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      What Rudy Tomjanovich Learned by Coaching the Greats

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      Tomjanovich led the Houston Rockets to two championships (Hakeem Olajuwon), briefly coached the Lakers (Kobe Bryant) and oversaw an Olympic team (Kevin Garnett).Even as a noted players’ coach, Rudy Tomjanovich had a hunch Kobe Bryant would need some time to embrace their new partnership.After five years and three N.B.A. championships under Phil Jackson, and having thrived in the read-and-react triangle offense Jackson championed, Bryant was suddenly playing for a lifelong Houston Rocket with different sideline sensibilities.“It was an adjustment for him because I was a play caller,” Tomjanovich said.What Tomjanovich shared with Jackson, if not an offensive philosophy, was a gift for reading superstars and ultimately connecting with them. His time with Bryant was short during the 2004-5 season, when Tomjanovich quickly deduced that the stress of coaching had become damaging to his health, but at least one Laker urged him not to walk away.“Kobe tried to talk me out of it,” Tomjanovich said in a telephone interview, reflecting on his resignation, as well as how he meshed with Bryant, after just 43 games.In the buildup to this weekend’s pandemic-delayed inductions for the Basketball Hall of Fame’s class of 2020, Tomjanovich, 72, has been telling old stories often — most of them, naturally, from his 32-year run as a player, scout and coach in Houston. The class is headlined by Tim Duncan, Kevin Garnett and Bryant, who will be presented by Michael Jordan and inducted posthumously. Bryant was killed in a helicopter crash on Jan. 26, 2020, that grief-stricken fans and peers, all of the honorees included, are still struggling to process.Tomjanovich coached Bryant and the Lakers for 43 games before stepping down for health reasons.Brian Bahr/Getty ImagesTomjanovich, after twice being named a finalist but not in 2019, earned his place among the 2020 inductees for his coaching achievements in Houston — particularly his championship partnership with Hakeem Olajuwon. The Rockets won back-to-back titles in 1993-94 and 1994-95, first with Olajuwon as the lone All-Star, then as a lowly No. 6 seed after a midseason trade reunited Olajuwon with Clyde Drexler, his college teammate from the University of Houston’s men’s basketball teams known as Phi Slama Jama.Those Rockets teams were routinely dismissed as champions of circumstance, branded as beneficiaries of Jordan’s 18-month hiatus from the N.B.A. to try to transform himself into a Chicago White Sox outfielder. We’ve since learned, through “The Last Dance” documentary series, that Jordan’s iconic Chicago Bulls were not a lock to handle Houston without a big man anywhere near Olajuwon’s level.“I heard it from the horse’s mouth — and that’s Michael,” Tomjanovich said.He said that Charles Barkley, in his first season as a Rocket in 1996-97, arranged a dinner at his home in Phoenix for the Rockets’ coaching staff. There were two very special invited guests: Tiger Woods and Jordan.“It was the first time I really got a chance to talk to Michael,” Tomjanovich said. “Nobody can ever know who would have won, but he said they were concerned that they couldn’t stop Hakeem. It was great to hear it from him.”Bladder cancer brought a cruel halt to Tomjanovich’s three decades in Houston after the 2002-3 season. Yet the way he managed an array of big personalities across 12 seasons as the Rockets’ coach helped Tomjanovich emerge as the Lakers’ choice to replace Jackson — after some flirtations with Duke’s Mike Krzyzewski and an attempt to lure Miami’s Pat Riley back to Hollywood. Tomjanovich, then 56, signed a five-year, $30 million contract to coach the Lakers, who traded Shaquille O’Neal to Riley’s Heat four days later.Hakeem Olajuwon was the cornerstone of Houston’s back-to-back title teams in the 1990s under Tomjanovich.Noren Trotman/NBAE via Getty Images“I probably shouldn’t have done that,” Tomjanovich said. “First of all, I was excited that the cancer was gone. I thought, ‘I can’t pass this thing up,’ but then I just felt like I was hurting myself and I had to let it go. I love to coach good players, and Kobe was great. I thought I could do it, health-wise and body-wise, but I couldn’t. People said it was a lot of money to give up, but what good is money if you’re going to make yourself sick?”It was the rare Tomjanovich comeback story without a happy ending. As a player, he survived a vicious on-court punch from Kermit Washington in December 1977 and recovered to reach his fifth All-Star Game in 1978-79. As a coach, Tomjanovich steered the Rockets to playoff upsets of the teams with the league’s top four records (Utah, Phoenix, San Antonio and Orlando) in the 1995 playoffs to win title No. 2, including a second-round rally against the Suns after Houston fell into a 3-1 series deficit.“That’s how we got one of the greatest quotes ever in basketball,” Robert Horry, one of Tomjanovich’s Houston stalwarts, said on Monday. “Don’t ever underestimate the heart of a champion.”That defiant rebuttal to Rockets skeptics, from a beaming Tomjanovich after Houston completed a 4-0 N.B.A. finals sweep of O’Neal’s Orlando Magic, became his signature line.He is still working in the league, hired in December by the Minnesota Timberwolves as a front-office consultant. He referred to his induction as “the cherry on top of it all” and said that coaching gave him what he craved most other than championships in his final years as a player.A new identity.“I heard that for a while and it was getting old — ‘Oh, you’re the guy who got punched,’” Tomjanovich said. “It was really good to push that in the background.”Tomjanovich didn’t coach Duncan, but said he would never forget the dread he felt upon seeing him as a rookie in San Antonio, teaming with David Robinson. “The first time they threw him the ball, I watched how he caught it and where he positioned it under his chin and how he looked to the middle,” Tomjanovich said. “I got sick to my stomach.”He did briefly coach Garnett and, not surprisingly, clicked with another star. Tomjanovich coached the United States at the 2000 Olympics in Sydney, Australia. Garnett was one of his loudest leaders. Two scares against Lithuania, including a semifinal that the Americans easily could have lost, will surely stay with members of that team, since U.S.A. Basketball, to that point, had not lost with N.B.A. players.“I’m telling you, that was a big, big boulder that you’re carrying around,” Tomjanovich said. “You don’t want to be the first.”Perhaps he and Garnett will have a chance to share a relieved laugh about it at some point during Saturday’s festivities. Every moment of levity is bound to be relished on what figures to be, at various points, an unavoidably somber evening.From left, Robert Horry, Clyde Drexler and Tomjanovich won a championship with the Houston Rockets in the 1994-95 season as the No. 6 seed.Scott Halleran/Getty ImagesHorry, the role player supreme, has as much reason to watch as anyone. He won two of his seven championships alongside Duncan in San Antonio and regards Tomjanovich as “the best coach to play for.” He also played for Jackson and Gregg Popovich, but rates Tomjanovich at the top “because he had a feel for the players and a feel for the game.”“I only still talk to one of them,” Horry said, referring to Tomjanovich.Yet Horry added that he was unlikely to tune in, as much as he wanted to celebrate Rudy T’s big moment, and it was clear why. For all we anticipate with this starry class — what sort of speech we get from the spotlight-shy Duncan is one prime example — it’s still so hard to get past the unjust and unfillable hole in the whole occasion without Bryant able to take his rightful turn on the podium.Bryant joined the Lakers at 17, grew up over the course of 20 seasons in Los Angeles on the biggest of N.B.A. stages and, after such a long and prosperous career, had his life cut tragically short. As a regular analyst on Lakers broadcasts, Horry said he feels that sting every time the team’s network runs what it calls “Mamba Moment” highlight tributes to Bryant, his teammate on the Lakers’ three-peat championship teams from 1999-2000 to 2001-2.Horry’s daughter, Ashlyn, had a rare genetic condition and died at 17 in 2011. He said he thinks often about Vanessa Bryant, Kobe’s wife, and “having to talk about not just losing a daughter but a husband, too.”