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    A Storm at ESPN Over Rachel Nichols Comments on Maria Taylor

    In comments still rippling through the network, the reporter Rachel Nichols, who is white, said Maria Taylor, who is Black, earned the job to host 2020 N.B.A. finals coverage because ESPN was “feeling pressure” on diversity.As the N.B.A. playoffs started in May, the stars of ESPN’s marquee basketball show, “NBA Countdown,” discussed whether they would refuse to appear on it.They were objecting to a production edict from executives that they believed was issued to benefit a sideline reporter and fellow star, Rachel Nichols, despite comments she had made suggesting that the host of “NBA Countdown,” Maria Taylor, had gotten that job because she is Black. Nichols is white.A preshow call with Taylor and the other commentators — Jalen Rose, Adrian Wojnarowski and Jay Williams — as well as “NBA Countdown” staff members had turned acrimonious, and Jimmy Pitaro, ESPN’s president, had several phone conversations while at a family event to try to help smooth things over.Some of those involved saw the initial maneuvering as a sign of the network favoring Nichols despite a backdrop of criticism from employees who complained that the sports network has long mishandled problems with racism. It had declined to discipline Nichols despite fury throughout the company over her remark, which she made during a phone conversation nearly a year ago after learning that she would not host coverage during the 2020 N.B.A. finals, as she had been expecting.“I wish Maria Taylor all the success in the world — she covers football, she covers basketball,” Nichols said in July 2020. “If you need to give her more things to do because you are feeling pressure about your crappy longtime record on diversity — which, by the way, I know personally from the female side of it — like, go for it. Just find it somewhere else. You are not going to find it from me or taking my thing away.”ESPN has been trying, and often failing, to deal with the scandal for months. But a fast-approaching deadline is forcing the network to show at least some of its cards. Taylor’s contract expires during the N.B.A. finals, which start on Tuesday between the Phoenix Suns and the Milwaukee Bucks, yet few substantive steps have been taken toward a new deal even though Pitaro has identified Taylor as one of ESPN’s rising stars.Whether or not ESPN and Taylor agree on a contract, the internal damage from the past year has been substantial.This article is based upon interviews with more than a dozen current and former ESPN employees, as well as others with knowledge of the company’s inner workings. Most of them spoke on condition of anonymity because they were not authorized by ESPN to speak to the news media or because of paperwork they had signed upon leaving the company.The VideoIn mid-July last year, Nichols was staying at the Coronado Springs Resort at Walt Disney World near Orlando, Fla., confined to her room for seven days because of the N.B.A.’s coronavirus protocols before the season resumed. She had with her a video camera so that she could continue appearing on ESPN shows, primarily “The Jump,” a daily N.B.A. show she has hosted since 2016.But she was eyeing hosting duties for ESPN’s pregame and postgame shows during the playoffs and finals, the network’s most important studio basketball programming. That host is the face of ESPN’s N.B.A. coverage, and before the pandemic, both she and Taylor hosted different versions of the show.About the time Nichols arrived in Florida, she was told by executives that Taylor would host coverage during the N.B.A. finals.Nichols discussed her career on a phone call on July 13, 2020, with Adam Mendelsohn, the longtime adviser of the Los Angeles Lakers superstar LeBron James and James’s agent, Rich Paul. Nichols was speaking with Mendelsohn to request an interview with James and his Lakers teammate Anthony Davis, whom Paul also represents. During the conversation, she also sought advice from Mendelsohn because she believed her bosses were advancing Taylor at her expense.“I just want them to go somewhere else — it’s in my contract, by the way; this job is in my contract in writing,” Nichols told Mendelsohn, referring to hosting coverage during the N.B.A. finals a few minutes after saying ESPN was “feeling pressure” about racial diversity.Nichols, an ESPN reporter, and Mendelsohn, a spokesman for LeBron James, had a phone conversation that was recorded on video from ESPN’s server. This is an excerpt from a recording of more than 20 minutes that was obtained by The New York Times.“We, of course, are not going to comment on the specifics of any commentator contract,” said Josh Krulewitz, an ESPN spokesman. Krulewitz declined to make Pitaro available for an interview.Unbeknown to Nichols, her video camera was on, and the call was being recorded to a server at ESPN’s headquarters in Bristol, Conn.It is not clear why her camera was on, but most people at ESPN believe that Nichols, using new technology during a pandemic, did not turn it off properly. It was effectively the remote pandemic version of a hot mic incident.Dozens of ESPN employees have access to the company’s video servers as part of their normal work flow.At least one of these people watched the video on the server, recorded it on a cellphone and shared it with others. Soon, more copies of the conversation were spreading around ESPN, and within hours it reached ESPN executives, in part because of