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      Stephen Curry Is More Human, and Brilliant, Than Ever

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      Golden State was good. Then too good. Then very, very bad. The worst. Back among the N.B.A. elite, Curry’s team has been humbled by the journey.BOSTON — Stephen Curry was demoralizing the Celtics when he decided to improvise. After he dribbled to spin past Marcus Smart, who happens to be one of the N.B.A.’s most ferocious defenders, Curry found himself sizing up Robert Williams, a 6-foot-9 center whose sneakers might as well have been filled with concrete.Curry took a hard dribble, leaving Williams in his wake, before he rose from the court to sink a running 12-foot floater that extended Golden State’s lead in Game 4 of the N.B.A. finals Friday night.It was a scene that felt familiar but new, the same but somehow different. Curry has spent his career filling games with parabolic 3-pointers and dazzling drives to the hoop. But now, at age 34, having spent the past couple of seasons wandering through the basketball wilderness with his teammates, he has been busy staging a renaissance.And it was his performance — 43 points and 10 rebounds on a sore left foot — that had basketball fans buzzing ahead of Game 5 on Monday night in San Francisco. The series is tied, 2-2.“He wasn’t going to let us lose,” his teammate Draymond Green said.Aside from Curry’s relatively slight stature — at 6-foot-2, he is a shrub in the N.B.A.’s forest of redwoods — it might be difficult for ordinary humans to relate to him. He is a highly trained athlete and the greatest shooter who has ever lived. He has won two N.B.A. Most Valuable Player Awards. The architect of an expanding entertainment empire, he golfs with former President Barack Obama in his spare time.And for five seasons, from 2014to 2019, Curry sat atop the basketball world.Few people ever become the best at anything, and wins can feel elusive. You get stuck in the slowest checkout line. You deserved that job promotion. You want to be able to buy a house in that neighborhood, too. But Curry helped the ordinary masses feel like winners alongside him, even if they rooted for his team to lose.Curry draws crowds, no matter which city he is in.Noah Graham/NBAE, via Getty ImagesAs Curry led Golden State to five straight N.B.A. finals appearances, winning three championships, opposing fans would turn out early for games just so they could watch him warm up. At Madison Square Garden, where the lights are low and the court is a stage, the M.V.P. chants were for him. In Los Angeles, in Houston, in Philadelphia and in Miami, cities with All-Stars of their own, the roars and the crowds, the oohs and the aahs — they trumpeted his arrival.Along the way, he pushed his teammates to turn basketball into high art. They shot with precision. They moved with the grace of ballet dancers. And in a sport saturated by supersize egos and enormous paychecks, they relished passing to the open man.And then came Kevin Durant, all arms and legs and 25-foot jumpers. After losing to LeBron James and the Cleveland Cavaliers in the 2016 N.B.A. finals, Golden State had successfully recruited Durant to sign on as a free agent. Was it a cry for help, an acknowledgment that the team had room for improvement? Or were the rich just getting richer?“We were the evil empire for a while,” Rick Welts, the team’s former president, said in a recent interview.Durant, of course, was fearsome before he joined Golden State. After being named the league’s M.V.P. in 2014, he described his mother, Wanda, as the “real M.V.P.” in an emotional speech. The callousness of the current era eventually turned that expression of humility into a meme, one that would soon be turned against him: Between Durant and Curry in Golden State, who was the real M.V.P.?That question — from social media trolls, television personalities and needling sports fans — was a dig at Durant, but its sharp edge wounded Curry, too. Golden State had become too good.Draymond Green, left, and Klay Thompson, right, formed the core of Golden State’s five straight finals appearances and three championships alongside Curry.Kyle Terada/USA Today Sports, via ReutersSure enough, Durant was a force in back-to-back championships, the latter a four-game sweep of the Cavaliers. There was a sense of joyless inevitability about Golden State: Anything short of a championship was a failure.And then the dynasty crumbled. In the 2019 finals, Klay Thompson and Durant sustained serious injuries as the Toronto Raptors staged an upset to win their first title. Thompson sat out the next season after knee surgery. Durant left for the Nets in free agency. And Curry broke his left hand, missing all but five games as Golden State finished with the worst record in the N.B.A.In a matter of months, the league’s most dominant team had morphed into a renovation project. Making matters worse, Thompson ruptured his Achilles’ tendon in a workout before the start of last season, and Golden State fell short of making the playoffs again.This season, nothing was guaranteed. Golden State had gone from indomitable to vulnerable, a battered version of its younger self. But the team was not totally broken. Thompson’s return in January after a 941-day absence was celebrated as a triumph and no small medical marvel. He soared for a dunk in his first game.The finals have been a microcosm of Golden State’s long road back — a beautiful struggle. After splitting the first two games of the series in San Francisco, Golden State lost Game 3 in Boston, and Curry injured his left foot in the final minutes when the Celtics’ Al Horford landed on him in a scramble for a loose ball.Afterward, it was left to Thompson to offer some hope, saying he was “getting big 2015 vibes,” a reference to the 2015 finals, back when Golden State trailed the Cavaliers, 2-1, before engineering a comeback to win it all, the team’s first of the Curry era.Bruce Fraser, an assistant coach, estimated he tosses 200,000 passes a season to Curry during practices and workouts. “I get nervous when I’m passing because I don’t want to throw him off,” Fraser said.John Hefti/Associated PressMore broadly, Thompson cited Golden State’s postseason experience as a positive. When he was younger, he said, there were trapdoors everywhere. Prone to feeling anxious when trailing in a series, he was likely to be overconfident with a lead. Now, he was older but wiser.“You can’t really relax until the final buzzer of the closeout game,” he said. “That’s the hardest part about the playoffs — you have to deal with being uncomfortable until the mission is complete.”Curry slept well after Game 3, he said, and kept his left foot in a bucket of ice whenever possible. The emphasis was on recovery and mending his achy body. (Steph Curry: Just like us.) He knew only one thing for certain: He was going to play in Game 4.Precisely 75 minutes before Friday’s opening tip, Curry appeared for his pregame warm-up routine. Clad in black, with the notable exception of lavender-colored sneakers, he started off by making five layups. He then moved to the left elbow, where he hoisted a series of shots with his left hand, which is his off hand, and missed nine in a row to the delight of hundreds of early-arriving Celtics fans.But over the next 20 minutes, something strange but not entirely unexpected happened: The crowd began to murmur in admiration and appreciation as Curry sank 136 of 190 shots, including 46 of 72 3-pointers, a few of them from just inside halfcourt. Fans broke out their cellphones to record the moment for posterity. Children yelled for autographs.“People think his shot is like Ken Griffey Jr.’s swing — it’s so pretty that you think he never has to work on it,” Bob Myers, the team’s general manager, said in an interview during the regular season. “But that is anything but true. When you peek behind the curtain, you see the work.”Thompson said Curry had never played a better finals game than Game 4 on Friday.Winslow Townson/Getty ImagesOnce upon a time, Curry’s feats seemed magical — and they still are. But in recent seasons, as Golden State wandered through a wasteland of injury and uncertainty, Curry and his teammates revealed that success does not happen by accident, that it takes great effort and determination. Sure, they are still basketball savants, but they are savants who have shown the world their homework.“Win, lose, whatever it is, however you play, you have to keep coming back to the well to keep sharpening the tool kit and finding ways to evolve your game,” Curry said. “That is the hardest part of what we do.”After helping force the Celtics into a late turnover that essentially sealed Friday’s win, Curry and Thompson celebrated by swinging their arms in unison. Thompson, who knows Curry better than most, said his teammate had never played a finer game in the finals. Curry was asked whether he agreed with Thompson’s assessment.“I don’t rank my performances, though,” he said. “Just win the game.”At this stage, he knows what matters. More