“It’s too sad,” Horry said.The plan here is to revel as much as possible in Saturday’s joys, like the overdue recognition for a decorated coach like Tomjanovich, while bracing for the sadness we will all understand.The Scoop @TheSteinLineCorner ThreeThe Miami Heat had a shorter off-season than any other Eastern Conference team after their run to the 2020 finals stretched into October.Steven Senne/Associated PressYou ask; I answer. Every week in this space, I’ll field three questions posed via email at marcstein-newsletter@nytimes.com. Please include your first and last name, as well as the city you’re writing in from, and make sure “Corner Three” is in the subject line.(Questions may be condensed or lightly edited for clarity.)Q: In last week’s newsletter, you wrote that no one foresaw that three of last season’s final four teams would be in danger of landing in the playoff play-in tournament. That is demonstrably untrue. I am no N.B.A. prophet, but I was published in your newsletter before the season started saying that it was tremendously unfair to ask the four best teams from the season before to return to play after as little as 71 days off. I can only assume that many other voices expressed similar concerns. — Avary Mitchell (McKinney, Texas)Stein: I have never disagreed for one second with what you wrote in December. The truncated turnaround from last season to this season was always going to be roughest on the Lakers, Heat, Celtics and Nuggets — and, yes, unfair in a lot of ways.But I don’t remember anyone saying that they expected any of those teams to slip all the way to No. 7 in its conference.I reread your letter, and the same holds for you. There’s a difference between denouncing the disparity in teams’ off-seasons and predicting that the defending champion Lakers would finish seventh in the West.Injuries and Covid-19 disruptions have been a major factor for the Lakers, Heat and Celtics, on top of the unfairness, but all have still managed to slip further in the standings than any of the worst-case-scenario pundits were projecting when the season began.Q: You have been writing a lot about the Nets’ recent signing of the former CSKA Moscow guard Mike James. I want to ask you about the guard from my country who recently joined CSKA: Gabriel Lundberg. He does not have a Luka Doncic pedigree, but he was the driving force behind Denmark’s upset of Lithuania in November. Does he have an N.B.A. future? — Martin Ronnow Lund (Denmark)Stein: Thank you, Martin, for what (I think) will be recorded as our first question from Denmark.I’ve done some checking on Lundberg, since I admittedly don’t have much of a file on him, and it’s fair to say that N.B.A. teams are well aware of him now. At 26, he has made a storybook progression from playing in the Spanish second division as recently as the 2017-18 season to emerging as a force with a European powerhouse like CSKA. The performance (28 points, 7 rebounds and 4 assists) you referred to against Lithuania certainly registered in front offices here, even though Lithuania didn’t have access to its N.B.A. players.There will be questions about his size (6-foot-4) as a shooting guard and his one-on-one skills, but I am told he plays with great confidence — to go with his great back story. Perhaps he can be the first Dane to really break through in the N.B.A.; helping a James-less CSKA reach the EuroLeague final four ensures he will be well scouted.Lars Hansen was the first Danish-born player to be drafted and had a brief stint with Seattle in the late 1970s, but he moved to Canada at a young age and represented Canada in the 1976 Olympics. David Andersen, who had a Danish father, had stints with Houston, Toronto and New Orleans in the N.B.A., but he was born in Australia and played internationally as an Australian. The Nets drafted the Copenhagen-born Christian Drejer with the 51st overall pick in 2004, but Drejer never played in the N.B.A.Q: I read your recent newsletter on the play-in games format and, as a fan, I love it. I also love the Knicks. The last several years have been rough, but I want to know: Is Tom Thibodeau going to win the Coach of the Year Award? — (Peter Thurlow, Ridgewood, N.J.)Stein: My official unofficial ballot, which I publish every season just for posterity, will headline next Tuesday’s newsletter. As a reminder: The New York Times does not participate in league award voting in any sport, but I still like going through the exercise of breaking down each race just for discussion purposes.While saving my extended commentary on coach of the year and the other categories until then, I can share that I was indeed leaning toward Thibodeau entering the final week of the regular season because of his unquestioned influence in establishing the Knicks as this season’s foremost overachieving team. To actually win it, though, he’ll have to beat out the league’s only two coaches (Utah’s Quin Snyder and Phoenix’s Monty Williams) likely to wind up in the 50-win club in this 72-game season.Numbers GameCarmelo Anthony keeps climbing the career scoring leaderboard, at a time when many thought he would be out of the league.Steph Chambers/Getty Images5Since Portland’s Carmelo Anthony made his debut in the N.B.A. in 2003-4, five players have moved into the N.B.A.’s top 10 in career scoring: No. 3 LeBron James (35,318), No. 4 Kobe Bryant (33,643), No. 6 Dirk Nowitzki (31,560), No. 8 Shaquille O’Neal (28,596) and No. 10 Anthony (27,337). The five players displaced from the top 10 in that span, according to the Elias Sports Bureau, were John Havlicek, Dominique Wilkins, Oscar Robertson, Hakeem Olajuwon and Elvin Hayes.30Russell Westbrook is the N.B.A.’s new career leader in triple-doubles in the regular season, after surpassing Oscar Robertson’s record 181 on Monday in Atlanta, but he still has some ground to make up to match Magic Johnson’s record of 30 postseason triple-doubles. Westbrook has 10 playoff triple-doubles — two more than Robertson’s eight. LeBron James, with 28, is Johnson’s closest pursuer on the postseason list.2In April 1970, after successfully blocking a trade to Baltimore, Oscar Robertson was dealt to the Milwaukee Bucks from the Cincinnati Royals for the modest return of Flynn Robinson and Charlie Paulk. Robinson and Paulk spent only one season each in Cincinnati, and the Royals, just two seasons after the trade, moved out of Ohio to become the Kings and a team with two home cities: Kansas City, Mo., and Omaha.15Dallas’s Luka Doncic and Philadelphia’s Dwight Howard lead the league with 15 technical fouls each, followed by Russell Westbrook (14). Doncic and Howard each remain one technical away from a one-game suspension, but there would be no carry-over if a 16th tech was accrued in the final game of the regular season. Slates are wiped clean for the playoffs, with seven technicals in the postseason resulting in a one-game suspension.22-9Since Damian Lillard’s debut season in 2012-13, Portland has won 22 of its 31 games against the Los Angeles Lakers, according to Elias. It’s the Lakers’ second-worst record against an opponent in that span, better only than a 7-28 mark against the Los Angeles Clippers. The Trail Blazers’ home win Friday over the Lakers gave them a huge edge in the race to secure the sixth seed in the Western Conference and to avoid the playoff play-in round next week.Hit me up anytime on Twitter (@TheSteinLine) or Facebook (@MarcSteinNBA) or Instagram (@thesteinline). Send any other feedback to marcstein-newsletter@nytimes.com. More