some of the comments from Mendelsohn. He is a prominent political and communications strategist who has worked for the giant private equity firm TPG; was a communications director and deputy chief of staff for Arnold Schwarzenegger, then the governor of California; and is a co-founder of James’s voting rights group, More Than a Vote, which focused on encouraging access for Black voters during the 2020 election.In a recording of the video obtained by The New York Times, Nichols and Mendelsohn paused for a moment during the conversation after Nichols said she planned to wait for ESPN’s next move. Mendelsohn, who is white, then said: “I don’t know. I’m exhausted. Between Me Too and Black Lives Matter, I got nothing left.” Nichols then laughed.Nichols and Mendelsohn discussed her career and wider issues of diversity at ESPN and in corporate America. This is an excerpt from a longer video obtained by The New York Times.Mendelsohn, throughout the conversation, strategized with Nichols about how she should respond to ESPN. “Be careful because that place is a snake pit,” he said. They considered a move that Mendelsohn described as “baller” but “hard to pull off”: telling Pitaro and others that having two women competing over the same job was a sign of ESPN’s wider shortcomings with female employees.“Those same people — who are, like, generally white conservative male Trump voters — is part of the reason I’ve had a hard time at ESPN,” Nichols said during the conversation. “I basically finally just outworked everyone for so long that they had to recognize it. I don’t want to then be a victim of them trying to play catch-up for the same damage that affected me in the first place, you know what I mean. So I’m trying to just be nice.”Multiple Black ESPN employees said they told one another after hearing the conversation that it confirmed their suspicions that outwardly supportive white people talk differently behind closed doors.In a statement, Mendelsohn said: “I will share what I believed then and still believe to be true. Maria deserved and earned the position, and Rachel must respect it. Maria deserved it because of her work, and ESPN recognized that like many people and companies in America, they must intentionally change. Just because Maria got the job does not mean Rachel shouldn’t get paid what she deserves. Rachel and Maria should not be forced into a zero-sum game by ESPN, and Rachel needed to call them out.”He declined to answer follow-up questions about their conversation.In response to questions from The Times, Nichols said she was frustrated and was “unloading to a friend about ESPN’s process, not about Maria.” But she added: “My own intentions in that conversation, and the opinion of those in charge at ESPN, are not the sum of what matters here — if Maria felt the conversation was upsetting, then it was, and I was the cause of that for her.”Nichols said she reached out to Taylor to apologize through texts and phone calls. “Maria has chosen not to respond to these offers, which is completely fair and a decision I respect,” Nichols said.Taylor declined to comment.Nichols said the recording of the video by an ESPN colleague was hurtful. “I was shaken that a fellow employee would do this, and that other employees, including some of those within the N.B.A. project, had no remorse about passing around a spy video of a female co-worker alone in her hotel room,” she said, adding, “I would in no way suggest that the way the comments came to light should grant a free pass on them being hurtful to other people.”Krulewitz, the spokesman, said: “A diverse group of executives thoroughly and fairly considered all the facts related to the incident and then addressed the situation appropriately. We’re proud of the coverage we continue to produce, and our focus will remain on Maria, Rachel and the rest of the talented team collectively serving N.B.A. fans.”Maria Taylor’s contract with ESPN expires this month.Eleanor ShakespeareThe ResponseWithin ESPN, particularly among the N.B.A. group that works with both Taylor and Nichols, many employees were outraged upon watching the video. They were especially upset by what they perceived as Nichols’s expression of a common criticism used by white workers in many workplaces to disparage nonwhite colleagues — that Taylor was offered the hosting job only because of her race, not because she was the best person for the job.The employees also said that Nichols made Taylor’s job more difficult because Taylor also needs to go to Mendelsohn to secure interviews with basketball newsmakers.As ESPN executives were deciding what to do about the video, a four-minute cut of the conversation was leaked to Deadspin. (The video obtained by The Times is more than 20 minutes of continuous conversation.)The leak had a major effect on how ESPN responded. Multiple former ESPN employees, including a former executive, said that company executives expressed fears of a lawsuit from Nichols and that Disney, ESPN’s parent company, became heavily involved.Krulewitz said the leak did not change how the company reacted. Nichols said she spoke with a lawyer to better understand how an ESPN investigation would work, but she did not threaten to sue.ESPN declined to say whether any employees were disciplined, and Nichols said that she was told that the “content of the conversation did not warrant any discipline.” The only person known to be punished was Kayla Johnson, a digital video producer who told ESPN human resources that she had sent the video to Taylor. Johnson, who is Black, was suspended for two weeks without pay, and later was given less desirable tasks at work.Johnson did not respond to requests for comment and recently left ESPN.Taylor, who had recently gained widespread acclaim for her on-air comments about the murder of George Floyd by a police officer, was fed up because she had also been disparaged recently by at least one other ESPN colleague for speaking about Floyd. She told executives, including Pitaro, the company’s president, that she would not finish covering the season.