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      Blazers’ Billups Hire Draws Attention to Sexual Assault Accusation

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      Chauncey Billups was announced as Portland’s head coach on Tuesday as a team executive dodged and deflected questions about a 1997 sexual assault accusation against Billups.At a news conference on Tuesday, the top basketball executive for the Portland Trail Blazers dodged or deflected questions about a 1997 sexual assault accusation against Chauncey Billups, whom he was announcing as the team’s new head coach. A public relations official for Portland cut off a questioner entirely, and the executive, Neil Olshey, would not elaborate on an independent investigation into the incident he said the team had commissioned.Billups’s hire has elicited criticism both from within and outside Portland’s fan base because of the accusation, which was made during Billups’s 1997-98 rookie season as a player with the Boston Celtics.Olshey, the Blazers’ president of basketball operations, introduced Billups on Tuesday and said that he had “been successful at everything he’s done in his life, on and off the court.”He also said that the Blazers “took the allegations very seriously” and that “other N.B.A. organizations, business partners, television networks, regional networks have all enthusiastically in the past and present offered Chauncey high-profile positions within their organizations.” Billups is currently finishing his first season as an assistant coach with the Los Angeles Clippers, who are in the Western Conference finals, and he was previously an analyst for ESPN.Olshey said the team-initiated investigation was done with Billups’s support. “The findings of that incident corroborated Chauncey’s recollection of the events that nothing non-consensual happened,” he said. “We stand by Chauncey. Everyone in the organization.”Neil Olshey, right, Portland’s president of basketball operations, said the team commissioned an independent investigation of the sexual assault accusation against Billups, left.Craig Mitchelldyer/Associated PressWhen asked by a reporter to give more details on the investigation, Olshey declined.“So that’s proprietary, Sean,” Olshey said, referring to the N.B.A. reporter Sean Highkin. “So you’re just going to have to take our word that we hired an experienced firm that ran an investigation that gave us the results we’ve already discussed.”Jason Quick, a reporter for The Athletic, followed up later to ask Billups about the impact the incident had on him, after Billups had said that “not a day that goes by that I don’t think about how every decision that we make could have a profound impact on a person’s life.” Olshey took a sip of bottled water and appeared to glance at a public relations official for the organization, who then cut off Quick, though Billups appeared willing to respond.“Jason, we appreciate your question,” the official said. “We’ve addressed this. It’s been asked and answered. Happy to move on to the next question here.”The 1997 accusation came from a woman who said in a lawsuit that on the night of Nov. 9, following an evening at a Boston comedy club, she was raped by Billups, Ron Mercer and Michael Irvin — who is of no relation to the former N.F.L. player — at Antoine Walker’s home. Walker and Mercer were Billups’s teammates in Boston, while Irvin was Walker’s roommate. No criminal charges were filed. Billups and Mercer settled with the woman for an undisclosed amount in 2000, and Walker also settled a lawsuit with the woman soon after. Billups denied any nonconsensual contact, but said he had sex with her.The lawsuit did not affect Billups’s career prospects. It rarely came up, if at all. He played 17 years in the N.B.A., made five All-Star teams and won the N.B.A. finals Most Valuable Player Award in 2004.“I learned at a very young age as a player, and not only a player, but a young man, a young adult that every decision has consequences,” Billups said on Tuesday, in addressing the accusation, “and that’s led to some really, really healthy but tough conversations that I’ve had to have with my wife, who was my girlfriend at the time in 1997, and my daughters about what actually happened and about what they may have to read about me in the news.”Damian Lillard, Portland’s star guard, publicly lobbied for the team to hire Jason Kidd as its coach and spoke highly of Billups. He has since said he did not know about the accusation against Billups.Troy Wayrynen/USA Today Sports, via ReutersThe hiring of Billups immediately spurred a backlash, with the Trail Blazers being accused of glossing over the assault accusation at the expense of more experienced candidates like Becky Hammon, the seven-year San Antonio Spurs assistant who was a finalist for the job. Olshey said more than 20 candidates were considered for the role. Billups’s only coaching experience is this season with the Clippers.The Billups hiring also has brought criticism on the franchise’s biggest star, Damian Lillard, who spoke glowingly about Billups and publicly lobbied for the team to hire the former point guard Jason Kidd, who was recently hired as the coach of the Dallas Mavericks after working this season as an assistant coach for the Los Angeles Lakers. In 2001, Kidd pleaded guilty to spousal abuse against his then-wife, Joumana Kidd.On Twitter, Lillard addressed some of the criticism for supporting Kidd and Billups, saying: “Really? I was asked what coaches I like of the names I ‘heard’ and I named them. Sorry I wasn’t aware of their history I didn’t read the news when I was 7-8 yrs old. I don’t support Those things … but if this the route y’all wana come at me… say less.”At the news conference, Olshey said that Lillard had been “involved in the process” for hiring a new coach and that he attended some of the video conference interviews. According to Olshey, Lillard also spoke to Billups directly before the hire.“We have different sectors in this organization,” Olshey said. “And, you know, Dame represents the player sector, and we took his input in the process. We value it. It’s important to us to kind of know where he stands. But at the end of the day, this is an organizational decision and the organization believes that Chauncey is the best person to be our head coach.” More

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      Teenage Ballers Can Cash in Earlier Than Ever. But at What Cost?

