denied that she had done anything of the sort.“It just was an instinct,” she said, because that is what she always does at the end of a match.That Sabalenka was saying anything at all was news in itself. After her third-round win on Friday, Sabalenka skipped the mandatory postmatch news conference, opting instead to do an interview only with a WTA employee. She did the same thing after her fourth-round win.The tennis has often been overshadowed by geopolitics at this French Open. Novak Djokovic, the 22-time Grand Slam champion and Serbia’s biggest celebrity, proclaimed his solidarity with ethnic Serbian protesters who clashed with NATO forces in Kosovo late last month over control of the region and the status of the country, which more than 100 nations have recognized but Serbia and Russia have not. Djokovic even scrawled on a plastic plate in front of a television camera that Kosovo was the heart of Serbia, a statement that supporters of Kosovo called fascist and supportive of a philosophy that had led to ethnic cleansing.For Sabalenka, talk of politics became unavoidable after she drew Kostyuk, the rising Ukrainian, in the first round, and a journalist from Ukraine asked about her previous statements that she would end the war if she could. The journalist also raised Sabalenka’s close association in the past with President Aleksandr G. Lukashenko of Belarus, who has allowed Russia to use his country as a staging area for its war in Ukraine. The internet has no shortage of photos and videos of Sabalenka with Lukashenko after he had arrested political opponents and used the military and the police to quash protests.After those news conferences, Sabalenka announced that she no longer felt “safe” facing the news media and opted to speak only with a WTA employee following her next two matches. The WTA and tournament organizers supported her decision, waiving the fines and threats of more serious penalties they had imposed on Naomi Osaka for doing the same thing at the French Open two years ago.“I felt really disrespected,” Sabalenka said Tuesday of those first two tense news conferences.While Sabalenka was struggling off the court, Svitolina was becoming the story of the tournament. She had spent most of the past year on maternity leave and raising money for relief efforts in Ukraine, and she thrilled crowds as she battled through her first four matches in her first Grand Slam following the birth of her daughter. The local fans have a special affinity for Svitolina, who is married to the French tennis player Gaël Monfils, who was courtside at all of her matches.Svitolina won her first four matches at the French Open, in her first Grand Slam since the birth of her daughter.Clive Brunskill/Getty ImagesHer victories set up the showdown with Sabalenka, which immediately felt like so much more than a match between two tennis players.This was Ukraine against Belarus, a well-loved player in the sport against a 25-year-old whom fans are still getting to know. One had become a leading figure in popular culture in war relief efforts; the other had not made it clear where her loyalties lied.Under pressure from the Ukrainian journalist, Sabalenka had said she did not support the war — “Nobody normal will ever support this war,” she said — but had not renounced her support of Lukashenko.Tennis-wise, it was a duel between a grinding retriever, Svitolina, and perhaps the women’s game’s biggest hitter, Sabalenka, and it quickly became clear that unless Sabalenka’s old erratic self emerged, this was not going to be Svitolina’s day. Sabalenka stayed steady, and Svitolina was out. Sabalenka will face Karolina Muchova of the Czech Republic in the semifinals Thursday.Then came the awkward standoff at the end, and even some boos for Svitolina’s actions as she packed her bag, with Sabalenka waiting at the net, and as she left the court.“She didn’t deserve all this,” Sabalenka said of the howls.“I don’t want to be involved in any politics,” Sabalenka said at a news conference after the match. “I just want to be a tennis player.”Lisi Niesner/ReutersSvitolina said everyone might be better off if the WTA and tournament organizers made it clear to players from Russia and Belarus that as long as there was war, there would not be any handshaking. She also said one player should not get the advantage of taking a pass on the potential stress of facing the news media while everyone else had to sit in front of microphone and respond to whatever questions arise.“I faced difficulties,” Svitolina said. “I’m not escaping. I have my strong position, and I’m vocal about that.” She said she would not try to curry favor with the public “by betraying my strong belief and strongest position for my country.”When it was Sabalenka’s turn, she once more stated her opposition to the war, and when pressed — by a journalist from Poland — she attempted to add slight distance between her and Lukashenko. The Ukrainian journalist who had questioned her previously is not covering the second week of the tournament.“I don’t support war, meaning I don’t support Lukashenko right now,” Sabalenka said.She spoke of losing sleep over her decision to skip the previous news conferences and said that she had felt bad about it and that she planned not to skip any more but did not regret the decision.“I don’t want to be involved in any politics,” she said. “I just want to be a tennis player.”For the time being, and with a possible finals date coming with Iga Swiatek of Poland, who wears a pin of Ukraine’s flag when she plays, that may not be possible. More

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      The French Open’s Clay Courts Tell the Story

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      “When you step out on a newly made clay court that is clean, all the lines are perfect. It makes for a very pleasing visual experience,” Stefanos Tsitsipas said.

