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    Dallas Mavericks Fined $750,000 for ‘Desire to Lose’ a Game

    The N.B.A. fined the team for resting players and making statements that indicated it did not want to win against the Chicago Bulls this month.The Dallas Mavericks were fined $750,000 by the N.B.A. on Friday for playing a weakened lineup in a game in an effort to miss the postseason and hang on to a first-round draft pick.The Mavericks sat out five of their best players for their second-to-last game of the season, against the Chicago Bulls on April 7. Kyrie Irving, Tim Hardaway Jr. and Maxi Kleber were reported to be injured, while Josh Green and Christian Wood were said to need rest. The team’s biggest star, Luka Doncic, played just 13 minutes at the beginning of the game.The remaining Mavericks lost the game, 115-112, and were eliminated from a chance to qualify for a play-in game.“It’s not so much waving the white flag,” Coach Jason Kidd told reporters after the game. “It’s decisions sometimes are hard in this business. We’re trying to build a championship team. With this decision, this is maybe a step back. But hopefully it leads to going forward.”By missing the play-in, the Mavericks qualified for the draft lottery, giving them a chance at a high draft pick, or even No. 1. In addition, the Mavericks have a first-round pick in the draft that they would have to surrender to the Knicks should it fall outside the top 10. By missing the postseason, they give themselves a good chance to hang on to it.Doncic was on the bench in street clothes during the second half of the April 7 game against the Bulls. Dallas lost by 3 points.Tony Gutierrez/Associated PressThe Mavericks “demonstrated through actions and public statements the organization’s desire to lose the game in order to improve the chances of keeping its first-round pick in the 2023 N.B.A. draft,” the league said in a statement on Friday.“The league did not find that the players who participated in the game were not playing to win,” the statement said. Doncic and other players had been vocal about wanting to keep playing and trying to win as long as there was a chance to make the postseason.The Mavericks’ actions “undermined the integrity of our sport,” said Joe Dumars, the league’s head of basketball operations. “The Mavericks’ actions failed our fans and our league.”Last season, the Mavericks had a 52-30 record and advanced to the Western Conference finals. This year, with the team just 28-26 in early February, hopes were raised by a trade for Irving from the Nets. Though Irving averaged 27 points in 20 games for the Mavs, the team got worse and finished just 38-44.In 2018, the Mavericks’ owner, Mark Cuban, was fined $600,000 for saying on a podcast that “losing is our best option” when the team was out of the playoff mix. More

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    Old Friends. New Team. Same Knicks Championship Dream.