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      Why Golden State Fans Travel Far to See Curry: It’s Worth It

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      Some Golden State fans traveled thousands of miles to Boston to watch their team face the Celtics in the N.B.A. finals.BOSTON — As Stephen Curry emerged from an arena tunnel for his pregame warm-up routine, he was the center of gravity, drawing fans to him as he often does defenders on the court.The Golden State faithful in the stands — who appeared to be in the dozens — dangled sneakers and posters into the tunnel for Curry to sign, or otherwise leaned over each other to get a better look at him. Ian Rea, a 16-year-old who drove with his parents from Saint John, New Brunswick, held up a sign that said, “Steph, if you sign my jersey, I will cut all my hair.”The meticulous combination of Curry’s jumpers, floaters and trick shots with a dash of goofiness is the basketball equivalent of watching Louis Armstrong run scales on the trumpet.Curry did not end up signing Rea’s poster. But several rows away, watching Curry run his own scales, Matt Velasquez, 49, a flight attendant, was wistfully considering the concept of basketball mortality Friday night, with Golden State then down a game to the Celtics in the N.B.A. finals.“You may be coming to an end of an era,” said Velasquez, who is from Danville, Calif. He and his friend Dale Villasenor flew across the country just to watch Game 4 in Boston. They each spent $2,500 to sit in the loge section. Velasquez, a lifelong Golden State fan, said he tries never to miss a home game in person.Curry signed autographs before Game 4 of the N.B.A. finals on Friday night in Boston. Fans regularly come out early just to see him warm up.David Butler Ii/USA Today Sports, via ReutersThe fan base isn’t at a crossroads quite yet. Curry, 34, hasn’t said anything about retiring, and Golden State may end up winning this series. It is tied, 2-2, with Game 5 on Monday.The other two stars of the core, Draymond Green and Klay Thompson, are just 32. But age creeps up on all of us — and in basketball years, the three of them are somewhere between middle-aged and eligible for Social Security. There likely aren’t many runs left with these players performing at an elite level.Villasenor, 49, a dentist from Walnut Creek, Calif., recalled what life as a Golden State fan was like before Curry was drafted with the seventh pick in 2009, back when the team played at Oracle Arena in Oakland instead of the Chase Center in San Francisco.“We used to watch games where we would just go hang out and just watch for All-Stars to come through,” Villasenor said.Now, Golden State is the draw. Usually, when Golden State plays road games, a significant contingent of its fans shows up. The team is among the N.B.A. leaders in road attendance. Sometimes, it’s a matter of having one of the world’s biggest stars on your team in Curry, a top jersey seller.In Boston, however, a city with a storied basketball history, road jerseys were harder to spot on Friday night. Trying to locate a Golden State fan was like playing Where’s Waldo? but for specks of gold and blue instead of Waldo’s red and white. Every seat in the arena was draped with a white-and-green shirt from the Celtics that said, “It’s All About 18,” a reference to Boston’s pursuit of an 18th championship.This N.B.A. finals is a contrast in legacies. Golden State has won six titles — three of them in the past seven years. Its dominance has mostly been in the 21st century, whereas the Celtics are steeped in nostalgia — wistful for the days of Bill Russell and Larry Bird, with only one championship since 1986.Looking for Golden State fans in Boston felt a little like playing Where’s Waldo?Winslow Townson/Getty ImagesThis has created different reputations for the supporters of each franchise. Recent success, as Chris Swartzentruber, 30, an insurance agent from Kalona, Iowa, put it, invites recent fans.“I don’t know any bandwagon Celtics fans,” he said. “I know a lot of bandwagon Warriors fans.”Not that Swartzentruber is the purest fan himself. He said he roots only for Thompson, not the team. He has followed the team to several finals games since 2015 to watch him play, and, as expected, he was donning a Thompson jersey to take in Game 4. For this trip, he traveled from Kalona by himself to sit courtside. His ticket cost $3,500. His fandom stems in part from being a strong shooter himself growing up.“I don’t spend that much money,” Swartzentruber said. “This is my vacation, and I haven’t had a vacation in, like, three years.”And because sport fandom is an irrational enterprise, it invites some amusing allegiances and profane behavior. This is especially the case in Boston, where fans are known to be — let’s call it, expressive. The Celtics’ fan behavior has become a story in this series because of Game 3, when fans chanted vulgarities at Green.N.B.A. Commissioner Adam Silver was asked for his response to fan chants by a local reporter in Boston.“I want fans to enjoy themselves,” Silver said. “Of course, as the league office, you want to see it done with respect for all the participants, but I get it. I love the energy that Boston fans bring.”If Silver’s wide smile could talk, it might have added: “Boston, please don’t be mad at me. Did I mention I love clam chowder?”Fans in Golden State jerseys before Game 4 of the N.B.A. finals in Boston. Winslow Townson/Getty ImagesNancy DeBlasio, 41, attended the game from Berlin, Conn., with her girlfriend, Ashley Cialfi, 33. Both of them wore blue-and-yellow Golden State T-shirts. DeBlasio is a teacher and a basketball coach rooting for Curry. DeBlasio said that being on the streets of Boston with her T-shirt had been “pretty brutal,” but that the two of them were “taking it because we understand.”“I think it’d be worse if we were guys,” Cialfi chimed in.“Oh, most definitely,” DeBlasio concurred.Really? But why?“Because they’re going to go easy on some chicks,” Cialfi said.But then came a pro-wrestling-style plot twist: DeBlasio said she is actually a Celtics fan, but simultaneously a Curry fan. She insisted that despite her shirt, she was actually rooting for a Boston win. (“No, you’re not,” Cialfi informed her.) No epithets were thrown in that exchange.Nor were they thrown near Andy and Ryan Malburg, a father and son who had driven almost seven hours from Buffalo for the game. Ryan, 15, who almost cried when he found out about the tickets, was a lifelong Golden State fan attending his first N.B.A. game.OK, fair point: What is “lifelong” when you’re 15?But this means Ryan’s generation of Golden State fans is spoiled: He has mostly known winning, which made his reference to the team as a “good, up-and-coming team right now” understandable. (Andy and Ryan are also Buffalo Bills fans, so it evens out.) Ryan’s father, meanwhile, made clear that the Malburgs would not be taking part in any profanity-related high jinks initiated by impolite Boston fans.“He knows to be respectful, and he will not say any of those things,” Andy Malburg, 43, sternly said. “I can guarantee you that.”After Game 4, Stephen Curry greeted perhaps his biggest fan of all: his mother, Sonya.Winslow Townson/Getty ImagesSure enough, Celtics fans chanted again at Green throughout the game and occasionally even cursed at Thompson. But ultimately, it was the Golden State fans who left the arena satisfied. Curry put on a vintage performance, scoring 43 points. Instead of mortality, Curry had backers of both teams awed by the latest campaign to enshrine himself in basketball immortality.“It doesn’t get any better than this,” Velasquez said after the game, “coming out to the East Coast to watch the Boston Celtics, historically one of the best franchises.”“The Boston Celtics,” Villasenor exuberantly interrupted.“I know!” Velasquez said, matching his jubilance. “To beat them at their home court!”As they spoke, a man who looked to be in his 20s and wearing a Celtics jersey approached and noticed their Golden State attire.“You guys are bums, you know that?” the man said, unprompted. It was one of several opinions related to the team he wanted to get off his chest.As he closed out his eloquent soliloquy, the man turned around and did a dance — with his own bum gyrating toward Velasquez and Villasenor.“Eh,” Villasenor said of Celtics fans, sarcastically. “Honestly, classy.” More