      “But there’s also beauty when the courts are dirty and messed up and you can see all of the footwork and effort that has been put in and you have a visual of that, of how much work has been put in in order for you to succeed in what you do.” More

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      Winners Get Their Due. But Losers Are Wonderfully Human.

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      There’s glory in defeat. Losses, at least, make athletes more relatable to the rest of us.She couldn’t win a single game.In the third round of the French Open on Saturday, Wang Xinyu of China had to believe there was at least a chance she could defeat Iga Swiatek, the event’s reigning women’s singles champion and top seed. Wang is no slouch, after all. She is a hard-hitting 21-year-old who in April hit a career-high ranking of 59th in the world, and she can put up a viable fight against the very best.But she lost, and it was as ugly as can be: 6-0, 6-0 — in tennis parlance, a dreaded double bagel. The match didn’t last much longer than the warm-up.I say there’s glory in that kind of imperfection.Long live the frail. The weary and worn, the strugglers and the stragglers. The athletes who woefully suffer losses in public.Long live the defeated in sports.We’ve seen many of them over the past week or so, and we’ll soon be seeing more.Of course, this won’t happen only on the slippery clay at the French Open.The N.B.A. and N.H.L. playoffs have finally reached their finals. College softball, growing fast in popularity, is in the mix with the N.C.A.A. Division I championships. The Oklahoma Sooners are aiming for a third straight title — and to add to their Division I record of 51 consecutive victories — after beating Stanford on Monday in a semifinal in extra innings. Let’s have some sympathy for the Sooners’ cavalcade of victims.Most of the narrative will focus on the winners of these championships. That’s only natural. The world’s greatest athletes stretch and bend the limits of human potential. The best of the best even seem capable of controlling time. No wonder we watch them perform with awe that feels existential. They have become godlike in our world.That’s fine and understandable, but give me the tennis player who struggles with all her might to win a single game in a Grand Slam match. Give me the basketball star who shanks crucial free throws and the goaltender in hockey who slips and lets the winning slap shot whir by.Give me nerves that wilt when the pressure comes. I’m here for reflexes that aren’t what they used to be.Why? Well, the victors are always going to get their due. But to err, as we all know, is human — entirely and beautifully so. And those who lose in so many different ways occupy the more relatable corner of big-time sports.There’s comfort in knowing that highly conditioned, supremely coordinated, deeply battle-tested athletes can tire, cramp, succumb to pressure, struggle to get enough air and suffer stinging defeat. In the act of failing, they become, even if only briefly, more like the rest of us schmoes.So we can take solace in the Boston Bruins, who posted a record 65 wins in the regular season, promptly losing in the first round of the N.H.L. playoffs to the Florida Panthers. High expectations for the Stanley Cup became dead weight. Who can relate? I know I can.Speaking of Boston, in the N.B.A. playoffs, the Celtics’ Jaylen Brown and Jayson Tatum battled back from a 3-0 hole to tie the Miami Heat in the Eastern Conference finals. Then, in Game 7, with a history-making comeback in play, they collectively laid a stink bomb, putting in performances that stand among the worst and weakest of their careers.The Boston Bruins won a record 65 games during the regular season before losing in the first round of the N.H.L. playoffs.Maddie Meyer/Getty ImagesEver been on the precipice of something great, only to fail — and fail hard, in public? Yeah, me too, going back to the fifth-grade play in which I forgot my lines, tripped onstage and nearly broke my nose. It wasn’t hard to sympathize with Brown and Tatum as they clunked shot after shot, and Miami won by 19 points, with all those millions tuning in.The red clay at Roland Garros — where no step is sure, no bounce can be counted on and each match can turn into a grueling marathon — offers as clear a window as any into the crushing truth of sports.Players walk onto the courts looking like Parisian runway models, their skin bronzed, their crisp outfits pressed. Then, once the matches get moving, reality sets in.At the other Grand Slam tennis tournaments, the points often finish rapid-fire. On the Roland Garros clay, the points can extend like a John Coltrane solo. They can go on and on, pressure mounting, tempo building in a crescendo.In the most prolonged and competitive matches you can often see agony — mental as much as physical — descend upon the players. Uncertainty creeps in, and with it gauntness. Muscles weaken and tremble. The crisp outfits — shoes, socks, shirts, wristbands, headbands, hats — cake with sweat and clumps of clay.Wang was not on court long enough to suffer like this against Swiatek. But Gaël Monfils of France was. Monfils, a weathered, 