    Knicks guards Jalen Brunson and Josh Hart were college friends, then took a twisty road to a reunion in the N.B.A.When Knicks point guard Jalen Brunson was asked if Josh Hart had changed much in the eight years they had known each other, he feigned exasperation and quickly said no. Then a little smile crept onto his face.“He’s still a 2-year-old,” Brunson said. “Loves candy. It’s like having — he’s older than me — it’s like having a little brother.”This was all news to Hart, also a Knicks guard, who countered that Brunson, too, has not changed a bit since college.“He’s a child, that’s what he is,” Hart said. “He’s the child. I’m like the parent.”The playful ribbing belies a relationship that was nurtured at Villanova and has remained strong even as the two have taken divergent paths in the N.B.A.Brunson, 26, was a freshman at Villanova in 2015-16 when Hart, 28, was a junior and they won an N.C.A.A. championship together. Hart made it to the N.B.A. a year later as a first-round pick for the Lakers in a draft-day deal with the Jazz. The next year, it was Brunson’s turn: The Mavericks drafted him in the second round. While Brunson spent the next four years in Dallas, Hart played on three different teams.Brunson, second from left, won an N.C.A.A. championship at Villanova in 2016 with Mikal Bridges, left, Darryl Reynolds, center, and Hart, right.Ronald Martinez/Getty ImagesThis year, Brunson joined the Knicks in free agency and has blossomed into a star who has helped carry the team to its best record since 2013. Hart arrived in February in a trade from Portland and has brought a tenacity off the bench that has helped the Knicks finish the season with optimism despite working through injuries.Hart and Brunson will have very different but important roles for the Knicks, the fifth seed in the Eastern Conference, as they prepare for a first-round series against the Cleveland Cavaliers, which starts on Saturday.“I think that they had a mutual respect for each other just because they’re competitive assassins,” said Kyle Neptune, Villanova’s men’s basketball coach, who was an assistant coach on the team from 2013 to 2021. He added: “They have just a sense of humanity and a sense of purpose and being good human beings. But then when you get them both on the floor they’re just absolute killers.”The ways Hart and Brunson have excelled with the Knicks reflect who they were as players in college.Brunson was able to connect well with his teammates back then, too.“His ability to adapt to new people is partially because he’s the son of a player and a coach that moved around like a military family,” said Baker Dunleavy, who was an assistant coach for Villanova from 2010 to 2017.He remembered Brunson having a sense of professionalism early on that was rare for someone his age.But, like he did in his N.B.A. career, Brunson had to wait before he could take ownership of Villanova’s locker room. Jay Wright, the former longtime Villanova head coach, remembered sensing that Brunson was a bit uncomfortable in his first year and that he held back some of his leadership ability because the team already had a point guard — Ryan Arcidiacono, who was a senior at the time. The next year, Brunson seemed more at ease as he took on a leadership role.“A born leader and just a guy that loved having everybody count on him,” Wright said.Brunson was the Knicks’ second-leading scorer this season with 24 points per game, up from 16.3 points per game in his last season with Dallas.Ken Blaze/Usa Today Sports, via Reuters ConHart had been named the most outstanding player of the Big East tournament during his sophomore year, and was a third-team all-American his junior year. He sometimes shocked his coaches with the audacity of the shots he took, but they happily accepted the results.Wright recounted several examples of Hart making big plays in high-pressure situations: regular-season games against top-ranked opponents, pivotal Big East tournament matchups and N.C.A.A. tournament games.“You just kind of knew this guy fears nothing,” Wright said.And he did love candy. Once, during a pause in one of Hart’s high school practices, Dunleavy saw Hart reach into a sock, pull out a bag of sour candy and tilt the bag so a few pieces fell into his mouth as if he was taking a sip of Gatorade.Villanova stressed the importance of good nutrition for their players, Wright said, but he was sure Hart found a way to hide candy in the locker room.“Don’t even get me started,” he said.Wright described Hart as more carefree than Brunson, and Brunson as a little more mature.Brunson spent his first four seasons with the Mavericks. He joined the Knicks as a prized free agent last summer, about a month after the team hired his father, Rick Brunson, who had worked with Knicks Coach Tom Thibodeau before as an assistant coach.The Knicks were penalized a second-round draft pick in 2025 for beginning free agent discussions with Brunson before the league allowed.Brunson had been an emerging player in Dallas, playing alongside Luka Doncic, but he has thrived being featured more with the Knicks. His per-game scoring average has risen to 24 this season from 16.3 last season, and he is dishing 6.2 assists per game compared to 4.8 last season.Part of what has made him fit so well with the Knicks is the mixture of humility and confidence with which he plays and leads.“He’s an honest leader,” Knicks center Mitchell Robinson said. “He knows when he’s right and he’s wrong, so he’s not afraid to admit stuff like that. And you kind of need that.”Robinson said Brunson texted him last summer to join him in New York for off-season workouts. He didn’t know Brunson before that, but they quickly developed the rapport of longtime friends.Hart has had an effect on his teams through his versatility on defense and on hustle plays — rebounding, chasing loose balls. He was traded twice before arriving in New York, first to the Pelicans as part of the deal that sent Anthony Davis to the Lakers, and then to Portland.For most of this season, Hart relished Brunson’s success from afar.“I think he kind of exceeded everyone’s expectations but his own,” Hart said, adding: “For me it’s just cool because I’ve seen all the work that he’s put in to get to this level.”On Feb. 8, their paths converged.Brunson was at Villanova for a ceremony to have his college jersey retired. Someone showed him the news on a phone that the Knicks had traded for Hart. Brunson shouted an expletive and then said “YESSS!” as he raised his arms victoriously. The people around him started to clap.“Like his big brother was coming home from college or something,” Wright said. “He was so excited. It was genuine, you know. After he saw, he just still kept walking around like: ‘I can’t believe it. I can’t believe. I can’t believe we have Josh. I’m so pumped we got Josh.’ He didn’t stop the whole night.”Hart has been effective throughout his career on hustle plays, including rebounding and chasing loose balls.Vincent Carchietta/Usa Today Sports, via Reuters ConHart, who had his own jersey retired by Villanova in 2022, had just spoken with Brunson that morning.“Neither of us, obviously, had any idea that was going to happen,” Hart said. “I texted him just about congrats on getting the jersey retirement. And he actually didn’t even say thank you.”In New York, Hart fit in immediately. He is now making better than 50 percent of his 3-point attempts, where in Portland he made only a third. His scoring has gone up, even though his minutes have gone down. The Knicks went on a nine-game winning streak starting with the first game Hart played for them.“I think his game could fit in well anywhere just because of all the things he does,” Thibodeau said. He added: “There’s no agenda other than winning. If you’re open, he hits you. If we need a big shot. He’s what I call a playmaker. Whatever the game needs.”Now, Hart and Brunson often do their postgame interview sessions together, trading off questions if one of them gets stumped. They sit together on the team plane, and, according to Robinson, tell inside jokes that their teammates don’t understand. Together, they will try to help this Knicks team become the first in a decade to win a playoff series. More

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    Michael Jordan Was an Activist After All

