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    This Andrey Rublev Is a Master With a Racket

    Andrei Rublev was a renowned 15th-century icon painter, but the tennis player is an artist in his own way.Andrey Rublev of Russia is familiar with his eponym, the 15th-century artist responsible for the Trinity icon. The two Rublevs have something in common — they have created masterpieces.Though just 23, Rublev has risen from outside the world’s Top 20 last January to a career-high No. 7 heading into the French Open, which starts Sunday with the main draw and runs through June 13. Despite the curtailed season in 2020, he won an ATP Tour-leading five titles. Since the beginning of last year he has won 70 singles matches, more than anyone else on tour.Rublev won a tournament in Rotterdam, the Netherlands, in March, where he beat the former No. 1 Andy Murray and the Australian Open semifinalist Stefanos Tsitsipas; reached three semifinals, including at the Miami Open; and upset Rafael Nadal en route to the final in Monte Carlo. He also reached the quarterfinals at the Australian Open, and he and Daniil Medvedev led Russia to the World Team Cup in February.Armed with a monstrous forehand that he can place anywhere on the court and a work ethic that makes many other players look lazy, Rublev has also beaten Roger Federer and Dominic Thiem, last year’s United States Open champion. He won the Roland Garros junior championship in 2014, and last year reached the quarterfinals of the main draw before losing to Tsitsipas.The following conversation has been edited and condensed.What do you know about the artist Andrei Rublev?I know that he was one of the greatest painters in churches. I have the most famous icon in my home. They call it the greatest trio. We keep it in a religious corner. Sometimes you put a little light to make it special.You won the Junior Championship at the French Open when you were just 16, but it took another six years for you to win a main draw match there. What happened?My level was not good enough in general. I needed to raise my game to compete against great players. And then when I became Top 30 in the world I was injured and not able to play Roland Garros for two years. Only last year was I able to play.Andrey Rublev defeated Rafael Nadal in their quarterfinal match in Monte Carlo in April.Sebastien Nogier/EPA, via ShutterstockA lot of players have said that you work harder than anybody else on tour and that you’ve been doing that ever since you were a child. Is that true?I don’t know, to be honest. Everything is personal. Maybe for another player the things that I’m doing is not going to fit. Maybe he will start to feel much worse or say, “I don’t want to do this anymore.” In my case it’s just the way I was in the beginning, and it makes me comfortable. I don’t know any other way.As a child, you threw a lot of temper tantrums on court. Did you really eat red clay from the court?I never ate it full, but, yes, I put it in my mouth. I just spat it away or took water to clean my mouth. I did some stupid things, for sure.You also slept with your racket as a child?Yes, a couple of times.Tennis can be a lonely sport, especially during the pandemic when you are allowed to go only from the hotel to the courts and back.Yes, but it depends on which side you see it. I’ve been lonely, but I’m also a bit lucky because I have so many people around me for support, and we’re looking at things the same way. They give me a lot of energy. When I’m playing, I feel that they’re with me, and it helps a lot.You have had unusually solid results against top-10 players. You don’t fear them the way others do?I am afraid. And I’m OK to say it. When I go on the court, of course I’m afraid, especially against some Top-10 players. But I accept this. I’m not going to say I don’t feel tension. I’m very open. I’m human, and I feel tight sometimes. But, in the end, I want to win, and I’m going to do my best to do that. More

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    French Soccer Faces Financial Crisis After MediaPro Pulls Plug