36-year-old veteran playing in perhaps his final Grand Slam in front of his home crowd, won his first-round match despite facing a 4-0 fifth-set deficit. Along the way, he struggled past aching lungs and a storm of leg cramps. He eked out the match, but was so tired and sore that he couldn’t make it to the court for his second-round match two days later.Jannik Sinner battled for more than five hours before losing to Daniel Altmaier in the second round of the French Open.Christophe Petit Tesson/EPA, via ShutterstockThe march of time waits on no one.A few days later, a much younger player, Jannik Sinner of Italy — 21, seeded No. 8 and rising fast — took to Suzanne Lenglen Court against Daniel Altmaier, a journeyman ranked No. 79.Sinner should have won without much trouble.He nosed ahead early, but struggled. An hour passed. Altmaier caught up. Another hour went by. The match became a stalemate. Three hours turned to four. Sinner held two match points — and coughed up both. They headed into a fifth set. Sinner fell behind and came back: He faced four match points, but won them all.And then … and then, after 5 hours 26 minutes, Sinner watched a screaming serve fly past his outstretched racket for an ace. Game. Set. Match. Final score: 6-7 (0), 7-6 (7), 1-6, 7-6 (4), 7-5. The upset was the fifth-longest match in French Open history.Sinner walked off the court messy and tussled, his face betraying the self-doubt common to losers. In other words, he was beautifully human. More

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      French Open Quarterfinalist Tsitsipas Takes On Doubles, With His Brother

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      Tsitsipas is aiming to beat Carlos Alcaraz in Paris on Tuesday in a French Open quarterfinal, but what he really wants is to help turn his younger brother Petros into a doubles champion.Stefanos Tsitsipas already had a lot going on as he arrived at the French Open.He was trying to reach the level of the Grand Slam champions who came before him, like Novak Djokovic, who has beaten Tsitsipas in two major tournament finals, when he suddenly had to defend an attack from the sport’s young stars, led by Carlos Alcaraz, a 20-year-old Spaniard ranked No. 1 in the world. Tsitsipas, 24, has another priority, too — helping his younger brother Petros, 22, establish his own identity and become a top doubles player. They plan to play as many as nine events together this season, regardless of whether that helps Stefanos’s singles play, which Petros isn’t sure that it always does.“I don’t think I would have done this for anyone else,” Tsitsipas said last week, when his march toward his French Open quarterfinal showdown with Alcaraz on Tuesday was still two wins away. “This is our dream.”Tennis has always been the ultimate family affair for the Tsitsipas clan. The mother, Julia Salnikova Apostoli, was a top Russian player in the 1980s and was once the world’s best junior. The father, Apostolos, is also a seasoned player, though not a former top touring pro. He trained as a coach and a line judge and now coaches Stefanos, though does not meddle much when his sons are playing together.There are two other tennis-playing Tsitsipas siblings, Pavlos, 17, and Elisavet, 15.Too much family involvement can have its hazards in tennis, as the Tsitsipas family demonstrated at the Italian Open last month, when both of Stefanos’s parents were talking to him during his match against Daniil Medvedev of Russia. After Julia spoke to him in Russian, giving him instructions that Medvedev could easily hear and understand, Stefanos used some salty language and ordered her from his courtside box, which caused a mini scandal in Greece. He declined to comment on the matter upon his arrival in Paris.Stefanos Tsitsipas with his father, Apostolos, who is also his coach, after winning the Monte-Carlo Masters in 2022.Denis Balibouse/ReutersFor the moment, his relationship with Petros is far less fraught. But navigating it all with a tennis racket, especially when the activity dominates a family’s life, requires its own set of skills, particularly when one sibling’s talent evolves in a way the other’s does not, which is almost inevitably the case in tennis.Early last year, after much time and too many losses on tennis’s back roads, Petros Tsitsipas made a big decision — it was time to stop trying to make it as a singles player like his big brother and make doubles his game. There was more than tennis involved with the move. He was 21 and coming off an injury, with a singles ranking in the 700s. The time had come for Petros to forge his own identity and stop struggling through the lowest level tournaments — “making it through the jungle,” as he described it last week at Roland Garros.Doubles offered a path of less resistance. Good players who can’t hang near or with the most elite players on the tour and are game to learn doubles’ unique angles, quirks and strategies can earn a decent living. They just have to be willing to compete for far less prize money as the undercard or late-night programming at tournaments, especially when they are climbing the ladder.Petros Tsitsipas and Stefanos Tsitsipas lost their first-round doubles match at the 2023 