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    Jessica Pegula Is Still in the Hunt for her First Major Title

    She is the top female American tennis player and knows that she has to be more aggressive to win more.Jessica Pegula strode into Wimbledon’s cavernous interview room, bucket hat perched on her head, and stared at the empty room. When she realized that there were no media members there to ask her about her second-round win over Cristina Bucsa, Pegula chuckled, got up and walked out.Pegula is never entirely shocked when attention is diverted away from her. Though ranked No. 3 in the world, the highest among American women, and the champion at the Canadian Open two weeks ago, Pegula, 29, has never advanced to the semifinals in singles at a Grand Slam tournament. She is 0-6 in quarterfinal appearances at the majors, including at this year’s Australian Open and Wimbledon. The United States Open, where she lost to Iga Swiatek in a tight two-setter last year, is her final chance this season.At 5-foot-7, Pegula doesn’t have a thunderous serve, like Aryna Sabalenka. And she doesn’t possess flashy movements like the No. 1 Swiatek. Pegula can also flutter emotionally, as when she let a 4-1 lead slip in the third set against the eventual Wimbledon champion Marketa Vondrousova. Instead, it is her consistency that sets her apart.“Her ball-striking is really, really good,” said David Witt, her coach since 2019. “If I were to think of a player who hits this clean it would be [former No. 1] Lindsay Davenport.”Pegula’s game is durable and reliable. She has a wide wingspan and hits with tremendous power off the forehand and backhand. Because of her doubles success with Coco Gauff, she has become a more-than-competent volleyer.She also studiously avoids the histrionics that many of her compatriots get entangled in.“I’m pretty chill, pretty laid-back,” said Pegula in an interview during Wimbledon in July. “It takes a lot to get me going emotionally, excited or upset. Maybe that’s good for the U.S. Open, because I’m able to stay well-balanced.”For Pegula, the Open is a mixed bag. A Buffalo native (her parents own the Buffalo Bills of the N.F.L. and the Buffalo Sabres of the National Hockey League), she likes the fan support in New York but struggles with the mayhem.“I feel like the Open is really hot and crowded,” said Pegula, who failed to qualify four times at the Open before reaching the third round in 2020. “Everything is kind of against you. There’s so much going on. You’re usually really hyped up, and it’s kind of like you’re running on fumes. There’s just so much energy, and it can be really fun, but it can also zap a lot out of you. It’s something you have to learn how to balance.”Jessica Pegula serving during a singles semifinal at the Mubadala Citi DC Open on Aug. 5. “Her ball-striking is really, really good,” said her coach, David Witt.Geoff Burke/Usa Today Sports, via ReutersBalance is particularly important for Pegula, who weathered career-threatening knee and hip injuries that kept her out of the U.S. Open a decade ago, and then she faced the emotional turmoil of her mother’s heart attack last June.Jimmy Arias, a former top five player who has worked with Pegula, once tried to impress upon her that there were two types of competitors: a lion and a rat. Pegula, with her fearsome ground strokes, has long been a lion. What she needed to adopt was the rat part.“In a nuclear explosion, a rat is the only animal to survive,” Arias said. “J.P. had the weapons of a lion, but she needed the mentality of the rat. She had to learn how to dig, claw and scratch her way out. Now, when she’s in trouble, she can find her way out of a point.”Pegula understands that; it’s just the execution that can be tricky.“I’m doing everything to put myself in a good position,” she said. “It’s just a little more belief in myself in the later stages of tournaments and being more aggressive in the bigger moments.”And if she doesn’t break through and win a major, will she feel unfulfilled?“If I had to stop tomorrow, I think I’d be pretty satisfied,” she said. “I got to have this amazing career, proved a lot to myself and to a lot of other people. Obviously, there’s more that I want to do, but I’ve gotten through the really tough parts and a lot of really big lows. To come out of that has been a win in itself.” More

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    U.S. Open Draws Pave the Way for a Rematch of Djokovic vs. Alcaraz in Final