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      Male players as young as 16 have many options to play high-level basketball before the N.B.A. without going to college — and get paid big money to do it.In February, Ramses Melendez, who goes by RJ, announced his college decision in a video posted to his social media accounts. A 4-star forward in the class of 2021, Melendez followed a typical formula for the video: a highlight reel and then a jersey reveal. He strayed from the script for a moment, though, when he acknowledged in a voice-over that “it wasn’t easy to make this decision.”A couple of months later, an unusual phone call made that decision even more difficult.On the other end of the line was Timothy Fuller, a former college basketball coach and the director of recruiting for a new league, Overtime Elite. Backed by investors ranging from the Amazon founder Jeff Bezos to the Nets All-Star forward Kevin Durant, Overtime Elite aims to be an alternative to college as a path to the N.B.A. for high-level high school basketball players as young as 16.Fuller had seen Melendez play, and he wanted to offer him a spot in the nascent league. Fuller told Melendez that Overtime would help him prepare for the pros. Fuller also told Melendez that, unlike college, the league could pay him.A lot.Melendez declined to reveal a dollar figure during a recent interview at Rucker Park in New York City, where he was preparing to play in the Omni Elite tournament. But he did say that it was in line with Overtime’s other announced deals.In May, Overtime signed Matt and Ryan Bewley, twin brothers in Florida who are rising high school juniors, to two-year deals reportedly worth at least $1 million apiece. The league has since signed another set of Florida basketball twins for an undisclosed sum, and its leaders have said that it will eventually acquire 30 players who are each making a minimum annual salary of $100,000.“The money was nice, but it wasn’t the most important factor in my decision,” Melendez said. “I want my next step to get me ready to play in the N.B.A. I asked myself: What’s the best way to get there?”This year’s N.B.A. draft, whose order was announced last week with Detroit landing the top pick, isn’t likely to feature any players from the newest alternative paths when it takes place on July 29. But the 2022 draft will be a different story, and players and coaches from middle school to college have taken notice — and taken action.For top-flight high school basketball players, recruiting has often been a high-wire walk without much of a safety net. These teenagers have to discern the trustworthiness of college coaches who text and call them relentlessly, promising playing time and a sure path to the pros. And they have to be wary of boosters and agents and other unscrupulous characters who often offer money and benefits that run afoul of N.C.A.A. rules and the law.Now the best men’s players also have to decide whether it’s worth it to forfeit their college eligibility by turning pro during or immediately after high school.Because of the N.B.A.’s so-called one-and-done rule, American players must be 19 years old and one year removed from their high school graduating class to be eligible to be drafted. But no rule says they must attend college during that year. These new leagues are hoping to lure top players away from the N.C.A.A. with something colleges can’t match: a salary.In addition to Overtime Elite, there is also the N.B.A.’s own elite developmental team, the G League Ignite, which pays top players far and above the salaries for the G League’s regular teams. There is the Professional Collegiate League, which is backed by former Obama administration officials and aims to place 96 players on eight teams this fall. Those players will be compensated up to $150,000 each and receive a lifetime academic scholarship.And there are also overseas professional leagues, from Australia to Europe to China, pursuing American high school stars.“Before it was just, ‘What college am I going to?’” said Samson Johnson, a center from New Jersey who has committed to play for Connecticut in 2021-22. “Now there’s a lot of leagues, and it’s hard to keep up with all this new information. How can you be sure what’s real? It’s risky.”Among top prospects, the G League Ignite team has become the most attractive alternative to college. The G League enjoys the N.B.A.’s backing, and it also has proved it can develop N.B.A. draft prospects.Last year, the Ignite team inked the 5-star guard Jalen Green to a $500,000 contract. Despite playing a shortened season because of the coronavirus pandemic, Green is still considered a top-five pick for this year’s N.B.A. draft in July.Seeing other players succeed in the G League was part of the reason Scoot Henderson decided to graduate from high school early and sign a two-year, $1 million deal with the Ignite.“I wanted to be myself, and I wanted to own myself,” Scoot Henderson said. “With the G League, I get to play at a high level every night.”Lynsey Weatherspoon for The New York TimesHenderson had garnered interest from a professional league in China, from Overtime and from just about every college basketball powerhouse in the country.His decision came down to college or the Ignite team, which offered money, competition and the opportunity to sign endorsements. Despite some scattered progress on names, images and likeness reforms, it remains unclear whether N.C.A.A. athletes will be able to sign endorsement deals this year.“I wanted to be myself, and I wanted to own myself,” Henderson said. “With the G League, I get to play at a high level every night. I can also run camps and sign autographs and sponsor products.”Henderson had an added benefit while weighing his options. His A.A.U. coach, Parrish Johnson, is a longtime friend of Ignite Coach Brian Shaw.But not every elite high school player is so lucky. The N.C.A.A. doesn’t allow high school players to have contacts with agents, so they have to rely on the advice of coaches and family members who are not often familiar with the nuances of professional athletic contracts.Darrell Miller’s son, Brandon, is a top-15 prospect in the class of 2022. Whenever Darrell learns about a new league, he pulls out his laptop and starts Googling. Sometimes he’ll find himself with a dozen tabs open as they’re waiting at the airport for a flight to another A.A.U. tournament.“The scary part is: You just don’t know,” he said. “These are start-ups. They look really nice. They have the coaches. They have the board members. But then you get this feeling: What if? What if that check doesn’t clear? What if my son’s stock drops? If you’re a professional athlete, you’re not allowed to make the same mistakes you can as a college kid. If you choose the wrong college, you can transfer. If you choose the wrong pro league, what’s your backup plan?”Some high school and A.A.U. coaches, who are often players’ closest confidants, are also uncomfortable with their roles.“Your biggest nightmare as a coach is to push a kid in a certain direction and have it not work out,” said Vonzell Thomas, who coaches the A.A.U. team Southern Assault. “Then for the rest of that kid’s life, whenever he thinks of you, he’ll think: That’s the guy who screwed up my life. You never want your name to come up when a kid gets asked why he didn’t make it.”Melendez discussed the Overtime offer with his parents and coaches. They looked at the contract together. Ultimately, he decided to turn the league down and stick with his decision to play at Illinois. It felt, for now, like the safer decision.“I said no because I’ve heard some N.B.A. players talk about how they regret not playing in college,” he said. “I don’t want to find myself in that situation. I didn’t want to wake up next year and feel like I’d made a big mistake. These leagues may turn out to be great opportunities, but I want to be able to see some history first. I want to make sure it works. These decisions change your entire life.” More