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      The Art World Loves Basketballs. And Hoops and Jerseys and Backboards.

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      Fine art inspired by the sport is everywhere. One gallery filled nearly 5,000 square feet, and its curator said she “could do a Part 2 and Part 3 because there is that much work out there.”The basketballs are deflated, doused in spray paint or covered in 24-karat gold leaf. They’re sculpted from porcelain, plopped in cement or layered into enormous pyramids. They’re splashed onto canvases, carved into cheeky jack-o’-lanterns, flattened out like flower petals.Stroll through galleries, museums and studios, flick through auction catalogs and social media feeds, and it starts to become obvious: The art world is increasingly strewn with basketballs.“It’s like the best sport ever,” said Jonas Wood, who has become one of the world’s most sought-after painters while making basketball a recurring theme in his work.Titans of art who contemplated the sport in years past are having their work revisited in basketball-specific shows. Younger artists are engaging with the game as avid fans, wary skeptics or nostalgic adults. And the market is responding.Consider a cross section of recent exhibitions: Last summer, drawings by the influential artist David Hammons, made by bouncing dirt-covered basketballs on paper, appeared at Nahmad Contemporary on the Upper East Side in a show called “Basketball and Kool-Aid.” This spring, Jack Shainman Gallery in Chelsea presented basketball-themed paintings from Barkley L. Hendricks, who died in 2017, at an exhibition called “In the Paint.”The University of North Carolina at Greensboro women’s basketball team visited the Weatherspoon exhibit, including the pieces “Church” by Victor Solomon and “Meditation on Team (Waves for Scottie)” by Kendell Carter with Dawn Altier.Martin W. Kane for UNCG University Communications, 2020That was not to be confused with a hoops-oriented group show called “In the Paint” that opened this year at the Local Gallery in Toronto or another exhibition, also called “In the Paint,” a few years back at the William Benton Museum of Art in Connecticut. The Weatherspoon Art Museum, in Greensboro, N.C., had its own basketball-inspired group show, “To the Hoop,” in 2020.“We filled a nearly 5,000-square-foot gallery, and really I could do a Part 2 and Part 3 because there is that much work out there that is strong work,” said Emily Stamey, the curator of exhibitions at the Weatherspoon, which experienced record-breaking attendance numbers in the opening weeks of the show.The proliferation of basketball as both a subject and medium in art is the result of a convergence of multiple cultural currents and creative impulses, artists and others in the industry say.The generation of artists currently reaching the height of their powers came of age alongside the exploding popularity of the N.B.A. over the past few decades, following the rise of players like Larry Bird, Magic Johnson and Michael Jordan. Even artists who are not outright fans of the game said they observed how deeply it penetrated society.“We have grown up with the advent of the sports industrial complex,” said Derek Fordjour, 48, who painted a portrait of Johnson for a solo exhibition this year at David Kordansky Gallery in Los Angeles. “So artists, as cultural observers, would of course be influenced heavily by such a dominant force coming into view.”“Birth of Showtime,” by Derek Fordjour.David Kordansky Gallery, Los Angeles; Derek FordjourFordjour and others also pointed to a gradual, belated diversification of art spaces and institutions — with a strong focus in the market in recent years on Black artists — as well as a general rethinking about what can be considered fine art, which has invited more ideas and influences from pop and street culture and mainstream commercial realms.“The demographics of who’s being seen is definitely changing,” said Hank Williams Thomas, 46, who has drawn from the sport repeatedly in his work, which includes a 22-foot bronze sculpture of the Philadelphia 76ers star Joel Embiid’s arm installed at the foot of the Brooklyn Bridge.For artists, then, basketball can serve as both a powerful, eminently interpretable symbol and a banal object of modern American life.“It’s like painting a still life of a fruit bowl,” the New York-based sculptor Hugh Hayden said.But Hayden, whose solo show at Lisson Gallery in Chelsea last summer featured basketball hoops woven out of rattan and vine, conceded that basketball and fruit bowls could elicit different reactions.“There is a huge waiting list,” Hayden said about his basketball pieces. “I could make 100 basketball goals, and it would not satisfy the demand for them.”The sports-inspired pieces these artists saw in museums and books while growing up, to the extent they saw any at all, typically drew from baseball, they said.But today, baseball’s fading cultural relevance, and basketball’s simultaneous ascendance as a cultural force, is plainly observable in galleries across the country.“Cinderella” by Hugh Hayden.Lisson Gallery; Hugh Hayden“Rapunzel,” also by Hayden.Lisson Gallery; Hugh Hayden“Baseball was the poetry growing up, and I can still get teary eyed when I see a baseball game,” said Andrew Kuo, a painter from New York. “But my heart pounds when I see a basketball game.”Kuo had kept his fandom and art practice separate — “painting all day, then at night silk-screening Stephon Marbury shirts” — until the thrilling rise of Jeremy Lin with the Knicks in 2012 compelled him to address the game more directly in his work.He compared the recent proliferation of basketballs in galleries — a snowballing dynamic combining inspiration, evolution, market acceptance and plain copying — to the way the Eurostep gradually took over the N.B.A.“It’s our generation growing into the people who make things,” said Kuo, 44, who last year co-authored an irreverent, illustrated encyclopedia of the game, “The Joy of Basketball,” with the writer Ben Detrick. (Kuo and Detrick have also contributed to The New York Times.)Basketball, of course, has filtered into art for generations.“Lin (Glasses)” by Andrew Kuo.Andrew KuoAndy Warhol included Kareem Abdul-Jabbar in a series of athlete portraits he made in 1977.In 1986, Hammons, who is now 78, made a series of improvised outdoor hoops, some 30 feet tall, titled “Higher Goals,” which he described to The New York Times that year as “anti-basketball” sculptures. (The art world stirred in 2013 when a frosted glass basketball goal adorned with crystal-laced candelabras made by Hammons in 2000 sold at auction for $8,005,000.)And any basketball sitting in a gallery exists at least circuitously in conversation with Jeff Koons and the basketballs he began suspending in fish tanks in 1985.The editors of “Common Practice: Basketball & Contemporary Art,” a book published last year, tracked basketball-related art as far back as 1913 in a lithograph called “Basket Ball Girl.”