    Jordan wasn’t vocal about social justice like today’s N.B.A. stars, but his secret brand of activism is a key reason they have the spotlight now.On the first road trip of his N.B.A. career, in the fall of 2001, Etan Thomas looked out the window of the Washington Wizards’ team bus and was stunned by the massing crowd around the hotel.He asked Christian Laettner, the veteran forward: “Is this how the N.B.A. is?”Laettner laughed. “No, young fella,” he said. “This isn’t for us. They’re here for M.J.”This was lesson No. 1 of Thomas’s two-year tour with Michael Jordan, who had returned to the league from a three-season absence following his last dance with the Chicago Bulls. Along with him came the deluge of lights, cameras, action.The young, inquisitive Thomas couldn’t help but wonder: ‌What about the activism? Why wasn’t Jordan doing more with his spotlight?“I was thinking that Michael didn’t lend his voice to causes where he could have helped,” ‌Thomas said in a recent interview, 20 years removed from his time with the man on whose shoulders the sport dramatically rose in popularity worldwide.Jordan’s profile helped increase the N.B.A.’s popularity.Jonathan Daniel/Allsport, via Getty ImagesJordan played his final N.B.A. game on April 16, 2003, scoring 15 points in a 20-point defeat in Philadelphia. That season, with him turning 40 in February and dealing with a knee that Thomas remembered could swell like a grapefruit, Jordan averaged a modest (for him) 20 points per game. He played 37 minutes a night and in all 82 games‌ — part of a legacy that should admonish, if not embarrass, today’s load-managed N.B.A. elite.Jordan retired as a six-time champion with many believing, and now still insisting, there was no one ever greater. Such conviction has only been heightened by the widespread appeal of “The Last Dance,” a 10-part E‌SPN series about Jordan’s Bulls that was broadcast in 2020, and the current feature film “Air,” starring Ben Affleck, Matt Damon and Viola Davis.The flip side of Jordan mania was the derision directed at him for appearing not to use his enormous popularity and platform as a premier Black athlete for the benefit of social or political change. For all the interviews he did, what arguably remains the most memorable quotation attributed to him — “Republicans buy shoes, too” — ostensibly rationalized his unwillingness to endorse Harvey Gantt, an African‌‌ American Democratic candidate in a 1990 North Carolina Senate race against Jesse Helms, a white conservative known for racist policies.On a broader scale, it reflected the narrative that followed Jordan into the 21st ‌century: that he was a hardcore capitalist without a social conscience. Sam Smith, the author in whose 1995 book the quotation originally appeared, has many times called it an offhand remark during a casual conversation‌‌ — more or less a joke — and said he regretted including it. In the ESPN series, Jordan said he made the comment “in jest.”In recent tumultuous and polarizing years, Jordan has become more public with his philanthropy and occasional calls for racial justice. And given two decades to consider the precedents he set, the boardrooms he bounded into and how he ascended from transcendent player to principal owner of the Charlotte Hornets, the context has shifted enough to ask: ‌Did he actually blaze a different or perhaps more impactful trail to meaningful societal change?Jordan purchased a majority stake in the Charlotte Hornets, then known as the Bobcats, in 2010. His team hosted the All-Star Game in 2017.Getty ImagesThomas, who after his nine-season N.B.A. career has been an activist, author and media personality, said his reconsideration of the 1990s Jordan narrative began before Jordan retired for good.He recalled sitting in the Wizards’ training room one day with Jordan and a member of his entourage when Jordan asked him about a book he had noticed Thomas reading‌‌. Thomas recalled it was likely Eldridge Cleaver’s “Soul on Ice.”“That got a conversation going and Michael’s guy started talking about the charitable things he did without publicity,” Thomas said. “He mentioned an event at an all-white golf club, where of course they let Michael play, but there were no Black members, and how Michael threatened at the last minute to back out if they didn’t change their policy.”Thomas added: “I told Michael, ‘That’s something people should know and then maybe they wouldn’t be saying the things they do about you.’ He just said‌, ‘I don’t do that.’ And his guy said‌‌, ‘See what I mean?’ After that, I could never hold him up as the antithesis of the activist athlete, the opposite of Muhammad Ali and Bill Russell. It’s not that simple.”In “Air,” Davis, powerfully portraying Jordan’s mother, Deloris Jordan, dramatically foresees momentous change ‌benefiting ‌African American families of modest means after she had engineered a groundbreaking deal with Nike upon Jordan’s 1984 entry into the N.B.A.‌A screenwriter’s indulgent license, perhaps, but who can argue that Jordan didn’t actually do a total rewrite of the script in the allocation of corporate revenues to athletes? Or that the Nike deal, which guaranteed him a cut of every sneaker sold, doesn’t make him the godfather of the name, image and likeness revenues flowing into the pockets of college athletes today?For these reasons, ‌Harry Edwards, the sociologist and ‌civil ‌‌rights activist, said on the “Bakari Sellers Podcast” in February 2021 that Jordan should not be scolded for his sole focus on commercial brand-building across the 1980s and ’90s.The first version the Air Jordan Nike shoes that Jordan wore. The shoe line remains incredibly popular, 20 years after Jordan’s final N.B.A. game.Focus on Sport via Getty ImagesHe called it “an era where the foundations of power were laid,” ultimately empowering Jordan’s super-wealthy descendants to ‌‌affect communities — for example, in LeBron James’s staunch commitment to public education in his ‌‌hometown, Akron, Ohio.Len Elmore, the former N.B.A. center who retired from playing in 1984 to attend law school at Harvard, said he, like others who venerated Ali and 1960s activist icons, was once bewildered by Jordan’s ‌reluctance to speak out on issues of equity‌‌. Those issues included sweatshop conditions abroad, where ‌Jordan’s signature sneakers were produced to be sold at premium prices.