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      Why Basketball Is So Popular Off Broadway

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      Basketball is central to the plot in new shows, including “Flex” and “The Half-God of Rainfall.”In Inua Ellams’s new play, “The Half-God of Rainfall,” the gods play thunderous games of basketball in the heavens. For Candrice Jones’s “Flex,” high schoolers practice their defensive stances while scraping by in rural Arkansas. Near the end of Rajiv Joseph’s “King James,” the two main characters play a one-on-one game of basketball using a crumpled up piece of paper after waxing poetic about the greatness of the N.B.A. star LeBron James.Basketball hasn’t just been on the playgrounds of New York City this summer. Hoop dreams are also playing out onstage, highlighting a theater, ahem, crossover that has become more pronounced in recent years.While basketball is not as popular as, say, American football, its cultural reach surpasses that of other American team sports because its players are among the most publicly recognizable. (Three of the 10 highest-paid athletes in the world, when including endorsements and other off-field endeavors, according to Forbes, are N.B.A. players.)“Watching a basketball game is the same excitement I get from watching great theater,” said Taibi Magar, the director of “The Half-God of Rainfall.” “It’s like embodied conflict. It’s executed by highly skilled performers. When you’re watching Broadway, you feel just like you’re watching N.B.A. performers.”For Joseph, who grew up in Cleveland, basketball is the most culturally important sport partly because so many international stars play in the N.B.A., like the Denver Nuggets’s Nikola Jokic, who is Serbian, and the Milwaukee Bucks’s Giannis Antetokounmpo, who’s from Greece.“It’s drawing from every place on the planet, which means that the sport has become a really important athletic pursuit globally,” said Joseph, whose play “King James” just ended its run at New York City Center.In Inua Ellams’s “The Half-God of Rainfall,” at New York Theater Workshop, Demi (played by Mister Fitzgerald) is a half-Greek god who becomes the biggest star in the N.B.A. Sara Krulwich/The New York TimesAnd basketball’s prevalence in pop culture — including in the worlds of hip-hop and fashion and more recently in film and television — has also penetrated the theater space. Dwyane Wade, who retired from the N.B.A. in 2019, was among the producers of the Broadway shows “American Son” and “Ain’t No Mo’.”“Even if one hasn’t played on a team or hasn’t played organized ball, we all have access to basketball,” Jones, who wrote “Flex,” said in a recent interview. “You go in any hood or any small town, someone has created a basketball goal.”In casting “Flex,” which is in previews at the Lincoln Center Theater’s Mitzi E. Newhouse Theater, prospective actors recorded themselves playing basketball as part of the audition process. Jones and the show’s director, Lileana Blain-Cruz, who both played basketball in high school, said they wanted the basketball being played onstage to look authentic.“People have different styles, different ways of shooting, different personalities, different kinds of swagger,” Blain-Cruz said. “We care about the individual in the role that they play and how they’re playing it. And I think that aligns itself to theater.”Jones’s play, set in rural Arkansas, tells the story of a girl’s high school basketball team in 1998, which aligned with the second year of the W.N.B.A. So as the audition process advanced, the actors were asked to dribble, shoot and do layups for the creative team. Once the cast was set, some rehearsals weren’t about staging at all: The cast had basketball practice at nearby John Jay College.“There’s a kind of ensemble quality to it,” Blain-Cruz said about the sport. “Like an ensemble of actors playing together, a team of basketball players performing together. Together, they create the event.”Minutes later, as Lauryn Hill’s “Doo Wop (That Thing)” blared, Blain-Cruz led a warm-up with the cast that included hip openers and upward arm stretches. It could have doubled as pregame preparation. The set itself had a basketball hoop hanging in the rear, and a basketball court painted on the floor. “Flex” refers to a type of play basketball teams run, and the staged work features several instances of game play.