“There was art with basketballs in it almost since the moment basketball was created,” said Dan Peterson, one of the editors. “But I think there’s a noticeable uptick in the last few years.”Stamey, the curator at the Weatherspoon, was thrilled by this surplus of work, from artists engaging the sport from almost infinite angles, as she assembled the museum’s show.The exhibition had work, for example, from the Canadian artist Esmaa Mohamoud, 29, who stitched N.B.A. jerseys into ballroom gowns as a means of interrogating the interplay of sports and gender roles in her childhood, and David Huffman, 59, who installed an enormous pyramid made out of 650 basketballs, connecting the grandeur and moral ambiguity of the modern game to that of the ancient Egyptian structures.A member of the U.N.C.-Greensboro men’s basketball team visiting the exhibit at the Weatherspoon. The pieces pictured include “Well Hung” by Suzanne McClelland and “One of the Boys (Yellow Back)” by Esmaa Mohamoud.Martin W. Kane for UNCG University Communications, 2020Elsewhere in the world, the London-based artist Alvaro Barrington has made basketballs sitting in cement-filled crates a recurring motif in his shows over the past year in London, New York and Los Angeles. At the Richard Prince exhibition currently on view at Gagosian Gallery in New York, a weathered basketball goal sits askew in the middle of a room. And later this month, the Cranbrook Art Museum in Detroit will open a solo show from Tyrrell Winston, who arranges basketballs and nets he finds into large-scale formations.The growing interplay between fine art and fashion has put basketballs on the runway, too: The artist Josh Smith collaborated with Givenchy for their Spring/Summer 2022 collection to make a basketball jack-o’-lantern handbag, and other clothing with the same imagery, reviving a jack-o’-lantern piece he made in 2015. “Basketball intersects with so many subjects, points of view, different things we’re talking about culturally and interested in,” Stamey said. “That’s what makes it such a rich topic and why so many artists gravitate toward it.”The N.B.A. is now backing this wave of work and engaging directly with the art world with increasing regularity.The newly designed N.B.A. finals trophy by the artist Victor Solomon.Nathaniel S. Butler/NBAE via Getty ImagesThe artist Victor Solomon has become a go-to collaborator within the league, making objects like stained-glass backboards and porcelain basketballs in partnership with clients like Kevin Durant, LeBron James, Nike and the Boston Celtics. The N.B.A. recently commissioned Solomon, in collaboration with Tiffany & Company, to redesign the trophy that the eventual champions, either the Boston Celtics or the Golden State Warriors, will lift this month.Two years ago, the Cleveland Cavaliers took the unusual step of naming the New York-based artist Daniel Arsham as their creative director. A year before that, Arsham, 41, had installed a large fiberglass and plaster work, “Moving Basketball,” inside the Cavaliers’ home arena as part of a redesign by the team’s majority owner, Dan Gilbert, that arranged more than 100 pieces from almost two dozen other artists, including Nina Chanel Abney and KAWS, around the building.This month, Arsham will open a solo show, “Le Modular du Basketball,” in Marseilles, France, turning the top floor of a Le Corbusier building into a gym-inspired art space with works that blend the visual language of the famed architect with the universe of basketball.Daniel Arsham preparing for his “Le Modular du Basketball” installation at the MAMO Museum in Marseilles.Courtesy Daniel ArshamCourtesy Daniel ArshamWood, 45, is one of the art world’s most ardent fans of basketball, mining the game and his own nostalgia for inspiration. He idolized Bird growing up and frequently played pickup games with other artists when he first moved to Los Angeles two decades ago. His studio today features two hoops, an enormous basketball-shaped throne and countless other basketball knickknacks.“Basketball is rock ‘n’ roll,” said Wood, who has season tickets for the Clippers and often finds visual material for his portraits in trading cards. “It’s hip-hop. It’s box office.”Marty Eisenberg, a prominent New York-based collector, owns several of Wood’s paintings, including a portrait of Bird from 2004, which he likened to possessing a Babe Ruth card.But Eisenberg is haunted by the one that got away: a painting of Chris Kaman, the hirsute former Clippers center, from Wood’s first-ever solo show at Black Dragon Society in Los Angeles in 2006. Eisenberg missed the piece, and it was purchased by the California art dealer Jeff Poe. Wood’s pieces today are often valued at six figures.Bird’s Card by Jonas Wood.Jonas Wood; Courtesy Marty Eisenberg“Poe always hangs that over me, that he owns the Chris Kaman portrait,” Eisenberg said. “That’s one of Jonas Wood’s greatest pieces. And at the time it was, what, a thousand dollars.”In the time since, the game has infiltrated all corners of the art world.Last year, the renowned portrait artist Kehinde Wiley began selling basketballs featuring an image of his 2017 painting “The Death of St. Joseph” for $175, to benefit his nonprofit art organization in Senegal. (A plastic stand for the ball is sold separately, for $35.)Hebru Brantley, an artist whose work has been collected by Jay-Z and Beyoncé, created graffiti-style basketballs recently for Wilson, the sports brand, while Mr. Brainwash, the French street artist, made “vandalized basketballs” of his own last year.Even the Museum of Modern Art sells a basketball — designed by Marco Oggian, an Italian multidisciplinary artist — for $119.Amid all this, it can be easy to forget that the art world has not been completely overtaken by hoops enthusiasts, that there are scores of art lovers happily oblivious to the game.Jack Eisenberg, an adviser at Art Intelligence Global and an avid basketball fan (and Marty Eisenberg’s son), laughed as he recalled attending an opening in New York a few years ago and extricating himself from the party to watch a big college game.“I told them, ‘I have to go watch Syracuse versus Duke,’ ” he said. “And these people were like, ‘What does that mean? I don’t know what that means.’” More

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      The Celtics Got Lucky By Not Getting What They Wanted