“Michael’s years didn’t have what the ‌‌’60s had — the Vietnam War, the ‌‌civil ‌‌rights movement,” said Elmore, a ‌senior ‌‌lecturer in Columbia University’s Sports Management Program. “There was more of a smoldering of race, but it wasn’t on fire.He added: “I’m not defending Michael’s not taking a stand. But the reinterpretation of his legacy depends on what you saw then and what you see now.”While Thomas wasn’t around the league during Jordan’s prime as a player and pitchman, his view of that era is based on interviews he has done for his books and his podcast, “The Rematch.” Those years, he learned, followed one strategic mandate: N.B.A. Commissioner David Stern’s preoccupation with marketing.“He was 100 percent clear in those days‌‌ — everything was about growing the game, the bottom line,” Thomas said. “He was dead set against anything that might turn off the fan base. Even when I came in and made ‌‌antiwar comments, David told me‌, ‘Be careful.’ ”David Stern, left, became N.B.A. commissioner in 1984, the year Jordan, right, started his professional career. Together, they helped spread a positive image of the N.B.A. around the world.Ron Thomas/Associated PressStern, who died in 2020, straddled a fine line between his mostly progressive politics and fear of alienating consumers. Jordan followed along as a polished yet cautious spokesman on controversies, such as the one that engulfed Mahmoud Abdul-Rauf, who in 1996 was suspended by the league for refusing to stand for the national anthem for religious reasons.Was this approach the reflection of a man intrinsically averse to risk? Did Jordan share the vision attributed to his mother in this year’s film? Was he unaware that he might have been famous and leveraged enough to have had it both ways‌‌ — to both speak out about social causes and remain a potent pitchman?James and other more outspoken contemporary stars‌ have adopted that approach — “changed the narrative,” ‌Thomas said — and with the apparent support of Stern’s successor, Adam Silver.It’s doubtful that Jordan, in his day, could have built what he did while doubling as a crusader, said Sonny Vaccaro, who‌‌ played a crucial role in corralling Jordan for Nike.“The league had to grow first,” said Vaccaro, who is played in‌ “Air” by Damon. “Look, Michael had his troubles‌ — with the Republicans quote, the gambling, with some of his teammates. But he opened the door. He changed the world — only no one knew how much he was changing the world until the next century.”He added: “LeBron can only be the way he is today because Michael made it OK for corporations to put their money, huge amounts of money, on athletes, especially Black athletes. Over time their power and voice has grown.”The Los Angeles Lakers star LeBron James, left, has become one of the most vocal players about social justice and has followed in Jordan’s footsteps with commercial branding, including popular Nike shoes.Jason Miller/Getty ImagesSome would add, for better or worse, that the pendulum has swung too far in the players’ favor. It is not — or should not be — about what stars earn, given the staggering sums that franchise stakeholders have been reaping in recent sales. (Jordan will likely be no exception if he secures a deal he’s reportedly been negotiating to cash out of the $275 million he invested in his 2010 purchase of his team.)But Jordan-inspired superstar leverage has led to an era of chronic and chaotic team-hopping that, for older fans and some news media members, seems antithetical to their relished Jordan era. For all the disdain he had for Jerry Krause, the Bulls’ general manager‌ during their championship years, Jordan worked with the players provided to him, mercilessly pushed them to succeed and ultimately reaped the rewards.To emphasize that point, Jordan’s process, said David Falk, his longtime agent, was purer.“Michael was part of a generation that went to college for a few years, identified with a program like North Carolina, instead of switching A.A.U. and high school teams whenever it suited you,” Falk said. “I asked Michael once if he ever thought about playing with Magic Johnson and Larry Bird‌. He said‌‌: ‘Hell, no. I wanted to kick their butt every night.’ ”Jordan created his own controversies, mostly related to high-stakes golf, including the case of a $57,000 debt he paid by check to a man who was later convicted of money launder‌‌ing. But even his legendary casino preoccupation seems more quaint now given professional sports’ unapologetic marriage to the online gaming industry.Jordan, at 60, deserves to be viewed through the lens of an evolved narrative, given how high he has raised the bar for athletes outside the lines, a legacy that will resonate far into the future.Twenty years after his last professional jump shot, he is arguably still the most leveraged player in sports. If he were so inclined, he might even have the muscle, upon walking away from basketball, to make a competitive run for the seat once held by Helms. His pitch, of course, was always bipartisan. More