“There’s a real rigor. It is real,” Blain-Cruz said. “That’s what’s so satisfying, I think, about sports onstage. There’s an honesty to it, right? Dribbling the ball is actually dribbling the ball. We’re not performing the idea of dribbling the ball.”After a recent outing to a New York Liberty game, the actress Erica Matthews, whose character, Starra Jones, is the 17-year-old point guard of the fictional team, said watching the players reminded her of watching live theater.“Basketball is very intimate. You can play a one-on-one game in a small amount of space,” Matthews said. “They’re actually performing on a stage and with the way the audience is surrounding them, the way they’re cheering, it’s basically storytelling.”Downtown at the New York Theater Workshop, Ellams’s “The Half-God of Rainfall,” a Dante-inspired “contemporary epic” about a half-Greek god named Demi who becomes the biggest star in the N.B.A., is in previews and is scheduled to open July 31. While “Flex” deals with down-to-earth issues, such as teen pregnancy, “The Half-God of Rainfall” transports basketball to a mythical world for immortals to deal with.At a recent rehearsal, cast members pantomimed slow motion basketball movements at the direction of the choreographer, Orlando Pabotoy. The actors Jason Bowen and Patrice Johnson Chevannes worked on setting up a proper screen, and Bowen later practiced a Michael Jordan impersonation — complete with the tongue wagging. (Jordan is referenced in the play.)As Ellams and Magar, the show’s director, looked on from desks cluttered with tiny inflatable basketballs, they worked on reallocating lines as the choreography required. Though this version of Ellams’s poem has a cast of seven, he said it can be staged with as many or as few performers as the production desires. (A 2019 production at the Birmingham Repertory Theater in England had only two actors.)Ellams, a Nigerian poet and playwright, who has played basketball since he was a teenager, said he created the character Demi to “do all the things that I never could” on the court. He mused that basketball has a greater draw to the stage because it is “a far more beautiful sport.”In Rajiv Joseph’s “King James,” which just ended its run at New York City Center, Chris Perfetti and Glenn Davis play two men who bond over their love of LeBron James.Jeenah Moon for The New York Times“There’s something humbling and mortal about basketball in the sense that there’s a simple equation,” Ellams said. “The ball bounces; it comes back up to your palm. You can break that down. This is solitariness, which invites the blues and what it means to play the blues. There’s a longing.”“There’s a natural melancholy about it,” he added, which makes it “easier to pair with the human spirit.”Of course there have been other basketball-related plays. In 2012, “Magic/Bird” explored the friendship and rivalry between the 1980s basketball stars Magic Johnson and Larry Bird on Broadway. The 2011 Broadway musical “Lysistrata Jones,” inspired by Aristophanes’s “Lysistrata,” followed a group of cheerleaders who withhold sex from their boyfriends on the basketball team because they keep losing games. Lauren Yee’s 2018 Off Broadway play, “The Great Leap,” also directed by Magar, tells the story of a teenage basketball prodigy who travels to China in 1989 to play in an exhibition game between college teams from Beijing and San Francisco.Daryl Morey, now an executive with the N.B.A.’s Philadelphia 76ers, commissioned a musical comedy called “Small Ball” that played in Houston in 2018. It depicts a fictional character named Michael Jordan — not the Jordan — as he finds himself playing in an international league with teammates who are six inches tall.“I think basketball is just the most important of all of the sports among the up-and-coming directors and playwrights, at least the ones I’ve spoken to,” Morey said.Not that basketball has a lock on the theater. Baseball has long been an object of fascination for playwrights, including classic shows like “Damn Yankees.” Richard Greenberg’s Tony-winning 2003 play, “Take Me Out,” about a baseball player who comes out as gay, had a Tony-winning revival on Broadway last year. In 2019, “Toni Stone,” written by Lydia R. Diamond, depicted the life of Marcenia Lyle Stone, who became the first woman to play in a men’s baseball league when she took the field for the Indianapolis Clowns in the Negro Leagues.Football and boxing, too: “Lombardi,” a biographical play based on the life of the legendary football coach Vince Lombardi, ran on Broadway in 2010, and 2014 brought a stage adaptation of “Rocky,” the famous 1976 underdog boxing film, to Broadway.But for the moment, it is basketball that is having a renaissance in theater. Or to put it in basketball terms, playwrights who take on the sport currently have the hot hand. More

