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      Gene Shue, All-Star and Longtime N.B.A. Coach, Dies at 90

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      He had a seven-decade pro career, starting as a guard with the Pistons before coaching for 22 years, leading the Bullets and the 76ers to the finals.Gene Shue, an All-Star N.B.A. guard of the late 1950s and early ’60s who went on to turn losers into winners in 22 seasons as a pro coach, died Sunday at his home in Marina del Rey, Calif. He was 90. Shue’s death was announced by the NBA. His partner, Patti Massey, said he had been treated for melanoma.Shue embarked on his pro career playing with the old Philadelphia Warriors in 1954, the year the 24-second shot clock was adopted. He was an N.B.A. presence for seven decades in a journey with second and even third acts.Long after joining the Warriors as a first-round draft pick out of Maryland, Shue returned to the city twice, as a coach of the 76ers (formerly the Syracuse Nationals) and later in front-office roles. He had two stints playing for the Knicks.He ended his playing career with the Baltimore Bullets and later coached them in Baltimore and Washington. He coached the Clippers in San Diego and Los Angeles. He was an All-Star for five consecutive seasons with the Detroit Pistons, twice averaging more than 20 points a game. And he was named a first-team all-N.B.A. guard in 1960, along with the Boston Celtics’ Bob Cousy.Shue was twice N.B.A. coach of the year, with Baltimore in 1969 and with Washington in 1982, and he coached the Bullets and later the 76ers to the N.B.A. finals.“I’ve never had a perfect team, and I’ve always settled for something less,” he told The Boston Globe in 1985. “My whole history involves taking weak teams and turning them around.”Eugene William Shue was born on Dec. 18, 1931, in Baltimoreto Michael Shue and Rose Rice. When he played basketball in grammar school, the court’s ceiling was barely higher than the hoops, so he developed a line-drive feet-on-the-floor set shot. He went on to average more than 20 points a game at Maryland in his junior and senior seasons.A slender 6 feet 2 inches, Shue was selected by the Warriors as the third overall pick in the 1954 N.B.A. draft. But after six games with them, he was sold to the Knicks and spent two seasons in New York playing in a backcourt with Carl Braun and Dick McGuire.The Knicks traded Shue to the Pistons in 1956, during their final season in Fort Wayne, Ind., when the N.B.A. still included medium-size cities and travel was hardly luxurious.“Every time we flew from Fort Wayne to the East Coast, we had to stop in Erie, Pennsylvania, to gas up or we’d run out of gas over the Great Lakes,” he told Terry Pluto in the oral history “Tall Tales” (1992), recalling trips on the owner Fred Zollner’s DC-3.Shue was an All-Star with the Detroit Pistons from 1958 to 1962. He played his final two seasons with the Knicks and the Bullets, then retired with a scoring average of 14.4 points a game for 10 seasons.He began his coaching career with Baltimore in 1966, taking over a Bullets team that had won 16 games the previous season. His Bullets went 57-25 in 1968-69 behind Earl Monroe and Wes Unseld, whom Shue selected in the two previous drafts. They won the Eastern Conference title in 1971 with a seven-game playoff victory over the Knicks, the defending N.B.A. champions. But they were swept in the finals by the Milwaukee Bucks of Kareem Abdul-Jabbar and Oscar Robertson.Shue became the coach of the 76ers in 1973, when he was asked to resurrect a team that had gone 9-73. He coached them to the N.B.A. playoff finals in 1977 behind Julius Erving, but they lost to the Portland Trail Blazers in six games. When the 76ers got off to a 2-4 start the following season, Shue was fired.Shue, right, was an All-Star guard for the Detroit Pistons when he drove to the basket by Richie Guerin of the Knicks during a game at Madison Square Garden in 1961. At left was the Pistons center Walter Dukes.BettmannHe became the coach of the San Diego Clippers in 1978-79 after they won 27 games as the Buffalo Braves. He took the Clippers to a 43-39 record, but he departed midway through the following season when they were losers once more.Shue had a costly run-in when his Clippers were facing the Bulls in Chicago in January 1980. After referee Dick Bavetta called a technical foul on the Clippers for having too many men on the court, Shue shoved him.Commissioner Larry O’Brien fined Shue $3,500 and suspended him for a week without pay.“I am a mild-mannered man,” Shue said afterward, “but sometimes you have to stand up and assert yourself.”Shue spent nearly six years in his second stint with the Bullets after they moved to Washington. He finished his coaching career with the Clippers in Los Angeles in 1989 after a season and half of losing basketball.His teams won 784 games and lost 861 over all.Shue stressed defense as a coach.He “taught the right defensive theories — overplaying your man, helping out, double-teaming the ball,” the Bullets’ forward Gus Johnson told Pete Axthelm in “The City Game” (1970).Shue’s two marriages ended in divorce. In addition to Ms. Massey, his survivors include his daughters, Susan and Linda Shue, and a grandson. His son, known as Greg, died in 2021.Shue returned again to Philadelphia in July 1990 as general manager of the 76ers.“There’s no such thing as nine lives,” he told The Philadelphia Daily News. “I spent 20 years in coaching, and so much can happen when you do that job. You can get fired, you can leave, but it doesn’t reflect on your abilities.”The 76ers’ owner at the time, Harold Katz, said, “Some guys survive. There are people like that, who continuously show up.”Shue remained in the post until May 1992, when he was reassigned as director of player personnel.He was still at it into his 80s — this time searching for the next N.B.A. phenom as a 76er scout. More

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      Julian Gaines Has a Question: ‘How Do I Paint Oregon Black?’