“I will not call myself a victim, but I certainly have felt victimized and I do not feel as though my complaints have been taken seriously,” she wrote in an email to ESPN executives, including Pitaro, two weeks after the incident, which was obtained by The Times. “In fact, the first time I have heard from HR after 2 incidents of racial insensitivity was to ask if I leaked Rachel’s tape to the media. I would never do that.”She added: “Simply being a front facing black woman at this company has taken its toll physically and mentally.”A few days later, Taylor reconsidered and told the company she would host “NBA Countdown” during the playoffs on one condition: She did not want Nichols to appear on the show.In Taylor’s view, according to six people who have spoken to her, ESPN executives agreed to the stipulation but violated it almost immediately by allowing Nichols to make short appearances without interacting with Taylor. ESPN declined to comment about the arrangement.All of Rachel Nichols’s appearances on “NBA Countdown” this season have been prerecorded.Eleanor ShakespeareRenewed ConfrontationOne employee involved in N.B.A. coverage said that ESPN’s decision not to punish Nichols was still an “active source of pain” and discussion among co-workers.It also has potentially affected coverage and assignments. For the 2020-21 N.B.A. season, in addition to her role hosting “The Jump,” Nichols was made the sideline reporter for ESPN’s most important N.B.A. games.Taylor, meanwhile, has become increasingly comfortable with expressing her views within the company. In the spring, she admonished executives for appointing a game coverage team for the N.C.A.A. women’s Final Four that did not include any Black women and pressured the company to add LaChina Robinson as an analyst, which they did.Taylor also has given Malika Andrews, who is Black, a bigger role on “NBA Countdown,” which directly led to the latest internal tug of war.To avoid having Taylor and Nichols interact, all of Nichols’s appearances on “NBA Countdown” this season were prerecorded, but often in a way to make segments appear as if they aired live. Appearances by other sideline reporters were a mixture of live and prerecorded.Shortly before the playoffs, however, ESPN executives said that if Taylor continued to refuse to interact with Nichols on air, no reporters would be allowed on the show live. “NBA Countdown” pushed back to no avail.“The idea behind this was to treat every reporter equally and inclusively by providing a similar forum and platform,” Krulewitz said. Nichols said she preferred “consistency in the way the show used the reporters,” and added that she told ESPN decision makers that she did not want to take opportunities away from others.But on May 22, the first day of the N.B.A. playoffs, the tensions exploded between those who worked on the show and ESPN executives in charge of basketball.On the preshow call involving the stars of the show and production staff in both Los Angeles and New York, Taylor insisted to an executive that she be able to conduct live interviews with sideline reporters. She also brought up the recorded phone conversation. Wojnarowski jumped in and called Nichols a bad teammate. Rose said that ESPN had asked a lot from Black employees over the past year, but that he and other Black employees would extend their credibility to the company no longer.Taylor, whom executives had asked numerous times to change her interactions with Nichols, said that the only people punished by ESPN’s actions were women of color: Johnson, herself and the three sideline reporters — Lisa Salters, Cassidy Hubbarth and Andrews — who received lesser assignments so that Nichols could have the lead sideline reporter role and now were not being allowed to appear on the show live.Pitaro spoke with Taylor and Wojnarowski, and Wojnarowski alone, when Pitaro asked Wojnarowski whether going back to the status quo and allowing sideline reporters to appear on the show live would solve the problem, according to three people familiar with the conversation.By the end of the day, the restrictions were rescinded.Krulewitz declined to comment on the argument, besides saying that “the decision regarding reporters on these shows was made solely by N.B.A. production management,” and not Pitaro.The spread of the recording throughout ESPN happened less than a week after Pitaro had pledged “accountability” and improvements throughout ESPN’s workplace culture.“We are going to speak through our actions here, and we are going to improve,” Pitaro said in an interview then. “If we don’t, it is on me, I failed, because it does all start with me.”Still, nobody was outwardly punished besides Johnson, the producer who recently departed ESPN. She left with a handful of Black employees who had pressed Pitaro for changes.Taylor’s contract with ESPN expires in less than three weeks, and it looks increasingly likely that those could be her last weeks at the network. More