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      Other teams’ superstars kept getting traded, and the Celtics wanted in on the action. Boston (mostly) missed out, and is probably better off for it.Moments after Game 7 of the Eastern Conference finals ended last month, Jayson Tatum and Jaylen Brown embraced each other.“They said we couldn’t play together,” Tatum said with a wide smile.That had been the most pressing issue facing the Boston Celtics since Tatum, 24, and Brown, 25, were handed the reins to the team before the 2019-20 season. That year — Tatum’s third and Brown’s fourth in the N.B.A. — they led the team to within two wins of reaching the finals. Since then, they have faced questions about whether Boston could be a championship-caliber team built around them.Those questions were at their loudest earlier this year — dominating TV panels and podcasts — when the Celtics were 18-21 and on pace to miss the playoffs. Instead, a remarkable turnaround propelled the Celtics into the finals, against Golden State, for the first time since 2010.“We definitely thought about and had conversations about trading for a number of the great players that were sort of thought to be available over the past 10 years,” Wyc Grousbeck, the owner of the Celtics, said in an interview. “It’d be wrong to say we never engaged in trade talks with player X, Y or Z.”But, he added, “we valued our guys more than, apparently, the market did.”The trend in the N.B.A. over the last 15 years — though it didn’t originate then — has been to chase the creation of so-called superteams at the expense of developing continuity and nurturing young players. The 2007-8 Celtics, who brought in Ray Allen and Kevin Garnett to complement Paul Pierce through blockbuster trades and won a championship, were a prominent example of this.Since then, several teams have emptied their cupboards of draft picks and young players to acquire big-name stars — as the Celtics did — in a leaguewide arms race to compete for mercenary championships. This has coincided with the player empowerment movement, where top players have tried, often successfully, to be traded to teams with other stars.This has left the players’ new teams on edge, wondering if giving up all the picks and young players will be worth it.The Celtics tried to get in on the trend — they traded for Kyrie Irving and signed Gordon Hayward to a big free-agent deal just after drafting Tatum in 2017 — but today’s team is the result of yearslong investment in young players. The Celtics are on the doorstep of a championship with a foundation that goes against what has become conventional wisdom about team-building in the N.B.A. Whether as a result of luck or shrewd front office work, or both, the Celtics’ approach is paying off.In recent years, the All-Stars Jimmy Butler, Kawhi Leonard, Ben Simmons, James Harden, Anthony Davis and Paul George have been among those to engineer trades. Irving forced a trade out of Cleveland to land in Boston.Almost every time a star was rumored to want out of their situation, the Celtics would be linked to the trade talks. Few teams could offer young players as talented as Boston’s or as many draft picks, some of which Boston acquired in a heist of a deal with the Nets as they created their own superteam in 2013.Grousbeck declined to comment on what deals Boston came close to making. In at least one case, the star seemingly made the decision for the Celtics. Davis’s father, Anthony Davis Sr., publicly said that he didn’t want his son playing in Boston — a signal that even if Davis were traded to Boston, he wouldn’t re-sign once his contract expired, making it less worthwhile for the Celtics to part with their top players in a deal.Brown, left, and Tatum were drafted one year apart. Their growth over the past five years, especially this season, has made Boston a top contender in the Eastern Conference.Elsa/Getty Images“I think that what happens is you want to trade draft capital if you get the right deals and if you feel like you’re close enough to winning,” Danny Ainge, who was Boston’s president of basketball operations from 2003-21, told Sports Illustrated recently. “None of us know what would have happened in different circumstances.”In some cases, superteam gambles worked — at least in the short term. The Toronto Raptors won the championship in 2019, led by Leonard; the Lakers won a title in 2020 with Davis. But the Nets won just one playoff series with Harden before he forced a trade to the Philadelphia 76ers in February. To get Harden from Houston, the Nets had given up the 24-year-old center Jarrett Allen, who made his first All-Star team this year with Cleveland.The Nets’ one series win with Harden came against Boston in the first round of the 2021 playoffs, with Brown out injured. The Celtics, left behind in the superteam arms race, seemed adrift. Some of their recent first-round draft picks, like Romeo Langford (2019) and Aaron Nesmith (2020), looked like misses. Irving and Hayward were gone. Kemba Walker, a former All-Star whom the Celtics had signed to a maximum contract to replace Irving, had been injured and playing poorly. Suddenly, Boston looked like a team that had, unlike the Raptors and Lakers title teams, held on to its young players for too long.The day after the Celtics were eliminated from last year’s playoffs, Boston simultaneously announced that Ainge was stepping down as team president and that Brad Stevens would replace him. Stevens had been the team’s head coach for eight seasons, but he had no front office experience.Grousbeck said he pitched Stevens on replacing Ainge, citing Stevens’s tenure with the team and a “personal bond” that he had with ownership. At the news conference announcing the move last June, Stevens said he had discussed the possibility of taking over the position with both Ainge and Grousbeck, and that he told Grousbeck: “I love the Celtics. I want to do what’s best for the Celtics.”One of Stevens’s first moves was to hire Ime Udoka as coach, Udoka’s first leading role after nine years as an assistant. Grousbeck said he wasn’t worried about the inexperience of Stevens and Udoka in their new jobs.“I went to Ime and Brad before the season started and specifically said in person, ‘I’m not stressed about how this season starts,’” Grousbeck said.There are countless examples of professional sports owners preaching patience but not practicing it. As the season progressed, the Celtics mostly kept the faith that they could win with Tatum and Brown as their centerpieces.“Now, did I start worrying in the first half? Yes, I did. But I kept it to myself,” Grousbeck said.Marcus Smart, left, has been a vocal leader for the Celtics and critical as a defender. He was named the defensive player of the year this season, the first guard to win the award since Gary Payton in the 1990s.Winslow Townson/Getty ImagesAfter their 18-21 start, the Celtics went 33-10 and earned the No. 3 seed in the Eastern Conference playoffs. Most of the players in their finals rotation were drafted by the Celtics and are 25 and younger, including Tatum (24), Brown (25), Robert Williams III (24), Grant Williams (23) and Payton Pritchard (24). Marcus Smart, 28, was drafted by the Celtics in 2014 and named the defensive player of the year this season.This would appear to leave the Celtics in strong shape for years to come. They’re in the finals and many of their players haven’t hit their primes. But championship windows can be slim. After this year, the N.B.A. will have crowned at least five different teams as champion in seven years. The Celtics might end up regretting not trading for Davis or another big name if they don’t win a title this year. After all, just one year ago, when the Celtics looked to be locked into mediocrity, the Phoenix Suns came within two wins of a championship, only to slink out in the second round of this postseason despite being the West’s No. 1 seed.But if Boston wins, perhaps the next team will think twice before striking a deal when the next Harden or Simmons tries to force a trade. The Celtics aren’t quite the model of patience — a stroke of luck, it seems, felled their superstar trade negotiations — but what they have appears to be working just fine.Not that Grousbeck is interested in taking a victory lap.“I don’t think anybody needs any advice from us about building a team,” Grousbeck said. More

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      From Santo Domingo to the N.B.A. Finals, Al Horford Is at Home