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      In a cavernous studio on a wind farm in Forest Grove, Ore., about halfway between Portland and the Tillamook State Forest, Julian Gaines, an artist born and raised in Chicago, is creating a body of work devoted to Black American life.He starts his workday at 9 a.m. and goes until the work tells him he’s done, creating images of the civil rights movement’s heroes and martyrs, including James Baldwin and Malcolm X, in a state where Black people make up roughly 2 percent of the population, according to the United States Census Bureau.“I can’t complain about an environment that I’m in but not actually try to change it,” said Mr. Gaines, 31, who left Illinois in 2016. “I get out here and I see that Oregon is culturally inept. It is identical to a blank canvas. I think, ‘How do I leave my lasting mark here? How do I plant my Pan-African flag? How do I paint Oregon Black?’”On a recent afternoon, his studio was filled with the sounds of a fellow Chicagoan, Curtis Mayfield. An American flag occupied part of a 30-foot wall. Mr. Gaines lifted the flag to reveal two stark paintings that appeared to depict lynchings. They were part of a recent series, “Under the Flag.” On the other side of the room, there was a canvas, 14 feet wide, called “Better Timing.” It showed the face of Emmett Till, the Black boy from Chicago who was lynched at 14 while visiting Mississippi in one of the most brutal hate crimes of the last century.Artist at work: Julian Gaines in his Oregon studio.Amanda Lucier for The New York TimesMr. Gaines got widespread attention in 2020, when his series “KAREN(S)” was featured on the cover of New York magazine. It was Pop Art with a political edge — a bold image of a white woman holding a phone to her ear, her expression stern, a tear running down her cheek. It evoked a string of incidents involving women who had called the police on Black bystanders: a bird-watcher, a man entering his apartment building, an 8-year-old selling water.“KAREN(S)” owed something to an experience Mr. Gaines went through himself, after a neighbor damaged his car two years ago, he said. When he asked the neighbor, a white woman, to provide her insurance information, she threatened to call the police and report him for elder abuse, he said. As she approached him, ranting and pressing a finger to his chest, he recorded her with his phone. Once the police arrived, Mr. Gaines was able to show them the images on his screen. The neighbor ended up admitting to the police that she had caused the damage to the car, and the officers left soon afterward.“If I did not have that video, who knows what could have happened?” Mr. Gaines said.Nike released a limited-edition sneaker designed by Mr. Gaines in 2017.Amanda Lucier for The New York TimesAfter the incident, the woman sent Mr. Gaines a note of apology: “I am sorry for my actions and unneighborly behavior,” she wrote. The note hangs in his studio.Mr. Gaines has a key supporter in the art collector James Whitner, the chief executive of the Whitaker Group, the company behind the fashion labels A Ma Maniere, Social Status and APB. Works by Mr. Gaines, including “KAREN(S),” appear in Mr. Whitner’s North Carolina home, along with paintings and sculptures by KAWS, Nina Chanel Abney and Jammie Holmes.“He’s speaking to the Black experience, and he’s not blinded by institution,” Mr. Whitner said in an interview. “Some people don’t necessarily get Julian, but I get Julian because for years people didn’t get me.”Last summer Mr. Gaines had his first solo show, “Painting the Blueprint,” at the Steven Harvey Fine Art Projects gallery in Lower Manhattan. In September, “Benji,” his monochromatic rendering of Ben Wilson, a top basketball prospect who was killed in his Chicago neighborhood at 17 in 1984, sold for more than $20,000 at a Phillips charity auction. Mr. Gaines was born on the Southeast Side of Chicago and raised in a building owned by his great-grandmother, Gladys Pelt. His mother, Pamela Robinson, still lives there. An image of the building is tattooed on Mr. Gaines’s right wrist.He was born into a city and a world where Michael Jordan, whose Nike Air Jordans had become a streetwear staple, was everywhere. As a boy, Mr. Gaines loved Nikes, but he got only one pair a year — usually Nike Air Force 1s. He started expressing himself artistically at age 13, when he painted his Nikes to camouflage the wear and tear. In high school he kept at it, decorating classmates’ sneakers and T-shirts, sometimes for a fee.Mr. Gaines’s neckwear includes an easel pendant.Amanda Lucier for The New York TimesHe was also deeply involved in the Trinity United Church of Christ, where a young politician, Barack Obama, was a frequent presence. Mr. Obama’s rise to the presidency helped Mr. Gaines view history as something other than an abstraction.“My church family was really the first people to let me know that I could be a great artist,” he said. “I remember being in the room when Barack Obama was in the early stages of his campaign. Just being there and seeing those things really set a foundation for my work.”In 2010, he accepted a partial scholarship to play football at Northern Michigan University. He thought he had a shot at making it to National Football League, and he saw himself following the path of Ernie Barnes, a pro football player and artist who was often fined during his career for sketching when he should have been at practice. Mr. Barnes went on to make more than $100,000 a year from his art, after his retirement from the N.F.L. His painting “The Sugar Shack” appeared as the cover of the 1976 Marvin Gaye album “I Want You” and as the image shown during the credits sequence of the 1970s CBS sitcom “Good Times.”Injuries put an end to Mr. Gaines’s dream of going pro. So he focused on his art. “I got to see what it means to be a real student and not an athlete,” he said. “In college your time is monopolized if you’re an athlete. I’m really grateful for that injury.”The clothes are stained with paint after another day in the studio.Amanda Lucier for The New York TimesAn older classmate offered to buy one of his paintings for $300. His pastor and family members had purchased his artwork before, but this was the first time someone without a clear rooting interest in his success had become a patron.After graduation, he moved back to his great-grandmother’s place and used the garden apartment as a place to make art. “I wanted to paint myself out of there,” he said in his studio, before taking a drag on a joint.In 2016, before the legalization of marijuana in Illinois, he was arrested during a traffic stop after a police officer said he smelled of marijuana. During the brief time he was in custody, he decided to leave his home state. “I can’t be as creative as I want to be living in an area where my freedom was taken from me because of the way I smell,” he said.Nike, which has its headquarters in Beaverton, Ore., loomed large in his thoughts. He moved to Portland in 2017 and made regular visits to the Beaverton complex, walking seven miles there and back and taking meetings in the cafeteria with whoever would see him. In his studio he keeps a sneaker box filled with 80 visitors’ badges from those days.“You’re supposed to return those badges,” he said. “Most people didn’t know who I was. I knew three people that worked at Nike, and they were not in any position to give me a job.”While trying to join the company in some way, he was building a reputation as a sneaker artist by selling his embellished versions of Nike Air Force 1s to his Instagram followers. Nike hired him as a freelance designer to create a collection especially for people in creative fields.“What I brought to Nike, and they were so gracious to believe in, were shoes for creating in,” Mr. Gaines said. “This is a shoe that embodies me, where I can feel comfortable and stand in the shoe all day.”Mr. Gaines’s recent work on display in his studio, including KAREN(S).Amanda Lucier for The New York TimesHe worked with two Nike models, the 1982 Nike Sky Force ¾ and 1985 Nike Air Vortex, and called the collection Game Worn. Nike released it, in a limited edition at a store in Chicago, in 2017. Since then, LeBron James and Russell Westbrook have been spotted wearing his creations. As part of the sneaker release, Mr. Gaines led a weeklong workshop, backed by Nike, that included art classes at Chicago’s South Shore Cultural Center.“I wanted to do something for the kids in my community,” Mr. Gaines said. “A lot of times children in Chicago live so far from where people are doing these events that they can’t pay $50 or risk their lives taking public transportation to get to the North Side.”Now he is focused on his art as he prepares for a solo show scheduled for August at the Russo Lee Gallery in Portland.“He’s doing it in his own way,” said Gardy St. Fleur, a curator who advises National Basketball Association players on their art collections. “It’s raw and it’s real.”Mr. Whitner, the art collector, thinks there may be something missing in Mr. Gaines’s work — and that once he figures it out, his paintings may become even more interesting.“I don’t think Julian has allowed himself to be vulnerable,” Mr. Whitner said. “I don’t even think Julian has reconciled his feelings about coming from Chicago. And I’m curious to see how that shows up in his work once he does start to really reconcile those feelings.” More