    Novak Djokovic, the No. 2 seed, does not have an easy path to a 24th Grand Slam title, and neither does Iga Swiatek, the defending women’s champion.After a marathon match between Novak Djokovic and Carlos Alcaraz on Sunday in the final of the Western & Southern Open in Ohio, Djokovic said he hoped to play Alcaraz again at the U.S. Open “for the crowd.”The crowd may get to see that rematch.The men’s and women’s singles draws for the U.S. Open, which begins on Monday in New York, revealed the path for Djokovic and Alcaraz to meet again in the final, which would also be a rematch of last month’s Wimbledon final, a thrilling five-setter that Alcaraz won after nearly five hours on the court.“Every match we play against each other goes the distance,” Djokovic said after the final on Sunday, adding that the match felt like a Grand Slam.Djokovic returns to New York after missing the U.S. Open last year because he was unvaccinated against the coronavirus and travel restrictions would not allow him to enter the United States. Now, with an injured Rafael Nadal and a retired Roger Federer not in his way, Djokovic will seek his 24th Grand Slam title and his third of the season after winning in Australia and France earlier this year.Djokovic, who will play Alexandre Muller of France in the first round of the tournament, will not have an easy path to the final. He could potentially face the No. 7 seed Stefanos Tsitsipas of Greece in the quarterfinals, and in the semifinals, Djokovic could play Holger Rune of Denmark or Casper Ruud, the Norwegian who reached last year’s U.S. Open final.Alcaraz, who will face Dominik Koepfer of Germany in the first round, could also see some formidable opposition as he looks to defend his U.S. Open title. Alcaraz could play against Jannik Sinner of Italy in the quarterfinals, followed by one of two Russians, either Andrey Rublev or Daniil Medvedev, the 2021 U.S. Open champion.The women’s draw could also lead to several rivalries and rematches. Iga Swiatek, the No. 1 women’s player in the world, could end up in the final against Aryna Sabalenka, this year’s Australian Open champion.In defending her U.S. Open title, Swiatek could face Coco Gauff in the quarterfinals. Before this month, Swiatek had won seven matches against Gauff, but the 19-year-old American finally found a way to defeat Swiatek this month in the semifinals of the Western & Southern Open. Gauff went on to win the tournament for her first WTA 1000 title.On the other side of the draw, Sabalenka could play a quarterfinal match against Ons Jabeur, the Tunisian No. 5 seed who reached the U.S. Open final last year and lost in the Wimbledon final in July. In the semis, Sabalenka could meet either Caroline Garcia of France or Jessica Pegula, the American No. 3 seed.While both draws offer promising matchups, this year’s tournament will miss some big names: An injury has kept Nadal sidelined since the Australian Open, with hopes to return next year. Naomi Osaka, a two-time U.S. Open champion, will miss the tournament after giving birth to her daughter this summer, and Emma Raducanu, the 2021 U.S. Open champion, is out as she recovers from three minor procedures.Simona Halep, a two-time Grand Slam singles champion, was withdrawn from the tournament because of a provisional suspension she received last year after she tested positive for a performance-enhancing drug during the 2022 U.S. Open.This year’s U.S. Open will also miss trick shots from Nick Kyrgios, who withdrew from the tournament because of a wrist injury.But despite the notable absences, the tournament will open with some strong first-round matches: Tsitsipas, who lost to Djokovic in this year’s Australian Open final, will start off against Milos Raonic, a Wimbledon finalist in 2016. Venus Williams, the 43-year-old seven-time Grand Slam champion, will play Paula Badosa, who won at Indian Wells in 2021. And Sloane Stephens, the 2017 U.S. Open champion, will play in the first round against Beatriz Haddad Maia, a Brazilian player who has had a decent season, reaching the French Open semifinals this year and the round of 16 at Wimbledon. More

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    Jennifer Brady, Finally Healthy, Tries to Get Back to Work