French Open. They hop to play together at Wimbledon and the U.S. Open.Clive Mason/Getty ImagesThis is where Stefanos comes in handy. Because of his high singles ranking (currently No. 5), the Tsitsipas brothers can get into big-time tournaments that Petros might not have qualified for with a lower-ranked partner. Also, given Stefanos’s star power, tournament organizers are more likely to offer them a wild-card entry into the doubles draw.That said, for Petros to climb the doubles rankings in a way he was not able to in singles, he has to play more than just eight or nine times a year with Stefanos, to learn the game and win as much possible. Lately, when his older brother has not been available, he has been playing in tournaments on the Challenger tour with Sander Arends, a 31-year-old from the Netherlands who never cracked the top 1,000 in singles but is ranked 98th in doubles. Last year, Petros had a different teammate nearly every week. He has climbed to 115th in the rankings, from below 400 two years ago.“It’s like learning to play chess,” Petros said.He can find an easy role model across the locker room. Jamie Murray spent years trying to be known as something besides the brother of Andy Murray, who in 2013 became the first man from Britain in 77 years to win Wimbledon.Jamie Murray said he still hears people say, “That’s Andy Murray’s brother” when he walks around the grounds of a tennis tournament, something he learned to accept years ago.“No point to fighting it,” he said.But Murray said he sensed that people stopped thinking of him as a sibling of someone better at his sport than he was after 2016. All it took was pairing with his brother to win the Davis Cup and becoming the world’s top-ranked doubles player — the same year his brother became the top-ranked singles player.Now he sees Petros trying to accomplish the same thing, to make his own way with people looking at him mostly as just someone’s brother.“It’s not easy,” he said.Andy Murray, left, and Jamie Murray had banner years in 2016, with Andy achieving a No. 1 ranking in singles and Jamie topping the doubles chart. They also won a Davis Cup together.Clive Brunskill/Getty ImagesWhen Petros is playing with Stefanos rather than with a specialist, doubles feels like a different game, Petros said. The specialist may be better at doubles than Stefanos but he is not nearly as good a tennis player. With a specialist, the game is all about tactics and strategy. With Stefanos — as with any great singles player — it’s all about feel and improvisation.“More freelance,” Petros said, like the difference between playing sheet music or jamming with a uniquely gifted musician who thrives on spontaneity.It used to be accepted as conventional wisdom that playing doubles improves the singles game, keeping reflexes sharp and the mind focused throughout a big tournament. Petros isn’t so sure that is always true, especially with the increasingly physical grind that singles has become and how different the quick rallies of doubles are from the baseline battles of singles.That has not been an issue at the French Open. The Tsitsipas brothers lost a heartbreaking first-round match in a third-set tiebreaker.“Trust me, it sucks,” Stefanos said the next day. “To be losing that with your brother, it sucks more than usual.”Stefanos Tsitsipas has lost only one set in singles at this year’s French Open.James Hill for The New York TimesThere is no turning back now, though. As long as Stefanos is not too worn out from a deep run at the French Open, the brothers hope to play Wimbledon, where men’s doubles will be best-of-three sets this year instead of best of five. From there, they also want to play the summer tournaments in North America, including the U.S. Open.Petros has worked so hard, Stefanos said. He wants to help him get as far as he can.“I just want to go for it,” Stefanos said.They want to represent Greece in the Olympics, and win the Davis Cup.“Doing that with your brother is probably the most beautiful thing you can witness on a tennis court,” he said.First though, he has another matter to contend with: Alcaraz in the French Open singles quarterfinals. More

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      Forty Years After French Open Win, Yannick Noah Endures as a Star

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      Yannick Noah was nervous.He was on familiar and, for him, sacred ground at Roland Garros, in the stadium that has been so central to his life, where he has watched, played and won so many matches, including the biggest of his life, and served as the ultimate tennis talisman and guru for his countrymen.There was even that night after the finals, long after he had retired, and it was late, and after many drinks had been consumed, he convinced the staff to keep the lights on just bright enough and let him and his friends play some tipsy, barefoot tennis on the red clay.But he had never performed on Philippe Chatrier court like this, which is to say, never given a concert as the version of himself that has for the past three decades dominated his life: the African-pop-reggae star of sorts. But then the band was waiting on the stage, and the public address announcer was calling his name, and nerves be damned, Noah, barefoot on the court once more and pulling off pedal pushers as gallantly as any 63-year-old man possibly can, was walking across the red clay, with the microphone to his lips waving and singing his opening song.