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      The Connecticut Sun’s Chemistry Goes Beyond W.N.B.A. Bonds

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      Four Sun players also played college basketball at Maryland, giving them a connection that is proving fruitful on and off the court.They started off 5-0, and even now, at 9-5 entering Sunday, are better than nine of the W.N.B.A.’s dozen teams. The Connecticut Sun also are, somewhat unexpectedly, atop the Eastern Conference standings. They made it to the league semifinals in the IMG Academy bubble last season, but weren’t projected to be a title-contending team in 2021.Part of their sudden success can be attributed to chemistry, some of which has been in the making long before several players arrived in Connecticut.“We played for years together,” the rookie forward Stephanie Jones said. “Like, me and Kaila Charles, we played for years, and then me and my sister for a year, and having the background there, we all know where each other comes from in Maryland.”Jones is in her first year in the league after a college career with Maryland, where she played for four seasons alongside Charles. Her older sister, Brionna Jones, has been with the Sun for five years after playing at Maryland with Stephanie for one season and another with the Suns’ veteran forward Alyssa Thomas.Thomas is out this season with an Achilles’ tendon tear, but she is one of the most notable Terps in the league when healthy. Her presence alone on the Suns’ bench has had an impact this year.“Having a background with A.T., even just her being on the sidelines, like she understands where me and Kaila come from and what we’re doing,” Stephanie Jones said. “She gets what we went through those four years. Her communication with us makes our chemistry great.”Stephanie Jones wasn’t drafted into the W.N.B.A. right after college, but the opportunity to play in the league this season allowed her to team up with her older sister, Brionna.Stew Milne/Associated PressJones didn’t find a roster spot right out of college and wasn’t in the W.N.B.A. last season. The Sun selected Charles in the second round of the 2020 draft with the No. 23 overall pick, and she made an impact right away, averaging 5.4 points and 2.6 rebounds over 17.9 minutes per game.At Maryland, Charles was one of six players in the school’s history to crack the top 10 in career points and rebounds. She started all her games at Maryland, tying Thomas’s record of starting 135 games. Charles hasn’t played as much yet this season, with returning players and a deeper roster, but Thomas has still taken notice of her fellow Terps’ development.“I haven’t been able to play with her yet, but watching her grow as a pro, seeing that in Florida, she’s done a good job,” Thomas said. “She’s having a good second year. There’s a lot more room to grow, but she’ll keep getting better each and every year.”While Charles was forging a pro career, Jones was still looking to make a roster, spending her 2020 season in Poland. She signed a training camp contract with the Sun in March and played her way onto the final roster. She has appeared in seven of the Sun’s first 14 games, averaging 2.3 points in seven minutes per game.Part of her comfort level has been playing with her sister.“It’s one thing playing together in college, but in the pros, that was always a dream,” Brionna Jones said. “To get to the league and then play with my sister, that’s really special. I’m always in her ear trying to help her along, do everything I can to make the experience good for her and make sure she’s catching all the little nuances I missed out on my rookie season.”Brionna Jones and Thomas also play overseas for the same team, USK Praha, so their connection has run through a few avenues.“We can’t get rid of each other,” Thomas said. “We love playing with each other. We know each other’s game so well each and every night.”She added: “I just love going out there and playing with her, and even off the court, we hang out all the time. We’ve had years getting to know each other.”Thomas is Maryland’s career leading scorer and rebounder, whose record is unmatched in both the women’s and men’s programs.Her impact on Maryland has almost certainly been one reason Coach Brenda Frese can recruit as well as she does, and Maryland has been a destination program in the last decade.Kaila Charles is still learning the rhythms of the W.N.B.A. in her second season, but she has the support of her fellow Terps, like Alyssa Thomas.Sean D. Elliot/The Day, via Associated PressCharles and Stephanie Jones felt that impact, too.“They’re always going to push you to be your best,” Charles said. “Like, Coach always talked about being comfortable being uncomfortable. And that’s one thing that really sets us up to play at the next level, because just to be able to develop your game, you have to not be comfortable and still be able to be successful.”The Sun have been playing without Jonquel Jones, who could be a candidate for the Most Valuable Player Award and has been competing in the FIBA Women’s EuroBasket 2021 for Bosnia and Herzegovina. She has missed four games but could return soon.The Sun’s first game without her and her 21.6 points per game was a loss to Seattle, the first Sun home loss of the season. Her absence leaves room for one of the young Terps, like Charles or Stephanie Jones, to step up.Last season, it was Brionna Jones who took charge with Jonquel Jones out of the lineup after opting out of the 2020 season. Brionna became one of the Sun’s most consistent players, which has carried over to this season with 13.9 points, 6.4 rebounds and 1.1 steals per game in more than 30 minutes per contest so far.At this point, the group is used to playing without some of its best talent. Last season, the Sun found ways to still succeed; Charles was a part of that, her rookie year, and said she was still learning.“This feels like year two of my rookie year,” she said. “Everything is kind of new still, playing in different arenas, adding the travel component to go with the game, having the fans back in the arena also makes things completely different than last year.”The Sun have already proved they can contend when it’s unexpected, and perhaps the Maryland bond of the Jones sisters, Thomas and Charles is helping.They certainly think so.“As a team we like each other so much, and we get along off the court, too,” Brionna Jones said. “So I think that allows us to have success on the court.”“It’s easy for us to talk to each other,” she continued, “to hold each other accountable, and I think that helped us a lot down the stretch last year. It allows us to be successful now. When you know people and care about them, you trust them. I think that makes it easier to succeed.” More