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      Different Sides of Bill Walton and Wilt Chamberlain in New Series

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      New documentaries explore the star-crossed careers and delicate spirits of Wilt Chamberlain and Bill Walton, two of basketball’s greatest.Pity the poor 7-footer.That’s the message of two new documentary series about storied basketball players: “The Luckiest Guy in the World,” about Bill Walton (available in the “30 for 30” hub at ESPN Plus), and “Goliath,” about Wilt Chamberlain (premiering Friday at Paramount+ and Sunday on Showtime).Serious and thorough, “Luckiest Guy” and “Goliath” are positioned to draft on the success of an earlier basketball biography, ESPN’s popular Michael Jordan series, “The Last Dance.” But while they are also portraits of men with supreme physical gifts, they are less focused on their subjects’ on-court exploits and more determined to get inside the players’ heads. The sportswriter Jackie MacMullan delivers what could be a thesis statement for both in “Goliath”: “I’ve found that big men are much more sensitive than we realize.”Chamberlain, who died of heart failure in 1999, and Walton both have well-defined personas, which they participated in creating. Each series spends a lot of its time picking apart the received wisdom about its subject while also indulging, for the sake of dramatic impact and storytelling shorthand, the very stereotypes it wants to deconstruct: Chamberlain the unstoppable, insatiable giant; Walton the goofy, fragile flower child.The four-episode “Luckiest Guy” was directed by the accomplished documentarian Steve James, always to be remembered for “Hoop Dreams,” and was made with the full cooperation of Walton, 70, who revisits old haunts and sits down for an entertaining round table with Portland Trail Blazers teammates like Lionel Hollins and Dave Twardzik. It’s engagingly introspective and personal, in part because James pushes back against Walton’s incessant recitation of the title phrase. How can Walton call himself the luckiest guy in the world, James asks from behind the camera, when his career was utterly ravaged by injuries that eventually crippled him and drove him to consider suicide?That, broadly speaking, is the idea that haunts both documentaries. The conundrum of Walton’s and Chamberlain’s careers is that they were marked by success — college and professional championships, statistical domination (in Chamberlain’s case), reputations for unmatched athletic skills — and defined by disappointment. Neither won as often or as easily as he should have, in Walton’s case because of injury and in Chamberlain’s because of the dominance during the 1960s of the rival Boston Celtics and their center, Bill Russell, enshrined in sports mythology as the hard-working Everyman to Chamberlain’s sex-and-statistics-obsessed egotist.“Goliath,” directed by Rob Ford and Christopher Dillon, is a more workmanlike and conventional project than “Luckiest Guy.” But across three episodes it makes a persuasive case for Chamberlain as a generous, sensitive soul who was both blessed and constrained by his stature and his extraordinary all-around athletic ability.It does its sports-documentary duty, laying out Chamberlain’s triumphs and more frequent setbacks on the court. But it is more interested in the trails he blazed as a Black cultural figure and self-determining professional athlete, and it favors writers, pundits and scholars over basketball players in its interviews. (The scarcity of images from Chamberlain’s younger days in the 1940s and ’50s is compensated for with shadow-puppet scenes reminiscent of the work of Kara Walker.)Watching the series side by side, the differences between the two men are less interesting than the sense of commonality that emerges. Both were self-conscious stutterers who learned to endure, and perform under, the most intense scrutiny. Chamberlain may have been more flamboyant, but Walton, in “Luckiest Guy,” is just as conscious of his affect — there’s an ostentatiousness, and no small amount of ego, in the way he performs modesty. (James also challenges Walton’s lifelong, generally debunked claim to be only 6 feet 11 inches tall.)The veteran sports fan might see another commonality: As good as they are, neither “The Luckiest Guy in the World” nor “Goliath” is as exciting to watch as “The Last Dance.” This is a bit of a conundrum, because both Chamberlain and Walton are, quite arguably, more complex, interesting and moving figures than Michael Jordan. But Michael Jordan is a nearly unparalleled winner. And while winning isn’t the only thing, it is, for better or worse, the most compelling thing about the subject of a sports documentary. More

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      Inside the NBA’s Version of Comic-Con