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      W.N.B.A. Braces for ‘Fierce Competition’ in New Season

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      A wave of talented rookies could make for tense battles as new faces like Aari McDonald and Charli Collier take on perennial All-Stars like Diana Taurasi and Candace Parker.Buzzy rookies, reshuffled stars and new interest in women’s basketball after a thrilling N.C.A.A. tournament have positioned the W.N.B.A. to open its 25th season this week with a captive audience as it continues to lead in social justice efforts among professional sports leagues.Put it all together, W.N.B.A. Commissioner Cathy Engelbert told The New York Times, and “the future of the game is bright.”“Rosters are stacked with incredibly talented veterans, and the last few rookie classes are bringing a whole new element to the fierce competition within the league,” she said.Fresh off N.C.A.A. tournament highs and lows, Charli Collier, Kiana Williams and Aari McDonald are among a class of rookies who are set to make waves against longtime contenders like Sue Bird, Breanna Stewart and Candace Parker. And they are hungry for it.McDonald, who led the Arizona women’s basketball program to its first N.C.A.A. title game appearance last month, will make her W.N.B.A. debut with the Atlanta Dream on Friday night against the Connecticut Sun. Her eyes are on the W.N.B.A.’s career leading scorer.“Diana,” McDonald said of the Phoenix Mercury’s Diana Taurasi. “I can’t wait to play against her.”Taurasi has spent her entire career with one team, and until this season Parker could have said the same. But her move from the Los Angeles Sparks to the Chicago Sky as a free agent in the off-season is one of the biggest story lines of the new season.Another is the transformation of McDonald’s team, the Dream.Chennedy Carter and the rest of the Atlanta Dream are under new management this season.Phelan M. Ebenhack/Associated PressMike Petersen, the interim coach who took the helm when Nicki Collen left for Baylor this month, said McDonald was “a part of what will allow this team to play in a very nontraditional way and have some success.”The Dream are also under new management, with players having spent last season protesting against the team’s previous owner, the former Georgia senator Kelly Loeffler, after she spoke out against the Black Lives Matter movement. The team was sold in February.That protest was one of several that defined the 2020 season in a bubble environment — known as the “wubble” — at IMG Academy in Bradenton, Fla., to help prevent the spread of the coronavirus. The season was dedicated to Breonna Taylor, a Black woman who was killed by the police in Louisville, Ky., in March 2020. Players wore shirts bearing her name as part of the Say Her Name campaign, which focuses on police violence against Black women and girls, and the league launched its Social Justice Council, which coordinated cross-league initiatives.The W.N.B.A. is continuing its social justice efforts from last season, when it focused on Breonna Taylor.Chris O’Meara/Associated Press“I think they’ll take the themes that they’re going to be focused on, around health equity and civic engagement and voting rights, into their communities and feel a little more connected to it this year,” Engelbert told reporters recently, “whereas last year being in Florida in one place they might not have felt connected to the community as closely as they would have liked to.”Players and officials said that the emphasis on social justice would carry over to this season, with a particular focus on health equity, L.G.B.T. issues and voting rights.“Similar to the Say Her Name campaign, these issues directly affect literally who we are,” Layshia Clarendon, a Liberty guard who is one of the leaders of the league’s Social Justice Council, said this week. “We’ve been young Black girls who grew up, who are often underrepresented in our communities.”Seattle’s Breanna Stewart, left, and the Liberty’s Layshia Clarendon, right, were two of the more vocal players last year on social justice issues. Phelan M. Ebenhack/Associated PressClarendon said the health focus encompasses vaccines and public health and safety topics like policing. “All of these issues overlap because they’re all intersectional,” they said.Allison Barber, president of the Indiana Fever, said teams were trying to help players be both “amplifiers of a message” and “advocates of a mission.”“You need both things to change the world,” she said. “But our players want to both be amplifiers of messaging around social justice and also really roll their sleeves up and dig in deep and take action to be advocates for the mission.”Among those messages will be inequities between men’s and women’s sports, a topic recently highlighted by differences between the setups of the men’s and women’s college basketball tournaments. The men initially had significantly better weight rooms, meals and facilities than the women, and more advanced coronavirus testing.Coverage of the tournament drew a wide audience, something that players expect to continue through to the professional league. The W.N.B.A. draft was one of the most viewed in the past 15 years, and the N.C.A.A. women’s championship game between Arizona and Stanford, which was played on Easter Sunday, garnered the most viewers since 2014.Liberty guard Sabrina Ionescu said she was looking forward to playing in front of fans this season. She missed all but three games last year with an ankle injury.Phelan M. Ebenhack/Associated PressTeams will play 32 games this season, 16 at home and 16 away, in front of a limited number of fans, depending on guidance from local health officials. The league will also go on hiatus from July 15 to Aug. 11 for the Tokyo Olympics. The season begins Friday when the Liberty host the Fever at Barclays Center, in front of a reduced-capacity crowd.Whether they were returning to defend their titles or new to the league, players said they were looking forward to real fan noise.“It definitely feels different being in New York and playing in front of fans or families being in attendance,” said Sabrina Ionescu, the Liberty guard whose rookie season last year was cut short because of a severe ankle sprain in her third game. “It kind of feels like my first season — it basically is.”And all in new uniforms that center on stories from teams’ home states, including a “Stranger Things” theme for Indiana and a glass-ceiling shattering Space Needle for Seattle.“It was fun to see how a uniform could really draw in a whole new group of fans,” Barber said. “Even our governor was like: ‘I want my jersey. I love this show, and this jersey is awesome.’”For the Storm, this season is also about trying to repeat as champions. They have a rematch at home on Saturday with the Las Vegas Aces, whom they beat in three games for the 2020 title. Bird and Stewart will be up against A’ja Wilson, who won the Most Valuable Player Award in 2020.“We have the same expectations that we always have,” Stewart told reporters this week. More

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      LaMelo Ball Talks Wild Passes, Rookie of the Year and ‘Space Jam’

