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    Dennis Murphy, Impresario of Alternative Leagues, Dies at 94

    He founded the American Basketball Association, which revolutionized the game, and participated in other imaginative, sometimes zany sports ventures.Dennis Murphy, the impresario of alternative athletic leagues, including the American Basketball Association, who also shook up tennis and ice hockey and launched imaginative, sometimes quixotic ventures in other sports, among them indoor roller hockey, died on Thursday at an assistant living facility in Placentia, Calif. He was 94.His son, Dennis Jr., said the cause was congestive heart failure.Mr. Murphy’s most lasting achievement was the A.B.A., which he conceived, and which he started in 1967 as a cheeky competitor to the National Basketball Association. The league was known for its wide-open offenses; its red, white and blue ball; and the salary war it ignited against the N.B.A. to bring stars like Rick Barry and Zelmo Beaty into the upstart league.Mr. Murphy’s rationale for starting the A.B.A. was simple, as was his research into its viability: There were only 12 teams in the N.B.A.“There’s only one basketball league and one hockey league, so why not have another?” he was quoted as saying in Terry Pluto’s oral history “Loose Balls: The Short, Wild Life of the American Basketball Association” (1990). “Since I knew nothing about hockey, but basketball was my favorite sport, I figured I’d pursue the idea of a basketball league.”The A.B.A. thrived as a freewheeling hoops spectacle. It nurtured stars of its own, like Julius Erving and David Thompson, and generated excitement with the three-point shot and the All- Star Game slam-dunk contest, which eventually became staples in the N.B.A.“He wasn’t responsible for them, but he recognized their value and he went with it,” said Jim O’Brien, a reporter for The Sporting News who covered the Miami Floridians when Mr. Murphy was the team’s general manager. In an interview, he recalled Mr. Murphy’s promotional prowess and his willingness to make players accessible to the media.“He was fun and creative,” Mr. O’Brien said, “and he was always hustling somebody.”Mr. Murphy, center, at an A.B.A. meeting in Miami 1971. He was the general manager of the league’s Miami Floridians at the time.Arthur Hundhausen CollectionMr. Murphy had left the A.B.A. by 1972, four years before the league shut down and four of its teams — the New York Nets (who now play in Brooklyn), San Antonio Spurs, Denver Nuggets and Indiana Pacers — were absorbed into the N.B.A.Soon he was in the midst of itinerant league creation.He and Gary Davidson, another sports entrepreneur, in 1972 started the World Hockey Association, which challenged the dominance of the National Hockey League; in 1974, he and a group of partners, including the lawyer Larry King, who was then married to the tennis superstar Billie Jean King, formed World Team Tennis; and in 1976, he and Ms. King were among the founders of the International Women’s Professional Softball League.“He was a great cheerleader, a good manager and a skillful orchestrator at getting big egos to agree on things,” Mr. King said by phone.Of those three leagues, the W.H.A. probably had the greatest impact: It brought the Detroit Red Wings legend Gordie Howe out of a brief retirement to join the Houston Aeros, persuaded Bobby Hull to leave the Chicago Blackhawks for the Winnipeg Jets and signed the 17-year-old Wayne Gretzky to the Indianapolis Racers.Its level of play challenged the N.H.L.’s, just as the A.B.A.’s had challenged the N.B.A.’s. But its teams had financial difficulties, and the W.H.A. died in 1979. Four of its teams — the Edmonton Oilers, the New England Whalers, the Quebec Nordiques and the Jets — joined the N.H.L.“Murphy had a couple of things going for him,” the hockey writer Stan Fischler wrote recently in his column on Substack. “One was that N.H.L. president Clarence Campbell never took the W.H.A. seriously — until too late.”Another, Mr. Fischler said, was chutzpah. Before the W.H.A. started, Mr. Murphy showed up at a minor-league hockey meeting in the Bahamas, posing as a reporter, and started asking Emile Francis, the general manager of the New York Rangers, about the N.H.L.’s plans for expansion.Soon after, Mr. Francis was watching television and saw Mr. Murphy being interviewed by another reporter about the league he planned to start.Dennis Arthur Murphy was born on Sept. 4, 1926, in Shanghai, where his father, Arthur, was an engineer for Standard Oil. His mother, Adele (Gurevitz) Murphy, was a homemaker. The family moved to Brentwood, Calif., in 1940.After serving in the Army in the Philippines, Mr. Murphy attended the University of Southern California, where he earned a bachelor’s degree in economics.For most of the 1950s and the early ’60s, Mr. Murphy worked at an engineering firm. For two years during that period, he was the part-time mayor of Buena Park, in Orange County.His fascination with sports leagues continued with the creation in 1981 of Team Tennis, also with Mr. King, after World Team Tennis failed in 1978. Team Tennis would later adopt the name of its predecessor and rechristen itself World Team Tennis. And in the early 1990s, Mr. Murphy, Mr. King and Ralph Backstrom, a former N.H.L. player, formed Roller Hockey International, an attempt to capitalize on the popularity of in-line skating.“We believe we can be the No. 1 hockey sport,” Mr. Murphy told The New York Times in 1994.But the league played its last season in 1999, when the champion St. Louis Vipers won the Murphy Cup. One of his mistakes, Mr. Murphy told The Hockey News in 2019, had been expanding to 24 teams in the league’s second season.“We should have kept it smaller and then expanded,” he said. “But we did it for money. I had a lot of contacts through my other leagues. Everybody wanted to get in because of our success in the other leagues. So they put pressure on me, and I fell for it.”Besides his son, Mr. Murphy is survived by his daughters, Dawn Mee and Doreen Haarlamert; eight grandchildren; and seven great-grandchildren.The A.B.A. did not have a national television contract and struggled for attention. The Floridians, for example, had bikini-clad cheerleaders, an idea that came from a publicist.“The idea was that we needed to get attendance at the games,” Mr. Murphy told The Reno Dispatch, a blog, in 2013. The cheerleaders, he added, were always on the visitors’ side of the court “so the visiting players would look at girls rather than pay attention to the game.”Alex Traub contributed reporting. More