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      Trae Young Plays Like He’s a Great Shooter. The Bucks Should Let Him.

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      Young, the Atlanta Hawks guard, isn’t the 3-point threat that you would think, considering how many deep shots he takes.When it comes to Giannis Antetokounmpo, the Milwaukee Bucks star, much of the discussion is about whether he takes too many 3-pointers at the expense of his true strengths, which include his dominance in the paint.It’s a worthy discussion, but after Game 2 of the Eastern Conference finals, in which the Bucks convincingly equalized the best-of-seven series in a blowout, it’s also worth asking if that discussion should be directed toward Atlanta’s Trae Young, too.The Bucks put the game away in the first half with a 20-0 run en route to a 125-91 victory. How they won wasn’t exactly basketball rocket science. They made 3-pointers at a high clip. In the first half, Milwaukee shot 10 for 18 from deep and didn’t look back. Many of those shots were open and weren’t much different from the Bucks’ looks that didn’t fall in Game 1.As the perimeter opened up in Game 2, so did the lane for Antetokounmpo, who relentlessly attacked the rim, both in transition and in post-ups, and finished with 25 points, 9 rebounds and 6 assists in 29 minutes.The Bucks also disrupted Young by playing him more physically. In particular, Milwaukee used its length to cut off passing lanes, forcing Young into nine turnovers. Jrue Holiday, an elite perimeter defender, was more aggressive in containing Young, particularly coming off screens.“They just picked up their pressure, their intensity,” Hawks Coach Nate McMillan said after the game. “They played with more sense of urgency. I didn’t think Jrue did anything other than stay focused on Trae, containing the ball and just being right there.”Young didn’t hesitate to take the blame.“That’s all on me,” Young said. “I’ve got to be better at taking care of the ball and just do a better job of at least getting us a shot. Nine turnovers. I’ve got to do better, and I will do better next game.”There is another issue with Young that doesn’t seem to get as much attention beyond the turnovers, and here he may have something in common with Antetokounmpo.Antetokounmpo went 0 for 3 from outside the perimeter in Game 2. And with each missed shot, TNT’s Reggie Miller harangued Antetokounmpo on the broadcast for taking those wide-open shots, saying that he was bailing out the Hawks’ defense. It has been a theme throughout Antetokounmpo’s playoff runs. In this year’s second-round series against the Nets, every time Antetokounmpo had an open look at Barclays Center, the crowd would roar with anticipation, hoping he would take the shot.Miller and the Nets fans were onto something. Those are not great shots for Antetokounmpo, given his strength near the rim. But three long jump shots in a game isn’t much in today’s N.B.A.Young, who is supremely confident in his long-range shooting, is an example of that. His confidence is part of what makes him such a great player and why the Hawks have unexpectedly made it to the conference finals. But there is growing evidence that Young’s 3-point shooting is almost as problematic — if not more so — than Antetokounmpo’s, because he takes many more of them and hasn’t consistently knocked them down.Young and his teammates struggled from 3 in Game 2, finishing 9 for 36 from 3. Young went 1 for 8. The one make was a highlight-worthy quick release following a crossover against Holiday. That’s just it with Young: When he succeeds, he does it in a flashy way, making it easy to forget about the seven misses. It’s easy to chalk this up to a poor shooting night. But in Game 1, when Young masterfully poured in 48 points, what went less noticed was that he shot 4 for 13 from 3.OK, that’s two poor shooting nights — at least from 3. That happens. But when one zooms out and looks at Young’s history as a shooter, there are holes. Against the Philadelphia 76ers in the semifinals, Young shot poorly from 3 over seven games: 32.3 percent on almost nine attempts a game. In the opening round against the Knicks: 34.1 percent over five games.Over 204 career regular-season games, Young has shot only 34.3 percent from 3. For someone who has averaged more than seven 3-point attempts per game for his career, that’s not very good.Part of this is the difficulty in the 3s Young takes. As the primary ballhandler, Young is excellent at creating shots for others, but he rarely has shots created for him. That means many of his 3-point shots are coming off pull-ups or step-backs, and rarely off catch-and-shoots. They’re also frequently contested.In the regular season, 43.8 percent of Young’s shots came after he dribbled the ball more than seven times, according to the N.B.A.’s tracking numbers. For comparison, that same number for Kevin Durant of the Nets was 13.1 percent. Stephen Curry of the Golden State Warriors, a player Young has compared himself to, is at 24.3 percent.Young certainly looks the part of a great 3-point shooter: His form is similar to Curry’s. He is a great free-throw shooter (88.6 percent during the regular season). And he is often aggressively guarded as if he is a consistent threat as a shooter. But there’s isn’t evidence that he is much of one.During the regular season, when the closest defender was more than six feet away from Young, he only shot 39.6 percent from the field. During the playoffs, entering Friday, that number was slightly worse at 38.2 percent. (Curry, during the regular season, was at 48.9 percent. The Los Angeles Lakers’ LeBron James was at 45.2 percent, and Durant was at 56.3 percent.)This is an argument to occasionally guard Young in the same way that opposing teams guard Antetokounmpo: Goad him into taking more deep shots, particularly step-backs. Give him more space and put a defensive wall up around the rim. Young makes up for his shooting with his skillful ball-handling in the paint and by getting to the free-throw line. While Antetokounmpo bullies his way to the basket, Young uses finesse. One of Young’s best weapons is a floater, which he deploys often coming off a pick-and-roll and seeing a Bucks big man drop back in coverage. On Friday, Young was 5 for 8 inside the 3-point line.Simply put: The Bucks should encourage Young to take shots he doesn’t usually make and stop him from getting the ones he usually does. Giving him more space to operate on the outside might help neutralize his skill at breaking down defenses to get to the rim. The downside is that this leaves more space for Atlanta’s other shooters as well. But Young is adept at finding them anyway when he gets into the paint easily.Young is a better deep threat than Antetokounmpo, who shot 30.3 percent from 3 during the regular season. But to an extent, shooting has so far been a weakness in Young’s career — one that the Bucks should not be afraid to exploit as the series heads to Atlanta on Sunday.Young seems to think he’s a good long-range shooter. Don’t disabuse him of that notion. More