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      As His CNN+ Show Debuts, Rex Chapman Fears His Own Success

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      With 1.2 million Twitter followers and a new show debuting Monday, the former N.B.A. player appears to have an enviable life. But he’s haunted by what happened the last time he was famous.Sitting in a Midtown Manhattan cafe after shooting B-roll for his new show on CNN+, Rex Chapman says he knows that he’s living a dream, and it’s making him uncomfortable. “I struggle with it,” he said.Chapman, a former pro basketball player now best known as a Twitter personality, loves doing the show, which debuts Monday on CNN’s new streaming service. The show is not the problem. Simply titled “Rex Chapman,” it features him in conversation with a diverse array of people who have faced challenges, as he has, and who now try to make the world better, as he says he is trying to do.Chapman has interviewed Jason Sudeikis in London, the N.B.A. forward Kevin Love in Cleveland, the actor Ben Stiller in New York City and the paralyzed former college football player Eric LeGrand in New Jersey. After this conversation, he was going to the bar next door to meet the comedian, writer and talk show host Amber Ruffin.So why the struggle?“People dream of doing this,” said Chapman, whose height (6 feet 4 inches), gleaming bald head and bright blue glasses make him conspicuous. “They dream of having their own show. I struggle with whether I deserve it or not.”He explains: “I’ve been through some things,” he said. “And I’ve put myself through some things. And, uh. …”He hesitated, his voice catching.“I’ve got four kids,” he went on. “Sitting here talking to you is probably easier than many of the conversations I have with my kids.”His son and three daughters — Zeke, Caley, Tatum and Tyson — range in age from 29 to 21. “And,” Chapman said, “not a day goes by that I don’t think about disappointing them.”Chapman, now 54, was once the best high school player in his home state of Kentucky, a superstar at the University of Kentucky, the first-ever draft pick (No. 8 overall) of the expansion Charlotte Hornets and a member of the U.S. national team. He estimates that he made $40 million in 12 seasons in the N.B.A.Chapman, who played with the Suns, Heat, Wizards and Hornets during a 12-year career, taking a shot in a game against the Seattle SuperSonics in 1999.Dan Levine/AFP via Getty ImagesBut the attention and scrutiny that came with success never felt right. When he was 10 years old, he quit swimming after other kids made fun of his Speedo. When he was 15 and a high school basketball star, students from another school stopped him in a mall, asked for his autograph and then tore it up in front of him.Love and success seemed to lead to pain.That feeling intensified in the N.B.A. After some injuries and surgeries, he ended up addicted to opioids, exacerbating his long-running gambling addiction. Retirement from basketball led to deeper addiction. Chapman burned through money. By his 40s, he was crashing on couches and shoplifting goods to pawn for cash. His wife, Bridget, divorced him in 2012.At the height of his addiction, Chapman was consuming about 10 OxyContin and 40 Vicodin pills per day, chewing them to get them into his bloodstream quicker.“At some point, I had just resigned myself to the fact that my life’s just going to be as a drug addict,” he said, adding an expletive for emphasis.In September 2014, he was caught shoplifting more than $14,000 worth of electronics and was arrested. His sister, Jenny, took him in, and with the help of friends persuaded Chapman to go to a rehab center in Louisville, Ky., where his college roommate, Paul Andrews, was an executive. “Saved my life,” Chapman said.After Chapman got clean, he began speaking in public about recovering from addiction. He found work covering Kentucky athletics on the radio for a regional media company around 2016. The company pushed him to be more active on social media, particularly on Twitter, but Chapman resisted. “The landscape was just toxic. Everybody hating each other,” he said.A dolphin video changed everything: “I saw a video one day of a school of dolphins swimming out to sea, and a guy on a paddle board coming in, and a dolphin jumped up and hit him in the chest and knocked him off. And I said to myself, ‘That’s a charge,’” Chapman said, adding another expletive. (The account that first shared the video is now suspended.)Chapman and his production crew filming B-roll for his new show.Gabriela Bhaskar/The New York TimesPeople responded well to the tweet, so he shared other slapstick videos, inspiring lighthearted debates about whether a given collision was, in basketball terms, a block or a charge. In time, he began posting “feel-good stuff” — videos of dogs, babies and animals interacting adorably — and paying two people to find content for him.Chapman, who now has 1.2 million followers, later ventured into tweeting about politics, with Senator Mitch McConnell of Kentucky a frequent target.In 2019, his friend Steve Nash, the former basketball star and current coach of the Brooklyn Nets, called Chapman with an idea for a podcast about people rebuilding their lives after making terrible mistakes. Chapman was wary of seeking fame again — “I didn’t fare real well with it the first time around” — but went forward after his children told him it was OK to do the show.The podcast was called “Charges.” To make his guests more comfortable, and in the hopes of helping people, Chapman began publicly sharing more of his story. This was healing at times, painful at others. “There’s something really cathartic about it,” he said. On the other hand, he said, it never doesn’t hurt, because you’re telling a bunch of strangers the worst stuff in life.He added: “I still can’t believe it was me. But it was. So I have to deal with that constantly.”Worse, he knows his children do too. “If they had any reservations,” he said, “then I wouldn’t do any of this stuff.”In an interview, Chapman’s daughter Caley, 27, said: “After he retired, that was a dark time. But he was always still my dad. I have respect for him. I just wanted him to get better for himself. And he’s done that. So I’m proud of him.”She expressed concern that her father is too hard on himself.“He holds a lot of guilt,” she said. “But there was never anything to forgive him for. From my point of view, I just wanted him to do better. So he’s been forgiven. And I’ll continue to say that until he forgives himself.”Chapman’s son, Zeke, declined to be interviewed, but sent a statement by text.“I’m extremely proud of my dad and how he has bounced back after a very tough time for him and our family,” he said. “I’m super excited for his new show and know how hard he’s been working on it.”“Life’s weird, man,” Chapman said. “And life’s hard.”Gabriela Bhaskar/The New York TimesChapman was approached about the CNN+ show late last year. Rebecca Kutler, the senior vice president and head of programming for the streaming service, sought him out because she liked his Twitter feed. Like many of his followers, she didn’t know much about his basketball life.“I found him to be an incredibly compelling human being,” she said. “He has come forward and talked about these challenges publicly, and really tried to use his experience to help others. That, along with his history as an incredible athlete, and the way that he’s been able to connect with an entire new generation of fans using social media, and sharing really uplifting content — I thought he would be a great person to bring new stories to CNN+.”The shows will range from 20 to 40 minutes per episode, with episodes to be released on Mondays.Chapman shooting an interview on Wednesday in New York.Gabriela Bhaskar/The New York TimesLeGrand, the former Rutgers football player whose spinal injury requires him to use a wheelchair, said he quickly felt a connection with Chapman when they met on campus in January. Chapman wore Nike Air Force 1s and a zip-up Jordan brand jacket, prompting LeGrand to say, “Look at you, all swagged out!” The two laughed and the conversation flowed.“When somebody else has been through a rough patch or overcome adversity in their lives, and they’ve been able to get through it and impact people in a positive way, it makes you open up,” LeGrand said. “It makes you feel that sense of comfort.”During the interview, Chapman asked what LeGrand dreamed about, a question no one had ever asked him before. LeGrand said: “When I’m dreaming, I’m always on my feet. I’m never in a wheelchair.”Chapman said he learned empathy from his mother, and from his own pain. He still wrestles with the guilt and shame of his past, particularly for not being a better father. “What they had to go through at school, and people knowing that their dad was in trouble and got arrested,” he said. Chapman said it “crushes” him.Now, he said, “I’m just trying to make up for lost time. I feel like I was gone for about 15 years.”This year, Chapman moved from Kentucky to Brooklyn, 10 minutes from his son. When his new success makes him uncomfortable, he reminds himself that it helps him be the father he wants to be for his children.“We have really no issues at this point,” he said. “Still trying to just show them a better me.” More

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      Are Super Seniors the Secret to N.C.A.A. Tournament Success?