“I lived my best moment here,” he said later, during a news conference more packed than it would have been for any active player. “I have memories everywhere here, including my first kiss.”Sorry, he did not drop a name, though wouldn’t we all like to know.Books on Yannick Noah and his triumphant victory at the French Open in 1983 were on sale at Roland Garros. Yannick Noah and Caroline Garcia cut outs stood by the Philippe Chartrier court.Forty years ago Noah etched his name into the history of France, winning the French Open men’s singles title. That victory, which stands as the only title by a Frenchman at the French Open in the past 77 years, is one of those sports moments that is part of the broader French consciousness, a precursor of sorts to France winning the men’s soccer World Cup in 1998 with a team filled with stars with African heritage.Everywhere else, Noah is known as the swashbuckling and effortlessly athletic Cameroonian-French player who won that big tournament a while back. Tennis fans of a certain age smile at the mention of his name.In France, his legacy and life loom over every man who has played tennis since as something nearly impossible to live up to — French Open champion, and the winner of 23 ATP titles.Then there is his post-playing life: international music star; the winning captain at the Davis Cup, which he celebrated by leading his team in an epic version of the African conga dance that accompanies his hit song; a leader of his village in Cameroon. It’s cool stuff.Early last week, on the eve of his debut in a Grand Slam tournament, Arthur Fils, France’s 18-year-old next big thing, was told that Noah had been talking him up. He cocked his head and opened his eyes wide. Fils was born more than two decades after Noah’s magic moment, but he has spent his life watching that match point replay on French television.“Of course he is one of my idols, from a long, long time,” Fils said.Nicolas Escudé, the former top-20 player who is now the national technical director for France’s tennis federation, said he and so many French players have been struggling with the burden of Noah’s legacy for decades. No Frenchman even made the third round this year.“In my position and even before when I was a player listening to this constant, ‘Hey, you know, we need a successor for Yannick Noah,’ listening to this again and again is a pressure,” said Escudé, who is 47.Grand Slam tournaments are tennis’s version of the Star Wars bar — lousy with past champions collecting pats on the back and paychecks to do television commentary or rub shoulders with sponsors. Someone like Noah, on the 40th anniversary of one of this tournament’s biggest moments, would figure to be all over Roland Garros.Noah at a press conference at the site of his triumphant victory at the French Open.Noah held his trophy after beating Sweden’s Mats Wilander and winning the French Open in 1983.STF/Agence France-Presse — Getty ImagesNot so much.He stuck around for about 24 hours after the pretournament concert at Philippe Chatrier, where Mats Wilander, his opponent in the 1983 final, joined him for a rendition of “Knocking on Heaven’s Door.” The following day he attended the unveiling of a mural at Roland Garros celebrating his title. It was a private ceremony, closed to journalists and most of the public. And then he headed off to a music festival and his other life. On Sunday he performed in Caen, a small city a few hours’ drive west of Paris. . “For me, tennis is like some other time, like another life,” he said. “Once every 10 years, you know, they remind me I was a tennis player.”Like the rest of his life, the origin story involves that magical combination of destiny, talent and fortitude. Arthur Ashe spotted Noah at a tennis clinic during a tour of Africa in 1971, then quickly called his friend, Chatrier (the guy the stadium is named for), at France’s tennis federation. He told him there was a boy in Cameroon that had the makings of a champion.Soon Noah was living in France, and by the early 1980s his huge serve, speed and grace had made him a force on the professional tennis tour. His physique — 6-foot-4 and shoulders made for rebounding — is more common in this era than his own.Then came the dreadlocks that caused a stir in the staid world of an almost entirely white sport. Ahead of a Davis Cup final against Noah and France in 1982, John McEnroe, who was not exactly a creature of the establishment, remarked that he was “more afraid of his new hairstyle” than Noah’s game.The following spring, Noah romped to the French Open championship. He playing career officially ended after the 1996 season, with more titles than any Frenchman before or since.By then he was already deep into his music career. His song “Saga Africa” had become a hit in 1991, leading to a dual focus that soon began to tilt toward music.Noah during his concert at Philippe Chartrier. Noah began his career as a recording artist even before he finished his tennis career.Noah taking some time to sign autographs.