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      Clippers Beat Suns in Game 3, Continuing a Playoff Trend

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      For the third straight playoff series, Los Angeles spotted an opponent two wins and then roared back in Game 3. In each previous series, they kept winning and advanced.The Los Angeles Clippers are the first team in N.B.A. history to erase multiple 2-0 series deficits in the same postseason. Their players, so impressed by the adjustments that their coach, Tyronn Lue, has been making to facilitate those comebacks, have started calling him Bill Belichick.“Yeah, right,” Lue said late Thursday, laughing at the comparisons to Belichick, who has coached the New England Patriots to six Super Bowl titles.Lue knows the Clippers remain seven wins from the first N.B.A. championship in franchise history, but on Thursday they managed to add another entry to their improbable run of Game 3 recoveries — and this time they did it without their best player. With Kawhi Leonard reduced to spectator status, watching from a Staples Center suite as he nursed a worrisome right knee sprain, Los Angeles ground out a 106-92 victory over the Phoenix Suns to slice the Suns’ lead in the best-of-seven Western Conference finals to 2-1.While none of the Clippers got too carried away with one win, given the specter of Leonard’s uncertain availability for the rest of the series, the performance provided the feel of an actual trend that began with the Clippers’ momentous Game 3 win in Dallas and continued with a similar escape against the Utah Jazz in the next round.Paul George scored 27 points in Game 3.Robert Hanashiro/USA Today Sports, via ReutersIn the first round, Dallas had won the first two games as the road team and opened a 30-11 lead in Game 3 before the Clippers rallied for a win that probably saved their season.This week, after the Clippers dropped the first two games in Phoenix while the Suns’ Chris Paul was isolated from his team in the league’s health and safety protocols, Los Angeles needed a similar turning point. With Paul making his return Thursday night, the Suns, with Paul in and Leonard out, seemed set up perfectly to bring a halt to the Clippers’ Game 3 joy.Then Lue intervened, as he had in the Dallas series (when he made the 6-foot-8 Nicolas Batum his starting center) and then the Utah series (when he unleashed the reserve guard Terance Mann, with Leonard out, and Mann responded by scoring a career-high 39 points in a closeout victory in Game 6).On Thursday, Lue again started the 6-foot-5 Mann to send some size at the rusty Paul, but he also handed key roles to Patrick Beverley and Ivica Zubac (15 points and 16 rebounds) after pulling both from the starting lineup in the Dallas series. Assigning Mann to Paul and directing Beverley to hound the Suns’ Devin Booker helped a weary Paul George stay just fresh enough to register 27 points, 15 rebounds and 8 assists. It was an encouraging rebound for George, whose two late missed free throws in Game 2 in Phoenix created the opening for the Suns to steal a 104-103 victory on Deandre Ayton’s dunk in the final second. In Game 3, George’s half-court bank shot at the third-quarter buzzer freshened up his 9-for-26 shooting line considerably and crucially nudged the Clippers’ lead to 80-69, giving them the fourth-quarter edge that led to the Suns’ first loss since May 27.“I thought we did a great job of moving on,” George said. “I moved on. I know I have to be better.”That was a safe assumption with Paul returning from his 10-day isolation from the Suns. Before his sudden exile, Paul, 36, had played the best series of his career in a second-round sweep over the Denver Nuggets — clinching only the second trip to the conference finals in Paul’s 16-season career. He also surely wanted to make a showy return to Los Angeles, where he had spent six fruitless seasons with the Clippers before departing in 2017.Paul and the Suns still have an opportunity to lead their franchise into the N.B.A. finals for the first time since 1993. Leonard’s injury makes this the third straight round in which the Suns have faced a compromised opponent, after the defending champion Los Angeles Lakers (Anthony Davis) and then the Nuggets (Jamal Murray) were weakened by the loss of key players.Yet Paul and Booker combined to shoot 10 for 40 from the field in Game 3, with Booker forced to wear a plastic face shield after a Game 2 clash with Beverley left him with a broken nose. The Suns also lost Cameron Payne, who starred in Game 2 (29 points, 9 assists, 0 turnovers) while filling in for Paul, when he injured his left ankle in the first half. For once in a postseason marked by serious injury issues in both conferences, Phoenix looked a bit banged up heading into Saturday’s Game 4.Booker insisted that his nose was “fine, honestly” after doctors deemed it broken in three places, and he dismissed suggestions that the mask had affected his shooting. I checked in with one of Booker’s former Suns teammates, Jamal Crawford, after Crawford took to Twitter during Booker’s 5-for-21 shooting struggles to describe his own experience with a face shield as “the best defense” he had ever seen.Devin Booker wore a mask to protect his broken nose but refused to blame it for his 5-for-21 shooting performance.Mark J. Terrill/Associated Press“The mask challenge is real,” Crawford said. “First off, you can only see straight ahead, nothing on the sides. And even shooting, your depth perception is not quite right. A shot you shoot long may be short, and vice versa. It’s tough to get in a rhythm.”Crawford recalled ditching the mask after a quarter and taking his chances with an exposed nose because “the frustration of wearing it was too much.” The Suns coach, Monty Williams, not surprisingly, implored his players to blame the defeat on nothing apart from their failure to match what he termed the Clippers’ “desperation.”To hear Lue’s players tell it, that pluck stemmed as much from him as despair. Whether the Clippers can win Game 4 and give their third successive comeback attempt from a 2-0 deficit a significant jolt most likely depends on how well Paul and Booker can bounce back from their shaky reunion. But the Clippers said they were convinced Lue would have a plan for that.“I think it’s special, just the relationship I have with T-Lue, and the relationship T-Lue has with every individual on this team in general,” George said. He credited a late-night phone call with Lue shortly after the team landed in Los Angeles after the painful Game 2 defeat with helping him bounce back.But does that make him the next Belichick?“I’m nowhere near him,” Lue said.Was he bold enough to believe that the Clippers, after going 0-6 in Game 1s and Game 2s, can make it back to 2-2 again even without Leonard?“I don’t like it, I’ll tell you that,” Lue said of his team’s habit of digging early holes. “But we’ve been a resilient team all season long.” More

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      He Created the Sports Theme Song You Didn’t Know You Knew