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      A number of the most successful teams in the 2022 tournaments feature athletes who are older than their N.B.A. counterparts.If this year’s N.C.A.A. basketball tournaments look a little bigger — a little older — your eyes are not deceiving you.Call it a silver lining of the pandemic.Before the pandemic intervened, college students had five years to complete four seasons of play. For various reasons — among them injuries, one-time transfers or competition waivers — athletes were always able to find ways to extend their eligibility. But after the pandemic eliminated many conference tournaments and the entire 2020 national tournament, the N.C.A.A. added a special bonus year: Any athlete who lost playing time during the 2019-20 season could extend their college career by a full season.Now, every team heading into the Final Four this weekend, both in the men’s and women’s tournaments, will include players who have taken advantage of this option.The additional season was meant to even the playing field, but some rosters are more stacked with super seniors and graduate students than others, and the trickle-down effect may linger for years.“I don’t think there’s any question that any of us in college athletics would see the benefits of a more experienced squad,” said Tom Burnett, the commissioner of the Southland Conference and the chairman of the Division I men’s basketball selection committee.A handful of athletes this year are older than their N.B.A. counterparts. Just look at Kansas. Last Friday against Providence, Mitch Lightfoot, 24, a veteran bench player and sixth-year student, had four blocks, and Remy Martin, a 23-year-old Arizona State transfer, came off the bench to lead the Jayhawks in scoring with 23 points. Both wouldn’t have returned to college if not for the pandemic, Coach Bill Self said last weekend, adding, “I actually think Mitch is the best he’s been.”Jalen Coleman-Lands, a super senior guard for Kansas, is 25. So is Devin Booker, who is in his seventh season with the Phoenix Suns.And there are more seasons remaining. “If you look at just our starters, those starters have eligibility left,” Self said. “Even though we’re an old team, they technically could all come back next year.”Self noted that Providence also had a handful players who were playing past the standard eligibility period.“If they didn’t have those four cats, they would look a lot different,” Self said. “If we didn’t have Remy, we’d look a lot different. If Villanova didn’t have Gillespie, they’d look a lot different.”Villanova guard Collin Gillespie averages 15.6 points per game. He won the Big East Conference Player of the Year Award for a second consecutive season.Scott Wachter/USA Today Sports, via ReutersCollin Gillespie, a 22-year-old guard, is the youngest of the three Villanova graduate students playing this weekend.But, parity concerns aside, Self said the bonus year had contributed to the “great quality of ball this year.”That was the case in the Horizon League, where Macee Williams, 23, a super senior center for Indiana University-Purdue University Indianapolis, won her third straight league Player of the Year Award in the 2020-21 season. She chose to come back for the 2021-22 season — her fifth year — and once again won the award.“That’s an example of how our women’s basketball programs really capitalized on that opportunity,” said Julie Roe Lach, the commissioner of the Horizon League.I.U.P.U.I., a No. 13 seed in the N.C.A.A. tournament, lost by only 6 points in the first round to No. 4 Oklahoma.Depending on who you ask, the additional year of eligibility can be viewed as a glass half-full, half-empty issue. It allows college athletes to reclaim their lost year of play, and a bigger, older team can mean an extra layer of cohesiveness.“Once athletes are upperclassmen, there’s a certain maturity that comes with leading the team and handling the pressure once you are in those end-of-season moments,” Roe Lach said, adding that “younger students and their teammates can benefit from their senior leadership.”But some officials are worried about the long-term effect padded rosters will have on recruiting. If athletes choose to use their extra year of eligibility, that could limit spots for fresh faces.“A lot of us are asking that question: Are the opportunities still there for high school student-athletes?” Burnett said.Macee Williams, right, returned to I.U.P.U.I. for a fifth season and won her fourth Horizon League Player of the Year Award.Mitch Alcala/Associated PressThat’s exactly what worries Adam Berkowitz, the associate executive director of New Heights Youth, a sports-based youth development nonprofit in New York. The additional season of eligibility added to an already complex system in light of the N.C.A.A.’s 2021 decision to eliminate the rule that had required athletes to sit out a season upon transferring, which had the effect of “doubling and tripling” the number of players in the transfer pool, Berkowitz said.Both those factors have created a “changed landscape” when it comes to college recruiting, he added, resulting in an all-out “scramble.”“Last year was the most difficult year I’ve ever experienced placing students at schools,” said Berkowitz, who has worked with transfer students for 20 years. “If you have an offer on the table, you have to strongly consider it, because it otherwise may not be there.”As a result, Berkowitz said, students are increasingly feeling “under-recruited” and opting to attend lower-ranked schools, both in Division I and Division II, before attempting to transfer. Berkowitz said that when he spoke to college coaches last year, many were not even looking at high school students, preferring to turn to the transfer portal and then junior colleges.Berkowitz said he anticipated this being the case for several more years, as athletes’ option to play an extra year lingers. High school sophomores will be the first class not affected by the change.“It’s just logjam at a lot of places,” he said. “If 200 guys are taking their fifth year, that’s 200 fewer spots for high school graduates.”Mitch Smith More

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      Why College Basketball Teams Are Turning to Alumni to Find Coaches