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main storyFrench Soccer Faces Financial Crisis After Broadcaster Pulls the PlugThe sudden collapse of a billion-dollar television contract has created a serious cash crisis for French clubs as the January transfer window nears.MediaPro paid a record price to broadcast matches in France’s top soccer leagues in 2018. Last week, it walked away from the deal.Credit…Charles Platiau/ReutersDec. 15, 2020, 2:00 a.m. ETThe record-setting television deal was, in hindsight, far too good to be true.The billion euros the upstart media company had promised to pay to televise French soccer matches each year represented an increase of 60 percent on the league’s previous television deal, and much more than any other bidder had offered. It was a sum so large — about $1.2 billion a year — that it led officials from the league and the club executives on its board to ignore obvious warning signs; to brush aside the fact that the company making the offer, MediaPro, had no history in French soccer; and to close an agreement without the type of bank guarantees that might have ensured that all that money would eventually arrive.And then the deal simply vanished.Last week, arbitration talks between the Ligue de Football Professionnel (L.F.P.), the governing body for professional soccer in France, and MediaPro, a Spanish broadcaster now controlled by Chinese interests, ended with the company handing back the four years of rights under its control and less than a third of the more than 300 million euros it owes for games this season.The resolution has left league officials frantically searching for a new television partner, and teams facing a very different financial future.For the clubs, the repercussions may be immediate. Instead of being flush with enough cash to build teams to rival those in Germany and Spain, most French teams are facing restructuring measures, starting with the sale of players when Europe’s player trading window reopens in January.MediaPro’s chief executive, Jaume Roures, had bet billions that he could resell the French soccer rights his company had acquired to other partners.Credit…Franck Fife/Agence France-Presse — Getty ImagesOne team director described the situation as “a total disaster.” The chief executive of another one said the situation — coupled with the continuing financial effects of the coronavirus pandemic — was “hugely damaging.” The president of the French champion Paris St.-Germain, Nasser al-Khelaifi, asked the league’s new leaders to conduct a full investigation into the process that ended in catastrophe for France’s teams. Al-Khelaifi is also chairman of beIN Media Group, a rival to MediaPro for rights.What may hurt most, at least from the teams’ perspective, is that it is a crisis of their own making.The trouble began in the spring. As all of Europe’s major soccer leagues plotted ways to reboot, the French league announced it would be the only one not to complete its suspended campaign.A government decree ended the season early, forcing Ligue 1 to tap a national loan program to ensure its teams did not fall into financial ruin. Only the prospect of record-breaking broadcast revenues, set to take effect with the start of the MediaPro deal this season, softened the blow.The agreement, signed in 2018, had been trumpeted as groundbreaking then, a contract worth more than a billion euros per season (about $1.2 billion) for rights to matches in France’s top two domestic divisions. That symbolic figure was one that team executives had long hoped to realize, and one so large that it led them to part ways with the league’s partner, Canal+.But the financial boost — MediaPro had agreed to pay almost 60 percent more than the previous agreement — also led teams to spend more on recruitment in the last off-season, a decision that many are now regretting.“They had anticipated the higher TV rates, and this comes as a shock for most people,” said the chief executive, who asked not to be identified because talks to stabilize the league’s finances continue. He predicted some clubs would look to foreign investors to bail them out in return for heavily discounted equity or outright sales.The French league includes world-class players like Kylian Mbappé and brands like Paris St.-Germain and Olympique Lyonnais, but many of its clubs struggle to match the spending of rivals in England, Spain and Germany.Credit…Yoan Valat/EPA, via ShutterstockSome of the comfort that led the clubs to spend freely can be traced to ebullient comments made by MediaPro’s chief executive, Jaume Roures, at the height of the pandemic’s first wave in the spring, when global sports had stopped and the French league’s main broadcast partners at the time, Canal+ and beIN Sports, announced they would suspend their rights payments.In April, Roures, in an interview with the sports daily L’Equipe, vowed to take over the broadcast rights to French games early if the season restarted in the summer and the league’s partners, Canal+ and beIN Sports, opted out. “To be a good Samaritan is to pay what you