    Even when the big success finally came, it hardly came easily for Jennifer Brady.She made her breakthrough at the 2020 U.S. Open near the height of the coronavirus pandemic, reaching the semifinals amid strict public health measures and the silence of a vast Arthur Ashe Stadium without any paying spectators.When she backed that performance up four months later by reaching the Australian Open final, she did it after spending two weeks in hard quarantine in a Melbourne hotel. She smacked tennis balls against a mattress that she had propped against a wall and pedaled a stationary bike in the bathroom with the door closed and a hot shower running to try to replicate the tournament’s often steamy conditions.Her deep run was a remarkable, resilient effort that put her on the brink of the top 10 of the singles rankings. But as the world and her sport slowly returned to something closer to normal, Brady was nowhere to be seen on tour.She was out of action for nearly two years with a chronic foot condition and a knee injury that, combined, sometimes left her, in her words, “in a very dark place,” curled up on the floor in tears, even looking at her troublesome left foot on occasion and wishing she could “just chop it off.”Brady, who had played her last competitive match in August 2021, returned to action last week for an International Tennis Federation satellite tournament in Granby, Quebec, winning a round before losing in straight sets to Himeno Sakatsume, a Japanese player ranked 223rd.Brady plans to return to the main WTA Tour next week in Washington, D.C., for the DC Open.“It was unbelievable, just being out there,” Brady said in a telephone interview from Granby. “Just engaging and just having a crowd there, and people enjoying good tennis. I definitely missed this. I didn’t think I would be as comfortable as I was. I’m happy I was able to show people that I’m still here.”‘It Seems Like There’s a Lot of Opportunity’Though Brady no longer had a WTA ranking after her long layoff, she has a protected ranking that will allow her entry into 12 tour-level events. That does not count wild cards, and given her past success, she is likely to receive several, although she plans to use her protected ranking to enter the U.S. Open next month.Brady said she missed playing in front of a crowd during her time away.Jacob Langston for The New York TimesWith a thunderous forehand that often led her to practice with boys in her youth, Brady, 28, was long considered one of the most promising American players. She knows there are no guarantees of a successful comeback. She was aiming initially to return for the French Open in May. She had her hotel room and plane ticket booked but then suffered a new injury, a bone bruise in her right foot, in her final practice session before her planned departure.As she returns this month, she senses an opening. She avoided watching much pro tennis in her long absence but she is well aware that Marketa Vondrousova recently became the first unseeded woman to win a Wimbledon singles title.“The women’s game right now, it seems like anybody can win a Grand Slam tournament,” Brady said. “It seems like there’s a lot of opportunity.”Brady no longer has a personal coach and is traveling instead with Kayla Fujimoto Epperson, a physical therapist. But as she prepared for her comeback in Orlando, she worked daily with Ola Malmqvist, the head of women’s tennis at the U.S.T.A., who has known Brady since she was a standout junior.“I just really, really wish that she gets the chance to put her feet into everything again and see what happens,” Malmqvist said. “I think in her mind she definitely feels she can compete with the very best, and I hope she can stay healthy enough and practice enough. She’s not going to go four hours a day anymore because of her body, but she can still do enough to get the physicality she needs.”The challenge for Brady has been learning to hold back. “It’s almost like I don’t trust myself,” she said. “I realized it’s more about staying healthy and training smarter instead of harder.”Brady has been working with Ola Malmqvist, the head of women’s tennis at the U.S.T.A.Jacob Langston for The New York TimesShe left U.C.L.A. after her sophomore year to turn professional in 2015. But she did not start to soar until she moved her training base to Germany in late 2019 and began working with the German coach Michael Geserer, who favored a high-volume, high-intensity approach.She returned from the tour’s five-month pandemic hiatus in August 2020 and won her opening tournament in Lexington, Ky., foreshadowing her deep run to a U.S. Open semifinal with Naomi Osaka, the eventual champion.She also lost to Osaka in the 2021 Australian Open final and then retreated to her hotel room again, emotionally and physical drained.“I just closed the blackout curtains, and I just watched Netflix for, like, three days straight,” she said. “It just hit me.”Instead of taking a break, she followed her plan with Geserer and went to the tournament in Doha, Qatar, in February 2021. “I just didn’t want to be there,” she said. “I love competing, but I just didn’t want to compete. Mentally, I was absolutely fried.”After losing to Naomi Osaka in the 2021 Australian Open final, Brady said she felt emotionally and physically drained.Kelly Defina/ReutersShe had already experienced some minor foot pain, but in March as she prepared for the Miami Open, she said, she woke up in the “middle of the night with a sharp, stabbing pain” in the sole of her left foot.She was diagnosed with plantar fasciitis but pressed on. By May, when she played in the Italian Open, she woke up after a match and said she “couldn’t walk.”She split with Geserer, in part because she felt they had pushed too hard.“There was no drama,” she said. “It was just a little too much; too much structure at that time period.”She went to the French Open and was in so much pain during her first-round victory over Anastasija Sevastova that she cried during the match. She managed to win her second-round match with Fiona Ferro but began experiencing back spasms in her third-round loss to Coco Gauff and stopped after losing the first set.“I was compensating for the foot,” Brady said. “So, I started having pain everywhere.”‘Like Stepping on a Porcupine’She skipped the grass-court season, received a cortisone injection and a platelet-rich plasma injection in her foot but lost in the first round at the Tokyo Olympics and returned to the U.S. to try to get ready for the 2021 U.S. Open.“Some mornings I would wake up, and I’d be like, ‘Oh my God, I’m healed, like, it’s gone!’” she said. “And then I’d go on court, and I’d be like, ‘Damn, it’s not.’ I also had a ton of nerve compression, nerve pain. It wasn’t just plantar fasciitis. So, it was like stepping on a porcupine every step, and I was so sensitive that I would have to take my shoe and sock off because my foot would be so hot. It felt like somebody was lighting a match on my skin.”She played the Western and Southern Open on painkillers and was feeling good in her second-round match against Jelena Ostapenko before experiencing new pain in her right knee. She remembers running for a short ball late in the second set and feeling “like an explosion in my left heel.”“I immediately couldn’t put weight on it,” she said.Brady training at the U.S.T.A. National Campus in Orlando, Fla.Jacob Langston for The New York TimesJacob Langston for The New York TimesShe retired from the match and soon withdrew from the U.S. Open. She had a stress fracture in her right knee and would later discover that she also had a partial tear in her left plantar fascia. She had right knee surgery in March 2022 to repair cartilage damage but still had lingering foot pain.“Anytime I would feel pain, I would freak out because I’d be like, it’s back to where it was,” she said. “And I’d lose sleep over it; so many negative thoughts start rolling in the back of my head.”There has been angst about finances. Brady’s time near the top in women’s tennis was brief and though she has earned more than $4.6 million in prize money, pro tennis has plenty of overhead. And her medical bills, even with insurance, have been stacking up during her long layoff.“I don’t want to blow through all my money,” she said.Brady added: “When can I start doing my job?”The answer, at last, is now. More

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    ‘Break Point’ Just Might Be the Best Way to Watch Tennis