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    ‘Air’ and the Argument for Letting the Talent Share in the Profits

    The movie’s focus (how Michael Jordan got a cut from Nike) reflects what its filmmakers, Matt Damon and Ben Affleck, are trying to do in their new venture.There can only be so much suspense in “Air.” The new drama depicts Nike’s quest in 1984 to sign the then-rookie Michael Jordan to an endorsement deal, and everyone knows that in the end, Nike will get its man. Some viewers are doubtlessly wearing Swoosh-adorned Air Jordan sneakers.Yet the filmmakers conjure a gripping moment late in the film. Through wit and grit, Sonny Vaccaro, the Nike executive played by Matt Damon, has secured Jordan’s agreement — until Jordan’s mother, Deloris Jordan (Viola Davis), makes an additional demand: Her son must receive not only a $250,000 fee, but also a cut from every sneaker sold.“A shoe is just a shoe,” she tells Vaccaro, “until my son steps into it.”This seemingly small nuance, more than just a plot development, embodies one of the central themes of “Air”: the value a talented individual brings to a business and the importance of compensating him for what he is worth.“He created that value,” Damon, also a producer, said in an interview. “Yeah, they had some great advertising campaigns, right? But Michael Jordan going out and being the best player every single night is what put the meaning in the shoe.”The lesson of “Air” can also be applied to the new company that produced it. Artists Equity was co-founded by Damon and his longtime friend Ben Affleck to make movies that earn more money for their artistic talent. “Air” — directed by Affleck, who also plays the Nike co-founder and chief executive Phil Knight — was deliberately the company’s first project.“Thematically it was on point in terms of what we’re trying to do with the new company,” Damon said of “Air.”He elaborated: “Sonny feels, like we do, that the people who are putting the value in something deserve to share in the revenue and be compensated, and rather than it being extractive, it’s a partnership.”Damon as Vaccaro in the film. The drama’s concerns were thematically “on point in terms of what we’re trying to do with the new company,” he said.Ana Carballosa/Amazon StudiosThe message of “Air” might help explain why it has been embraced by critics and audiences. It turns Michael Jordan from an extraordinary athlete into a stand-in for the viewer. “He’s not the underdog compared to the everyday person, but he’s still someone people can relate to,” said Thilo Kunkel, a professor at Temple University who studies athlete branding.In real life, it was Nike that initially offered Jordan a piece of the business — it was “the bait on the fishing hook,” Vaccaro said in an interview. Nike had been desperate to outbid its larger rivals, Converse and Adidas, to secure the rights to a player it predicted would be a generational talent.The film closely reflects reality, Vaccaro added, in portraying this proposal as important to Deloris Jordan, the central decision maker in her household. “She reminded me 10 times before you saw it in the last scene,” Vaccaro said, adding, “The only reason that we survived and we won was because of him having a piece.”Vaccaro’s career in basketball and the shoe business is rich enough that years ago there was very nearly a movie made about a completely different period of his life (he was to have been played by James Gandolfini). Vaccaro started organizing high school all-star games in the 1960s. At Nike he not only helped sign Jordan, he also pioneered contracts with college basketball coaches that put Nike sneakers on their players, as N.C.A.A. rules barred the athletes from making their own deals. In the ’90s, he signed Kobe Bryant to Adidas.Vaccaro’s career in the sneaker business included jobs with Nike, Reebok and Adidas before he played a role in the O’Bannon case, which ultimately led the N.C.A.A. to allow college athletes to make endorsement deals.Ariel Fisher for The New York TimesBut the real-life Vaccaro took to heart the moral of “Air” during his late-career shift from shoe-company veteran to gadfly who helped college athletes win the right to sign endorsement deals of their own.In 2007, he quit the sneaker business (his résumé also included Reebok) and became an advocate for college players’ rights. For lawyers looking to sue over colleges’ profiting from their players’ names, images and likenesses, Vaccaro helped find an ideal lead plaintiff: the former U.C.L.A. basketball star Ed O’Bannon. The lawsuit filed in 2009 and known as the O’Bannon case, along with other lawsuits, state legislation and a sea change in public opinion — itself cultivated partly by Vaccaro, an easy and colorful quote for journalists — led the N.C.A.A. in 2021 to begin letting college athletes sign endorsement deals.“To allow me to get to Eddie O’Bannon — it never would have happened without me being with Michael Jordan,” Vaccaro said.Jay Bilas, an ESPN college basketball commentator, perceives a connection between Jordan’s securing a cut of his Nike business and Vaccaro’s lobbying to get college athletes more of the profits they help generate.“It’s the same analysis,” said Bilas, who played basketball for Duke University when Jordan was on the archrival University of North Carolina Tar Heels. “Whether it’s an hourly worker negotiating with McDonald’s or doctors and nurses negotiating with a hospital system, what’s always true is that the business is going to make substantially more than the worker. Everyone in America, in a free-market system, deserves the right to negotiate for their fair value.”At the film premiere last month, Damon said, the audience “erupted into applause” at the end when onscreen text described Vaccaro’s involvement in the O’Bannon case.“It was thematically right for the movie, but it was also perfect for Sonny,” Damon said.“The obvious thing he would go do was go fight for them,” Damon added. “It’s in keeping with how you see him throughout the movie, genuinely caring — it’s not just business for him. This is his passion and it’s his love. There’s a morality that grounds it.”Damon is engaged in a similar enterprise. He and Affleck substituted filmmakers for athletes into Vaccaro’s equation, and, backed by $100 million from a private investment firm, started Artists Equity last year to restore to filmmakers a share of projects’ profits that had disappeared as Hollywood moved toward streaming and studios scaled back on the most generous deals.In Artists Equity’s view, turning filmmakers — from stars like Damon and Davis to directors, cinematographers and editors — into something less like employees and more like financial partners will give them an incentive to make better movies more efficiently.“Sonny feels, like we do, that the people who are putting the value in something deserve to share in the revenue and be compensated, and rather than it being extractive, it’s a partnership,” Damon said.Ariel Fisher for The New York Times“‘Profit participation’ is the key phrase,” said Jason Squire, a professor emeritus at the University of Southern California School of Cinematic Arts. “If they fulfill this, it’ll be a wonderful, refreshed model for this part of the business.”For its part, “Air” appears to be a financial success. The film was acquired by Amazon for $130 million. It opened last Wednesday exclusively in theaters (in advance of becoming available on Amazon’s streaming platform), and exceeded expectations with a box office take that hovered around $20 million.Affleck’s argument for the model could have come from Deloris Jordan. “This business has never incentivized and made congruent the interest of the artist and the people financing,” he said at a New York Times conference last year. Referring to his wife, the pop star and actress Jennifer Lopez, he added, “The people who principally create value on the sales side and on the audience eyeball side are these artists who have worked their entire careers — like my wife — building a name, a reputation, a connection with fans that has real value. And oftentimes that value isn’t reflected in the deals.”There is an irony in the argument about people getting shortchanged by the old way of doing business. Michael Jordan, Matt Damon — these are some of the more enviable people on Earth.But anyone who has shelled out for a pair of Air Jordans or watched the Chicago Bulls win six world championships in the 1990s can testify that Jordan deserved a good deal of credit.And in ceding a small percentage of the Air Jordan profits to its namesake, Nike did not exactly suffer. Along with the applause-generating reveal about Vaccaro’s successful advocacy on behalf of college athletes, the viewer of “Air” learns at the end of the film that Nike went on to buy its former rival Converse on its way to becoming the juggernaut it is today. Last year, Nike said Jordan Brand brought in $5 billion in annual revenue.“Ben says it as the Phil Knight character,” Damon said. “He goes, ‘If this kid makes a bunch of money on this deal, it will be the best thing that ever happened for Nike.’ Right? It was really a deal that favored everybody. Absolutely everybody won.” More