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    Bucks Beat Hawks and Advance to the N.B.A. Finals

    Milwaukee was playing without its injured star, Giannis Antetokounmpo. The Bucks will face the Phoenix Suns in the finals.The Milwaukee Bucks advanced to their first N.B.A. finals since 1974 after defeating the Atlanta Hawks, 118-107, in Game 6 of the Eastern Conference finals Saturday night to take the series, four games to two. They will face the Phoenix Suns in the N.B.A. finals starting Tuesday. More

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    It’s Good to Be Reggie Jackson, in the N.B.A. and in Baseball

    One Reggie Jackson, of the Yankees, made his mark in the World Series. Another, of the Los Angeles Clippers, is doing so in the N.B.A. playoffs.When insight was needed on the proverbial batting practice buzz generated by Stephen Curry’s pregame shooting routines or LeBron James’s unfamiliar pursuit of a championship in October, Reggie Jackson, the former Yankee, was a natural expert to seek out for an interview. More

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    Blazers’ Billups Hire Draws Attention to Sexual Assault Accusation

    Chauncey Billups was announced as Portland’s head coach on Tuesday as a team executive dodged and deflected questions about a 1997 sexual assault accusation against Billups.At a news conference on Tuesday, the top basketball executive for the Portland Trail Blazers dodged or deflected questions about a 1997 sexual assault accusation against Chauncey Billups, whom he was announcing as the team’s new head coach. A public relations official for Portland cut off a questioner entirely, and the executive, Neil Olshey, would not elaborate on an independent investigation into the incident he said the team had commissioned.Billups’s hire has elicited criticism both from within and outside Portland’s fan base because of the accusation, which was made during Billups’s 1997-98 rookie season as a player with the Boston Celtics.Olshey, the Blazers’ president of basketball operations, introduced Billups on Tuesday and said that he had “been successful at everything he’s done in his life, on and off the court.”He also said that the Blazers “took the allegations very seriously” and that “other N.B.A. organizations, business partners, television networks, regional networks have all enthusiastically in the past and present offered Chauncey high-profile positions within their organizations.” Billups is currently finishing his first season as an assistant coach with the Los Angeles Clippers, who are in the Western Conference finals, and he was previously an analyst for ESPN.Olshey said the team-initiated investigation was done with Billups’s support. “The findings of that incident corroborated Chauncey’s recollection of the events that nothing non-consensual happened,” he said. “We stand by Chauncey. Everyone in the organization.”Neil Olshey, right, Portland’s president of basketball operations, said the team commissioned an independent investigation of the sexual assault accusation against Billups, left.Craig Mitchelldyer/Associated PressWhen asked by a reporter to give more details on the investigation, Olshey declined.“So that’s proprietary, Sean,” Olshey said, referring to the N.B.A. reporter Sean Highkin. “So you’re just going to have to take our word that we hired an experienced firm that ran an investigation that gave us the results we’ve already discussed.”Jason Quick, a reporter for The Athletic, followed up later to ask Billups about the impact the incident had on him, after Billups had said that “not a day that goes by that I don’t think about how every decision that we make could have a profound impact on a person’s life.” Olshey took a sip of bottled water and appeared to glance at a public relations official for the organization, who then cut off Quick, though Billups appeared willing to respond.“Jason, we appreciate your question,” the official said. “We’ve addressed this. It’s been asked and answered. Happy to move on to the next question here.”The 1997 accusation came from a woman who said in a lawsuit that on the night of Nov. 9, following an evening at a Boston comedy club, she was raped by Billups, Ron Mercer and Michael Irvin — who is of no relation to the former N.F.L. player — at Antoine Walker’s home. Walker and Mercer were Billups’s teammates in Boston, while Irvin was Walker’s roommate. No criminal charges were filed. Billups and Mercer settled with the woman for an undisclosed amount in 2000, and Walker also settled a lawsuit with the woman soon after. Billups denied any nonconsensual contact, but said he had sex with her.The lawsuit did not affect Billups’s career prospects. It rarely came up, if at all. He played 17 years in the N.B.A., made five All-Star teams and won the N.B.A. finals Most Valuable Player Award in 2004.“I learned at a very young age as a player, and not only a player, but a young man, a young adult that every decision has consequences,” Billups said on Tuesday, in addressing the accusation, “and that’s led to some really, really healthy but tough conversations that I’ve had to have with my wife, who was my girlfriend at the time in 1997, and my daughters about what actually happened and about what they may have to read about me in the news.”Damian Lillard, Portland’s star guard, publicly lobbied for the team to hire Jason Kidd as its coach and spoke highly of Billups. He has since said he did not know about the accusation against Billups.Troy Wayrynen/USA Today Sports, via ReutersThe hiring of Billups immediately spurred a backlash, with the Trail Blazers being accused of glossing over the assault accusation at the expense of more experienced candidates like Becky Hammon, the seven-year San Antonio Spurs assistant who was a finalist for the job. Olshey said more than 20 candidates were considered for the role. Billups’s only coaching experience is this season with the Clippers.The Billups hiring also has brought criticism on the franchise’s biggest star, Damian Lillard, who spoke glowingly about Billups and publicly lobbied for the team to hire the former point guard Jason Kidd, who was recently hired as the coach of the Dallas Mavericks after working this season as an assistant coach for the Los Angeles Lakers. In 2001, Kidd pleaded guilty to spousal abuse against his then-wife, Joumana Kidd.On Twitter, Lillard addressed some of the criticism for supporting Kidd and Billups, saying: “Really? I was asked what coaches I like of the names I ‘heard’ and I named them. Sorry I wasn’t aware of their history I didn’t read the news when I was 7-8 yrs old. I don’t support Those things … but if this the route y’all wana come at me… say less.”At the news conference, Olshey said that Lillard had been “involved in the process” for hiring a new coach and that he attended some of the video conference interviews. According to Olshey, Lillard also spoke to Billups directly before the hire.“We have different sectors in this organization,” Olshey said. “And, you know, Dame represents the player sector, and we took his input in the process. We value it. It’s important to us to kind of know where he stands. But at the end of the day, this is an organizational decision and the organization believes that Chauncey is the best person to be our head coach.” More

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    The Connecticut Sun’s Chemistry Goes Beyond W.N.B.A. Bonds