    The docuseries feels more like a prestige psychodrama — which gets the highs and lows of the pro circuit right.In the sixth episode of the Netflix docuseries “Break Point,” Ajla Tomljanovic, a journeywoman tennis player who has spent much of the last decade in the Top 100 of the world rankings, is shown splayed across an exercise mat in a drab training room after reaching the 2022 Wimbledon quarterfinals. Her father, Ratko, stretches out her hamstrings. She receives a congratulatory phone call from her sister and another from her idol-turned-mentor, the 18-time major champion Chris Evert, before Ratko announces that it’s time for the dreaded ice bath. “By the way,” Tomljanovic says at one point, “do we have a room?” Shortly after his daughter sealed her spot in the final eight of the world’s pre-eminent tennis tournament, Ratko was seen on booking.com, extending their stay in London.This is not the stuff of your typical sports documentary, but it is the life of a professional tennis player. Circumnavigating the globe for much of the year with only a small circle of coaches, physiotherapists and perhaps a parent, they shoulder alone the bureaucratic irritations that, in other elite sports, might be outsourced to agents and managers. If at some tournaments they surprise even themselves by outlasting their hotel accommodations, most events will only harden them to the standard torments of the circuit, which reminds them weekly of their place in the pecking order. As Taylor Fritz, now the top-ranked American men’s player, remarks in one “Break Point” episode, “It’s tough to be happy in tennis, because every single week everyone loses but one person.” This is a sobering audit, coming from a player who wins considerably more than his approximately 2,000 peers on the tour.“Break Point,” executive-produced by Paul Martin and the Oscar-winning filmmaker James Gay-Rees, arrived this year as a gift to tennis fans, for whom splashy, well-produced and readily accessible documentaries about the sport have been hard to come by. Tennis, today, finds itself in the crepuscular light of an era when at least five different players — the Williams sisters, Roger Federer, Rafael Nadal and Novak Djokovic — have surely deserved mini-series of their own. But the sport has never enjoyed its own “All or Nothing,” the all-access Amazon program that follows a different professional sports team each season, or the event-television status accorded to “The Last Dance,” the Netflix docuseries about Michael Jordan’s Chicago Bulls, with its luxury suite of talking heads: Nas, Isiah Thomas, “former Chicago resident” Barack Obama. Perhaps this is because the narrative tropes of the genre tend toward triumphs and Gatorade showers, while the procedural and psychological realities of professional tennis lie elsewhere. The 10 episodes of “Break Point” render tennis unromantically: This is the rare sports doc whose primary subject is loss.In Andre Agassi’s memorably frank memoir, “Open,” he describes the tennis calendar with subtle poetry, detailing “how we start the year on the other side of the world, at the Australian Open, and then just chase the sun.” This itinerary more or less dictates the structure of “Break Point,” which opens at the year’s first Grand Slam and closes at the year-end championships in November. At each tournament, the players it spotlights post impressive results — and then, typically, they lose, thwarted sometimes by the sport’s stubborn luminaries but more often by bouts of nerves or exhaustion. They find comfort where they can, juggling a soccer ball or lying back with a self-made R.&B. track in a hotel room. But many tears are shed, after which they redouble their commitments to work harder, be smarter, get hungrier. “You have to be cold to build a champion mind-set,” says the Greek player Stefanos Tsitsipas.‘It’s tough to be happy in tennis.’Those who watched Wimbledon this month might find, in all this, an instructive companion piece to live tennis. “Break Point” is frustratingly short on actual game play, shaving matches down to their rudiments in a way that understates the freakish tactical discipline required of players; viewers will not, for example, come away with any greater understanding of point construction than they will from having watched Djokovic pull his opponents out wide with progressively heavier forehands, only to wrong-foot them with a backhand up the line. They will, however, come to understand how intensely demoralizing it must be to stand across the net from him. In an episode following last year’s Wimbledon, we watch the talented but irascible Nick Kyrgios, as close as tennis has to its own Dennis Rodman, play Djokovic in the final. He gets off to a hot start and then, like so many before him, begins to wilt. “He’s calmer; you can’t rush him,” he says of Djokovic, in a voice-over the series aptly sets against footage of an exasperated Kyrgios admonishing the umpire, the crowd, even friends and family in his own box. These are athletes we’re accustomed to seeing at their steeliest or their most combustible; the matches in “Break Point” may be fresh in the memory of most tennis fans, but the series benefits greatly from its subjects’ clearer-headed reflections.For all its pretensions to realism, “Break Point” is a shrewd, and perhaps doomed, attempt to fill the sport’s impending power vacuum. Kyrgios and Tsitsipas are among a handful of strivers it positions as the sport’s new stars, along with others like Casper Ruud, Ons Jabeur and Aryna Sabalenka. All, naturally, subjected themselves to Netflix’s cameras. This kind of access is increasingly crucial to sports documentaries, a fact that often results in work that’s unduly deferential to its subjects, as with “The Last Dance” and Michael Jordan.Tennis, though, runs counter to this mandate. It is perhaps the sport most conducive to solipsism. Singles players perform alone. On-court coaching is generally prohibited, so there are no rousing speeches to inspire unlikely comebacks. The game’s essential psychodrama takes place within the mind — often in the 25 seconds allotted between points, or in the split seconds during which one must decide whether to go cross-court or down the line, to flatten the ball or welter it with spin. I can remember, as a junior-tennis also-ran, my coaches saying that once my eyes wandered to my opponent across the net, they knew I would lose. This might explain why tennis players so often resort to their index of obsessive tics, like hiking up their socks or adjusting their racket strings just so.By the season’s end, we meet Tomljanovic again at the U.S. Open, where she earned the awkward distinction of sending Serena Williams into retirement. At the time, ESPN’s broadcast of the match yielded nearly five million viewers, making it the most-watched tennis telecast in the network’s history. This was Serena’s swan song, but “Break Point” depicts it from the perspective of our reluctant victor. Between the second and third sets, Tomljanovic shields her face with a sweat towel, as if to quiet the sound of 24,000 spectators rooting against her. In tennis, it seems, even winning can feel like a drag.After the match, we find Tomljanovic cooling down on a stationary bike. Ratko, who has emerged as the show’s sole source of comedic relief, comes up from behind, embracing his daughter with a joke about her beating the greatest player of all time. “But why do I feel so conflicted?” she asks. There is no Gatorade bath, no confetti. To win the tournament, she still has four more matches to go.Opening illustration: Source photographs from Netflix; Tim Clayton/Corbis, via Getty ImagesJake Nevins is a writer in Brooklyn and the digital editor at Interview Magazine. He has written about books, sports and pop culture for The New York Times, The New York Review of Books and The Nation. More