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      Coaches of several N.C.A.A. tournament teams either attended their universities, like North Carolina’s Hubert Davis, or started their careers there, like Kansas’ Bill Self.NEW ORLEANS — Just before his senior season at Oklahoma State, Bill Self injured a knee while working as a basketball camp counselor at the University of Kansas. Each time he saw Larry Brown, who was then the Jayhawks’ coach, the limp got worse.Brown felt so badly for Self that when the camp ended he told Self that if there was ever anything he needed, he had only to ask. So Self did.“I said ‘I want to be your graduate assistant next year,’” Self said. “And he said, ‘You’re hired.’”It was not much of a job. Self read USA Today and passed along any articles he thought might interest his boss. He made sure a lane was reserved at a local bowling alley on game days, in case Brown wanted to blow off steam. And, mostly, he stayed out of the way.But during that year, Self built relationships — with an assistant athletic director, with a publicist, with the basketball secretary — and maintained them well enough that when Kansas’ head coaching job opened 17 years later, he had a small army of fans within the athletic department.“That probably played a role in me being able to come back here,” Self said.Taking advantage of those early connections hardly makes Self an outlier in college basketball, where it is increasingly common for former students, team managers, players and low-level assistants to have triumphant homecomings as head basketball coaches.Just look at the Final Four, where Self is joined by Villanova Coach Jay Wright, who caught the eye of Rollie Massimino when he worked his camps and returned to the Wildcats after building Hofstra into a N.C.A.A. tournament team. There’s also North Carolina’s Hubert Davis, who starred for the Tar Heels from 1988-92, then returned to Chapel Hill as an assistant after a lengthy N.B.A. career and dabbling in broadcasting. The other team here, Duke, will be coached next season by Jon Scheyer, a former captain of a national championship team and a current assistant who will succeed the retiring Mike Krzyzewski.Jon Scheyer, right, a captain on a Duke national championship team, will lead the Blue Devils after Mike Krzyzewski retires.Kevin C. Cox/Getty ImagesSimilar stories have dotted the entire bracket.Texas Tech’s Mark Adams, a 65-year-old basketball lifer, and Michigan’s Juwan Howard, a member of the fabled Fab Five who went on to have a decorated N.B.A. career, took their teams into the second weekend of the tournament with one thing in common: They were doing it at their alma maters.In all, 14 of the tournament’s 68 coaches were working at schools they either attended or began their coaching careers at. And the trend shows no sign of abating: Shaheen Holloway, the architect of St. Peter’s miraculous run to the East regional final this year, was hired on Wednesday by Seton Hall, the university where he starred as a slick point guard and later spent eight years as an assistant coach.Louisville, which has not won an N.C.A.A. tournament game since 2017, turned to Kenny Payne — a Knicks assistant and a reserve on Louisville’s 1986 title-winning team — to reverse the Cardinals’ fortunes. And at least six other people are taking over as head coaches at schools where they either played or served as an assistant.“I find myself watching the coaching carousel in all the sports, asking, ‘What’s their tie to the institution? Have they gone there before?’” said Nina King, the athletic director at Duke. “I think it’s something that we look at.”King said that while coaches who had no connection to Duke were discussed as Krzyzewski’s replacement, it was important to turn to someone from “the brotherhood,” where there was no shortage of possibilities, including the college coaches Bobby Hurley (Arizona State), Tommy Amaker (Harvard), Johnny Dawkins (Central Florida), Jeff Capel (Pittsburgh), Chris Collins (Northwestern), Kenny Blakeney (Howard) and Steve Wojciechowski (formerly of Marquette), or Quin Snyder of the Utah Jazz.Ultimately, Krzyzewski put his considerable thumb on the scale for Scheyer, who has continued to gain commitments from top recruits.“To be able to sit in a kid’s living room recruiting him and say ‘I’ve lived this — come throw in with me because I’ve lived Duke for X number of years,’ I think it’s important,” King said.Kenny Payne won a national title with Louisville as a player and left his job with the Knicks to try to revitalize the program.Timothy D. Easley/Associated PressAn increasing number of coaches can pitch more than a familial tie: They can cite N.B.A. experience. Often, though, that pro experience has not translated to the college game, where having connections to youth basketball power brokers are essential to recruiting elite talent. The job also requires glad-handing boosters and, more recently, navigating the transfer portal, duties that aren’t part of the N.B.A. ecosystem.It’s why former N.B.A. players like Clyde Drexler (Houston), Chris Mullin (St. John’s), Eddie Jordan (Rutgers) and Kevin Ollie (Connecticut) did not have enduring success at their alma maters, though Ollie did win a national championship before fizzling. And it is why Patrick Ewing has struggled at Georgetown, where his team lost its final 21 games this season.“Most of the guys that have been in the N.B.A., they’ve made so much money, they didn’t really care that much about coaching,” said Roy Williams, who retired last year as North Carolina’s coach after winning three national titles and cheered on Davis in Philadelphia last weekend.The Final Four in the Men’s and Women’s TournamentsCard 1 of 5The national semifinals. More