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      Promoted as a celebration of the league’s cultural relevance, the convention also highlighted the N.B.A.’s business ambitions.Somewhere under the lights of the Mandalay Bay Convention Center over the weekend, the Jabbawockeez danced during a television special that could have been an email as part of the “most culturally relevant basketball experience on the planet.”That’s what the signs called it, anyway. It was the first-ever N.B.A. Con, the league’s riff on Comic-Con. The basketball-themed Lollapalooza was a three-day smorgasbord of fashion, music and basketball.But seen through another lens, the convention was an intriguing window into how the league sees itself as a business.The first-ever N.B.A. Con drew more than 25,000 attendees.Bridget Bennett for The New York TimesThe event was a three-day festival of fashion, music and basketball. There were also arcade games.Bridget Bennett for The New York TimesFor the N.B.A., stars are bigger than the games — cultural presences far beyond the floor. The N.B.A. took advantage of that by holding the convention during its summer league in Las Vegas, when scores of stakeholders from the union, retired players, owners, general managers, players, sponsors and fans descend on Nevada.“When you ask people about the N.B.A., for them, it’s not a company,” said Mark Tatum, the league’s deputy commissioner. “It’s life. It’s their culture. The N.B.A. is this culture of music and fashion and entertainment and style.”More than 25,000 fans attended, mostly paying $30 to $250 to get in. But really, cultural relevance is priceless, especially when sponsored by Michelob Ultra. (They were there too.)The convention floor was set up to evoke the spirit of New York City, with park benches, Jenga, cornhole and pickleball courts. There were neighborhoods titled the Drip, the Collection, the Network, the Park and the Convos.The Drip, where sponsors set up shop, was the real core of the convention.Sure, a convention does help the league reach fans in a way it otherwise wouldn’t at a time when LeBron James isn’t playing every night. On Saturday, N.B.A. Commissioner Adam Silver detailed a new in-season tournament during a bloated television special. But throwing an N.B.A. Con meant the league also created an opportunity for new intellectual property. It sold N.B.A. Con merchandise and created a new Twitter account, though the account had fewer than 2,000 followers on Monday compared with nearly 44 million on the league account.There was an AT&T booth, where a sign read, “Step into the spotlight and show off your fire fit.” Fans lined up and shot slow-motion videos of their outfits under a fancy spotlight.Attendees swarmed the former Knicks star Carmelo Anthony for photos and autographs.Bridget Bennett for The New York TimesAnother booth, run by a memorabilia company, MeiGray, sold game-worn jerseys. Its main podium showed a mannequin wearing a jersey that Denver Nuggets center Nikola Jokic wore in Game 2 of the N.B.A. finals last month. It sold for $150,000. Next to that was a smaller podium with a jersey that Miami Heat forward Jimmy Butler wore during Game 3 of that series. It sold for $17,500. To the victors — the Nuggets — go the bigger boxes and higher prices.Tucked in a back corner of the convention space was an exhibit called “Rings Culture,” from the jewelry store Jason of Beverly Hills. It displayed several replicas of championship rings. It might’ve been the perfect place for a heist in a movie like “Ocean’s Eleven.”The night before the convention, the N.B.A. held a walk-through for journalists. Tristan Jass, a YouTuber known for trick basketball shots, displayed some of his skills on a temporary court. But before doing so, he described his ascension to fame.“When you ask people about the N.B.A., for them, it’s not a company,” said the league’s deputy commissioner. “It’s life. It’s their culture.”Bridget Bennett for The New York TimesFans measured their vertical leaps near the Drip, an area of the convention where sponsors sold merchandise.Bridget Bennett for The New York Times“We just left a trail of inspiration around the world,” Jass told the crowd.His first shot was a heave from a spot adjacent to the court behind a chain-link fence. He missed the first two attempts, but hit the third. It was impressive. His second shot was a full-court launch from the opposite corner. This one didn’t go as well. After at least 20 misses, some observers — the uninspired ones, clearly — moved on to the rest of the tour. When a shot rimmed out, Jass muttered, “Those ones hurt.”The biggest draw for the weekend was a panel discussion with Victor Wembanyama of the San Antonio Spurs and Kareem Abdul-Jabbar moderated by Isiah Thomas, the former Detroit Pistons star. There were a couple hundred seats, but a long overflow line for viewers trying to catch a glimpse of a basketball torch being passed. Wembanyama was the much-heralded No. 1 pick in the N.B.A. draft last month.There was a larger backdrop too: Abdul-Jabbar’s conversation with Wembanyama in that 30-minute panel was more time than he had spent chatting with James in the last two decades combined. Last month, Abdul-Jabbar told reporters in Los Angeles that he had “never had a chance really to talk to LeBron, other than two or three minutes.”At N.B.A. Con, Abdul-Jabbar said he was struck by how much the game had changed.“The different duties and what is expected of various players in various positions,” he said. “It’s really been through a tremendous change, and for more than a few minutes, I just sat there and wondered, ‘Would I be able to compete?’”Abdul-Jabbar spent 20 seasons in the N.B.A. and retired in 1989 as the career scoring leader. James surpassed his record in February.“Sure would have been nice, though, to be able to fly from city to city in a charter jet like these guys do,” Abdul-Jabbar said. “I didn’t get to do that. I could have played longer.”To that end, the convention served not just as a branding exercise for the N.B.A., but also the players themselves. Scoot Henderson, the 19-year-old who was drafted third by the Portland Trail Blazers last month, is part of a new generation of stars with a marketing reach that players from Abdul-Jabbar’s era would find unrecognizable. Most players are active on social media, which has given them expanded ways to build an audience. Henderson was interviewed in a panel by the former Knicks star Carmelo Anthony — delivering a signal that the league viewed Henderson as next in the star lineage.“I’ve been thinking about myself as a business for a minute,” Henderson said afterward. “The name. A corporation — that’s who I am.”Most fans paid $30 to $250 to get into N.B.A. Con.Bridget Bennett for The New York Times More

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      Victor Wembanyama Gets Introduction to N.B.A. Fame and Game in Las Vegas