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    Alcaraz Wins Wimbledon in a Thrilling Comeback Against Djokovic

    Carlos Alcaraz won his first Wimbledon title and left Novak Djokovic, the overwhelming favorite, with his first finals loss at the All England Club in a decade.After years of false starts, men’s tennis finally has a proper war between the generations.In a startling comeback that rocked the All England Club’s venerable Centre Court, Carlos Alcaraz, the 20-year-old Spanish star who has blitzed the sport in his brief career, pulled off the nearly impossible, beating Novak Djokovic in a Wimbledon final on the grass that the man widely recognized as the greatest ever to play the sport has long treated as his back lawn.Besides chasing the Grand Slam, Djokovic was aiming to extinguish the dreams of another heralded upstart challenging his hold on the game, which, so far, has amounted to 23 Grand Slam tournament titles. Alcaraz is the standard-bearer of the next group of players who are supposed to move the sport beyond the era of the Big Three, an era that includes Roger Federer and Rafael Nadal and that Djokovic has ruled longer than many expected.Alcaraz won the U.S. Open last year in thrilling, acrobatic fashion, serving notice that men’s tennis was going to be shaken up by an unusual talent. This year, he withdrew from the Australian Open to nurse an injury and was defeated by Djokovic in the semifinals at the French Open. But the buzz around him and his future never diminished.“It’s great for the new generation,” Alcaraz said, “to see me beating him and making them think that they are capable to do it.”Down after the first set and struggling simply to avoid embarrassment, Alcaraz rediscovered his unique combination of speed, power and touch and figured out the subtleties of grass-court tennis in the nick of time.He clawed his way back into the match in an epic, 85-minute second set in which he was a point away from what figured to be an insurmountable two-set deficit.He seized control of the match midway through the third set, then teetered in the fourth set as Djokovic, Wimbledon’s four-time defending champion and seven-time winner, rediscovered the footwork that has long served as the foundation of his success.Djokovic is as dangerous a player as there has ever been when facing defeat, but Alcaraz rose once more to claim victory, 1-6, 7-6 (6), 6-1, 3-6, 6-4, not only overcoming Djokovic’s endless skills and talents but breaking his spirit, too.When the momentum swung one last time, as Alcaraz cranked a backhand down the line to break Djokovic’s serve early in the fifth set, the Serb with the steely mind smashed his racket on the net post. A few points earlier, he had frittered away his chance to seize control, swinging at a floating forehand in the middle of the court and sending it into the net. Now, just a few minutes later, the thing that has so rarely happened to him in recent years — a loss to a relative newcomer on a grand stage, especially this grand stage — was happening.Last month, Djokovic, the 23-time Grand Slam singles champion, finally eclipsed his longtime rivals, Nadal and Federer. But this loss cost him a shot at one of the few prizes he has not achieved — becoming the first player since 1969 to achieve the Grand Slam in men’s singles, winning all four major tournaments in a single year. He was within one match of pulling off the feat two years ago. This time, at 36 years old, an age when most champions have retired to the broadcast booth, he was eight matches away.It seemed so close, but in the final game, Alcaraz showcased why everyone has been making such a fuss about him for so long. He finished Djokovic with his sexiest weapons — the silky drop shot, the artful topspin lob, a blasting serve and one last ripping forehand that Djokovic reached for but could not lift over the net.Alcaraz dropped to the ground and rolled on the grass, his hands over his face in disbelief. He hugged Djokovic at the net, shook hands with the umpire, picked up a loose ball from the grass and punted it into the crowd before heading into the stands to hug his parents and his coach, Juan Carlos Ferrero.“Beating Novak at his best, in this stage, making history, being the guy to beat him after 10 years unbeaten on that court, is amazing for me,” Alcaraz said.After taking the champion’s trophy from Catherine, Princess of Wales, on a day that brought out A-list celebrities like the actors Brad Pitt, Daniel Craig, Emma Watson and Hugh Jackman and the singer Ariana Grande, he got to joke with King Felipe VI of Spain, who also watched the young Spanish player’s triumph.