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    Team U.S.A. Names Replacements for Bradley Beal and Kevin Love

    Beal and Love are out of the Olympics for health reasons. The Spurs’ Keldon Johnson and the Nuggets’ JaVale McGee will join the men’s basketball team.The U.S. men’s national basketball team added to its roster Keldon Johnson of the San Antonio Spurs and JaVale McGee of the Denver Nuggets after two other players were no longer able to participate in the Tokyo Olympics for health reasons.Bradley Beal, a guard expected to be one of the primary scorers for the United States, will miss the Olympics after being placed in the coronavirus health and safety protocols. Kevin Love withdrew from the competition on Friday because of a lingering calf injury.Team U.S.A. also canceled Friday’s exhibition against Australia and placed forward Jerami Grant in the coronavirus protocols as the team faces multiple challenges in the lead-up to the Olympics, which begin next week. Gregg Popovich, Team U.S.A.’s coach, told reporters that he expected Grant to still participate in the Olympics.Beal started all three exhibitions and averaged 10.3 points per game on 10-for-21 shooting. He finished second in the N.B.A. in scoring this season with 31.3 points per game for the Washington Wizards.“Since he was a little kid, this has been a dream of his, and he was playing great,” Popovich told reporters, adding: “For him and his immediate family, it’s devastating. We just feel horrible about it.”The men’s team has had a shaky beginning to defending its three consecutive gold medals. Team U.S.A. opened with exhibition losses to Nigeria and Australia before blowing out Argentina.Top players like LeBron James (Lakers), Jimmy Butler (Heat), Kyrie Irving (Nets) and James Harden (Nets) declined to participate in the Olympics following a condensed off-season last year. Forward Jayson Tatum (Celtics), who is on the roster, is dealing with right knee soreness. Also on the team: Bam Adebayo (Heat), Kevin Durant (Nets), Draymond Green (Golden State), Zach LaVine (Bulls) and Damian Lillard (Trail Blazers).Milwaukee’s Jrue Holiday and Khris Middleton and Phoenix’s Devin Booker are expected to join the team after the completion of the N.B.A. finals. The best-of-seven series is tied at two games apiece, with Game 5 on Saturday in Phoenix. More

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    Malcolm D. Lee on ‘Space Jam: A New Legacy’ and Directing LeBron James