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    N.B.A. Blames Economy for Hiring Freeze and Budget Cuts

    In a memo, the league said it was “facing a very different economic reality than just one year ago.”The N.B.A., citing “economic headwinds,” instructed league office staff on Tuesday to reduce expenses and significantly limit hiring for the rest of the fiscal year, according to a memo obtained by The New York Times.The memo, sent by Kyle J. Cavanaugh, a league executive, and David Haber, the league’s chief financial officer, told staffers to halt hiring, with limited exceptions, and cancel some off-site meetings or hold them virtually. Travel, entertainment and other expenses also will be cut, according to the memo.“Like other businesses in the U.S. and globally, the league office is not immune to macroeconomic pressures and taking steps to reduce expenses,” Mike Bass, an N.B.A. spokesman, said in a statement to The Times.The memo said the N.B.A. was “facing a very different economic reality than just one year ago.” It continued, “We are seeing significant challenges to achieving our revenue budget with additional downside risk still in front of us.”The N.B.A.’s next fiscal year begins in October, roughly lining up with the start of the 2023-24 regular season. Bass, the spokesman, did not address questions about which league initiatives would be affected by the cuts or if there would be layoffs.The changes come just before the N.B.A. playoffs and a day after the league noted setting a record for attendance and sellouts for the 2022-23 regular season. On April 1, the league and the players’ union announced that they had tentatively reached a new collective bargaining agreement that would go into effect next season. The agreement, which awaits ratification by players and team owners, includes a midseason tournament with bonuses for players and another luxury tax tier for high-spending teams.During negotiations, the Boston Celtics’ Jaylen Brown, an executive vice president in the union, told The Times that players wanted “more of a partnership” with the league, including the sharing of more of the N.B.A.’s revenue streams.Over the past year, many companies, particularly in the technology sector, have commenced layoffs and other cost-cutting measures as the economy was hit with rising inflation and interest rate hikes. The N.B.A. is also not the only sports league that has aimed to reduce costs. The N.F.L. recently reduced staffing for its media arm. Walt Disney Company has begun laying off thousands of employees. ESPN, one of the N.B.A.’s broadcast partners, is a Disney subsidiary and is expected to be affected.Last year, N.B.A. Commissioner Adam Silver said the league expected to take in roughly $10 billion in revenue for the 2021-22 season, between sponsors, television deals, attendance, merchandising and other revenue streams. The N.B.A.’s television deal with ESPN and Turner Sports expires after the 2024-25 season. The new deal, in a crowded marketplace that now includes streaming companies, is expected to provide a significant boost in league revenue.The league had a round of layoffs in 2020 right as its season was about to restart at Walt Disney World in Florida in the early months of the coronavirus pandemic, though at the time the league said the cuts were unrelated to the pandemic and instead were aimed at future growth. More

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    WNBA Draft: Aliyah Boston Goes No. 1 to Indiana Fever