“Now that I won I hope you are coming to more of my matches,” Alcaraz said to the king.King Felipe VI of Spain was among those who watched Alcaraz’s triumph.Sebastien Bozon/Agence France-Presse — Getty ImagesOne of Alcaraz’s many mentors, Nadal, the great Spanish player who had dethroned another Wimbledon icon, Federer, in 2008, wrote on social media that Alcaraz had brought “immense joy” to Spanish tennis.“A very strong hug, and enjoy the moment Champion!!!” wrote Nadal, who missed the tournament because of recent hip and abdominal surgery.The loss created a rare moment for Djokovic, who acknowledged that on this day at least he had lost to a better player.“A tough one to swallow,” Djokovic said of the loss. He then choked back tears as he looked at his son, who was smiling at him from a courtside seat. “Thank you for supporting me,” he told his family. “I will give you a big hug and we can all love each other.”On Saturday, Mats Wilander, the seven-time Grand Slam winner who is now one of the most respected voices in the sport, put Djokovic’s chances of beating Alcaraz and winning the four 2023 Grand Slam events at 90 percent.“He’s got too many weapons,” Wilander said. “He knows everything there is to know about the sport. He’s got it all down to a science. The opponents aren’t ready for him.”In the first minutes of Sunday’s final, Wilander looked prophetic. The most important men’s match on the tennis calendar looked like a contest between two players who had walked onto Centre Court under completely different circumstances.It was the usual July Sunday for Djokovic. But Alcaraz was playing in his first Wimbledon final, and that weight was made heavier after the stress-induced, full-body cramps he suffered during his semifinal showdown with Djokovic at the French Open last month. That had been the first major moment when Alcaraz, the top seed and the world No. 1, failed to live up to his hype.Sunday was different. But not at first.Alcaraz finished the match much stronger than he began.Clive Brunskill/Getty ImagesFrom the opening moments, Djokovic pinned Alcaraz in the back corner of the court with low slicing shots that made it impossible for Alcaraz to go on the attack. He crushed service returns, aiming at the brown patches of dirt at Alcaraz’s feet and sending him running backward.Djokovic was a set up before the match was a half-hour old but Alcaraz held a 2-0 lead in the second.Alcaraz’s chance to salvage his maiden Wimbledon final came down to a crucial tiebreaker at the end of an epic second set that lasted three times as long as the first one. Tiebreakers are Djokovic’s specialty. Entering the final, he had won 14 straight in Grand Slam matches.The moment brought out the best in both players — the big serves to the corners; nasty drop shots; crisp, point-saving winners with the opponent closing in at the net — and the packed crowd, with alternating chants of “Novak, Novak,” and “Carlos, Carlos” echoing around the Centre Court overhangs.And then just when it looked as if Djokovic was poised to grab a commanding two-set lead, he sent two backhands into the net to give Alcaraz a chance to draw even. Alcaraz then cracked a backhand return of Djokovic’s serve down the line to knot the match at a set each.Djokovic struggled against Alcaraz’s combination of power and speed and lost the second and third sets.Dylan Martinez/ReutersThe former heavyweight champion Mike Tyson once said that everyone has a plan until they get punched in the mouth.Alcaraz had landed a shot to Djokovic’s jaw, and Djokovic felt it. The third set became an array of Djokovic errors. He battled to regain a foothold in the match, never more so than a game midway through that went to 13 deuces, that ended with a Djokovic forehand into the net.As he usually does when he is down, Djokovic took a lengthy bathroom break before the fourth set. He splashes water on his face and talks to himself in the mirror. Usually, he emerges a different player, and Sunday was no different, as he seized the initiative once more, breaking Alcaraz’s serve midway through, getting back in his head and taking the set as Alcaraz, once more edgy and on the defensive, double-faulted.After nearly four hours, they were back where they started. Nearly five hours of drama would come down to a few moments.“He surprised me. He surprised everyone,” Djokovic said of Alcaraz, who, in his eyes, had taken elements of his style, Nadal’s and Federer’s and produced a prowess on grass — his grass! — far sooner than he expected. “I haven’t played a player like him, ever.”Alcaraz with his first Wimbledon trophy but probably not his last.Kirsty Wigglesworth/Associated Press More