    Four Sun players also played college basketball at Maryland, giving them a connection that is proving fruitful on and off the court.They started off 5-0, and even now, at 9-5 entering Sunday, are better than nine of the W.N.B.A.’s dozen teams. The Connecticut Sun also are, somewhat unexpectedly, atop the Eastern Conference standings. They made it to the league semifinals in the IMG Academy bubble last season, but weren’t projected to be a title-contending team in 2021.Part of their sudden success can be attributed to chemistry, some of which has been in the making long before several players arrived in Connecticut.“We played for years together,” the rookie forward Stephanie Jones said. “Like, me and Kaila Charles, we played for years, and then me and my sister for a year, and having the background there, we all know where each other comes from in Maryland.”Jones is in her first year in the league after a college career with Maryland, where she played for four seasons alongside Charles. Her older sister, Brionna Jones, has been with the Sun for five years after playing at Maryland with Stephanie for one season and another with the Suns’ veteran forward Alyssa Thomas.Thomas is out this season with an Achilles’ tendon tear, but she is one of the most notable Terps in the league when healthy. Her presence alone on the Suns’ bench has had an impact this year.“Having a background with A.T., even just her being on the sidelines, like she understands where me and Kaila come from and what we’re doing,” Stephanie Jones said. “She gets what we went through those four years. Her communication with us makes our chemistry great.”Stephanie Jones wasn’t drafted into the W.N.B.A. right after college, but the opportunity to play in the league this season allowed her to team up with her older sister, Brionna.Stew Milne/Associated PressJones didn’t find a roster spot right out of college and wasn’t in the W.N.B.A. last season. The Sun selected Charles in the second round of the 2020 draft with the No. 23 overall pick, and she made an impact right away, averaging 5.4 points and 2.6 rebounds over 17.9 minutes per game.At Maryland, Charles was one of six players in the school’s history to crack the top 10 in career points and rebounds. She started all her games at Maryland, tying Thomas’s record of starting 135 games. Charles hasn’t played as much yet this season, with returning players and a deeper roster, but Thomas has still taken notice of her fellow Terps’ development.“I haven’t been able to play with her yet, but watching her grow as a pro, seeing that in Florida, she’s done a good job,” Thomas said. “She’s having a good second year. There’s a lot more room to grow, but she’ll keep getting better each and every year.”While Charles was forging a pro career, Jones was still looking to make a roster, spending her 2020 season in Poland. She signed a training camp contract with the Sun in March and played her way onto the final roster. She has appeared in seven of the Sun’s first 14 games, averaging 2.3 points in seven minutes per game.Part of her comfort level has been playing with her sister.“It’s one thing playing together in college, but in the pros, that was always a dream,” Brionna Jones said. “To get to the league and then play with my sister, that’s really special. I’m always in her ear trying to help her along, do everything I can to make the experience good for her and make sure she’s catching all the little nuances I missed out on my rookie season.”Brionna Jones and Thomas also play overseas for the same team, USK Praha, so their connection has run through a few avenues.“We can’t get rid of each other,” Thomas said. “We love playing with each other. We know each other’s game so well each and every night.”She added: “I just love going out there and playing with her, and even off the court, we hang out all the time. We’ve had years getting to know each other.”Thomas is Maryland’s career leading scorer and rebounder, whose record is unmatched in both the women’s and men’s programs.Her impact on Maryland has almost certainly been one reason Coach Brenda Frese can recruit as well as she does, and Maryland has been a destination program in the last decade.Kaila Charles is still learning the rhythms of the W.N.B.A. in her second season, but she has the support of her fellow Terps, like Alyssa Thomas.Sean D. Elliot/The Day, via Associated PressCharles and Stephanie Jones felt that impact, too.“They’re always going to push you to be your best,” Charles said. “Like, Coach always talked about being comfortable being uncomfortable. And that’s one thing that really sets us up to play at the next level, because just to be able to develop your game, you have to not be comfortable and still be able to be successful.”The Sun have been playing without Jonquel Jones, who could be a candidate for the Most Valuable Player Award and has been competing in the FIBA Women’s EuroBasket 2021 for Bosnia and Herzegovina. She has missed four games but could return soon.The Sun’s first game without her and her 21.6 points per game was a loss to Seattle, the first Sun home loss of the season. Her absence leaves room for one of the young Terps, like Charles or Stephanie Jones, to step up.Last season, it was Brionna Jones who took charge with Jonquel Jones out of the lineup after opting out of the 2020 season. Brionna became one of the Sun’s most consistent players, which has carried over to this season with 13.9 points, 6.4 rebounds and 1.1 steals per game in more than 30 minutes per contest so far.At this point, the group is used to playing without some of its best talent. Last season, the Sun found ways to still succeed; Charles was a part of that, her rookie year, and said she was still learning.“This feels like year two of my rookie year,” she said. “Everything is kind of new still, playing in different arenas, adding the travel component to go with the game, having the fans back in the arena also makes things completely different than last year.”The Sun have already proved they can contend when it’s unexpected, and perhaps the Maryland bond of the Jones sisters, Thomas and Charles is helping.They certainly think so.“As a team we like each other so much, and we get along off the court, too,” Brionna Jones said. “So I think that allows us to have success on the court.”“It’s easy for us to talk to each other,” she continued, “to hold each other accountable, and I think that helped us a lot down the stretch last year. It allows us to be successful now. When you know people and care about them, you trust them. I think that makes it easier to succeed.” More

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    Trae Young Plays Like He’s a Great Shooter. The Bucks Should Let Him.