    Boston, a senior forward from the University of South Carolina, was the second-ever top pick from her college.When Aliyah Boston was 12 years old, she took a 1,700-mile journey with her sister to their aunt’s home in Massachusetts from the U.S. Virgin Islands, hoping to become a good enough basketball player to go to college for free and maybe one day make it to the W.N.B.A.Boston fulfilled that dream on Monday night at Spring Studios in New York when the Indiana Fever selected her with the first pick in the W.N.B.A. draft. Boston is the University of South Carolina’s second-ever No. 1 pick in the draft; A’ja Wilson was the first, in 2018.The Minnesota Lynx selected Diamond Miller, a guard from the University of Maryland, with the No. 2 overall pick. At No. 3, the Dallas Wings chose Maddy Siegrist, a forward from Villanova University.The Wings, who also had the fifth pick, shook up the night by trading future draft selections to the Washington Mystics for the fourth pick, Iowa State center Stephanie Soares. They took Connecticut guard Lou Lopez Sénéchal with the next pick.Boston’s selection didn’t come as a surprise. She had been linked with the Fever since they landed the first pick at the draft lottery in November. Boston, a forward, will join a former South Carolina teammate, guard Destanni Henderson, in Indiana.Henderson was in the audience recording on a phone and before Boston headed into a news conference they embraced and celebrated loudly.“She was like, ‘We’re reunited and we’re teammates again,’ and I was like, ‘And it feels so good,’ you know that song?” Boston said before singing her version of the song “Reunited” by the group Peaches & Herb.South Carolina Coach Dawn Staley, center, poses with Gamecocks players who were drafted on Monday, left to right: Laeticia Amihere, Aliyah Boston, Zia Cooke and Brea Beal.Sarah Stier/Getty ImagesWith Henderson in 2021-22, Boston had the best statistical season of her college career, ending it with a national championship win over Connecticut. Boston and Henderson will look to recreate that winning chemistry for the Fever, who have been something of a punching bag for the rest of the league.Indiana has not made the playoffs since 2016 and has finished with the league’s worst record in the past two seasons. Last season, the Fever finished with five wins; the second-worst team, the Los Angeles Sparks, had 13.“She’s going to have an immediate impact on this league,” Fever General Manager Lin Dunn said at a predraft news conference on Thursday. “And I’m just thankful — I think we all are — that she opted to come into the draft.”It was a South Carolina-laden first round as forward Laeticia Amihere was selected eighth by the Atlanta Dream, and guard Zia Cooke was taken 10th by the Sparks. Brea Beal, who anchored South Carolina’s perimeter defense, was selected by the Minnesota Lynx at No. 24. Alexis Morris, the star Louisiana State guard who helped the Tigers win their first championship just over a week ago, was selected by the Connecticut Sun with the 22nd pick.Boston had been a top player in college basketball since she arrived in South Carolina in 2019. She is a post-scoring, shot-blocking forward who anchored the Gamecocks as they amassed a 129-9 record over her four seasons. Boston was the consensus national player of the year in 2022 and won the Naismith Award for the defensive player of the year in each of her final two seasons.Alexis Morris, who won the N.C.A.A. championship with Louisiana State this month, was drafted by the Connecticut Sun in the second round.Sarah Stier/Getty ImagesIn her final year, Boston led South Carolina to its first undefeated regular season in program history. Boston’s numbers were down, partly because of South Carolina’s depth and a defensive strategy used by many opponents that made it difficult for her to get loose. The Gamecocks averaged the most bench points per game in Division I in the 2022-23 season with 36.1, almost 5 points per game more than the next closest team.With Henderson gone, South Carolina never found a reliable scoring guard next to Cooke. So all season, teams sagged off the other guards, daring them to shoot and helping in the paint to deny Boston the ball.That’s a strategy teams can’t employ in the W.N.B.A., because of both the scoring ability of professional guards and the league’s defensive three-second rule, which forbids defenders from standing in the paint for longer than three seconds unless they are within an arm’s length of an offensive player they’re guarding. So Boston will likely see much more one-on-one defense and space to roam than she had over her college career.“I’m really excited for that type of spacing,” Boston said in a recent interview. “Because I think it just shows everyone how they’re able to, you know, just use their talent and go to work.”For that reason, South Carolina Coach Dawn Staley encouraged Boston to enter the draft this year, after the team lost to Iowa in the Final Four.“There are defenses that are played against her that won’t allow her to play her game. And then it’s hard to officiate that,” Staley said.Staley added: “She’s meant everything to our program. She has been the cornerstone of our program for the past four years. She elevated us. She raised the standard of how to approach basketball. She’s never had a bad day.”Boston still had a year of eligibility remaining, the extra year granted to athletes by the N.C.A.A. due to the coronavirus pandemic. She likely would have been in the conversation for player of the year again, and South Carolina would have been a favorite to win the national title with her back.But perhaps the most significant incentives to stay were the earnings she could have made in college, thanks to rules that allow athletes to make money from their name, image and likeness.Maryland’s Diamond Miller was the No. 2 draft pick, by the Minnesota Lynx.Adam Hunger/Associated PressMany women’s basketball players, like Boston, can make more money from collectives and endorsements as college athletes than they can earn from W.N.B.A. salaries alone; the base pay for rookies this season will range from $62,285 to $74,305, depending on the draft round.That earning potential likely played a role in the decisions of the stars who weren’t at the draft this year. Several eligible players who may have been first-round picks opted to return to college, such as UConn’s Paige Bueckers, Stanford’s Cameron Brink, Virginia Tech’s Elizabeth Kitley, Indiana’s Mackenzie Holmes and U.C.L.A.’s Charisma Osborne. (The W.N.B.A. requires players from the United States to turn 22 years old in the calendar year of the draft.)That makes next year’s draft all the more exciting. It could be loaded with talent: L.S.U.’s Angel Reese and Iowa’s Caitlin Clark, the two stars who headlined the Division I women’s tournament with their scoring and showmanship, will be eligible. (For her part, Reese said on a podcast that she is in “no rush” to go to the W.N.B.A. because she is making more than some top players in the pro league.)Still, there are only 12 teams and 144 roster spots in the W.N.B.A. Only 36 players are picked in the draft, and only about half of those players typically make an opening day roster. And without a developmental league like the N.B.A.’s G League, some of the best basketball players end up going overseas to play professionally.“Our top players will not make a pro team,” Arizona Coach Adia Barnes said, adding: “You’re competing against, like, 30-year-old women. It’s hard. It’s competitive.”Expansion seems like it could be an easy fix to this issue, but W.N.B.A. Commissioner Cathy Engelbert has cited financial concerns for why it’s not possible right now. Engelbert said in February that the league was not in a rush to add new teams but would like to see at least two new teams added in two to four years.“I’m not going to give a timetable,” Engelbert said on Monday night, adding: “The last thing we want to do is bring new owners in that are going to fail.”One of the league’s biggest issues has been how teams travel. W.N.B.A. players fly commercial, while most major college programs fly charter. Ahead of Monday night’s draft, the league announced it would offer charter flights for all postseason games and select regular-season games where teams have back-to-back games.“We intend to do more,” Engelbert said, adding: “We do need some patience and time to build it so that we feel comfortable funding something more substantial as we get into our ensuing years.” More

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    A Growing W.N.B.A. Still Boxes Out Some Personalities