owe,” Roures said at the time.But a closer look at the deal French league officials signed with MediaPro, a company started by Roures and two partners that is now largely controlled and financed by a little-known Chinese group, suggests several red flags were ignored in pursuit of the richest offer.MediaPro would not have been allowed to enter the auction for the French rights, for example, had the league not changed the tender process to allow agencies like MediaPro, which did not have a platform in France to broadcast games, to take part.Then, after the agreement was struck, it took several months for an official contract to be signed, and when it was it did not include the type of bank guarantees that would have proved MediaPro would be able to make good on the payments it had promised.French soccer officials are scrambling to find a new television partner before the end of the year.Credit…Daniel Cole/Associated PressThere were other warning signs, too. Another huge deal signed by MediaPro, the stunning capture of rights to Italy’s Serie A, collapsed around the same time it was in talks about its French acquisition. Part of the reason was the company was unable to provide a guarantee for much of the amount it had promised the league.And four years ago, the company’s business practices came under further scrutiny when a United States affiliate, Imagina Media Audiovisual, was implicated in the FIFA bribery scandal. Earlier this year, Gerard Romy, one of MediaPro’s founders, was charged with wire fraud, money laundering and racketeering conspiracy in connection with the case.Roures had looked to blame the impact of the coronavirus when he called for the French league to renegotiate its MediaPro deal in October. But with stadiums largely off-limits to fans, viewing figures for soccer have remained robust across Europe; in some cases, ratings have soared.Didier Quillot, the L.F.P. chief executive who led the tender process, left his post in September with a payment of about $1.8 million, much of which was based on his negotiating the deal with MediaPro. Quillot in recent days has said he is prepared to repay any bonus he received that was linked to the rights sale.MediaPro’s troubles started when it failed to secure 100 percent of the rights, losing a crucial package that included the first pick of the week’s top game to beIN Sports, a Qatar-backed broadcaster. BeIN sold those rights to Canal+, reducing the need for the network, France’s biggest pay television operator, to make a deal with MediaPro for the other games.Unable to find a home for its matches, MediaPro started a subscription service for them, Téléfoot.Credit…Bertrand Guay/Agence France-Presse — Getty ImagesThat left MediaPro holding expensive rights without the most viable outlet willing to buy them. Seeking a way out, it sought to start its own channel, Téléfoot, which had little to offer subscribers beyond the matches it had bought. Sales of subscriptions offered on other, smaller platforms failed to reach meaningful numbers, though, leaving MediaPro to burn through millions of dollars with little hope of breaking even.Faced with that crisis, MediaPro failed to make a payment of 172 million euros ($208 million) when the French league started its new season in October. It skipped another one for 152.5 million euros this month.MediaPro moved to defend itself from litigation by taking advantage of new laws passed to protect companies during the coronavirus crisis. Unable to insist on recouping what it was owed, the French league was forced into a mediation process that ended last week with MediaPro agreeing to return only 100 million euros ($121 million).“Clubs are desperately in need of cash; that’s why the league has accepted this very bad offer from MediaPro,” said Pierre Maes, a consultant and author of “Le Business des Droits TV du Foot,” a book on the soccer rights market.The league — which has so far kept its teams afloat with bank loans in lieu of the missing broadcast payments — is now scrambling to find a television partner, most likely Canal+, to come to the rescue. One thing is almost certain: The price the league will be forced to accept will not be celebrated in the manner the MediaPro deal was.“Whatever can be done to deliver cash to clubs, they’ll do it,” Maes said. He predicted that any new agreement for the rights now could bring about half of what MediaPro had promised to pay.“Canal+ is today in a position to correct the market,” he said.AdvertisementContinue reading the main story More

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    French Coach Fired for Interactions with Young Players Moved From Job to Job

    Credit…Ed Alcock/eyevine, via ReduxYoung Players, Blurred Boundaries and a Coach on the MoveInappropriate text messages. Nude weigh-ins. Player sleepovers. An instructor quietly discarded by France’s soccer federation over his contacts with a teenage player continues to work in the game. The federation says there is nothing it can do.Credit…Ed Alcock/eyevine, via ReduxSupported byContinue reading the main storyBy More