    Young, the Atlanta Hawks guard, isn’t the 3-point threat that you would think, considering how many deep shots he takes.When it comes to Giannis Antetokounmpo, the Milwaukee Bucks star, much of the discussion is about whether he takes too many 3-pointers at the expense of his true strengths, which include his dominance in the paint.It’s a worthy discussion, but after Game 2 of the Eastern Conference finals, in which the Bucks convincingly equalized the best-of-seven series in a blowout, it’s also worth asking if that discussion should be directed toward Atlanta’s Trae Young, too.The Bucks put the game away in the first half with a 20-0 run en route to a 125-91 victory. How they won wasn’t exactly basketball rocket science. They made 3-pointers at a high clip. In the first half, Milwaukee shot 10 for 18 from deep and didn’t look back. Many of those shots were open and weren’t much different from the Bucks’ looks that didn’t fall in Game 1.As the perimeter opened up in Game 2, so did the lane for Antetokounmpo, who relentlessly attacked the rim, both in transition and in post-ups, and finished with 25 points, 9 rebounds and 6 assists in 29 minutes.The Bucks also disrupted Young by playing him more physically. In particular, Milwaukee used its length to cut off passing lanes, forcing Young into nine turnovers. Jrue Holiday, an elite perimeter defender, was more aggressive in containing Young, particularly coming off screens.“They just picked up their pressure, their intensity,” Hawks Coach Nate McMillan said after the game. “They played with more sense of urgency. I didn’t think Jrue did anything other than stay focused on Trae, containing the ball and just being right there.”Young didn’t hesitate to take the blame.“That’s all on me,” Young said. “I’ve got to be better at taking care of the ball and just do a better job of at least getting us a shot. Nine turnovers. I’ve got to do better, and I will do better next game.”There is another issue with Young that doesn’t seem to get as much attention beyond the turnovers, and here he may have something in common with Antetokounmpo.Antetokounmpo went 0 for 3 from outside the perimeter in Game 2. And with each missed shot, TNT’s Reggie Miller harangued Antetokounmpo on the broadcast for taking those wide-open shots, saying that he was bailing out the Hawks’ defense. It has been a theme throughout Antetokounmpo’s playoff runs. In this year’s second-round series against the Nets, every time Antetokounmpo had an open look at Barclays Center, the crowd would roar with anticipation, hoping he would take the shot.Miller and the Nets fans were onto something. Those are not great shots for Antetokounmpo, given his strength near the rim. But three long jump shots in a game isn’t much in today’s N.B.A.Young, who is supremely confident in his long-range shooting, is an example of that. His confidence is part of what makes him such a great player and why the Hawks have unexpectedly made it to the conference finals. But there is growing evidence that Young’s 3-point shooting is almost as problematic — if not more so — than Antetokounmpo’s, because he takes many more of them and hasn’t consistently knocked them down.Young and his teammates struggled from 3 in Game 2, finishing 9 for 36 from 3. Young went 1 for 8. The one make was a highlight-worthy quick release following a crossover against Holiday. That’s just it with Young: When he succeeds, he does it in a flashy way, making it easy to forget about the seven misses. It’s easy to chalk this up to a poor shooting night. But in Game 1, when Young masterfully poured in 48 points, what went less noticed was that he shot 4 for 13 from 3.OK, that’s two poor shooting nights — at least from 3. That happens. But when one zooms out and looks at Young’s history as a shooter, there are holes. Against the Philadelphia 76ers in the semifinals, Young shot poorly from 3 over seven games: 32.3 percent on almost nine attempts a game. In the opening round against the Knicks: 34.1 percent over five games.Over 204 career regular-season games, Young has shot only 34.3 percent from 3. For someone who has averaged more than seven 3-point attempts per game for his career, that’s not very good.Part of this is the difficulty in the 3s Young takes. As the primary ballhandler, Young is excellent at creating shots for others, but he rarely has shots created for him. That means many of his 3-point shots are coming off pull-ups or step-backs, and rarely off catch-and-shoots. They’re also frequently contested.In the regular season, 43.8 percent of Young’s shots came after he dribbled the ball more than seven times, according to the N.B.A.’s tracking numbers. For comparison, that same number for Kevin Durant of the Nets was 13.1 percent. Stephen Curry of the Golden State Warriors, a player Young has compared himself to, is at 24.3 percent.Young certainly looks the part of a great 3-point shooter: His form is similar to Curry’s. He is a great free-throw shooter (88.6 percent during the regular season). And he is often aggressively guarded as if he is a consistent threat as a shooter. But there’s isn’t evidence that he is much of one.During the regular season, when the closest defender was more than six feet away from Young, he only shot 39.6 percent from the field. During the playoffs, entering Friday, that number was slightly worse at 38.2 percent. (Curry, during the regular season, was at 48.9 percent. The Los Angeles Lakers’ LeBron James was at 45.2 percent, and Durant was at 56.3 percent.)This is an argument to occasionally guard Young in the same way that opposing teams guard Antetokounmpo: Goad him into taking more deep shots, particularly step-backs. Give him more space and put a defensive wall up around the rim. Young makes up for his shooting with his skillful ball-handling in the paint and by getting to the free-throw line. While Antetokounmpo bullies his way to the basket, Young uses finesse. One of Young’s best weapons is a floater, which he deploys often coming off a pick-and-roll and seeing a Bucks big man drop back in coverage. On Friday, Young was 5 for 8 inside the 3-point line.Simply put: The Bucks should encourage Young to take shots he doesn’t usually make and stop him from getting the ones he usually does. Giving him more space to operate on the outside might help neutralize his skill at breaking down defenses to get to the rim. The downside is that this leaves more space for Atlanta’s other shooters as well. But Young is adept at finding them anyway when he gets into the paint easily.Young is a better deep threat than Antetokounmpo, who shot 30.3 percent from 3 during the regular season. But to an extent, shooting has so far been a weakness in Young’s career — one that the Bucks should not be afraid to exploit as the series heads to Atlanta on Sunday.Young seems to think he’s a good long-range shooter. Don’t disabuse him of that notion. More