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      N.B.A. Basketball Returns to Chinese TV After a Long Absence

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      China Central Television stopped showing the games in 2019 after a Houston Rockets executive expressed support for pro-democracy demonstrators in Hong Kong.China Central Television, China’s state-run TV network, has begun to broadcast N.B.A. games again, signaling that the rift between the league and the authoritarian government that has persisted since 2019 appears to be coming to an end.The news was first reported by Global Times, a state-run Chinese media outlet, and confirmed by a spokesman for the N.B.A.The first game this year on state TV, according to Global Times, was Tuesday night’s matchup between the Los Angeles Clippers and the Utah Jazz. According to Global Times, the broadcast was the start of a full return of the N.B.A. to China’s airwaves. The league has been almost entirely off the air on Chinese state television since 2019, except for a lone finals game in 2020. Games have been broadcasting on Tencent, a digital streaming platform based in China.“N.B.A. games have aired in China continuously for nearly 35 years, including this season on a number of other services,” Mike Bass, an N.B.A. spokesman, said in a statement on Thursday. “We believe broadcasting games to our fans in China and more than 200 other countries and territories is consistent with our mission to inspire and connect people everywhere through the game of basketball.”The league said it was informed on the day the game was played that it would be broadcast.The dispute between China and the N.B.A. began in the fall of 2019, when Daryl Morey, then an executive with the Houston Rockets, shared an image supportive of pro-democracy protesters in Hong Kong. He posted it just as the Los Angeles Lakers and the Nets were getting set to play a preseason game in China. The social media post angered the Chinese government, causing games to be pulled off the air and Chinese companies to pull sponsorships from the league.The league came under withering criticism at home from politicians all across the ideological spectrum because of what some saw as its deference to China. Morey later issued a statement saying he did not intend to cause offense and he was also rebuked by the owner of the Rockets, Tilman Fertitta. The league issued a statement that said it was “regrettable” that Morey’s post had offended many of the N.B.A.’s “friends and fans” in China. A Chinese translation of the N.B.A.’s statement suggested that the league was apologizing to the Chinese government, further feeding domestic criticism that the N.B.A.’s response was not forceful enough in standing behind Morey.“We have always supported and will continue to support members of the N.B.A. family expressing their views on social and political issues,” Bass said in his statement on Thursday.Since Morey’s post, the N.B.A. has often become a target for criticism, particularly from elected Republicans who have assailed the league’s willingness to make money off a repressive government accused of a litany of human rights violations.It wasn’t just the response to Morey that invited detractors. In 2020, ESPN reported that there was rampant abuse of children at basketball academies in Chinese-government-run facilities co-sponsored by the N.B.A. A league spokesman recently said that the league was no longer affiliated with those academies.The broadcasting of N.B.A. games on Chinese television opens up a revenue stream of hundreds of millions of dollars a year for the league. The league’s relationship with China came under more scrutiny in recent months as Enes Kanter Freedom, an N.B.A. center most recently with the Boston Celtics, criticized the Chinese government and the league for its business interests in the country. Freedom was traded by the Celtics to the Rockets, who cut him in February.Kristen Looney, an assistant professor of Chinese politics at Georgetown, said in an interview that the Chinese government’s decision may be a result of enough time passing or a larger geopolitical calculation.“It could mean that enough time has passed that things have kind of blown over,” Looney said. “From a macro perspective, it could mean that China is trying to signal that it still wants to maintain good economic relations with the United States despite differences in opinion on the Russia-Ukraine crisis. It’s possible that China is fearful that its close relationship with Russia would have ripple effects on its economic relations with the United States and the rest of the Western world that is on the side of Ukraine.”The N.B.A. has targeted China — and its population of 1.4 billion — for roughly a half-century. China now has more fans of the league than there are in the United States, a country of 330 million. Before the pandemic, the N.B.A.’s top stars routinely traveled to the country between seasons to promote sneakers. Since 2004, the N.B.A. has played dozens of games there.Adam Silver, the N.B.A.’s commissioner, has steadfastly maintained the N.B.A.’s position on China, despite the critics. In a recent interview with The New York Times, Silver said he believed the league was being unfairly singled out for criticism given how many companies in the United States do business with China.“Virtually every American uses products manufactured in China,” Silver said. “And in many cases, they are the products that we are most reliant on. Our computers, our phones, our clothes. Our shoes, our kids’ toys. So then the question becomes why is the N.B.A. being singled out as the one company that should now boycott China?” More