“When I was losing tennis matches, I was telling people I was a singer,” he said.He moved back and forth between Europe and the United States, appearing in the stands of basketball games while watching his son, Joakim, became a college and N.B.A. star. Noah may not be around Roland Garros much this year, but Joakim was often in the player box of Frances Tiafoe, an American who is the son of African immigrants and is one of the tour’s few highly ranked Black players.Noah spends much of his time in Cameroon now. The photo that accompanies his mobile number shows him standing in front of a turquoise sea, sipping through a straw from a full martini glass, peering out from under the brim of a baseball cap.The dark dreadlocks are gone, replaced by tidy and appropriately thinning salt-and-pepper hair. There are lines across his forehead and bags under his eyes. But the gap-tooth smile, the soft voice, his “there-is-more-to-life-than-tennis” ethos, and that combination of swagger and approachability, it’s all still there. In the middle of the concert, he took a lap through the stadium, singing into the microphone in one hand, high-fiving and embracing the crowd with the other.The growing distance between the public and tennis players troubles him, he said, especially when social media is supposed to get them closer to fans. He has little use for the game’s code of conduct, which he said stifles players, preventing them from showing emotion on the court.Those emotional outbursts from McEnroe and Jimmy Connors, and even Noah on occasion, once helped draw the common sports fan to an elite game. Also, emotions are at the core of the sport, he said. Ask the players he coached to the Davis Cup title what he talked about with them, he said. He rarely mentioned tennis, just emotions.He worries about the future of French tennis. The are no coaches who have won at the highest level, so young players have no true expert guidance. Escudé dismissed Noah’s point of view, and said he’s not so available anyway, but Noah said he is around for occasional chats.“If the players call me, I’m here. But time is passing,” he said.For whatever time Noah has left, he will always cherish June 5. He looks at the video of the winning point and imagines people watching it when he dies. People stop him every day and tell him where they were when he won. Some have said they flunked their exams because they watched the match instead of studying, but they cherished being a part of the country’s cultural history.“For them it was a day that counted,” he said. “And I was there. I was at the core of that.”Noah walking barefoot on the court, a texture he described as being “like velvet.” More

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      When Will Alcaraz and Djokovic Play Each Other at the French Open?

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      If everything goes right in the quarterfinals Tuesday for Alcaraz and Djokovic, the two most dominant players on the men’s tour, the duel everyone has been waiting for will happen.Eight days ago, 128 men began competing in singles at the French Open. Pretty much everyone has been focused on two of them.Carlos Alcaraz and Novak Djokovic moved one step closer on Sunday to a potential semifinal showdown. They clinically disposed of overmatched opponents who often struggled to get points and games, much less sets, in back-to-back matches in front of a packed house on the Philippe Chatrier court, offering a look at what may be coming to that stadium before the week ends.First, Djokovic took apart Juan Pablo Varillas, a 27-year-old Peruvian who has spent the last decade beating the back bushes of the sport. He had never won a match in the main draw of a Grand Slam tournament before this year’s French Open and enjoyed a storybook ride through the first week. Djokovic ended all that in 1 hour, 57 minutes, expending what energy he needed in the 6-3, 6-2, 6-2 win and not an ounce more.“I know what my goal is here,” he said, and he did not have to explain what it was.Then it was showtime, as Alcaraz, the 20-year-old world No. 1, took the court against Lorenzo Musetti, an Italian who is just 10 months older and has almost as flashy a game.That one took 2:08 and had the identical score, 6-3, 6-2, 6-2, for Alcaraz.“My best match of the tournament so far,” he said.For more than a year, Djokovic, the winner of 22 Grand Slam singles titles, and Alcaraz, the new king of the sport who won his first major title at the U.S. Open last year, have somehow been missing each other.Sometimes one would lose before he got deep enough to face the other. Djokovic’s decision not to get vaccinated against Covid-19 forced him to miss the hard court tournaments in North America last summer and this spring. When Djokovic returned for the fall season and the Australian summer, Alcaraz was hurt. They could not connect.Now they are six sets away. Alcaraz has to beat the fifth seed, Stefanos Tsitsipas of Greece, on Tuesday. They have played four matches and Alcaraz has won them all.Djokovic plays 11th-seeded Karen Khachanov of Russia. They have played nine times, with Djokovic winning eight.That Alcaraz and Djokovic will face each other in a semifinal on Friday is not a certainty. Even the best players have bad days. Both Tsitsipas and Khachanov like playing on clay more than on any other surface. Djokovic has battled a sore elbow recently. Alcaraz has shown in the past eight months that he can be prone to injury. Upsets happen.