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      Ball, the Charlotte Hornets guard, is one of the season’s standout players, and not just among rookies. The secret to his shot? “Just shoot it with confidence.”A fractured wrist is about the only thing that has stopped Charlotte Hornets guard LaMelo Ball. The injury cut 21 games from his rookie season. He recently picked up where he left off, lobbing a nearly full-court, pinpoint underhand pass in his first game back, against the Detroit Pistons.At just 19, Ball has long been a celebrity, even before making his N.B.A. debut. Steered by his father, LaVar Ball, he was playing professional basketball overseas and starring in reality shows when most teenagers were focused on prom. His oldest brother, Lonzo, helped pave the road by spending a season at U.C.L.A. before becoming the second overall pick of the 2017 N.B.A. draft.Now in the N.B.A. as well, LaMelo Ball has proved worthy of the commotion. His Hornets are in the chase to qualify for the playoffs for the first time since 2015-16. He is averaging 16 points, 6.2 assists and 5.8 rebounds a game, and has come to be known for his passing and joyful play.Though much has been written and said about him, Ball doesn’t say much. So The New York Times sat down with him, in a video chat, to ask him about his game, his life off the court and those wild passes he makes to Miles Bridges.This interview has been condensed and lightly edited for clarity.At what age do you think you could have reasonably competed in the N.B.A.?Reasonably competed? I would say, my thought process, I was 14 at the time when I thought I could have been.Your father has drawn a lot of headlines over the years. What types of lessons have you learned from your mother, Tina?Pretty much just everyday life stuff growing up: how to treat people right, how to go on with your day, have respect for people. Just all the stuff you need to get through life, for real, and just be who you are.LaMelo Ball said his favorite pass was one he made to his oldest brother, Lonzo, when they were younger.Nell Redmond/USA Today Sports, via ReutersDo you have a favorite pass that you’ve made?Yeah, probably a long time ago. One of my friends passed away and we had a game and then my brother [Lonzo Ball] just went for a lob. And I remember he was playing that game real hard because his man had just passed. So I was at halfcourt, he act like he was going to draw a play, and I just threw it like this with my left from halfcourt. And it was a lob, and he caught that, cocked it back, it was over. That was A.A.U., so it was hard.Your coach, James Borrego, was a longtime San Antonio Spurs assistant and recently said your game reminded him of Manu Ginobili’s. What do you think of that comparison?I don’t really do too much on the comparisons. I like to compare myself to myself pretty much. But I think I know why he did that one. I know he loves that Spurs team. So probably that’s a good answer for him, I guess.If you had gone to college, where would you have played?At first, I was going to U.C.L.A., and then they went to Under Armour or something. I decommitted. I was going to go to U.S.C., though. For sure, would have been up there.What’s your favorite color?Orange.Favorite movie?I’m hoping it’s going to be this “Space Jam” 2, because I follow “Space Jam” 1 heavy. So, yeah, “Space Jam” 2 looks dope.Ball said he was looking forward to the “Space Jam” sequel starring LeBron James of the Los Angeles Lakers that is coming out later this year.Harry How/Getty ImagesFirst song that really caught your attention growing up?First one that I really liked? Honestly, I don’t even know, but just thinking back that far, type of music that my pops had playing. It definitely probably would be like a Lil Wayne song or a DMX. He always had that on.Morning person or night person?Definitely night.Is there a country left that you’d still like to most visit?Even when I was traveling, I ain’t ever even keep up. I just live in the moment. It’s wherever I’m at, I’m at. That’s how that goes.When you’re coming down the court with the ball, do you feel like the game is in slow motion for you?It’s just how I played basketball my whole life. So I was coming down when I was 3, same how I feel at 19.How often do you see a pass that’s there and you can make it, but you don’t because you’re not sure that the recipient is ready for it?That’s just where the chemistry comes. The more you play with me, the more you start understanding. That’s just all where that comes from. It’s honestly just our first year, whole team coming together. First time ever playing together. So I feel like it’s going well, but once you like really get to know me, then you’re going to know all the little passes and stuff like that.The combination of Miles Bridges, rear, and Ball has made for some heart-stopping alley-oops.Nell Redmond/Associated PressBall is averaging a team-leading 6.2 assists per game.Nell Redmond/Associated PressHave you ever tossed the ball to Miles Bridges higher on purpose, just to see how high he can go?Never on purpose, just wherever I feel like it needs to be.The secret to shooting a perfect floater?Just to shoot it with confidence.You’ve said that you try to learn at least one new thing every day. Where does that mind-set come from?Just being me. I mean, it’s something I grew up trying to do every day. My pops always says, “It’s always room for improvement.” You can learn every day and always just take something from somebody else and learn. You could take a negative and turn it into a positive or a worse situation and always just get something out of it.Was obtaining the Rookie of the Year Award a goal for you entering this season?Nah, not really. I ain’t really look at it as a goal. I just knew I was going to go out there, just had to be me. And if chips fall where they fall, you get the rookie of the year or you don’t. You still just got to play, though. It’s more of a team game. I’m trying to go to the playoffs, trying to go on a deep run, stuff like that.Ball missed 21 games after breaking his right wrist during a game against the Los Angeles Clippers on March 20.Jayne Kamin-Oncea/USA Today Sports, via ReutersWhat were you able to learn while out with the wrist injury?Pretty much just learning how the whole body works, how you can get your knee, everything right. I mean your whole body, just how it all works together. One thing moves, something could be hurt. And it can be totally different things that’s actually hurting than what’s actually hurt.Was there anything you picked up while watching the games?Seeing our players more, seeing where we can be on the defense, seeing just stuff like that.Have you ever been nervous on a basketball court?Nah. More

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      The Biggest Dance Show in Town? At a Brooklyn Nets Game

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      Since February, the Brooklynettes have performed live at Barclays Center to crowds that are smaller than usual — but huge for dance.I found an immersive performance — really, a spectacle — at a place I never would have expected it: a basketball game.Since February, the Brooklynettes, the Brooklyn Nets dance team, have been a pandemic anomaly: They have been performing live, at games, for nearly 2,000 spectators. It’s not the same as it ever was — it’s better. Barclays Center, at reduced capacity, is more intimate. The ushers treat you like you’re a guest at a dinner party. The players come into sharper focus. And the dancers, whether performing their choreographed routines or reacting to an exciting shot, are vital to the whole.It used to seem that a Brooklynettes number had three characteristics: speed, power and hair. The strokes were broad. Were the dancers skilled and meticulous? Absolutely. But at the games, their hard work was obscured by the noise and the abundance of fans. The reality was that this wasn’t so much a dance team as a group of backup dancers for a basketball team.With the arena at reduced capacity, the Brooklynettes feel more vital to the whole.Kholood Eid for The New York TimesThis season though, while the Brooklynettes’ focus is still hip-hop and street jazz, the look is different, more precise. At a recent rehearsal in the arena, Asha Singh, the Brooklynettes coach and sometime choreographer, put the brakes on the dancers, to clean up a routine. “What angle of left are we going?” she asked them. “Are we going to the corner? Are we stepping side?”Why would a position held for a millisecond during a sprint of a dance matter? When these six bodies move as one, they pull you in — not just to their dancing but into the arena, where their movement creates an invisible line of energy between the players and the fans.Even when they aren’t dancing, that vitality continues as they stand, hands on hips, looking like cutouts of Wonder Woman. It sounds strange, but now for the Brooklynettes, a position held for a millisecond in a sprint of a dance does matter, because whether or not you see the effect, you feel it.The Brooklynettes — along with a galvanizing drum line and Team Hype, a male dance crew that performs on the opposite stage — are no longer a decorative afterthought. In prepandemic days, they would perform right on the court; now two stages have been built to provide the necessary social distancing from fans and players. The dancers — there are six per game now, down from 20 — are present throughout. They stand out in a way that they didn’t before, even when they were front and center performing on-court routines during home games.Asha Singh, coach of the Brooklynettes, rehearsing with the team. Back, from left, Celine, Kia and Ashley.Kholood Eid for The New York TimesAnd while there is reduced capacity at Barclays Center, the numbers are still staggering for dance. How many dancers do you know who are performing indoors for so many people? (The arena has been at 10 percent capacity, about 1,700 spectators, and will go up to 30 percent on May 19.)“It’s invigorating,” said the dancer Liv David, who added that for many months during the pandemic, “I was just dancing in my little apartment trying not to kick my cats in the face and trying to make the most of it. I almost had forgotten that feeling — that adrenaline.”Live indoor dance performances have been hard to come by in New York; when they do happen, audiences are kept small. The Works & Process series at the Guggenheim Museum started with audiences of 50; as state mandates changed, the number was increased to 75 and now tops out at 90. At the cavernous Drill Hall at the Park Avenue Armory, capacity for “Afterwardsness,” a coming production by the Bill T. Jones/Arnie Zane Company, will be 118.The drum line and dancers during a game.Kholood Eid for The New York TimesDuring the 2019-2020 N.B.A. season, when arenas were at full capacity, all 30 teams featured performances with dancing. Now, in addition to the Brooklynettes, there are 10 other dance teams performing live. (The Knicks City Dancers do not; instead, recordings of past performances are played during games.)When fans were allowed back into arenas, Criscia Long, who oversees the Brooklynettes, the Brooklyn Nets Beats Drumline and Team Hype, was charged with figuring out how to bring entertainment back.“We’re in the crowd now — we’re right next to the fans,” Long said. “You get to engage with them; you get to actually feel their energy a little bit more during performances and when the ball is in play. It’s so much more connected now than even having the whole entire crowd there.”An experienced dancer, Long was formerly a captain of the Knicks City Dancers; she also performed with Lil’ Kim, who appeared in a number with the Brooklynettes this season. “She really wanted to be a part of the show,” Long said. “She rehearsed with us, and you know how hard it is with Covid protocols, but she wanted to be in it. It felt like we were on tour with her.”The Brooklynettes backstage in April.Kholood Eid for The New York TimesThat was a special occasion. Even so, Singh said that if you took away the basketball team, what the Brooklynettes present is a version of tour-style concert performances. That is even more apparent now. “Very much tour, minus the artist in front,” she said. “Imagine all that crazy dope dancing that you would see around the artist: That’s kind of the energy that we like to provide the arena.”In the past, the Brooklynettes would sometimes share the court with Team Hype for combined routines. Now, though, the two groups perform on stages at opposite sides of the arena; during the games, they play off each other while members of the drum line appear with both groups.They’re all more in the moment. At times, the dancers react to a big play: short bursts of choreography that bloom quickly and disappear. Even those dances, unannounced yet galvanizing, draw attention. As David said: “I feel eyes on us. I feel like people are appreciating what we’re doing and performing for them. And that is very rewarding.”The Wonder Woman pose.Kholood Eid for The New York TimesThe drum line has returned with the dancers.Kholood Eid for The New York TimesAt the start of the pandemic, Singh moved into Zoom rehearsals, like most of the dance world, and found that she needed to focus less on fixing details like exact arm placement and timing — that would be attended to once they were onstage — and more on getting the choreography in their bodies. Dancers would record themselves and send her the videos for individual notes.The emphasis of the movement has also changed. “Before, we would do a lot of big arms,” Singh said. “It was like how do I make the steps as big as possible? How do I make my body look like it’s taking up space?”While they still do that, now, she added, “It’s more about the power behind the movement and less of ‘my arm has to be way up here’ for the upper-level fans to be able to see what we’re doing.”As always, Singh wants the Brooklynettes to look like “an elevated professional dance crew based in Brooklyn,” she said. “My approach to anything, all Brooklynettes is you’ve got to do it right. At least try to do it right. The last thing I want anyone to say — and especially in our industry — is, ‘Oh it’s inauthentic. They’re appropriating culture. Or they’re not really Brooklyn.’”Asha Singh, the team’s coach, wants the Brooklynettes to look like “an elevated professional dance crew based in Brooklyn.”Kholood Eid for The New York TimesAs for that Wonder Woman pose? “That’s literally our signature,” Singh said, laughing. “I told the ladies the other night, ‘You have to stand like you’re still performing and stay there.’ If your arms get tired, you can relax, but then always come back so it still looks like your body is energized and you’re present. If you’re not backstage, you’re performing. That’s always been my viewpoint — on any show.”It’s another instance of the Brooklynettes doing something that they never had to do. “Now we’re learning that we have to change — we have to tweak our show, the in-between moments,” Singh said. “It’s kind of exciting though because I’m a fan of a stage. I just love lights. I love haze. I love being elevated.”As for that stage in the stands? “It just looks so much more like a show to me,” she said. “So I’m kind of loving our stage moment. We’re not sure how long it’s going to last, but it’s been really fun so far.” More