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      Wesley Matthews Does Dirty Work for Milwaukee Bucks

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      Wesley Matthews does the little things for the Milwaukee Bucks. “We talk about trying to make everything difficult,” said Coach Mike Budenholzer.PHILADELPHIA — After spending last season with the Los Angeles Lakers and the first few weeks of this season out of work, Wesley Matthews returned to the Milwaukee Bucks in early December. The day after he signed his new contract, he found himself coming off the bench for the team in a lopsided win over the Miami Heat.“Which was fine for me,” he said in an interview this week. “I like jumping into the fire.”Matthews was familiar with the Bucks and their system, having played for the team two seasons ago. But at this stage of his career, he seems more than willing to take on whatever responsibilities are asked of him. He rattled through the list: “Coming off the bench, starting, playing 20 minutes, playing 15 minutes, playing 30 minutes.”And for a player who grew up in Wisconsin and starred at Marquette, helping the Bucks repeat as N.B.A. champions would be a career-defining moment.“That would be a really great story, to put him in a position to achieve such a monumental goal,” the Bucks’ Pat Connaughton said.Make no mistake, contenders need players like Matthews: defense-minded veterans who ply their trade in the shadows. It should be noted that Giannis Antetokounmpo casts a particularly long shadow, and he was at his all-world best for the Bucks in their 118-116 win over the 76ers on Tuesday night, finishing with 40 points, 14 rebounds, 6 assists and 3 blocks, none more important than his game-saving swat of Joel Embiid’s layup attempt in the closing seconds.Matthews, on the other hand, assembled a smorgasbord of small delights. The Bucks were trailing by 10 when Matthews fought for an offensive rebound on the opening possession of the second half, the ball eventually finding its way to Brook Lopez for a layup and a 3-point play. A few minutes later, Matthews knocked down a 3-pointer.Matthews, 35, does not stuff a box score but he does countless little things every game to help his team win.Matt Slocum/Associated PressIn the fourth quarter, with Milwaukee’s comeback in full swing, Matthews met the 76ers’ James Harden at the scorer’s table so that he could help defend him for the game’s final 6 minutes 46 seconds. Matthews finished with 5 points, three rebounds and an inordinate number of hustle plays.“We talk about trying to make everything difficult, to make everybody earn everything they get on us,” Bucks Coach Mike Budenholzer said, “and he embodies that.”Not that he views his career this way, but Matthews has had brutal timing. When he was with the Bucks two seasons ago, the Lakers won it all. When Matthews joined the Lakers last season, they were undone by injuries and lost to the Phoenix Suns in the first round of the playoffs — while the Bucks won their first championship in 50 years.“I wanted them to win,” Matthews said. “Phoenix beat us, so I definitely didn’t want them to win, even though I’ve got friends over there. But yeah, I was happy for these guys, I was happy for the city, and I was happy for the state and the organization. Everybody’s good people.”Matthews, 35, coped with uncertainty at the start of the season, which began without him. He worked out by himself at home and kept in periodic contact with Jon Horst, the Bucks’ general manager, along with a few other teams. Matthews was fairly confident that his career was not finished — not yet, anyway.“You obviously don’t know anything for certain, but I had a good feeling,” he said. “It was just going to be a test of how badly I wanted it.”In some ways, he was accustomed to the grind. Back in 2009, he started his N.B.A. career the hard way — by going undrafted. He subsequently signed a nonguaranteed deal with the Utah Jazz, then spent his first couple of months with the team living out of a hotel. He later upgraded to a small apartment with a month-to-month lease. He has since earned more than $100 million over 13 seasons with seven teams.“He brings that energy, that tenacity, that camaraderie — a little bit of everything,” Connaughton said. “I think the ability to have an impact on the game, without necessarily scoring and without necessarily doing it with statistics, is super impressive. It’s something I’ve always admired.”Matthews, center, spent last season with the Los Angeles Lakers. The injury-riddled team was eliminated in the first round of the playoffs.Harry How/Getty ImagesThe Bucks were 23 games into their season when Matthews officially joined them on Dec. 3.Training camp? Forget it. Matthews had not even practiced when he took the court against the Heat.“I mean, you’re in the best shape you can be without playing in the N.B.A.,” he said. “I was working every day, staying ready for this moment, for this opportunity.”On Tuesday, Matthews was in the starting lineup so that he could match up with Harden for stretches — no small task. It was the first time the Bucks had faced the 76ers with Harden on their roster. Like many teams around the league, the 76ers are still figuring things out as they head toward the playoffs. The Bucks and the 76ers entered the game with identical 46-28 records, part of an enormous logjam near the top of the Eastern Conference.“We just need to get better continuity,” Doc Rivers, the coach of the 76ers, said before the game. “We haven’t been together long.”In fact, Rivers said he thought that there were only two teams that were fully prepared for the playoffs: the Bucks and the Suns, who faced each other in last season’s N.B.A. finals.“Those two teams know exactly who they are, and they know exactly what to do,” Rivers said. “They’ve been through the fire.”Back with the Bucks, Matthews has made it look as if he never left: defending, rebounding, energizing, winning. More