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      Wembanyama had the anticipation of fans and a turn in the tabloids, yet a more modest showing as he learns his new team.The walls around Victor Wembanyama, as he sat for a news conference Friday night at the Thomas and Mack Center, were plastered with images of past winners of the Las Vegas Summer League tournament. There were N.B.A. stars who played there in the early days of their careers and a photo of LeBron James from 2018, when he showed up wearing gold shorts that said “Lakers” on the front in his first public appearance after signing with the team.The summer league debuted the year after James’s rookie season, so its first marquee rookie was Dwight Howard, the top pick in 2004. As Wembanyama spoke with reporters, a picture of a smiling Howard could be seen on a wall to his right.“The Beatles?” one team executive had joked earlier that night when asked what he would compare to the hysteria around Wembanyama, whom the San Antonio Spurs selected first overall last month. The closest real comparison is to James’s entry into the league in 2003.Wembanyama had just finished his debut performance in a Spurs jersey, when he scored nine points with eight rebounds, three assists and five blocks. He made 2 of 13 shots and sometimes looked tired.None of this will matter for his long-term future, nor does it predict what his career will be. But Wembanyama’s first few days in Las Vegas didn’t just introduce him to N.B.A. play, they also introduced him to the absurdity of fame’s glare. He came out of that experience a bit subdued, but still smiling and poised as his journey continued.Wembanyama only finished his French season three weeks ago, the week before the N.B.A. draft. That he would be selected first overall was a foregone conclusion, but it still brought him to tears when it happened.The Spurs immediately began molding him. He went to dinner the next day with some of the organization’s legends — Tim Duncan, David Robinson, Sean Elliott and Manu Ginobili — to start learning from them.They knew his body needed a break, so they had him skip their games in Sacramento last week to save his debut for Las Vegas. He will also skip the World Cup this year, where he would have bolstered the French national team.And when Wembanyama began playing and practicing with the Spurs’ summer league team, together they focused on learning again.“There is an eagerness that’s very clear as a coach,” said Matt Nielsen, who is coaching the Spurs’ summer league team. “He’s wanting to do the right thing.”Friday night’s game featured Wembanyama and the Spurs against the Charlotte Hornets and Brandon Miller, the second overall pick in June’s draft.The Thomas and Mack Center is a worn-down arena on the campus of the University of Nevada, Las Vegas that once a year dresses itself up as the center of the N.B.A. world.All 30 N.B.A. teams show up a couple of weeks after the N.B.A. draft for the summer league with rosters that include their most recent draft picks, whom they pray won’t get injured during the exhibition games. Scouts, team owners and executives dot the lower bowls and every so often the league’s biggest stars take a break from casinos, clubs and sponsorship appearances to stop by and sit courtside for a game.A typical summer league crowd might fill half the lower bowl, and a good crowd packs it and maybe spills into the upper decks. On Friday night, the entire arena was filled to the top with nearly 18,000 spectators hoping to see something spectacular.Wembanyama had some bright moments, but did not produce the kinds of moments the crowd had waited breathlessly for. He missed a layup and a dunk, in all 11 of the shots he took. He was not the focal point of the Spurs offense for most of the game. Defensively, his natural size and 8-foot wingspan meant he could block jump-shots even when he was late getting to the shot.At least once, his victim was Miller, who scored 16 points on 5-of-15 shooting with 11 rebounds.After the game Wembanyama talked about wanting to improve his conditioning, and said he was “exhausted” every time he came out of the game. He needed to better understand the plays called by the point guard, and the team’s defensive system, he said.“I didn’t really know what I was doing on the court tonight, but I’m trying to learn for the next games,” Wembanyama said. “The important thing is to be ready for the season.”It was a levelheaded response from Wembanyama, who seemed less effervescent but still poised.That didn’t stop observers from drawing conclusions about his future or fans of the pop star Britney Spears from mocking his performance.Yes, Britney Spears.She had tried to approach Wembanyama from behind on Wednesday night and was stopped by a Spurs security guard who swung his left arm in her direction. Las Vegas police said the security guard’s actions caused Spears to hit herself in the face, but Spears said the response was overboard and asked for an apology.Wembanyama said he never saw her face during the encounter, but her fans, nonetheless, remained irritated. The police said no charges would be filed.That minor controversy had marked the start of Wembanyama’s time in Las Vegas, and highlighted the absurdity that can come with fame. It passed, though, just as the memory of a mundane start can, too, as Wembanyama’s career progresses. More

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      Nikki McCray-Penson, Basketball Star and Coach, Dies at 51