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      Tamika Catchings Is Taking Her ‘Superpower’ to the Hall of Fame

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      Catchings, a 10-time W.N.B.A. All-Star, said her hearing loss helped her have greater court awareness and better anticipate her opponents’ moves.Over time, Tamika Catchings reached an understanding about her lifelong hearing impairment. If it had once led to childhood taunts and later to some communication breakdowns with her college basketball coach, Tennessee’s Pat Summitt, Catchings came to realize that her impairment wasn’t an impairment at all.Rather, it was her “superpower,” as she put it.She is certain she compensated for her “moderate to severe” hearing loss with a court awareness that was second to none — that she was more capable of discerning all that was happening around her and, crucially, more apt to anticipate what was about to happen. That was particularly true on defense, she believed, and who’s to argue? While her other career numbers — 16.1 points, 7.3 rebounds and 3.3 assists per game — reflect all-around excellence, she won the W.N.B.A.’s Defensive Player of the Year Award five times in her 15 seasons with the Indiana Fever. Five years after her retirement, as she prepares to be inducted into the Basketball Hall of Fame on Saturday, she still holds the league’s career record for steals.So, yes, a superpower.Scientists have a name for it when a person deficient in one of the five senses sees the others sharpen: cross-modal plasticity. It happens automatically, not through any conscious effort. The body understands there’s a need, and adapts.In her 2016 book, “Catch a Star,” Catchings recounted a time in elementary school when she and her sister, Tauja, were engaged in a one-on-one game in the driveway of the family’s Illinois home. Things grew heated, as they often did.“He still drives me crazy, every once in a while,” Catchings said of her father, Harvey, who played 11 years in the N.B.A. “But you know what? That’s my dad.”Wade Payne/Associated PressThat’s when their father, Harvey, not far removed from an 11-year N.B.A. career, emerged from the house and demanded that the girls relinquish the ball. While Tauja repaired to her room, Tamika remained in the driveway, dribbling and shooting an imaginary ball — just going through “a silent drill in her head,” her mother, Wanda, said.Harvey was incredulous. Tamika, he says now, “took it to a whole different level.”She would, in time, lead two different high schools to state championships. She would win a national title early in her college career and a W.N.B.A. title late in her professional career. She would win four Olympic gold medals. As a pro, she would win the awards for rookie of the year and most valuable player and be named to 12 all-league first or second teams.This weekend, in a ceremony postponed from last August because of the coronavirus pandemic, Catchings, now 41 and an Indiana Fever executive, will be inducted into the Hall of Fame as part of a heavyweight class that also includes the N.B.A.’s Tim Duncan, Kevin Garnett and Kobe Bryant.She is the first women’s player from the University of Tennessee to be enshrined, news that gave her pause. Surely, she figured, another Lady Vol had made it, given Summitt’s success over a 38-year run that ended in 2012, four years before her death.But no. Maybe that shouldn’t be as big a surprise as it might seem.“I just had ‘it,’” Catchings told reporters after she learned of her induction in April 2020. “I had the drive, the passion, the determination, the focus, the attitude, the will.”Her story is a family story. It started with Harvey Catchings, a journeyman center who played for the 76ers, Nets, Bucks and Clippers before spending a season overseas.Harvey and Wanda Catchings’s children arrived early in Harvey’s career — a son, Kenyon, in 1975, Tauja two years later and Tamika not quite two years after that. Harvey taught them the game at a young age, regularly convening no-nonsense workouts. Kenyon and Tamika took to this approach. Tauja, not so much.“They tease me,” she said, adding, “Mika and our brother absolutely loved basketball, and I was kind of eh — I could take it or leave it.”Tamika was, in fact, “like an addict” when it came to the game, as her father once told The New York Times.She didn’t always appreciate her dad’s tutelage. As she put it in her book:For a lot of years, I couldn’t get Dad to hear me. His “coaching” made me feel, once again, like I didn’t fit in, that I wasn’t acceptable. I felt silenced. For a long time, I just took it all in and stuffed it, all the hurt and frustration and confusion about how to get him to see I could play the game well my own way.Ancient history now, in her eyes.“Yeah, it was a little crazy at times,” she says now, and laughs. “He still drives me crazy, every once in a while. But you know what? That’s my dad.”Catchings won four Olympic gold medals and the W.N.B.A. awards for rookie of the year and most valuable player.Tom Pennington/Getty ImagesLooking back, she said he might have pushed her to “a level that I might not have been able to get to on my own.” When she was in seventh grade, she scrawled on a piece of paper that it was her intention to play in the N.B.A. — not the W.N.B.A., as it did not yet exist — and taped it to her bedroom mirror.As a sophomore, she combined with Tauja to lead Stevenson High School, in Lincolnshire, Ill., to a state title. But the next year the family reached a crossroads. Harvey and Wanda divorced after 22 years of marriage, and Wanda decided to move to Texas, where the family lived when Tamika was in elementary school. Kenyon was at Northern Illinois University, his promising basketball career having ended in high school because of a health issue.But what of the girls?“As much as we’d already moved, it’s my senior year — I’m not moving,” said Tauja, who later played at the University of Illinois and overseas. “And I wanted to stay with my dad, too.”It was another matter for Tamika, who reluctantly headed to Texas with her mother. She won her second state title, at Duncanville High School, near Dallas, in 1996-97, a tribute not only to her growth, but also to her burgeoning superpower.When she was young, she watched TV with the sound off to learn how to lip-read. But elementary school bullies targeted her because of her clunky hearing aids, and in third grade, she chucked them into a field, never to be found.It wasn’t until she arrived at Tennessee in 1997 that she resumed wearing hearing aids regularly. Summitt noticed early in Catchings’s freshman year that she wasn’t immediately picking up on instructions and recommended the devices — smaller ones this time.Catchings, right, with Coach Pat Summitt in 2000, is the first woman who played at the University of Tennessee to be enshrined in the Basketball Hall of Fame.Delores Delvin/The Nashville Tennessean, via IMAGNThat was the year Catchings helped deliver an undefeated 1997-98 season and the sixth of Summitt’s eight national titles. Two years later, Tamika was named Naismith College Player of the Year, setting the stage for all that followed: the Olympic golds, the individual honors and a W.N.B.A. championship in 2012.Her drive was like that of Bryant, whom she met in Italy when their fathers, once teammates on the Sixers, played there. But she was most like her father. After each of her professional seasons, she asked for his advice. He told her something he had been acutely aware during his career: that somebody is always gunning for your job, so it’s vital to stay hungry, to just keep pushing.In August 2019, the roles were reversed. Harvey Catchings was the one in need of support, and Tamika was the one offering it. By then, he was 68, had settled near Houston and had just undergone a heart transplant.At his bedside, Tamika Catchings said, she challenged him in much the same way he once challenged her.“I told him, ‘This is God giving you another opportunity to live life, so what are you going to do with it?’” she said.Harvey Catchings, who lost nearly 70 pounds during his hospital stay, soon regained most of the weight — and with it, his stamina. He’ll be at his daughter’s side when she is inducted into the Hall this weekend.Yet she wasn’t certain this day would come. She went for a drive the afternoon of April 3, 2020, the day the finalists for the Hall of Fame would find out if they were selected, “just to get all this angst out.”Then the call came from John Doleva, the Hall of Fame’s president and chief executive.“I started to scream,” she said. “I took my hands off and was like, ‘Oh my God, I’m driving.’”She quickly regained her composure, once again aware of where she was — and, as always, where she was heading. More