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      BOSTON — When Al Horford was 14 years old, he moved from the Dominican Republic, where he’d been raised by his mother in Santo Domingo, to Michigan, where his father and four of his half-siblings lived.“That was just so awesome,” said Anna Horford, 29, Al’s half sister. “He helped raise us.”He babysat his siblings, and they’d play baseball, volleyball or basketball in the backyard. Anna recalled Al skipping high school parties to stay with them.When they got old enough to go to parties themselves, he’d advise them, urging them to be safe and call him if they needed a ride.“He’s always kind of taken on more of a dad role,” Anna said. “He’s about six years older than the next oldest Horford kid. He’s always been older, and he’s always kind of led the path in a way. I think it’s the same thing with the Celtics.”She added: “I joke that he’s like the team dad of the Celtics. Because he’ll always kind of put the guys in line, or when he speaks they kind of really make sure to listen and pay attention and give him that respect.”Horford, at 36 years old, is the oldest player on the Celtics.Jed Jacobsohn/Associated PressAt the start of this season, Al Horford, 36, was the only Celtics player in his 30s. Boston’s core group includes three 20-somethings, Jayson Tatum, Jaylen Brown and Marcus Smart, who were just starting their N.B.A. journeys six years ago when Horford first became a Celtic.He left Boston briefly before returning this season, and has provided veteran leadership and stability to an otherwise young Celtics team. His presence and his play have helped Boston make a push for the franchise’s 18th championship.“They’re different, they’ve grown, they’re much better,” Horford said of Tatum, Brown and Smart. “This is kind of their team. This is kind of their time, you know? And I’m just happy to be a part of it now.”When Boston clinched the Eastern Conference championship with a Game 7 win over the Miami Heat, Horford became the first Dominican player to make it to the N.B.A. finals. Across tenures with Atlanta, Boston and Philadelphia, he had played in 141 playoff games without making a finals appearance — more than any other player.The outpouring of emotion he displayed as the Celtics celebrated their conference title reflected how much it meant to him. But it meant a lot to his teammates, too.“Nobody deserves it more than this guy on my right, right here, man,” Brown said that night. “His energy, his demeanor, coming in every day, being a professional, taking care of his body, being a leader — I’m proud to be able to share this moment with a veteran, a mentor, a brother, a guy like Al Horford, man.”Horford was emotional after the Celtics beat the Miami Heat in the Eastern Conference finals, allowing him to make his first trip to the N.B.A. finals.Eric Espada/Getty ImagesThe Celtics drafted Brown in 2016, a few weeks before Horford signed a four-year deal with the team. The next summer, Boston selected Tatum No. 3 overall. Smart had been drafted sixth overall in 2014.Horford spent three years with Boston — two with Brown, Tatum and Smart — and the Celtics went to the conference finals twice and lost in the conference semifinals once. He opted out of the last year of his contract in 2019 and joined the 76ers as a free agent.In December 2020, the 76ers traded him to the Oklahoma City Thunder, who hardly used him. In June 2021, Boston traded with the Thunder to get him back.“I do believe everything happens for a reason,” Horford said. “This was a time for them to grow and also for me to grow as well. Me getting a different perspective and now appreciating even more what I have here.”When Brad Stevens, the Celtics’ president of basketball operations and the team’s previous head coach, called to tell Horford about the trade, Horford was in a car with his family. They all started screaming with excitement.“I think it kind of feels like home to him,” Anna Horford said of Boston. “This is the first place he’s played where his kids were old enough to be aware of being at games. Ean was just a baby in Atlanta. Him going to school here, making friends here, his other kids as well. This was the first place that really felt like home as an entire family.”Home is a particularly meaningful concept to someone as transient as Horford has been.In Santo Domingo, his mother, Arelis Reynoso, was a sports journalist and occasionally took him on assignment.“I felt like I was really independent from a really young age over there,” Horford said. “It was just very special, that time with my mom.”He moved to Michigan for high school, then went to college at Florida, where he won two national championships with two other players who had notable N.B.A. careers: Joakim Noah and Corey Brewer.The Hawks drafted him third overall in 2007, and he made his first four of his five All-Star teams while playing in Atlanta.Horford said he grew in his two seasons away from the Celtics, when he left for Philadelphia in free agency and then was traded to Oklahoma City.Allison Dinner for The New York TimesThe seeds of his long career were planted there.“I saw his daily habits,” said Kenny Atkinson, who was an assistant coach with the Hawks while Horford played there. “Al is going to be like Nolan Ryan: He’s going to play until he’s 45. He’s so impeccable about it.”Atkinson helped Horford develop a 3-point shooting game, which has also helped lengthen his career in a league that has been phasing out big men who can’t shoot.Atkinson is now an assistant for Golden State. He spoke the day after Horford scored 26 points and made six 3-pointers in Boston’s Game 1 win over Golden State.What does he think about how Horford’s career has persisted?“I hate it,” Atkinson said, deadpan. “But I’m not surprised.”In his return to Boston, Horford tried to share with his younger teammates the habits he’d developed over time. They were more than happy to accept the counsel.“When I see them talk to Al it’s almost like a teacher and a student,” said Juwan Morgan, a third-year forward who signed with Boston just before the end of the regular season. “You can just see the respect factor. When Al talks everybody is just silent, listening because they know it’s for the good of the team.”Horford called it a mutual respect.“Trying to be a good example for them,” Horford said. “Trying to lead them and just help them. They know what I’m about — that I want to play the right way, do things the right way on the court. But also off the court do things the right way as well.”It’s the same language Horford uses when he talks about his younger siblings and the ways that he has mentored them.“To me that’s important to help them in any way so they can thrive in whatever they choose in life,” Horford said.Al Horford, left, with his son, Ean, center, and his father, Tito, who also played in the N.B.A.Allison Dinner for The New York TimesHe seems to be passing that caretaker mentality on to his son.Ean is a gregarious 7-year-old with a head full of curly black hair. He loves basketball and hanging out in the locker room with his father’s co-workers. After Games 1 and 3 of the N.B.A. finals, Al Horford held his hand and brought him to the podium so he could be part of the postgame interview. Ean winked at the camera after Game 1.“He’s a big influence on his sisters,” Al said. “My second, Alia, she’s also more interested now in basketball.”Unlike her brother, Alia, 5, wasn’t allowed to come to Game 3 because the start time, 9 p.m. Eastern, was too late. But she wanted to go so badly she drew a picture of Al, his wife Amelia Vega, and Ean at the game and left it on her father’s bed so he could see when he got home.“This morning I felt bad. I was like, ‘You’ll be at Game 4,’” Al said, laughing. “So that means my third, Ava, she’s going to be at the game too. There’s no way that she can stay back.”Horford sees a lot of himself in his son, particularly in his observational skills and competitive fire.In Ean, he also sees a child who loves the responsibility of being a big brother, loves protecting and teaching his younger siblings. That’s another thing he shares with his father. More

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      Steph Curry’s 43 Points Help Golden State Beat Celtics in NBA Finals