    The filmmaker recalls the “organized chaos” that went into making the new film and the studio pickup games with Chris Paul and other pros.The making of “Space Jam: A New Legacy” was a head-spinning exercise in the unfamiliar for the director Malcolm D. Lee.For one thing, the film went into production less than a week after he officially signed on to direct the film. Lee was a late addition in summer 2019, taking over directing duties from Terence Nance. The script was still in development. Lee, the veteran director of comedies like “Girls Trip” (2017) and “The Best Man” (1999), had never worked with animation before and had never seen the original “Space Jam,” the 1996 basketball-Looney Tunes crossover starring Michael Jordan.On top of all that, Lee was charged with taking care of a movie built around LeBron James, one of the most popular athletes in the world. James had appeared on the big screen before (most notably in a supporting role in the 2015 romantic comedy “Trainwreck”) but had never anchored a feature.“It was organized chaos,” Lee, 51, said in an interview this week.The director met James a decade earlier when they had discussed making a film together, but it never came to fruition. The new project is a gamble for both Lee and James: It will inevitably be compared to the now-beloved original in the same way that James is continually measured against Jordan. If it flops, a movie literally billed as “A New Legacy” may be damaging to James’s own.The movie is, if nothing else, self-aware. At one point, James, playing himself, notes how poorly athletes fare when they try to act. (Similarly to the original, other pro basketball players — including Damian Lillard, Anthony Davis and Diana Taurasi — have cameos.) The film also features Don Cheadle as the villainous manifestation of an algorithm named, well, Al G. Rhythm, who kidnaps James, his youngest son (Cedric Joe) and the rest of the Warner Bros. universe.James and Bugs share the screen.Warner Bros. In addition to preparing for the film, James, 36, also had to stay in shape for the N.B.A. season. Lee said that on shoot days, James would wake up at 2 a.m. and work out till 6 a.m., then show up for a full day on set.In an interview, Lee, who is the cousin of fellow filmmaker Spike Lee, discussed his own love for basketball and how he directed a star without a traditional acting background. Here are edited excerpts from our conversation.Did you grow up playing basketball?The third grade really is when I started playing organized basketball. I wasn’t as into it as my brother and my dad were encouraging me to. I started playing in this league in Brooklyn called the Youth Basketball Association. My dad coached a year. In fact, it’s funny, too, because Spike, who was living with us at the time, was the assistant coach. [Lee is 13 years older than his cousin.]No kidding.Swear to God. And Spike will tell you himself. There was one week when my dad went down to Alabama — that’s where he’s from — and Spike had to coach us. We had an undefeated season until that date, so Spike was sweating coaching us. And we actually got the victory. He didn’t want to spoil my father’s streak.What was your first conversation with LeBron like when you took the “Space Jam” gig?I think LeBron had the same agenda as everyone else in that he wanted to make the movie great. He wanted to make sure that I knew what I was doing, that my vision was clear and that he’d be taken care of. Not coddled, but that there was a leader aboard who was going to say, “This is what we’re going to do and this is how are we going to do it.” I assured him that there could be delays — I just don’t know — but I’m a professional, I’ve been in this for a long time and I will make sure that you’re taken care of.Lee signed onto the film late in the process. “It was organized chaos,” he said.Justin Lubin/Warner Bros.Did you have any reservations about working with a basketball star who doesn’t have the traditional acting training that someone like Don Cheadle has?Not really. LeBron’s been in front of the camera since he was 18 years old. Now, I mean, “Oh, those are just interviews,” but people get asked the same questions over and over again. So he’s got some rehearsed responses. He also was very funny. He wants to be good. He was good in “Trainwreck.” There’s some actors that get something and say, “OK, that’ll cut together.” And some that are just natural. I think LeBron has a lot of natural ability.Without spoiling it, there is a scene where LeBron has to convey a vulnerable emotion toward his son. Is there anything in particular either you or he did to prepare for that scene? Because that had to be out of his comfort zone.For sure. Look, the first thing that I try to get with any actor is trust, right? I have to trust them. They have to trust me because I’m going to ask them to go to some places that they aren’t necessarily comfortable going. So yes, we did talk about something before he delivered some of those lines. Then we did a couple of takes — just let him get warmed up. If I’m not getting what I’m looking for, then I’ll say, “Why don’t you think about this? And don’t worry about the line so much. Just have this in your brain and then say it.”From left, Nneka Ogwumike, Cedric Joe, Damian Lillard, Anthony Davis, Klay Thompson and Diana Taurasi on the set. Scott Garfield/Warner Bros.Film is a director-driven medium, and basketball is very much player-driven in that players can get coaches fired or disregard them entirely. Did that dynamic ever come into play in the course of filming?No. I don’t think there was ever any “I want to do it this way and I don’t care what you have to say.” I think LeBron likes to be coached. He’s a master of his craft. But at the same time, people are in your corner whose job it is to say: “Make sure you do this. Think about this. I’m seeing this on the court. You’re not seeing blah, blah, blah.” And I think he takes that information. Same thing with acting.During the filming of the original “Space Jam,” Michael Jordan hosted scrimmages with other N.B.A. players. Was there anything like that here?There was a court built for [James] on the Warner Bros. lot. I did go to one pickup game and that was thrilling for me, because I’m a huge basketball fan. Chris Paul was there, Ben Simmons, Anthony Davis, JaVale McGee, Draymond Green.You didn’t ask to play?Hell no.What an opportunity, man!Are you kidding? The opportunity to get embarrassed. A lot of those guys come into the gym, they don’t know I’m the director of the movie. They’re like, “Who’s this dude?” I can’t be like, “Hey, how you doing? I played intramurals at Georgetown.” That’s not going to impress anybody. More

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    What Does It Take to Be Like Mike? 1,264 Ticket Stubs

    He didn’t have to be there: Andrew Goldberg is trying to collect ticket stubs from each of Michael Jordan’s regular-season, playoff and All-Star Games.As the planet’s pre-eminent collector of a very specific type of basketball memorabilia, Andrew Goldberg scans the internet and works the phones. He has spent six years tending to a spreadsheet that details the items that are in his possession, and he has a network of industry sources who alert him whenever they come across something he may need. More

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    Team U.S.A. Basketball Falls to Australia, Its 2nd Straight Loss

    An American men’s basketball team preparing for the Tokyo Olympics lost to Australia two days after a surprising defeat by Nigeria.When the United States men’s basketball team lost to Nigeria last week, the result seemed to be a novelty: a historic win for an African team, but not one that truly foreshadowed anything about Americans’ hopes for the Tokyo Olympics. More

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    In Game 3, Antetokounmpo Didn’t Do All of the Work

    The Bucks played well even without their star on the floor, and cut the Suns’ lead to two games to one.With about 3:44 left in the first half on Sunday night, the Bucks were leading by 8 after a basket by Giannis Antetokounmpo. With a crucial opportunity to build momentum heading into halftime, Bucks coach Mike Budenholzer pulled him from the game to try to buy his superstar some rest. More