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      The Root of the Knicks’ Success? Caring When They Didn’t Have To.

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      In a season of uncertainty, the Knicks gave fans, and opponents, one thing to count on: “They were coming to play,” one observer said.Of all the postseason-ensuring victories across the Knicks’ grand reawakening of a regular season, none rose to the level of their most compelling, collective triumph. That would be the defeat of every team’s most formidable opponent: the coronavirus pandemic.Like most teams in all sports, they have had their brushes with Covid-19. But at least until a swing out West that always loomed as a caveat to their playoff seeding, the Knicks could be counted on to “show up every night,” to quote a dearly departed season ticket holder I long knew.Some N.B.A. teams did little to improve on borderline playoff rosters or gutted them completely. Others that figured to be measurably superior to the Knicks have wobbled under the weight of too many nights when they didn’t show up — physically or spiritually.The N.B.A. this season has experienced an acute blowout problem, on pace late last month for more games after the All-Star break decided by 20 or more points since 1967-68. Let Jeff Van Gundy, the loquacious network analyst and former Knicks coach, begin to explain.“In a trying season for everybody — with testing and Covid, injuries and load management — you just haven’t known who’s going to be there, night in and night out,” he said in a telephone interview. “But with the Knicks, you have known, for the most part, they were coming to play.”This is where the hiring of Tom Thibodeau as coach was seamlessly set to pandemic conditions. Especially for what Van Gundy called “the whole crowd thing,” meaning that because there were no fans in arenas for most of the season, there has largely been no external force helping teams hold on to the rope after falling behind.Thibodeau was clear from the start: He wasn’t interested in coaching a team on training wheels, instead subscribing to the maxim that the best teaching environment is a winning one.Kevin C. Cox/Getty ImagesFrom no fans to some fans, these Knicks didn’t much need to be incentivized by a Madison Square Garden crowd. The coach’s baritone voice has been more than enough.Who among the emerging young players (RJ Barrett, Immanuel Quickley), veterans on expiring contracts (Reggie Bullock, Alec Burks) or reacquainted Thibodeau loyalists (Taj Gibson, Derrick Rose) was not going to be all-in with an old-school taskmaster, in his first year on the job?Van Gundy, who had Thibodeau on his Knicks staff two decades ago during the last multiseason period of Knicks relevance, mentioned an unnamed coach who told him that the higher the level of basketball you reach, winning during the regular season tends to “matter less and less to the players.” Maybe that’s an exaggeration, or simply not true. But with these Knicks, Van Gundy said, “the care factor has been exceptionally high.”Forgive the nostalgia, but their season has been reminiscent of 1982-83, when Hubie Brown rolled into town with a reputation much like Thibodeau’s, preaching defense and devotion, albeit in an exacting voice that over time grew discordant.Bernard King was the star of Hubie Brown’s 1982-83 Knicks team.Bill Kostroun/Associated PressBrown’s first Knicks team lost 26 of its first 40 games, then caught fire, won 24 of 30 and steamed into the playoffs to win a round (for the record, against the Nets).As with Julius Randle now, Bernard King was their lone star then, the one indispensable Knick, wearing the same No. 30. While other teams have required an Etch A Sketch to chart their stars’ nightly lineup availability, Randle has lost one game to injury and none to rest, leading the league in minutes played.Load management is generally for the established elite, not for a guy in the midst of a remarkable breakout season, and who began it with a partially guaranteed salary for 2021-22.Beyond Randle, Leon Rose, the team’s president, built a deep roster of interchangeable parts, ready for a condensed schedule promising to be marred by pandemic unpredictability. When the starting center Mitchell Robinson went down, the peripatetic young veteran Nerlens Noel stepped up. When Burks, a strong contributor to the team’s improved offense, was out because of virus protocols, Rose and Bullock picked up the scoring pace.“In the regular season, you can’t be top-heavy, you need depth, which Leon did a great job with,” Van Gundy said. “In the playoffs, you need greatness.”Watching the Nuggets’ Nikola Jokic dismantle the Knicks in Denver last week may well have been a playoff preview. But wherever the Knicks’ season goes from here, it has been all the more astonishing when considering how little they have to show for their last five lottery picks, all top 10.Julius Randle colliding into Nuggets forward Paul Millsap in Denver on Wednesday.Ron Chenoy/USA Today Sports, via ReutersBasically, it’s the ever-improving Barrett, at least until Obi Toppin gets to prove he is more than the second coming of Kenny Walker, better known as Sky. Kristaps Porzingis? Long gone. Frank Ntilikina and Kevin Knox? Might as well be.Here, again, is where the Thibodeau hiring has been a timely blessing. You may have argued last fall that this would be the perfect season to sacrifice achievement for player development, with few paying customers to please. I know I did. Why not find out once and for all about Ntilikina and Knox? Why not turn Toppin and Quickley loose from Day 1?Thibodeau was clear from the start: He wasn’t interested in coaching a team on training wheels, instead subscribing to the maxim that the best teaching environment is a winning one.Peter Roby, a childhood friend of Thibodeau’s, who in 1985 hired him for the coaching staff at Harvard, likes to playfully remind people of how Thibodeau, the acclaimed defensive guru, was known in his “knucklehead” youth for never passing up a shot. But in a recent telephone interview, he brought up Thibodeau’s age, 63, old enough to have been introduced to the pro game by the Knicks’ early 1970s championship team.Those Knicks were all about ball sharing and defense, the kind of championship DNA, Roby said, that Thibodeau associates with the franchise, even if it hasn’t won a title since the presidency of Richard M. Nixon.“Willis Reed, Walt Frazier, Bill Bradley — those are his Knicks,” Roby said.His father’s Knicks, as well. Thibodeau wanted this generation-connective job too much to embark on a five-year plan that could easily disintegrate, given the organization’s trademark volatility under the ownership of James L. Dolan.Even with few or no fans, the Knicks have played hard.Pool photo by ElsaHe also knows how easily an N.B.A. head coach his age can overnight be downgraded from outstanding to outdated with one twist of fate — what befell Brown after King tore up a knee at the height of his scoring prowess in 1985.Chasing pickup games with Thibodeau while growing up in New Britain, Conn., a border town where sports passion is split between Boston and New York, Roby also chose the Knicks over the Celtics. As a former athletic director at Northeastern and current interim athletic director at Dartmouth, he’s long been closer to Boston but is a bigger Knicks fan than ever, thanks to his old pal.“Can you imagine what it would be like if they were playing in front of a full Garden house?” Roby said.We can, but perhaps we shouldn’t. Not yet. Because who knows what comes next, when the high-achieving role players, Derrick Rose included, will demand their free-agent rewards. When road games — such as Friday night’s in Phoenix, where the Knicks faltered late in front of 8,063 fans — may again require competing with a full-throated cacophony. When expectation will become part of the equation and, yes, when Thibodeau’s voice could begin to grate.Stirring to life a long-slumbering franchise, the story of the season has been harmony for coach and players, all while withstanding, even foiling, the daunting challenge of a pandemic. More