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      Golden State desperately needed a win after losing two of the first three games in the N.B.A. finals. Curry’s 43 points on Friday got it done.BOSTON — For two days, Golden State forward Draymond Green saw it in his teammate Stephen Curry. The fire Curry plays with isn’t always apparent to outsiders, but Green sensed that it was simmering within.Their team was down in the N.B.A. finals, 2-1, and Curry was not going to let them lose Game 4.On Friday night everybody else saw that emotion, too.After one of his two first-quarter 3-pointers, Curry screamed into the crowd full of Boston Celtics fans who had showed up early to hound him and his teammates. There was a long way to go in the game, one of the finest of his illustrious career, but he shouted to send a message.“Felt like we just had to let everybody know that we were here tonight,” Curry said.He added: “You can want it so bad, you kind of get in your own way a little bit, and everybody feels a little bit of pressure, and it can go the opposite way. I wanted to try to leverage that in a positive direction for us to start the game.”On Friday night in front of a hostile crowd in Boston, Golden State evened its series with the Celtics, 2-2, and regained home-court advantage. Golden State won, 107-97.Curry scored 43 points and grabbed 10 rebounds, becoming only the third Warriors player to have at least 40 points and 10 rebounds in an N.B.A. finals game; Rick Barry did so in 1967, and Kevin Durant did in 2018. Curry, Michael Jordan and LeBron James are the only players 34 and older to score 40 or more points in an N.B.A. finals game.As Golden State stretched its lead in the final minutes of Game 4, Celtics fans began to leave. When Curry was at the free-throw line with 19.1 seconds left in the game, a chant of “M.V.P.” could be heard in the upper deck of the arena.The series will return to San Francisco for Game 5 on Monday, followed by Game 6 in Boston on Thursday.Curry did it all for Golden State in Game 4. He “put us on his back,” Klay Thompson said.Winslow Townson/Getty ImagesThe crowd heartily booed Golden State’s players, beginning in their pregame warm-ups.When Klay Thompson appeared on the court an hour before the game, a group of fans in the lower bowl booed him. He acknowledged them with his arms and encouraged them to get louder. Green emerged a few minutes later and drew an even louder explosion of boos. Two nights before, Thompson had criticized the crowd for chanting obscenities at Green.The Celtics entered the game with aspirations of handing Golden State its first back-to-back losses in this year’s playoffs. Before Friday’s game, Golden State had won all five games that followed losses this postseason.But Boston understood the fierce grip that a 3-1 lead can hold in a best-of-seven series.“We understand we have a chance to do something special, put some pressure on tonight,” Celtics Coach Ime Udoka said before the game.The Celtics gained confidence from the way they had played in the last game.“We have to replicate what we did in Game 3,” Celtics guard Marcus Smart said on Thursday. “We reduced our turnovers. We reduced our second-chance points, offensive rebounds. We just controlled the game, the game that we wanted to play.”Golden State made a change to its starting lineup for the first time this series in Game 4, replacing Kevon Looney with Otto Porter Jr.The playoffs this season have been characterized by blowouts, and the Celtics have played in several of them, including all three that came during the finals. Boston won Game 1 by 12 points, lost Game 2 by 19 and won Game 3 by 16.But early on, Game 4 showed promise that it could be a tightly contested matchup that would stay interesting until the end.Curry and Boston’s Jayson Tatum each scored 12 points in the first quarter.“Everybody was emotional tonight,” Golden State Coach Steve Kerr said. “Down 2-1, we had to come out with some desperation and more physicality than we showed in Game 3. So it was a team-wide sense of aggression and emotion. That started right from the opening tip.“Steph obviously doesn’t normally show a lot of emotion, but a night like tonight warranted it.”The first quarter ended with Tatum passing the ball into the paint to Robert Williams III, who flicked it out to Grant Williams in the corner for a 3. Grant Williams’s 3 gave Boston a 28-27 lead heading into the second quarter.“Steph obviously doesn’t normally show a lot of emotion,” Golden State Coach Steve Kerr said, “but a night like tonight warranted it.”Elsa/Getty ImagesBy halftime, the lead had changed hands six times and the score had been tied five times.It was Celtics guard Jaylen Brown’s turn to shine in the second quarter. He scored 10 points and Boston outscored Golden State by nine points when he was on the court during that quarter.Boston had stretched its lead slightly by halftime, to 54-49.But Golden State would not go quietly, especially not with Curry available. He had 33 points heading into the fourth quarter, having scored 14 in the third.The game was tied at 86 with eight minutes left.Thompson picked up his fourth foul with 5:33 left in the game. The crowd chanted at him the same obscene chant they had directed at Green in Game 3, but replaced “Draymond” with “Klay.” About one minute later, Thompson’s 3-pointer gave Golden State a 95-94 lead.Boston scored only once in the game’s final five minutes.There was some doubt after Game 3 that Curry would be available for Game 4 because he hurt his foot in a pileup while fighting for a loose ball. Curry participated in Golden State’s shootaround on Friday morning and was cleared to play.After Curry’s performance Friday night, the second-highest scoring finals game of his career, the first question posed to Kerr in the postgame news conference was a cheeky one about how he thought Curry’s foot held up. Kerr laughed.“I think he was really laboring out there,” Kerr quipped. “He really struggled.”Thompson also was asked about Curry first when he took the postgame podium.“The heart on that man is incredible,” Thompson said. “You know, the things he does we kind of take for granted from time to time, but to go out there and put us on his back, I mean, we’ve got to help him out on Monday. Wow.” More

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      Celtics Gain NBA Finals Edge on Golden State With Physical Play