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      Louisville Clinches the Last Spot in the Final Four

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      The Cardinals, playing in their fourth straight regional final, became the third No. 1 seed to reach the national semifinals by beating No. 3-seeded Michigan.WICHITA, Kan. — Olivia Cochran sat most of the first half with foul trouble. She reacted incredulously when what she thought was a clean block was whistled as a foul, and she played the final five minutes of Monday night’s game knowing that one miscue would foul her out for good.But when No. 1-seeded Louisville needed her most, when its offensive stars could not get free, Cochran, the team’s defensive anchor, broke through a stubborn Michigan defense for three layups in the final three minutes to send the Cardinals to the Final Four, defeating Michigan, a No. 3 seed, 62-50.Louisville knew the rematch would not be as easy as the teams’ game in December, when the Cardinals blew out Michigan by 22 points at home. They knew Michigan would better cope with the pressure defense, and that they would have to win a dogfight.Louisville’s Emily Engstler had 16 rebounds and six steals.Andy Lyons/Getty Images“We can look at it for things that went well for us, but it’s March,” Louisville’s star guard, Hailey Van Lith, said before the game.It is indeed March, and what unfolded at Intrust Bank Arena on Monday night before a largely pro-Louisville crowd was a dogfight, one that played out much closer this time around, yet still ended in a Louisville victory.The Cardinals were led by Van Lith, who scored 22 points, and Chelsie Hall, who tied a season-high with 15 points, mostly coming from behind the 3-point arc.Michigan had the ball down just 2 points, 52-50, when Laila Phelia committed an offensive foul. “52-50, with the ball,” said Kim Barnes Arico, Michigan’s coach. “I’m going to have nightmares about that for the next eight months until we play again.”The next few possessions would prove decisive. Louisville’s Emily Engstler found a cutting Cochran with just under three minutes left to take a 4-point lead. Michigan thought it was about to have a 3-point play, but Naz Hillmon was called for an offensive foul on Cochran as her layup went through the rim. Cochran scored a nice driving basket on the next possession after beating the press, and the Louisville defense shut down Michigan the rest of the way.“That look was there the whole fourth quarter and we couldn’t deliver it to her,” Van Lith said of Cochran’s layups. “We were rushing and letting their pressure speed us up.”Louisville led by as many as 9 points in the third quarter, but every time the Cardinals came close to putting the game away, Michigan found a way to draw closer, usually at the free throw line. Michigan shot 11 more free throws than Louisville.Monday night’s matchup was between teams that, on paper at least, had many similarities. Both teams try to cause chaos with intense pressing. In Hillmon and Engstler, both are led by rangy, defense-first forwards who could be selected in the first round of next month’s W.N.B.A. draft. And both have coaches, in Barnes Arico and Jeff Walz, who make clear that they are hard on their players and tell them blunt truths, but who also seem to be loved by their players.Players and coaches on both teams tried to downplay the importance of that December game, but Barnes Arico conceded that Louisville’s defensive intensity was probably the highest her team had faced all season. In the four months since that game, Michigan often practiced how to combat the double- and triple-teams Hillmon, an All-American last season, commanded.“That’s become a staple in our practice plan because they really kind of went at her and tried to take her out of the game plan,” Barnes Arico said.Michigan forward Naz Hillmon, center, had a double-double with 18 points and 11 rebounds on Monday despite Louisville’s defensive efforts.Jeff Roberson/Associated PressLouisville’s pressure once again flustered Michigan, as each Wolverines starter turned the ball over at least three times. But Michigan did not melt down like it did in Louisville in December. Hillmon lived at the free throw line, scoring 10 of her 18 points there, and Phelia and Maddie Nolan took some of the offensive load on the perimeter. Michigan also outrebounded Louisville, though it helped that Cochran played only 20 minutes.Engstler was as advertised on defense for Louisville, pulling down 16 rebounds and nabbing six steals as she led the press. “It seemed like every big play they made, she was involved in,” Barnes Arico said. But Engstler struggled offensively, shooting 1 of 9 from the field and 0 of 5 from 3-point range as she mostly settled for outside jumpers.Louisville was the last team to punch its ticket to the Final Four, where it will face South Carolina, the No. 1 overall seed, which has lost just twice this season and just beat Creighton by 30. The other side of the bracket will see Stanford play Connecticut. The national semifinals will be played on Friday in Minneapolis. The final is on Sunday.Louisville’s Final Four appearance is its first since 2018, when it lost to the eventual runner-up Mississippi State. Michigan’s appearance in the round of 8 was the first time the team had ever advanced that far. More