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      It’s a little bit “aggressive” and a little bit “light.” The theme song for TNT’s “Inside the N.B.A.” is as much a character as the show’s popular hosts.Even the most casual N.B.A. fans probably remember the classic theme song for games played on NBC during the golden era of 1990s basketball. They’ll almost assuredly recall that it was written by John Tesh, the former television host and composer. Some might even know that it’s called “Roundball Rock.” It has been memorialized in pop culture on “Saturday Night Live” and further enshrined with a video of Tesh explaining where the song came from: a voice mail message he left for himself.In the 21st century, another theme song has become familiar to N.B.A. fans, although most likely not as much as Tesh’s. It is the one that signals the start of one of the most influential studio shows in sports, “Inside the N.B.A.” on TNT. Here, the composer of the theme song is virtually unknown to the show’s viewers and even to its hosts. But he is a household name in some corners of music fandom and one of the industry’s most prolific composers.The composer is Trevor Rabin, the former guitarist of the progressive rock band Yes. The South African-born musician was the driving force behind the album “90125,” a comeback record for the band, and the song “Owner of a Lonely Heart,” the band’s only No. 1 hit. Rabin was inducted into the Rock & Roll Hall of Fame in 2017 with the band.“I wasn’t really even aware of that, to tell you the truth,” Ernie Johnson, one of the hosts of “Inside the N.B.A.” and a Yes fan, said in a phone call after finding out that Rabin was the composer. “But that’s very cool.”Rabin, who lives in Los Angeles, described himself as a rabid basketball fan, particularly of the Lakers. He said that he “religiously” watches games and uses that time to practice the guitar. But when it comes to this theme song, he has gone mostly unnoticed.“I remember Shaq saying once he liked the theme just in passing, but no one’s ever acknowledged me. Charles Barkley needs to acknowledge it and give a shout out. Otherwise I’m never going to support him again,” Rabin joked during a recent interview, referring to Shaquille O’Neal and Barkley, who host “Inside the N.B.A.” with Johnson and Kenny Smith.Rabin, 67, turned to film scoring in the 1990s. He had shown an interest in orchestration dating to his childhood in South Africa, growing up as the son of a classical pianist mother and a violin-playing father. As a member of Yes, Rabin said that he would often try to introduce orchestral components to the music.Rabin is perhaps best known for composing the theme song for the movie “Remember the Titans.”Mike Coppola/Getty Images“A lot of it has become kind of electronic and computerized, but writing for orchestra was always a love of mine,” Rabin said, referring to on-screen scores. “So I just decided I’m going to get into film, and I remember my manager saying: ‘Oh, it’s a big brick wall there. Just because you’ve had a notoriety with other areas, film’s going to be very difficult.’ But I decided, ‘No, I really want to do this.’”He quickly became a sought after composer in Hollywood. In 1998 alone, the films “Armageddon,” “Jack Frost” and “Enemy of the State” were released with Rabin’s scores. His most famous work is most likely the theme song for 2000’s “Remember the Titans.” That composition was played in November 2008 after Barack Obama delivered the acceptance speech for winning the presidency.It was the “Titans” theme that put Rabin on the radar of Craig Barry, now the Turner Sports executive who oversees the “Inside the N.B.A.” studio production. Barry, also a serious Yes fan, was doing some production work for NBC during the 2002 Winter Olympics in Salt Lake City — and used the theme from the “Titans” soundtrack to close out the final broadcast. Barry then recruited Rabin to rework the TNT studio show’s theme song.