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      The Celtics lead the N.B.A. finals, two games to one, in a series that has been defined by size and rebounds more than finesse and flash.BOSTON — After Game 3 of the N.B.A. finals, Boston Celtics center Robert Williams attended his postgame news conference dressed in a T-shirt with the face of the bruising, Hall of Fame player Dennis Rodman printed on it.It was fitting attire after a game in which the Celtics had banged into the Golden State Warriors and sent them skittering across the court, in which they wrested rebounds and loose balls away from them. At times, Golden State looked disheveled and tired when its players smacked into the bigger, more athletic, younger Celtics.“We want to try to impose our will and size in this series,” Celtics Coach Ime Udoka said.Game 3, on Wednesday night, was the first finals game in Boston since 2010, and the Celtics made a statement, playing with edge to earn a 2-1 series lead over Golden State with a 116-100 win. Boston will also host Game 4 on Friday night.It has been a series marked by toughness: The team able to exhibit more of it has been able to win each of the first three games.“If we were going to come out here and play, the last thing when we left that court we didn’t want to say we weren’t physical enough,” Celtics guard Marcus Smart said. “It worked out for us.”Statistically, that physicality manifested itself in several ways Wednesday night.It showed in the rebounding — Boston grabbed 16 more rebounds than Golden State. Williams had 10, as well as four of the Celtics’ seven blocks.“There’s a play early in the fourth, I got by Grant Williams and thought I had daylight to get a shot up, and you underestimate how athletic he was and how much he could bother that shot,” Golden State guard Stephen Curry said.Williams has been inconsistent this series because of a knee injury that has bothered him throughout the playoffs. Williams had surgery on his left knee in March, but aggravated it during the Celtics’ Eastern Conference semifinal series against the Milwaukee Bucks. On Wednesday, he felt good enough to give Boston a lift.“They’ve been killing us on the glass this whole series,” Williams said. “Wanted to just put an emphasis on it.”Golden State guard Stephen Curry, left, was caught under the Celtics’ Al Horford in the fourth quarter of Game 3 of the N.B.A. finals on Wednesday night.Scott Strazzante/San Francisco Chronicle, via Associated PressThe Celtics’ physicality also showed in their ability to score inside. They outscored Golden State, 52-26, in the paint.“It was just us being us, just continuing to drive the ball and try to find a great shot for our teammates and ourselves,” Smart said. “This Warrior team does a very good job of helping each other out on their defensive end. They’re going to make you have to make the right play every single time, and if you don’t, they’re going to make you pay.”Although Golden State is known for an offense that can be mesmerizing to watch, it was impressive defensively during its dynastic run from 2015 to 2019. That returned this season — the only team with a better defensive rating than Golden State has been Boston.In the finals, the Celtics have used their size to widen the gap between the two teams.The Celtics won Game 1, 120-108, and showed Golden State’s players they would need to be more physical if they meant to compete.Golden State trailed early in Game 2 as well, and that was the crux of the halftime conversation. The players knew that the only way to match Boston was to match its intensity, despite being smaller at most positions. With that in mind, Golden State outscored Boston, 41-14, in that third quarter and won, 107-88.“There wasn’t a whole lot of strategic change,” Golden State Coach Steve Kerr said after Game 2. “You know, a couple tweaks here and there. The preparation was mostly about our intensity and physicality.”In Game 3, the Celtics reclaimed that edge.“We had to,” Smart said of the physicality with which Boston dominated Golden State. “Game 2, they brought the heat to us. For us, that left a bad taste in our mouth because what we hang our hat on is effort on the defensive end and being a physical team.”Golden State was not able to match it, not for long enough anyway.Golden State has outscored Boston by 43 points in the third quarter this series, and took a lead in Game 3, 83-82, on a 3-pointer by Curry. That basket had followed a quick stretch of 7 points without Boston gaining possession. Curry was fouled shooting a 3-pointer, and since the foul was flagrant, Golden State got the ball back and scored another 3.But as the quarter closed, Golden State’s grip on the game slipped.“Take the hits, keep fighting,” Williams said was the message in the huddle after the third quarter. “Obviously, they’re a great team that goes on runs, a lot of runs, but just withstanding the hit.”Golden State couldn’t get through the defense, nor could it stop the Celtics from grabbing second chances. Hustle plays typically went to Boston.At one point in the fourth quarter, several players tangled over a loose ball, and Smart came up with it before Draymond Green pushed him. It was Green’s sixth foul, and the crowd jeered at him after having spent the evening chanting curses at him.Golden State’s Klay Thompson complained about fans swearing with “children in the crowd.”“Real classy. Good job, Boston,” he said.Green said the chants didn’t bother him. What bothered him more, he said, was that he played “soft.” He was a catalyst for Golden State’s more physical play in Game 2, but he was ineffective in Game 3.He said his final foul came when he was trying to get players off Curry, whom he heard screaming at the bottom of a pile. Curry stayed in the game but said afterward that he had pain in one of his feet.It is among the many bruises Golden State will have to manage after a Game 3 loss that challenged its toughness. The Celtics shoved over Golden State’s beautiful brand of basketball, leaving Curry and his teammates searching for ways to get back up. More

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      Boston Celtics Withstand Stephen Curry’s 3-pointers for Game 3 Win

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      Golden State’s Curry had 31 points, including six 3-pointers, but Jaylen Brown, Marcus Smart and Jayson Tatum had big games of their own for Boston.BOSTON — It was only the second quarter, but the Celtics’ Jayson Tatum seemed determined to build on a theme as he eyed an opportunity on Wednesday night. He took a hard dribble at Stephen Curry, spun to his right and drove straight into the lane before depositing a layup over his smaller defender.The Celtics were eager to familiarize themselves with the basket in Game 3 of the N.B.A. finals. So they used their size to bully various members of the Golden State Warriors in the low post and off the dribble. They attempted layups. They dunked. They threw short jumpers off the glass.In the process, Boston even survived one of Golden State’s hallmark third-quarter runs to escape with a 116-100 win at TD Garden and take a 2-1 lead in the series. Game 4 is in Boston on Friday.The Celtics, who opened the fourth quarter by building a healthy cushion, were led by Jaylen Brown, who had 27 points and 9 rebounds. Tatum added 26 points, 9 assists and 6 rebounds, and Marcus Smart finished with 24 points. Curry had 31 points in the loss, and Klay Thompson added 25. The Celtics did most of their damage in the paint, where they outscored Golden State, 52-26.After the first two games were in San Francisco, the series swung to Boston, a fitting site for the finals as the league celebrates the last few flickering embers of its 75th anniversary. The Celtics are chasing their 18th championship, while Golden State is making its sixth finals appearance in eight seasons.Two of the league’s original franchises, the Celtics and the Warriors now mirror each other in another important way: Both rosters were largely constructed through drafting. And while Boston is making its first finals appearance since 2010, Celtics Coach Ime Udoka said he hoped to emulate Golden State’s long-term success.“It’s a model for what we want to do here,” Udoka said.The Celtics, who lost Game 2 on Sunday, have not lost consecutive games this postseason. Before Wednesday’s game, Udoka cited his team’s resilience.“I think we put it behind us pretty quickly,” he said, “and kind of attacked the areas that we did poorly and tried to improve on those.”The Celtics’ Robert Williams III blocking Stephen Curry’s floater. Williams had 8 points, 10 rebounds, 3 steals and 4 blocks.Paul Rutherford/USA Today Sports, via ReutersAbout an hour and a half before the start of Game 3, as some of Golden State’s players made their way onto the court for individual warm-up work, the reserve guard Gary Payton II noticed that one of the rims seemed a bit off. He was right: It was about two inches too high.“It happens every once in a while,” Golden State Coach Steve Kerr said before the game. “Players have a really sharp eye for that.”The rim was soon lowered to its proper 10-foot height, but it did not seem to help. Golden State got off to a brutal start, missing 11 of its first 15 field-goal attempts as Boston ran out to a 24-9 lead. Making matters worse, Curry picked up two early fouls.If there was concern for the Celtics, it came in the form of Tatum’s right shoulder, which he first injured in the Eastern Conference finals against Miami. On Wednesday, he was grimacing in pain after drawing a foul on an early drive.But his 3-pointer midway through the second quarter pushed the Celtics ahead by 18. Boston shot 57.4 percent from the field to take a 68-56 lead at halftime.All eyes, though, were on the start of the second half. In Games 1 and 2, Golden State had dominated both third quarters, outscoring Boston by a total of 35 points. The third quarter was particularly problematic for the Celtics in Game 2, when they shot 4 of 17 from the field, committed five turnovers and were outscored, 35-14. A close game quickly turned into a rout.On Wednesday, Golden State was trailing by 9 when the team summoned some more third-quarter magic. Curry made a 3-pointer and absorbed contact for good measure when the Celtics’ Al Horford slid underneath him. It was ruled a flagrant-1 foul, which meant Golden State would retain possession after a free throw.Curry sank the free throw, then Otto Porter Jr. buried another 3-pointer for a 7-point possession that trimmed Boston’s lead to 2.It was an anxious moment for the Celtics, who could have folded but instead revealed their toughness once more. Early in the fourth quarter, Smart banked in a 3-pointer. Moments later, Grant Williams corralled an offensive rebound for a put back, forcing Kerr to a call for a timeout as the home crowd roared. More