“Of course you’re looking, you’re analyzing everyone’s game,” Novak Djokovic said.Kai Pfaffenbach/ReutersThat said, on Sunday Djokovic and Alcaraz delivered performances — and self-assessments about them — that lent an air of near inevitability to a coming showdown.Djokovic has long been the master of match management at Grand Slam tournaments, which require men to win seven best-of-five-set matches to claim the title and almost always separate the great from the very good. He starts playing at the level of energy expenditure, both physical and emotional, that he has decided he needs for the match, and dials it up only if the need arises.So many of his winners Sunday, hit on angles that he saw and Varillas did not, may not have had the zip he displays against other opponents. They did not have to.He was up by 4-0 before the match was roughly 20 minutes old against an opponent who had never before faced anyone at his level.“With one ball you are being aggressive, and then with one ball he turns the coin the other way and then you are defending,” Varillas said.Djokovic has been in this position before, one match away from the heavyweight duel with one of the biggest names in the sport, often Roger Federer or Rafael Nadal. Last year it was a quarterfinal match against Nadal, who also has 22 Grand Slam singles titles. The year before Nadal loomed in the semifinals. Those both came to fruition.Djokovic did not pretend he has not been paying attention to what will come after what comes next.“You always follow the top guys in your half, how they’re playing,” he said. “Of course you’re looking, you’re analyzing everyone’s game.”Yes, he is focused on himself, he said, “but of course I do keep in mind what the others are doing.”The “others,” of course, means Alcaraz, who, perhaps because of his youth, comes to his matches from a vantage point other than energy conservation, looking instead to create the greatest spectacle possible.He relished the prospect of Sunday’s match with Musetti, his smile breaking out and his eyes lighting up as he spoke of playing another flashy upstart.“Really good rallies, good shots between us, and of course it’s going to be a really fun match to watch, as well,” he said.At times, that can be as important to him as winning. He almost never sees a drop shot he does not want to race to, a lob he does not think he can chase down so he can extend the rally with a shot between the legs, even if it means giving his opponent an easy overhead, which he will also try to chase. He is the one making the magic but also its biggest fan.After his win on Sunday, he confessed that sometimes, after his best shots, he wants to look up at the big screen in the stadium and drool over the replay along with everyone else in the crowd and watching on television at home.“A lot of times,” he said.Six more sets. Then, he and Djokovic will get to put on the show Roland Garros has been waiting for. More

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      Coco Gauff Has a Chance to Play the Wise Veteran at the French Open

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      Gauff, now 19 and in her fifth season on the tour, took on Mirra Andreeva, who is 16 and the latest teenager to go on a tear in women’s tennis.Tennis moves fast.The veteran tennis star Rafael Nadal recently made that observation, discussing how quickly a new generation of players assumes the role of the one before. His words were never truer than on the Suzanne Lenglen court at Roland Garros on Saturday, where Coco Gauff, now in her fifth season on the tour at 19 years old, was locked in a duel with an opponent who reminded Gauff and everyone else of herself from Wimbledon in 2019.That rival was Mirra Andreeva, a 16-year-old Russian who has exploded onto the women’s tennis tour over the past five weeks.She knocks off top 20 players. She plays with an easy, smooth power, unruffled by the size of the stage and the fuss suddenly being made about her. She trades text messages with Andy Murray, the three-time Grand Slam champion. She makes sarcastic jokes in news conferences in English.A similar hype surrounded Gauff four years ago at the All England Club, beating Venus Williams on Centre Court and rolling into the fourth round, riding a hot streak, limited knowledge and the lazy anticipation that the next Serena had arrived. These days, she continues to hunt for her first Grand Slam and top-level tour title.Glass half-full: Gauff is 19 and is already ranked sixth in singles and third in doubles and still doesn’t have her grown-up strength, as she has said her mother puts it. She is also one of the game’s great athletes, with an active mind and an awareness beyond the lines of the tennis court.Glass half-empty: Gauff has accumulated some baggage in the form of disappointing losses and inconsistent results during the past few months, and she takes that hard. After her loss in the fourth round at the Australian Open, Gauff left the news conference in tears. She knows opponents pick on her forehand. Her serve can disappear in tense moments.And now she’s got talented, free-swinging younger teenagers with a nothing-to-lose attitude like Andreeva’s closing in on her potential as the next big thing.