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      Why Yuta Watanabe's Viral Moment Brought Cheers From Japan

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      Going viral because you got dunked on? Yikes — unless you’re Yuta Watanabe, whose effort has endeared him to a growing wave of basketball fans in his home country, Japan.Toronto Raptors forward Yuta Watanabe ended up on the wrong end of a viral moment when Minnesota Timberwolves guard Anthony Edwards dunked on him during a game in February.Photos and videos of Watanabe hopelessly coming up short in his attempt to stop the dunk made their way across social media, including the Instagram feed of the actor and basketball fan Kevin Hart, who shared a photo of the dunk with his 100-million-plus followers, saying: “This defender has to be thrown out of the league immediately….there’s no coming back from this.”But Watanabe is still here, and in his third N.B.A. season he has captured the imagination of basketball fans in Japan, his home country, while earning a rotation spot with the Raptors.Takeshi Shibata is the manager of basketball business for Nippon Bunka Publishing and has been a writer and editor with the company in Tokyo since 2010. A Tokyo native, he grew up watching the Showtime Lakers on satellite television in the 1980s, learning English by listening to the famed play-by-play announcer Chick Hearn.This season, he is one of the dozens of Japanese reporters covering Watanabe, whom he has followed since Watanabe was in high school playing for Jinsei Gakuen in the Kagawa Prefecture in Japan.“What I saw was an unbelievably athletic player,” Shibata said. “He was a man of energy, a man of effort.”Watanabe, then with the Memphis Grizzlies, exchanged jerseys with Washington Wizards forward Rui Hachimura, left, in 2019.Brandon Dill/Associated PressWatanabe has the best-selling N.B.A. jersey in Japan this season, ahead of Golden State’s Stephen Curry, the Los Angeles Lakers’ LeBron James and Rui Hachimura, the Washington Wizards forward who in 2019 became the first Japanese player ever drafted in the first round.Hachimura has more name recognition and better odds of becoming a star in the league, but Watanabe’s story — going undrafted in 2018 after four seasons at George Washington University, then signing a two-way contract with the Memphis Grizzlies — has appealed to a large audience in Japan.“He took more of a humble path,” said Ed Odeven, who grew up in the Bronx and has covered basketball in Japan since moving there in 2006. “The Japanese culture places a value on sticking with it and working hard to reach your goals. They see that in Yuta, and it resonates with them.”The pandemic curtailed Shibata’s plans to travel to Toronto — where he honeymooned with his wife, Ayako, in 1994 — to cover Watanabe in person this season. Instead, he wakes up at 5 a.m. and covers the Raptors from his home in Chiba, Japan, publishing up to four basketball stories daily on the company’s website. (The Raptors aren’t in Toronto, either; because of Canada’s health restrictions, they have spent the season in Tampa, Fla.)Shibata appreciates the flexibility of working from home, and has developed a rapport with Toronto Coach Nick Nurse, who has answered questions from Japanese reporters at the end of his virtual news conferences.“I enjoy talking to him and getting responses from him,” Shibata said. “He knows my English is shaky, and I’m trying my best to communicate with him. He’s been really inclusive to someone like me.”Through Toronto’s first 66 games, Watanabe has appeared in 47 and is averaging 4.2 points in 14.2 minutes.“I’m pretty sure I could come up with a good story even if Yuta played five seconds on the court,” he said. “Because every second means a lot to the basketball fans in Japan.”Shibata was hired by Nippon Bunka Publishing in 1992 as an advertising associate at what he believed was the start of a golden era of basketball in Japan.He joined the company shortly after watching Michael Jordan and the Dream Team at the 1992 Summer Olympics in Barcelona, which ignited interest in the game globally. That coincided with the publication of a popular Japanese basketball manga written and illustrated by Takehiko Inoue and named “Slam Dunk.” It ran from 1990 to 1996, sold over 120 million copies in Japan and helped inspire millions of children — including Hachimura and Watanabe — to play the game.Two local leagues eventually emerged. The Basketball Japan League began in 2005, and the Japan Basketball League, which became the National Basketball League, followed in 2007. Having two domestic leagues running concurrently violated FIBA’s general statutes, and the Japan Basketball Association, which oversaw both, was suspended from international competition in 2014.The N.B.A. held a pregame between the Houston Rockets and Toronto Raptors at Saitama Super Arena near Tokyo before the 2019-20 season.Jae C. Hong/Associated Press“There’s been so many roadblocks along the way,” Shibata said.Things have started to change in the past several years. The FIBA ban was lifted in 2015. The B. League — a new local pro league featuring 47 teams across three divisions — launched in 2016 and has been a success through the first five years, attracting local fans and major sponsors.Hachimura and Watanabe have inspired a new generation not only to watch the game, but also to see themselves playing at the highest level. (Yuta Tabuse became the first Japanese-born player to play in the N.B.A. in 2004, but lasted only four games with the Phoenix Suns.)In Japan, basketball is watched much less than baseball, soccer, tennis and sumo wrestling. Local newspapers will publish the occasional basketball story, such as the news last month that the Raptors had converted Watanabe to a standard N.B.A. contract. But N.B.A. games are available only online, through a streaming partnership between the league and Rakuten.To find basketball coverage in Japan, you must actively seek it out.For the longest time, the news media reported only traditional game stories, which was an adjustment for the former Lakers center Robert Sacre, who played professionally in Japan for three seasons.“They’re way more respectful,” he said. “They just want to know what happened during the game. It was never about trying to find a story. They want to know why you guys won or why you guys lost. It was unique in that sense.”There’s now a growing number of social media accounts, YouTube channels and podcasts, and they’re helping to provide the kind of off-the-court, personality-driven stories that reflect how basketball is covered in North America.“It’s become different in the last decade,” said Detroit Pistons Coach Dwane Casey, who coached in Japan from 1989 to 1994 and visits regularly. “You can see the younger generation getting more excited about basketball, and they’re covering it now. They’re into all the same things that get the younger generation’s attention in North America.”N.B.A. teams are recognizing this new appetite for digital content. The Raptors featured Watanabe in an episode of “Open Gym,” their behind-the-scenes video series, in February. It is the season’s most-viewed episode. And in 2019, the Wizards hired Zac Ikuma, a bilingual sports reporter in Japan, as a digital correspondent. The team has a dedicated Japanese Twitter account, and Ikuma hosts a Japanese-language podcast for fans overseas.Shibata has also ventured into telling different kinds of stories online. One of his most popular features was about a group of female Raptors fans in Toronto who nicknamed themselves “the Watana-baes.” The story, an explainer on the term “bae,” was picked up by a Japanese television network.Photos and videos of this dunk, by Timberwolves forward Anthony Edwards over Watanabe in February, made their way across social media.David Berding/USA Today Sports, via ReutersThe digital activities of younger basketball fans are also helping give the North American audience a better idea of how the game is perceived in Japan.A few weeks after video of the Edwards dunk against Watanabe went viral, a Japanese reporter asked Watanabe about the play. The interview was translated into English by the Twitter fan account @RaptorsInfoJPN.“In a situation like that, most people avoid it these days for fear of it going viral on the internet,” Watanabe said. “I think, if I do so, I shouldn’t be here anymore and I shouldn’t get any playing time.”For Shibata, the play exemplified Watanabe’s work ethic, which has opened the door for a new generation of basketball players in Japan to dream of one day following the same path to the N.B.A.“It was only two points,” Shibata said. “We were proud of him for sacrificing his body to try to stop the dunk. To be an N.B.A. player, you have to stop these guys in the air. To do that, you can’t hide.” More