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    He Created the Sports Theme Song You Didn’t Know You Knew

    It’s a little bit “aggressive” and a little bit “light.” The theme song for TNT’s “Inside the N.B.A.” is as much a character as the show’s popular hosts.Even the most casual N.B.A. fans probably remember the classic theme song for games played on NBC during the golden era of 1990s basketball. They’ll almost assuredly recall that it was written by John Tesh, the former television host and composer. Some might even know that it’s called “Roundball Rock.” It has been memorialized in pop culture on “Saturday Night Live” and further enshrined with a video of Tesh explaining where the song came from: a voice mail message he left for himself.In the 21st century, another theme song has become familiar to N.B.A. fans, although most likely not as much as Tesh’s. It is the one that signals the start of one of the most influential studio shows in sports, “Inside the N.B.A.” on TNT. Here, the composer of the theme song is virtually unknown to the show’s viewers and even to its hosts. But he is a household name in some corners of music fandom and one of the industry’s most prolific composers.The composer is Trevor Rabin, the former guitarist of the progressive rock band Yes. The South African-born musician was the driving force behind the album “90125,” a comeback record for the band, and the song “Owner of a Lonely Heart,” the band’s only No. 1 hit. Rabin was inducted into the Rock & Roll Hall of Fame in 2017 with the band.“I wasn’t really even aware of that, to tell you the truth,” Ernie Johnson, one of the hosts of “Inside the N.B.A.” and a Yes fan, said in a phone call after finding out that Rabin was the composer. “But that’s very cool.”Rabin, who lives in Los Angeles, described himself as a rabid basketball fan, particularly of the Lakers. He said that he “religiously” watches games and uses that time to practice the guitar. But when it comes to this theme song, he has gone mostly unnoticed.“I remember Shaq saying once he liked the theme just in passing, but no one’s ever acknowledged me. Charles Barkley needs to acknowledge it and give a shout out. Otherwise I’m never going to support him again,” Rabin joked during a recent interview, referring to Shaquille O’Neal and Barkley, who host “Inside the N.B.A.” with Johnson and Kenny Smith.Rabin, 67, turned to film scoring in the 1990s. He had shown an interest in orchestration dating to his childhood in South Africa, growing up as the son of a classical pianist mother and a violin-playing father. As a member of Yes, Rabin said that he would often try to introduce orchestral components to the music.Rabin is perhaps best known for composing the theme song for the movie “Remember the Titans.”Mike Coppola/Getty Images“A lot of it has become kind of electronic and computerized, but writing for orchestra was always a love of mine,” Rabin said, referring to on-screen scores. “So I just decided I’m going to get into film, and I remember my manager saying: ‘Oh, it’s a big brick wall there. Just because you’ve had a notoriety with other areas, film’s going to be very difficult.’ But I decided, ‘No, I really want to do this.’”He quickly became a sought after composer in Hollywood. In 1998 alone, the films “Armageddon,” “Jack Frost” and “Enemy of the State” were released with Rabin’s scores. His most famous work is most likely the theme song for 2000’s “Remember the Titans.” That composition was played in November 2008 after Barack Obama delivered the acceptance speech for winning the presidency.It was the “Titans” theme that put Rabin on the radar of Craig Barry, now the Turner Sports executive who oversees the “Inside the N.B.A.” studio production. Barry, also a serious Yes fan, was doing some production work for NBC during the 2002 Winter Olympics in Salt Lake City — and used the theme from the “Titans” soundtrack to close out the final broadcast. Barry then recruited Rabin to rework the TNT studio show’s theme song.“I went armed with literally a handful of his work,” Barry said, and added, “I was essentially telling him I want all of this together.”Part of what makes a theme song effective, Barry said, is that “you never get sick of hearing it.”Clearly, TNT has not. Usually, according to Rabin, the network will update graphics and other parts of the broadcast — except the hosts, of course — every three years or so. But the theme song has stayed the same for almost two decades. It has become a character of the show, much in the same way as Johnson, O’Neal, Barkley and Smith. (Like Tesh’s, this theme has appeared on “Saturday Night Live,” but as part of a larger sendup of “Inside the N.B.A.”)“To me, it’s kind of a signature,” Johnson said. “If somebody has their back turned, and they’re in the house doing something and have the television on for background noise and they’re waiting for something, when they hear that song, they go, ‘OK, the ‘N.B.A. on TNT’ is on. It’s like the stamp that says the N.B.A. is coming on.”The listener can hear certain mainstays of what made Yes successful, particularly the soaring lead guitar riffs and the heavy use of a synthesizer. But there is more that may not immediately meet the ear. The song is in the time signature 7/8, whereas most songs written for any medium in the last two centuries are more traditionally 4/4. (A time signature is generally a measure of a song’s rhythm.)The genesis of the theme song was an act of aggression. Rabin said that he was watching the 1984 N.B.A. finals between the rival Boston Celtics and his Lakers, when during Game 4, Kevin McHale, the Celtics power forward, clotheslined the Lakers’ Kurt Rambis. Rabin was scoring while watching the game and the clothesline inspired him to come up with the 7/8 meter, which he would then use for TNT.“I feel like anything I do, when I listened back to it, I always think: ‘Oh, God, why didn’t I do this? I should have done that,’” Rabin said.Allison Zaucha for The New York TimesAnother aspect distinguishing this song is its versatility, whether under highlights or as a main theme.“What’s unique about the ‘N.B.A. on TNT’ theme is that it can be used in various situations, and it can be really appropriate,” Barry said. “It has this primary theme and then it has this very aggressive rush section and then it has a light fanfare piece of it. It’s all kind of seamlessly melded together.”Rabin said the only N.B.A. figure he has discussed the theme with is Gary Payton, the Hall of Fame point guard who spent much of his career with the Seattle SuperSonics. Right after the theme made its debut, Payton visited the set of “Bad Boys II,” a film Rabin had scored. Rabin was chatting with the film’s lead, Will Smith, when Payton approached.“I said: ‘Oh, my goodness, you’re the Glove. How you doing? And can I shake the glove?’” Rabin said.He informed Payton that he had composed the “Inside the N.B.A.” theme song.“And then he was like, ‘Man, that’s cool.’ And I guess that’s the story,” Rabin said.Even though TNT has not made a move for a new theme song, the current one does have one prominent critic: Rabin.“It’s kind of a terrible affliction I have,” he said, adding that he’s also uncomfortable watching movies he has scored. “I feel like anything I do, when I listened back to it, I always think: ‘Oh, God, why didn’t I do this? I should have done that.’”But every time the song is played on the broadcast, Rabin collects a check, no matter how much he cringes at hearing it played.“I wish it was $15,000 at a time, but unfortunately I think it’s more like 15 cents,” Rabin said. More