“Transitioning into adulthood,” is how Gauff described her journey in life and tennis on the eve of the French Open.Clodagh Kilcoyne/ReutersIt is both a blessing and a curse of tennis how easy and quickly the declarations of future greatness can come. A couple of early wins, like Andreeva has managed in Paris, on the big stage at a Grand Slam tournament are often all it takes, even if those wins come by an easy draw or catching an opponent on an off day.This is especially true in women’s tennis, where fully developed raw power is less of a requirement and more girls than boys are able to gain enough of it to compete at the highest level. But tour veterans say that one of their biggest fears is playing a hot young player whose tendencies and weaknesses are still unknown.“They always win a bunch of matches because no coach has figured it out yet or broken the code,” said Sloane Stephens, 30, who had her own next-big-thing moments as a teenager.The pandemic, Stephens said, exacerbated the issue. There were so few opportunities to see the teenage prospects on the cusp of the tour because so many junior tournaments were canceled or players could not travel.There is a mental aspect to the dynamic as well. A young player often comes to the court believing she has nothing to lose, and some veterans are certain they are about to teach a lesson to the whippersnapper on the other side of the net.Daria Kasatkina said that older teens in the junior ranks are terrified of playing and losing to younger ones and that fear can extend to the tour, when the youngest players are taking on adults.“At 16, you’re not nervous,” Kasatkina said. “I would say it’s a little advantage. It’s disadvantage, and it’s advantage.”Kasatkina, who is from Russia, was high on her countrywoman, saying she was already physically strong and beating good players on her way to becoming the most talked about newcomer at the French Open.For 65 minutes Saturday, the hype was on track to grow. Andreeva was every bit the match for Gauff, especially in the tight moments.She broke Gauff’s serve when the 19-year-old was serving for the set at 6-5, and then let Gauff give her three set points in the tiebreaker with a shaky forehand and a misfired drop shot. Andreeva whacked a ball into the crowd in anger after losing two of them (“a really stupid move,” she said later), but on her third chance she hit the back of the line on her serve and put away a big forehand to put Gauff in a one-set hole.But then Gauff stopped giving away points, and Andreeva, with around 10,000 fans in attendance, started to show the lesser qualities of her 16-year-old self. She threw her racket on the court when she dropped an early game in the second set. An ugly, soft and looping second serve early in the third set gave Gauff a 3-1 lead, and it was smooth sailing from there.Andreeva later said that after she won the first set, the free-and-easy mood she had been playing with since she survived qualifying slipped away. Suddenly, she started thinking about how she was a set away from the final 16 of her first Grand Slam.“A mistake from me,” she said. “I should have just continued playing.”Andreeva was a difficult opponent for Gauff throughout the match.Clive Mason/Getty ImagesGauff said she told herself that her game plan was essentially working, that she had frittered away a set that she had basically won, but she had also learned how to read body language and to draw confidence when an opponent was growing angry. Chalk one up for age and experience.Gauff, by her own admission, is in the purgatory years of her evolution, both on the court and off.“Transitioning into adulthood,” is how she described it on the eve of the tournament, trying to figure out which qualities from adolescence she wants to hang on to and which ones she wants to discard.Gauff is on the stiffer side of the draw, with a possible quarterfinal match against Iga Swiatek, the world No. 1 who beat Gauff in last year’s final in Paris, if she can get through Anna Karolina Schmiedlova. However, Gauff’s half of the draw became slightly easier Saturday after Elena Rybakina, one of the hottest players in the world this year, withdrew with a respiratory illness.Once more Gauff will be the younger player in her fourth-round match on Monday. Schmiedlova, of Slovakia, is 28 and ranked 100th in the world.She said she was long past factoring those numbers into her approach to matches, but she was highly qualified to give advice to at least one demographic in the professional ranks — the upstarts like Andreeva.“Do it for you,” Gauff said, when asked what she would tell Andreeva about how to approach everything that will, rightly or wrongly, come next after her breakout run in Paris. “Don’t do it for anyone else. When you step on the court you want to make sure it’s for you, and I think life and the game will be a lot more enjoyable that way.” More