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      Oscar Robertson Wants Westbrook to Break His Triple-Doubles Record

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      “There’s no doubt about it,” Robertson said. “I hope he gets it.” And he hopes people will stop criticizing Russell Westbrook, the Wizards guard, for not yet winning a championship.In his first N.B.A. game, in October 1960, Oscar Robertson registered 21 points, 12 rebounds and 10 assists for the Cincinnati Royals against the Los Angeles Lakers. In his second N.B.A. season, Robertson averaged 30.8 points, 12.5 rebounds and 11.4 assists per game for Cincinnati.Such numerical assemblages — reaching double figures in those three categories — are known in basketball parlance as triple-doubles. Yet Robinson established a league record, with his 181 triple-doubles across 14 seasons, without any fanfare. The term was not coined until the early 1980s, when the Lakers’ Magic Johnson began routinely posting Oscar-esque lines in box scores.“Honestly, I was totally unaware of it,” Robertson said this week.Nearly 50 years removed from Robertson’s final season with the Milwaukee Bucks in 1973-74, there is a hyperawareness of triple-doubles, thanks largely to Russell Westbrook of the Washington Wizards. In 2016-17 with the Oklahoma City Thunder, Westbrook became the first player since Robertson to average a triple-double for a full season, prompting Robertson to travel to Oklahoma to personally congratulate Westbrook.Robertson was traded to Milwaukee from Cincinnati in 1970, and won a championship with the Bucks the next season.Manny Rubio-USA TODAY SportsWestbrook has amassed 178 triple-doubles in his career and, with seven games left on Washington’s schedule entering Wednesday’s play, has a chance to surpass Robertson this season. In a phone interview with The New York Times, Robertson, 82, said he was rooting for Westbrook to do so and discussed the criticism that he, like Westbrook, faced in his Royals days until he teamed up with Kareem Abdul-Jabbar in Milwaukee to lead the Bucks to their only championship, in 1971.This interview has been condensed and lightly edited for clarity.So if they didn’t call them triple-doubles, what did people say about your big statistical performances?Not very much. In those days, they focused on scoring and the blocking of shots. There wasn’t much publicity associated with it. It wasn’t thought of until they went back into the archives and saw what I had done. I was even surprised myself.Over the first five seasons of your N.B.A. career, you averaged a triple-double (30.3 points, 10.4 rebounds, 10.6 assists). Did you personally look at those numbers with any added reverence?I never thought about scoring. I never thought about rebounding. I never thought about assists. I only thought about winning. And we didn’t have such a great basketball team at Cincinnati, so we struggled a little bit. They were waiting on me to, I guess, save the franchise. But you need a team to do those things.What was the secret to being a good rebounder at 6-foot-5?In high school, I played inside and outside. So when I got into the college ranks, I went to the forward position. I just had the fundamentals to be able to play in or out. I always thank my coaches from high school for helping me build those attributes. I just knew how to box out. For me, it was just playing basketball.Cincinnati’s Robertson juggling for possession of the ball against Detroit’s Gene Shue and Chuck Noble in 1961. Bettmann/Getty ImagesWestbrook gets a lot of criticism because he hasn’t been part of a championship team in the N.B.A., and I imagine you faced something similar during your time in Cincinnati. What do you remember about the years before you won a championship with Milwaukee?I think this happens with great basketball players, like Westbrook and myself. I was with Cincinnati for many years, but we never made any notable trades to get better players. If you look back through the history of basketball — and I always tell people this — every team that’s won a championship has made key trades. Boston got Bill Russell. Red Auerbach was very astute at getting older starters from other teams to play off the bench for him. A lot of the teams I played for, they didn’t want to do that.When you look back, how jarring was it to be traded from Cincinnati to Milwaukee in 1970?It was fine. I just resented the fact that the Cincinnati basketball family felt that I hadn’t done anything in 10 years, and all I had done was make All-Pro 10 straight years. But they wanted to trade Oscar Robertson. I just did not want them to try to destroy my credibility and what I had done for the city of Cincinnati. When I went to Milwaukee, I assessed my situation, and I’ll never forget, I told my wife, “I’m not going to be the scorer I was in Cincinnati.” And she said, “Why?” I told her I have to get these other players involved in the game. For us to win, we’ve got to get the other players to make a contribution offensively.Is it accurate to classify you as a Russell Westbrook fan?I totally enjoy the way Westbrook plays. He’s a dynamic individual. They’ve moved him around to different teams and I don’t know why, because I think he’s one of the star guards in basketball. I guess they thought that when he went to Washington that he would not be that effective, but, man, he’s done a tremendous job.“I think he’s one of the star guards in basketball,” Robertson said of Westbrook.Layne Murdoch/NBAE via Getty ImagesAnd you’re rooting for him to break your record for career triple-doubles?There’s no doubt about it. I hope he gets it. I think he’s one of the elite guards in basketball, and I think it’s ridiculous that some sportswriters criticize him because he has not won a championship. Players don’t win championships by themselves. You’ve got to have good management. You need to get with the right group of players.Look at Brooklyn: Who could have done this years ago? How things have changed. It seems now that what’s happening in basketball, and I haven’t seen it happen in football yet, is players will get together and say, “Let’s go and play for this team so we can win.” Years ago, you wouldn’t have thought of doing that.Who else do you enjoy watching in today’s N.B.A.?I like to watch a lot of players, really. LeBron [James], of course. [Stephen] Curry. I like [James] Harden. There are so many great basketball players — including the kid out of Portland: [Damian] Lillard. Curry is probably one of the finest shooters ever, but so is Lillard. He can really shoot the basketball from far out. It’s almost effortless.Long-distance shooting has taken over the modern game. You’re OK with that?It’s a different type of basketball. It’s a players’ game. And it’s a fans’ game — they love this. I’ve always said this: 3-point shots are like 7-footers used to be — they can get a coach fired. If you have 3-point shooters and they don’t make those shots, “That’s it, Coach.” The name of the game is to outscore your opponents. That’s what it’s about. If you can shoot 3-point shots and you can win the basketball game, it’s great. If you start missing those shots and you don’t make the adjustment and start doing some other things, you’re going to be in trouble. More