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    Carlos Alcaraz Shows Novak Djokovic That His Championships Are Numbered

    Djokovic had won the past three Grand Slams he played in to reach 23 major titles, but Alcaraz, Wimbledon’s newest singles champion, proved on Sunday he is not invincible.With the driving force of a forehand winner, Novak Djokovic slammed his racket into a net post, then quickly picked up the twisted wreckage and sat down. It was an uncharacteristic outburst of rage from the 23-time Grand Slam singles champion, and it seemed to be about more than the point he had just lost.Djokovic, who fully expected to win Wimbledon on Sunday, and perhaps a few more times in the coming years, appeared to be gaining a realization in that moment: His singular dominance of the men’s tennis tour in recent years may be over.Carlos Alcaraz, the 20-year-old Spaniard, was demonstrating incredible mental strength and tennis skill in a five-set gem, and an enticing new rivalry was being born.“Ha, I hope so,” Djokovic, the 36-year-old Serb, said with a laugh. “For my sake. He’s going to be on the tour for quite some time. I don’t know how long I’ll be around.”Just when Djokovic had outlasted Roger Federer and peak Rafael Nadal, now he has to contend with a composed, talented and versatile young bull who has everything it takes to be one of the greats of the game.If a torch was not passed on Sunday, it was at least up for grabs.“Novak’s got someone to deal with now, for sure,” said Chris Evert, the 18-time Grand Slam singles champion, who watched from the royal box as Alcaraz beat Djokovic in an electrifying conclusion to Wimbledon. “It’s like when Steffi Graf came up and started beating me and Martina. We saw right away how good she was, and she went on to win more Slams than either of us.”From 1981 until 1986, Evert and Martina Navratilova, who was also in the royal box Sunday, won 18 of the 20 major titles, including a run of 15 in a row. Then Graf vanquished Navratilova in the 1987 French Open final and went on to win 22 major championships in all.Until Sunday, Djokovic seemed invincible in best-of-five-sets matches at Grand Slam tournaments and especially on Centre Court, where he had not lost in 10 years. With Federer retired and Nadal dealing with chronic injury problems at 37, one could have envisioned Djokovic vacuuming up several more trophies over the next few years while Alcaraz honed his game.It’s plenty honed.Alcaraz was known for being good on clay and hardcourts but he surprised Djokovic with his skill on grass.Isabel Infantes/EPA, via ShutterstockAlcaraz put it all on display in the 1-6, 7-6 (6), 6-1, 3-6, 6-4 victory that gave him his first Wimbledon singles title and robbed Djokovic of the chance to win five Wimbledons in a row and a record-tying eighth for his career.Djokovic was also hoping — and was favored — to win his 24th major title, which would have tied Margaret Court for the most in a career and left just the U.S. Open later this summer to complete the Grand Slam. It all seemed virtually inevitable, but now he may have to recalibrate.“I haven’t played a player like him ever, to be honest,” Djokovic said. “Roger and Rafa have their own obvious strengths and weaknesses. Carlos is very complete player. Amazing adapting capabilities that I think are a key for longevity and for successful career on all surfaces.”Perhaps the reason for the racket slam, which Djokovic attributed to the frustration of the moment — Alcaraz had just broken his serve in the fifth — is because the Wimbledon grass was where Djokovic had hoped to enjoy a slight edge over his precocious new rival in the coming years.Alcaraz grew up playing mostly on clay, but he quickly adapted to hard courts and won the U.S. Open in September when he was only 19. Djokovic was absent from that event and Alcaraz’s victory came against Casper Ruud of Norway, who is a good player, but no Novak Djokovic.Now he has shown his mettle on grass, against the best players in the most prestigious tournament in the world. During an on-court ceremony after the match, Djokovic, who teared up when mentioning his son, graciously lauded Alcaraz. He noted that, yes, he knew Alcaraz would be an instant force on red clay and blue paint. Now, grass, too? Already?“I didn’t expect him to play so well this year on grass,” Djokovic said. “But he’s proven that he’s the best player in the world, no doubt. He’s playing some fantastic tennis on different surfaces and he deserves to be where he is.”Even before the racket smash, there was another extended moment when Djokovic might have gotten the signal that he was in for a challenging few years.With Djokovic serving at 1-3 in the third set, the two men played a 32-point game with 13 deuces that lasted over 26 minutes. Both players ran and dove and made amazing shots, and the spectators hollered in delight at the extraordinary play, and the guts on display.“The nerve Alcaraz showed was absolutely remarkable,” Evert said.Finally, after Djokovic hit a forehand into the net, Alcaraz had broken serve again. He put his finger to his ear, asking the crowd for more noise, and right there Djokovic had to know. For as many years as he can hang on, Alcaraz will probably be there, too, even on grass.“I think it’s good for the sport, 1 and 2 in the world facing each other in almost a five-hour, five-set thriller,” Djokovic said. “Couldn’t be better for our sport in general.” More

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    Ons Jabeur Calls Wimbledon Loss ‘the Most Painful’ of Her Career