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      After a standout college career at the University of Tennessee, she won two Olympic gold medals, played nine years in the W.N.B.A. and was the head coach at two universities.Nikki McCray-Penson, an all-American point guard for the powerhouse University of Tennessee women’s basketball team, a two-time Olympic gold medalist and a three-time All-Star in the W.N.B.A., died on Friday. She was 51.Her death was announced by Rutgers University, where she was about to enter her second season as an assistant coach of the women’s basketball team. The school did not say where she died or cite a cause. McCray-Penson had been diagnosed with breast cancer in 2013.“Thank you my little sister, my friend, my foxhole partner, my teammate, my fast food snacker, my basketball junkie, my fellow Olympian, my gold medalist and now my angel,” Dawn Staley, the women’s basketball coach at the University of South Carolina, where McCray-Penson was an assistant coach for nine years, wrote on Twitter.At Tennessee, McCray-Penson was a two-time all-American and a three-time all-Southeastern Conference player. She helped lead the Lady Vols to three consecutive regular-season conference titles and two conference tournament championships.She began as a defensive specialist, but she evolved into an offensive force.“It bothered her that she was considered so much of a defensive player,” her Basketball Hall of Fame coach, Pat Summitt, told The Tennessean of Nashville in 1994, late in McCray-Penson’s breakout season, when she averaged 16.3 points a game as a junior. “She wanted to develop the total game, and she has.”In the same article, McCray-Penson said, “I had to learn to respond when being criticized and learn from mistakes. Pat is not going to motivate you.” She added, “You have to come out with an attitude about yourself, and that comes from maturity.”Sally Jenkins, a sports columnist who collaborated with Summitt on three books, said in a phone interview that there was a special connection between the coach and McCray-Penson. “Pat glowed when Nikki came to visit,” she said.She added: “There were a lot of players who came to Tennessee who were like 15-story buildings, but the elevators only went to the 10th floor. Some kids found a way to get to the top and develop all their promise. Nikki was one of those.”McCray-Penson at the 2000 Summer Olympics in Sydney. She was a two-time Olympic gold medalist.Darren McNamara/Getty ImagesAfter graduating from Tennessee in 1995 with a bachelor’s degree in education, McCray-Penson became part of the U.S. team that would win the gold medal at the 1996 Summer Olympics in Atlanta. After an early-round victory over South Korea, in which McCray-Penson led the team with 16 points and nine rebounds, she said, “We want to be the best basketball team in history.”Overall, she averaged 9.4 points a game in the tournament and provided some of the stifling defense that limited opponents’ scoring. Four years later, when the U.S. team won the gold medal in Sydney, Australia, McCray-Penson averaged 5.1 points.By then, she had turned professional. With the Columbus Quest of the short-lived American Basketball League, which preceded the W.N.B.A. as a women’s league, she averaged 19.9 points a game, led the team to the league championship in 1997 and was named most valuable player.She did not stay with the A.B.L. for long. She jumped after one season to the Washington Mystics of the W.N.B.A., which had been created by the National Basketball Association.“I saw what the N.B.A. can do to promote women’s basketball,” she told The Associated Press in 1997.Starting in 1998, she spent four seasons with the Mystics, averaging 15.4 points a game and was chosen for three All-Star games. She had less success over the next five years, when she played in Indianapolis, Phoenix, San Antonio and Chicago. She retired in 2006.McCray-Penson in Norfolk, Va., in 2017, when she was the women’s basketball coach at Old Dominion University there.Steve Earley/The Virginian-Pilot, via Associated PressShe quickly moved into coaching: She was an assistant women’s coach at Western Kentucky University for two years before moving to South Carolina in 2008, where she joined Staley, her teammate on the 1996 and 2000 Olympic teams.After helping lead South Carolina to its first N.C.A.A. women’s basketball title in 2017, McCray-Penson was hired for her first head coaching job, at Old Dominion University in Norfolk, Va. She coached the team to a 53-40 record over three seasons; in the 2019-20 season, she led the Monarchs to a 24-6 record and was named Conference USA coach of the year.In 2020, she was named the head coach at Mississippi State University, but she resigned for health reasons after a 10-9 record in her only season there.In 2022, Rutgers hired her as an assistant.“Simply put, Nikki is a winner,” Coquese Washington, the Rutgers coach, who was a teammate of McCray-Penson’s with the W.N.B.A.’s Indiana Fever, told The Associated Press. “She has excelled at the highest levels of our game.”McCray-Penson was inducted into the Women’s Basketball Hall of Fame, in Knoxville, Tenn., in 2012.Nikki Kesangane McCray was born on Dec. 17, 1971, in Collierville, Tenn. Her survivors include her husband, Thomas Penson, and her son, also named Thomas. Her mother, Sally Coleman, died of breast cancer in 2018.“We know there’s no cure,” McCray-Penson told The Clarion Ledger of Jackson, Miss., in 2020. “We live with it. Every day, you don’t let that define you. You live life. You make every day count. That’s what I saw my mom do.” More

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      Miles Bridges Will Rejoin Hornets After Felony Domestic Violence Plea Deal

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      Bridges will rejoin the team on a one-year contract after completing a suspension that will sideline him for the first 10 games of the season.Miles Bridges will return to the Charlotte Hornets on a one-year contract next season after he finishes a suspension for pleading no contest to felony domestic violence.Bridges, 25, had been a restricted free agent for the Hornets since June 2022, when he had been expected to negotiate for a $173 million maximum deal over five years. But on June 29, 2022, he was arrested in Los Angeles, accused of beating the mother of his two children in front of the children. In November, he pleaded no contest to one count of felony domestic violence as part of a plea deal that included three years of probation but no jail time.“I sincerely apologize for the pain, embarrassment and disappointment that last year’s incident caused so many people,” Bridges said in a statement through the team on Friday, adding that he was “grateful” to have a second chance to play. He had been with the Hornets since they acquired him in a draft-day deal in 2018. His new one-year contract is for $7.9 million, according to ESPN.Bridges will have to sit out for the first 10 games next season. The N.B.A. suspended him for 30 games in April, but gave him credit for 20 because he did not play last season. N.B.A. Commissioner Adam Silver later told a group of sports editors that Bridges and the league had a “mutual agreement” that he would not play during the 2022-23 season, though he said the agreement did not constitute a suspension. However, in February Bridges had told The Associated Press that he might return in March.As part of his plea deal, Bridges was required to undergo a year of domestic violence counseling, complete 100 hours of community service and go to parenting classes. The victim was also granted a 10-year restraining order. Bridges initially faced several felony charges of domestic violence and child abuse.In the team’s statement on Friday, Hornets General Manager Mitch Kupchak said Bridges’s “commitment to counseling and community service” had factored into Charlotte’s decision to bring him back.“Throughout this process, we have taken a measured and serious approach,” Kupchak said. He added of Bridges, “He has shown remorse, indicated that he has learned from this situation and expressed that it will not happen again.”Bridges said that he had been in therapy and that he understood why people had questioned whether he deserved a second chance. He vowed to earn back everyone’s trust and confidence.Without Bridges last season, the Hornets were the second-worst team in the Eastern Conference. Charlotte’s best player, guard LaMelo Ball, also missed most of the season with injuries. The poor showing positioned the Hornets for a high draft pick, which they used on Alabama’s Brandon Miller at No. 2 overall.Michael Jordan, the former Chicago Bulls great who had owned the Hornets since 2010, announced last month that he would sell his majority stake in the team but stay on as a minority investor. More