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    Nets Assistant Ime Udoka Nears Deal to Coach the Celtics

    Udoka, who has been with the Nets for one season, will be hired by Brad Stevens, his predecessor. Stevens recently was promoted to president of basketball operations.Ime Udoka, who was an assistant for the Nets this season, is nearing an agreement to become the next head coach of the Boston Celtics, a person familiar with the discussions but not authorized to discuss them publicly said on Wednesday.Udoka spent seven years as an assistant with the San Antonio Spurs under Gregg Popovich and one season as an assistant in Philadelphia before coming to the Nets. He also played in the N.B.A. as a reserve for seven years, including spurts with the Knicks and the Los Angeles Lakers and three seasons with the Spurs.The news of the impending hiring was first reported by ESPN.This will be the second high-profile move made by the new Celtics team president, Brad Stevens, who was unexpectedly thrust into the role this month. His predecessor, Danny Ainge, stepped down after the Nets knocked the Celtics out of the playoffs in the first round.Stevens had coached the team for the last eight years, but this season had been a particularly tumultuous one for the Celtics, who were besieged by injuries and an ill-fitting roster that lacked depth. Boston’s best player, the All-Star Jayson Tatum, also dealt with lingering effects from Covid-19. After making the Eastern Conference finals in 2019-20, the Celtics had to fight just to get into the playoffs and finished the season at 36-36.Udoka, 43, will inherit a team centered on two All-Star wings, Tatum and Jaylen Brown. In his first major move as team president, Stevens last week traded Kemba Walker, who was the team’s starting point guard, and Boston’s 2021 first-round pick to the Oklahoma City Thunder for Al Horford and Moses Brown, an up-and-coming center. The move increased the Celtics’ financial flexibility.At the news conference announcing his promotion, Stevens said of the coaching search: “I think that the good news about whoever we hire, they don’t have to fill Doc Rivers’s shoes like I did, and they don’t have to fill Danny Ainge’s shoes now like I do. The good news is they have to figure out a way to be better than the last guy.”Udoka, who is Nigerian American, will become the sixth Black coach in the history of the franchise. The others were Rivers (2004-13), M.L. Carr (1995-97), K.C. Jones (1983-88), Tom Sanders (1978) and Bill Russell (1966-69).In a league that has been criticized for predominantly hiring white coaches, even though more than 70 percent of players are Black, Udoka will be one of nine nonwhite head coaches. (This does not include Nate McMillan, who is Black and the interim head coach of the Atlanta Hawks.) Udoka will be coaching in a city that was once again in the spotlight for its treatment of Black athletes, during this year’s playoffs. Kyrie Irving, who played for the Celtics from 2017 to 2019, suggested that he had heard racist comments from fans during his time in Boston and said that he hoped he wouldn’t hear them as a member of the Nets.There are six other head coaching vacancies across the league, in Portland, Orlando, Indiana, New Orleans, Washington and Dallas. More