    “Honestly, I felt a lot of pressure, feeling a lot of stress,” Jabeur said after losing the women’s singles final to Marketa Vondrousova.With the hopes of a country, a continent and a world of tennis lovers who felt she was long overdue urging her toward history, Ons Jabeur fell agonizingly short. For the second time at Wimbledon, and the third time in a year at a Grand Slam, Jabeur had hoped to become the first woman from Tunisia, the first from Africa and the first Arabic speaker to win a major women’s singles tournament.The pressure of playing for so much and so many may have caught up to her, again.“Honestly, I felt a lot of pressure, feeling a lot of stress,” Jabeur said Saturday after losing the women’s singles final, 6-4, 6-4 to Marketa Vondrousova. “But like every final, like every match I played, I was telling myself, ‘It’s OK, it’s normal.’ I honestly did nothing wrong.”For years on tour, Jabeur has done everything right, except win a title that she and her fans so desperately desire. Tears flowed again on Centre Court, as Jabeur joined the likes of Andy Murray and Jana Novotna, two former Wimbledon finalists who each cried after losing finals they had hoped would be their breakthrough championships.Jabeur, who lost last year’s Wimbledon final — and the final of the last U.S. Open — struggled against Vondrousova, who won to become the first unseeded Wimbledon women’s champion.Shortly after, during the on-court ceremony, Jabeur broke down, wiping tears from her pink eyes as she spoke to spectators, and holding the runner-up trophy like a dirty dish. She called it “the most painful loss” of her career. Then, when she receded into the elegant hallways of Wimbledon’s main stadium, Catherine, Princess of Wales, offered a consoling hug.“I told her hugs are always welcome from me,” said Jabeur, who required the same sympathetic shoulder last year after losing to Elena Rybakina in the final.Another famous royal hug was given in 1993 by the Duchess of Kent to Novotna, after Novotna had lost to Steffi Graf in the final and began to weep during the trophy ceremony. Five years later, Novotna won it all.In 2012, Murray was in pieces after losing to Roger Federer in the final, barely able to speak to the fans — and to a nation — during his on-court speech. Carrying the hopes of British sports fans yearning for their first men’s champion in 77 years at their home grand slam, Murray’s voice cracked and he dabbed his eyes with his thumb and forefinger. A few weeks later he won the U.S. Open and the following year he won Wimbledon, by beating Novak Djokovic, this year’s men’s finalist who plays on Sunday against Carlos Alcaraz.There is precedent, and perhaps some luck, for popular players who demonstrate their vulnerability and shed a tear after a gutting loss. Jabeur also received a hug from Kim Clijsters, who lost four finals in major tournaments before finally winning the U.S. Open in 2005. She eventually finished her career with four Grand Slam singles titles, one for every loss.“It brings back a lot of memories and thoughts about how you go about it,” Clijsters said in an interview Saturday after the match. “I was trying to remember the process I went through. There is no real secret, it’s just trying to give yourself the opportunity to get to that stage again.”At the 2001 French Open, Clijsters sought to become the first Belgian woman to win a major tournament. She lost to Jennifer Capriati, 12-10, in an epic third set, one day after her 18th birthday. Clijsters said she was too young to handle all the attention, scrutiny and on-court challenges if she had won that day.Jabeur showed flashes of resilience early in the second set against Vondrousova, but could not make the most of it.Andrew Couldridge/ReutersJabeur, who turns 29 in August, feels more than ready to win. But the pressure only increases with each failed attempt. Clijsters noticed that Jabeur had poor body language Saturday, slumping after mistakes and showing zero positive emotions following a good shot.“That shows that the doubt was overpowering everything during the match,” Clijsters said. “The biggest thing she has to learn is to fake it. Fake it until you make it.”Faking it could be hard for Jabeur, who appears as genuine as she is talented; one of the many reasons fans are so drawn to her. As the No. 6 seed, she played magnificently here, avenging last year’s devastating loss to No. 3 Rybakina in a quarterfinal and No. 2 Aryna Sabalenka in their semifinal. Many thought it was Jabeur’s time, making the loss more excruciating and eliciting sympathy even from Vondrousova’s camp.“When I saw her, I started to cry, too,” said Stepan Simek, Vondrousova’s husband. “Ons is a very lovely human. She has a good heart and is very friendly with opponents, and even to me. I was very sad because she deserves to be a Grand Slam champion. She will make it one day.” More

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    Marketa Vondrousova Wins Wimbledon Over Ons Jabeur

    Vondrousova of the Czech Republic overpowered Ons Jabeur of Tunisia in the first set and never looked back, winning 6-4, 6-4.Marketa Vondrousova of the Czech Republic became one of the most unlikely Wimbledon champions Saturday, beating Ons Jabeur, a trailblazing Tunisian, in straight sets.Vondrousova, 24, became the latest in a long line of Czech-born women to lift the most important trophy in the sport, going back to Martina Navratilova’s domination of Wimbledon in the 1980s, after Navratilova had defected to the United States.Like Navratilova, Vondrousova is a left-handed player with a nasty slice serve that she used throughout the afternoon in the tensest moments when Jabeur tried to take control of the match or mount yet another comeback.For Jabeur, the loss in a second straight Wimbledon final, against an opponent who had accomplished far less than other women she beat on the way to the precipice of tennis history, was nothing less than heartbreaking. Jabeur has now lost three of the last five Grand Slam finals, falling just short of becoming the first woman of Arab descent and from Africa to win the most important championships in tennis.Like most tennis players, Jabeur has long dreamed of winning Wimbledon and last year used a picture of the women’s trophy as the lock screen on her phone.Jabeur started fast, breaking a nervous Vondrousova’s serve repeatedly in the first set. She was in tight form the beginning, but holding a 4-2 lead in the first set she unraveled, sending forehands into the net, floating backhands beyond the baseline.Ons Jabeur struggled uncharacteristically throughout the match.Tolga Akmen/EPA, via ShutterstockBefore she knew it, Jabeur was down a set and had lost her serve to start the second. For her part, Vondrousova was doing all she needed to, keeping the ball in play, whipping her curling, spinning shots that were so different from the power which Jabeur had faced in her recent matches.While Jabeur steadied herself, and even surged to another lead in the second set, at 3-1, it all went away once more, as Jabeur struggled to find the court and sent too many balls into the middle of the net.She lost five of the last six games, and another woman from Czech Republic was the Wimbledon champion. More