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      Britney Spears Seeks Apology After Encounter With Victor Wembanyama’s Security

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      Spears said on Twitter that a member of an athlete’s detail had hit her outside a Las Vegas restaurant Wednesday night.The singer Britney Spears asked for an apology on Thursday after accusing a member of a star N.B.A. player’s security detail of striking her in the face outside a Las Vegas restaurant when she tried to greet the player, Victor Wembanyama of the San Antonio Spurs.In a tweet about the encounter, Spears did not name Wembanyama, but in discussing the unnamed player she referred to public comments he had made to reporters hours before. Spears, 41, said that she had seen “an athlete” at two different hotels Wednesday night and “decided to approach him and congratulate him on his success” at the second one, outside a restaurant. Spears said after she tapped him on the shoulder, a member of his security team “back handed me in the face,” knocking her glasses off and causing her to nearly fall down.Spears said that she was still waiting for an apology from the player, his security and his team. Wembanyama, 19, was the No. 1 pick in the N.B.A. draft last month. He is expected to play in the N.B.A.’s summer league starting Friday in Las Vegas.The Spurs did not respond to multiple requests for comment on Thursday. The Las Vegas Metropolitan Police Department did not respond to an email request for comment. A person who answered the phone at the department’s public records office said they could not comment on a specific case and that it could take three to five days to respond to a records request.In statements to multiple news outlets, including Variety and People, the Las Vegas police said that around 11 p.m. on Wednesday, “officers responded to a property in the 3700 block of Las Vegas Boulevard regarding a battery investigation,” but that no arrests or citations had been made. The incident was first reported by TMZ on Thursday morning. Spears’s lawyer, Mathew S. Rosengart, said the Las Vegas police were investigating and declined to make further comment beyond Spears’s statement.Earlier on Thursday, before Spears’s tweet, Wembanyama offered a different version of events while meeting with reporters in Las Vegas. He said that “there was one person calling me,” but Spurs security had told him not to stop for anyone, since doing so could have invited a crowd. He then said that a person had “grabbed me from behind, not on my shoulder.”“I don’t know with how much force, but security pushed her away,” Wembanyama said, adding that he did not know that the woman was Spears until hours later. “I didn’t stop to look, so I kept walking and enjoyed a nice dinner.”Spears she was “not prepared for what happened” and that it was “super embarrassing” to discuss publicly.“However, I think it’s important to share this story and to urge people in the public eye to set an example and treat all people with respect,” she said.Wembanyama, at over 7 feet tall, is one of the most heralded N.B.A. prospects in recent decades. He averaged more than 20 points and 10 rebounds per game last season with Metropolitans 92, a French professional team.Claire Fahy More

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      GOATs Are Everywhere in Sports. So What Really Defines Greatness?