“I went armed with literally a handful of his work,” Barry said, and added, “I was essentially telling him I want all of this together.”Part of what makes a theme song effective, Barry said, is that “you never get sick of hearing it.”Clearly, TNT has not. Usually, according to Rabin, the network will update graphics and other parts of the broadcast — except the hosts, of course — every three years or so. But the theme song has stayed the same for almost two decades. It has become a character of the show, much in the same way as Johnson, O’Neal, Barkley and Smith. (Like Tesh’s, this theme has appeared on “Saturday Night Live,” but as part of a larger sendup of “Inside the N.B.A.”)“To me, it’s kind of a signature,” Johnson said. “If somebody has their back turned, and they’re in the house doing something and have the television on for background noise and they’re waiting for something, when they hear that song, they go, ‘OK, the ‘N.B.A. on TNT’ is on. It’s like the stamp that says the N.B.A. is coming on.”The listener can hear certain mainstays of what made Yes successful, particularly the soaring lead guitar riffs and the heavy use of a synthesizer. But there is more that may not immediately meet the ear. The song is in the time signature 7/8, whereas most songs written for any medium in the last two centuries are more traditionally 4/4. (A time signature is generally a measure of a song’s rhythm.)The genesis of the theme song was an act of aggression. Rabin said that he was watching the 1984 N.B.A. finals between the rival Boston Celtics and his Lakers, when during Game 4, Kevin McHale, the Celtics power forward, clotheslined the Lakers’ Kurt Rambis. Rabin was scoring while watching the game and the clothesline inspired him to come up with the 7/8 meter, which he would then use for TNT.“I feel like anything I do, when I listened back to it, I always think: ‘Oh, God, why didn’t I do this? I should have done that,’” Rabin said.Allison Zaucha for The New York TimesAnother aspect distinguishing this song is its versatility, whether under highlights or as a main theme.“What’s unique about the ‘N.B.A. on TNT’ theme is that it can be used in various situations, and it can be really appropriate,” Barry said. “It has this primary theme and then it has this very aggressive rush section and then it has a light fanfare piece of it. It’s all kind of seamlessly melded together.”Rabin said the only N.B.A. figure he has discussed the theme with is Gary Payton, the Hall of Fame point guard who spent much of his career with the Seattle SuperSonics. Right after the theme made its debut, Payton visited the set of “Bad Boys II,” a film Rabin had scored. Rabin was chatting with the film’s lead, Will Smith, when Payton approached.“I said: ‘Oh, my goodness, you’re the Glove. How you doing? And can I shake the glove?’” Rabin said.He informed Payton that he had composed the “Inside the N.B.A.” theme song.“And then he was like, ‘Man, that’s cool.’ And I guess that’s the story,” Rabin said.Even though TNT has not made a move for a new theme song, the current one does have one prominent critic: Rabin.“It’s kind of a terrible affliction I have,” he said, adding that he’s also uncomfortable watching movies he has scored. “I feel like anything I do, when I listened back to it, I always think: ‘Oh, God, why didn’t I do this? I should have done that.’”But every time the song is played on the broadcast, Rabin collects a check, no matter how much he cringes at hearing it played.“I wish it was $15,000 at a time, but unfortunately I think it’s more like 15 cents,” Rabin said. More

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      Nets Assistant Ime Udoka Nears Deal to Coach the Celtics

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      Udoka, who has been with the Nets for one season, will be hired by Brad Stevens, his predecessor. Stevens recently was promoted to president of basketball operations.Ime Udoka, who was an assistant for the Nets this season, is nearing an agreement to become the next head coach of the Boston Celtics, a person familiar with the discussions but not authorized to discuss them publicly said on Wednesday.Udoka spent seven years as an assistant with the San Antonio Spurs under Gregg Popovich and one season as an assistant in Philadelphia before coming to the Nets. He also played in the N.B.A. as a reserve for seven years, including spurts with the Knicks and the Los Angeles Lakers and three seasons with the Spurs.The news of the impending hiring was first reported by ESPN.This will be the second high-profile move made by the new Celtics team president, Brad Stevens, who was unexpectedly thrust into the role this month. His predecessor, Danny Ainge, stepped down after the Nets knocked the Celtics out of the playoffs in the first round.Stevens had coached the team for the last eight years, but this season had been a particularly tumultuous one for the Celtics, who were besieged by injuries and an ill-fitting roster that lacked depth. Boston’s best player, the All-Star Jayson Tatum, also dealt with lingering effects from Covid-19. After making the Eastern Conference finals in 2019-20, the Celtics had to fight just to get into the playoffs and finished the season at 36-36.Udoka, 43, will inherit a team centered on two All-Star wings, Tatum and Jaylen Brown. In his first major move as team president, Stevens last week traded Kemba Walker, who was the team’s starting point guard, and Boston’s 2021 first-round pick to the Oklahoma City Thunder for Al Horford and Moses Brown, an up-and-coming center. The move increased the Celtics’ financial flexibility.At the news conference announcing his promotion, Stevens said of the coaching search: “I think that the good news about whoever we hire, they don’t have to fill Doc Rivers’s shoes like I did, and they don’t have to fill Danny Ainge’s shoes now like I do. The good news is they have to figure out a way to be better than the last guy.”Udoka, who is Nigerian American, will become the sixth Black coach in the history of the franchise. The others were Rivers (2004-13), M.L. Carr (1995-97), K.C. Jones (1983-88), Tom Sanders (1978) and Bill Russell (1966-69).In a league that has been criticized for predominantly hiring white coaches, even though more than 70 percent of players are Black, Udoka will be one of nine nonwhite head coaches. (This does not include Nate McMillan, who is Black and the interim head coach of the Atlanta Hawks.) Udoka will be coaching in a city that was once again in the spotlight for its treatment of Black athletes, during this year’s playoffs. Kyrie Irving, who played for the Celtics from 2017 to 2019, suggested that he had heard racist comments from fans during his time in Boston and said that he hoped he wouldn’t hear them as a member of the Nets.There are six other head coaching vacancies across the league, in Portland, Orlando, Indiana, New Orleans, Washington and Dallas. More

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      Vanessa Bryant and Families of Crash Victims Settle With Helicopter Company

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      Bryant, the widow of the N.B.A. star Kobe Bryant, had filed a wrongful-death lawsuit against the company that operated the vehicle that crashed last year, killing nine.Vanessa Bryant, the widow of the basketball star Kobe Bryant, and the family members of the other victims in a deadly helicopter crash in January 2020 reached a settlement with the charter company that operated the helicopter.Terms of the settlement were confidential and it is awaiting court approval.Vanessa Bryant had filed a wrongful-death lawsuit against Island Express Helicopters and its owner, Island Express Holding Corporation, arguing that the company had not properly trained the helicopter’s pilot, Ara Zobayan, and that he had shown negligence in his flying.In response to the lawsuit, Island Express Helicopters had denied responsibility for the crash, labeling it “an act of God.” The company countersued two Federal Aviation Administration air traffic controllers, stating their “series of erroneous acts and/or omissions” had caused the crash.Kobe Bryant, a longtime member of the Los Angeles Lakers who was recently posthumously inducted into the Basketball Hall of Fame, his daughter Gianna, and seven other people on board were killed in the crash. They had been traveling to a youth basketball game at Mamba Sports Academy in Thousand Oaks, Calif., when the helicopter slammed into a hill near Calabasas, Calif.In February, the National Transportation Safety Board announced that the crash had most likely been caused by Zobayan’s flying into clouds, in a violation of federal rules. The conditions blinded him and caused him to become disoriented, believing the helicopter was climbing when it was actually descending, they found.Zobayan had been a longtime pilot for Kobe Bryant and his family. He was likely eager to make the trip for Bryant, despite the fog-shrouded conditions, but there was no indication that Bryant had pressured Zobayan into flying, the yearlong investigation concluded.Vanessa Bryant and other family members of the crash’s victims also filed a lawsuit against the Los Angeles County Sheriff’s Department, four deputies, the county and its fire department for invasion of privacy and negligence after deputies took and shared unauthorized photos of the victims and the crash site.That lawsuit is ongoing.Nicholas Bogel-Burroughs More