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      Athletes from Tom Brady to Serena Williams to LeBron James have all been tabbed the Greatest of All Time. Faced with the term’s pervasive use, our columnist considers how sports heroes become transcendent.If you are reading this column, I have great news: You’re the GOAT!That’s right: Among those who have happened upon this space, I deem you the Greatest Reader of All Time.Then again, if you’re LeBron James, or Serena Williams, or Nikola Jokic — with that sparkling N.B.A. championship ring — well, you already know you’re the GOAT. Everyone has been saying so.“Bahhh, bahhh, bahhh,” goes the bleating of a goat. It’s also the sound made by James’s Los Angeles Lakers teammates when he walks into the locker room. GOAT hosannas are practically the soundtrack of his life.Driven by its pervasive usage around sports, five years ago the wordsmiths at Merriam-Webster entered the term GOAT in the dictionary as an acronym and a noun.LeBron James is considered by many to be the GOAT in men’s basketball.Kyle Grillot for The New York TimesDefining the term as “the most accomplished or successful individual in the history of a particular sport or category of performance or activity,” a Merriam-Webster editor nodded to the pervasive use of Tom Brady’s name along with GOAT in a popular search engine as an example of why the acronym had become dictionary official.Yeah, I know — this GOAT thing, it’s a little confusing. To be the greatest implies singularity, no? But now there are GOATs everywhere we turn.Even worse than the acronym’s overuse is its doltish simplicity. There’s not enough nuance. Too much emphasis on outright winning, not enough on overcoming.What are our options here? Maybe we should ban the use of the term outright in sports, following the lead of Lake Superior State University, which cheekily ranked the hazy, lazy acronym No. 1 on its 2023 list of banished words.“The many nominators didn’t have to be physicists or grammarians to determine the literal impossibility and technical vagueness of this wannabe superlative,” read a statement from the university.Banning doesn’t quite seem like a possibility, however — not when a word has bored a hole this deep into our collective consciousness.No doubt, being a goat isn’t what it used to be. In sports, it was once a terrible insult, a term of shame hung on athletes who snatched defeat from the jaws of victory. Greg Norman, otherwise known as the Shark, was a goat for coughing up a six-stroke lead in the final round of the 1996 Masters, a tournament he lost by five strokes.Before Norman, there was the Boston Red Sox’ grounder-through-the legs-at-the-worst-possible-World-Series-moment goat, Bill Buckner.Need I say more?According to a Merriam-Webster editor, online searches for Tom Brady’s name and GOAT prompted the addition of the acronym to the dictionary in 2018.Elise Amendola/Associated PressMuhammad Ali is widely credited with first injecting the Greatest of All Time into the mix. When he went by Cassius Clay in the early 1960s, he recorded a comedy album anchored by the title poem, “I Am the Greatest.”After his upset win over George Foreman in 1974, he added a flourish, admonishing his doubters and critics, and reminding them of his status: “I told you I am still the greatest of all times!”But was it really Ali who came up with this particular egotistic flourish?Some say GOAT’s origins actually spring from a flamboyant, blond-tressed wrestler, George Wagner, who was known as Gorgeous George and who in the 1940s and ’50s earned lavish paydays by turning trash talk into fine art.In a precursor to W.W.E.-style braggadocio, Gorgeous George once claimed before a big fight that if he lost, he would “crawl across the ring and cut my hair off!” He added, “But that’s not going to happen, because I’m the greatest wrestler in the world.”Ali said he had learned a good chunk of his boastfulness from Gorgeous George.“A lot of people will pay to see someone shut your mouth,” the wrestler is said to have told Ali after a chance meeting. “So keep on bragging, keep on sassing, and always be outrageous.”This week marks the moment when sport’s most legitimate GOAT talk hovers over tennis and an event its organizers not-so-humbly call the Championships.Wimbledon starts Monday. The men’s favorite, Novak Djokovic, has 23 Grand Slam tournament titles, one short of Margaret Court’s record of 24. If he wins this year, his wildly devoted fan base will confidently proclaim the Serb’s GOAT status.That will drive fans of Rafael Nadal, who is stuck at 22 major titles, to distraction. They will argue that their idol would have won 25 major titles (or more) by now, if not for injuries.Then Roger Federer devotees will wade in. He had losing records against both Nadal and Djokovic. But, by goodness, he’s Roger Federer, fine linen with a forehand with 20 Slams and a raft of epic final-round battles to his name.Not so fast, Serena Williams adherents will remind. Not only does she have 23 Grand Slam titles — including one earned while she was pregnant — Williams braved playing in a mostly white sport and bent it to her will. Besides, she’s as much a cultural icon as an athlete. Can any male player say that?Serena Williams won 23 Grand Slam titles in her career, bolstering her claim to being the GOAT of tennis.Gabriela Bhaskar for The New York TimesThen there are the old-school partisans of Bjorn Borg and John McEnroe, Martina Navratilova and Billie Jean King. Stop the unfairness, they will shout. No more comparing superlative athletes from vastly different eras.Time has changed everything in every sport — better equipment, better training methods, new rules — so how can we reliably compare? Before McEnroe lost to Borg in the 1980 Wimbledon final, neither had the benefit of sleeping, as Djokovic reportedly does, in a performance-enhancing hypobaric chamber.On and on the argument will go.That’s the craziness of it. The foolishness and the fun of it.Who’s the GOAT?Well, to be honest, I’ve got four. Willie Mays. Joe Montana. Williams. Federer.I can remember each for their sublime victories, of course. But also their stumbles. A 42-year-old Mays lost in the outfield. A fragile Montana in his twilight, playing not for San Francisco but Kansas City.I was on hand to see Williams struggle and come up short as she chased that elusive last Slam. I sat feet from Federer as he held two match points against Djokovic in the Wimbledon final of 2019. Then the Swiss crumbled in defeat.“For now it hurts, and it should — every loss hurts at Wimbledon,” Federer said at the post-match news conference. But, he added, he would persevere. “I don’t want to be depressed about actually an amazing tennis match.”No one escapes disappointment and frailty. But if we do it right, we soldier on.You know what that means? It means all of us can be GOATs!Bleat on, my friends. Bleat on! More