    Ahead of the W.N.B.A. draft, women’s basketball remains troubled by racial disparities in how its stars are showcased.Aliyah Boston, one of the most dominant and decorated players in women’s college basketball, was selected with the top pick in the W.N.B.A. draft Monday night.It’s a big deal — a milestone for any player and a key day for building excitement as a new W.N.B.A. season is soon to begin.But in the lead-up to the big event, much of the conversation around women’s hoops swirled around two players returning to the college game — not heading off to the pros.Since Angel Reese made a mocking gesture to Caitlin Clark at the end of the N.C.A.A. Division I championship game between Louisiana State and Iowa nearly two weeks ago, players, fans and internet rabble-rousers have weighed in on racial double standards that exist in the women’s game: How ponytailed, high-scoring white players are lauded for their brashness while Black women who talk trash are vilified for it.The matter of racial hypocrisy has been a bone of contention in the W.N.B.A., a league where 80 percent of players are women of color but that, players say, has struggled to promote its Black stars. Nneka Ogwumike, the president of the Women’s National Basketball Players Association and one of the league’s most compelling talents, lamented that the style, skill and personalities of Black women drive the league forward, but “when it comes to the perception, the reception and the marketing” of women’s professional basketball, they “don’t get the credit.”White stars such as Breanna Stewart, Sue Bird and Kelsey Plum have made similarly sharp observations.Plum, a guard for the Las Vegas Aces, has said that when she entered the league as the No. 1 draft pick in 2017, she felt she was getting preferential treatment from the league’s marketing machinery because she is straight and white. “It’s absolutely a problem in our league. Just straight up.”Is there any hope that the league will know what to do with Boston, who became a star of college basketball last season during South Carolina’s run to a national title?She emerged as the consensus national player of the year in 2022 as much for her personality as her skill. During national broadcasts, Boston showcased her playfulness, her dancing and her candid thoughtfulness during interviews, where she selected her words as carefully as she selects the pinks or oranges or blues of her next set of braids.In a perfect world, she will end up being embraced and promoted as much as her white counterparts in a league still struggling to gain a foothold with the average sports fan.I want to believe the slew of talented, young Black basketball players taken in the W.N.B.A. draft will end up being as embraced and promoted as much as their white counterparts.But I can’t say they will.The W.N.B.A. highlights players’ off-court fashion, but Nneka Ogwumike of the Los Angeles Sparks said there were fashionable Black players who had not been among those recognized.Adam Pantozzi/NBAE via Getty ImagesOgwumike, who won both the W.N.B.A. title and Most Valuable Player Award while starring for the Los Angeles Sparks in 2016, said that at the start of each season, the league still emphasizes to players the importance of decorum.“There’s this perception that they want our game to be family oriented and that means no trash talking and no real, like, true natural expression,” she said.Ogwumike said every year she has pushed back against the demand, couched as respect for the game, “because we’re not allowed to be our full selves within reason,” adding that her male peers in the N.B.A. are “admired and looked up to” for their antics.Elevating the contributions of the W.N.B.A.’s Black talent is high on the list of ways players would like their league to evolve.Case in point: The league increasingly markets itself as a cultural trendsetter. Pointing to off-court fashion as one example — think of the camera shots of players clad in boundary-pushing, often gender-bending attire as they head to arena locker rooms — Ogwumike said those who are starting the trends are often not getting their due.“There are lot of Black players in the W who have been dressing fashionably for a long time and setting trends for a long time,” she said. “But they are not the ones being recognized as trendsetters.”The tilt toward whiteness can be quantified.A recent study of W.N.B.A. media exposure on the popular websites ESPN, CBS Sports and Sports Illustrated found a yawning coverage gap between the races. People like me, journalists who cover women’s basketball and care about the untapped potential of women’s sports, need to look in the mirror and think about who we’re focusing on and how we are talking about them.In 2020, a year when race was at the forefront of the American conversation, Black players won 80 percent of the league’s postseason awards: M.V.P., Rookie of the Year, and Defensive Player of the Year, to name three. And yet, according to the study’s University of Massachusetts researchers, Risa Isard and Nicole Melton, Black players received roughly 50 percent less focused attention than their white counterparts.That same year, the W.N.B.A. invested more in marketing, committing to spending $1 million annually to highlight performance and diversity, which has directly impacted several Black players such as A’ja Wilson, Betnijah Laney and Jonquel Jones. And as part of a $75 million investment raised in 2022, the W.N.B.A. planned to prioritize marketing and improving its website and app.Another nugget: The former South Carolina star Wilson, who has won two M.V.P. Awards since being drafted No. 1 overall in 2018 by the Aces, was the only Black player in 2020 to receive more media attention than Commissioner Cathy Engelbert.In 2021, Wilson was the only Black player to crack the top five in jersey sales, trailing Sabrina Ionescu, Bird, and Diana Taurasi, and ranking just ahead of Stewart.No, I’m not saying the W.N.B.A. is rife with abject racism. Far from it, the W.N.B.A. is a model in many ways.That said, the league is simply a microcosm of a broader world that struggles mightily with all of the vexing issues around race.It’s time to move past the old dichotomies and expand the range of what is possible for female athletes. The W.N.B.A. can help by fully embracing the stories of Boston and Stewart and Wilson, along with all the other players of every hue and identity who strut their stuff in their own distinctive ways.Let’s see the league showcase that. More

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    The NBA Was Redesigned for Drama, and It’s Working

    The last day of the regular season saw flashes of brilliance from the best teams, punches thrown and disappointing defeats.The N.B.A.’s Western Conference has been a confusing mash of disarray this season, with few teams seeming capable of separating themselves and the rest mired in a chaos borne of some combination of injuries, disillusion and malaise.The drama reached its apogee during a two-and-a-half-hour period on Sunday afternoon. Seven games between West foes tipped off simultaneously and determined half the postseason seeding, including which teams could rest for a week and which could be knocked out in the play-in tournament before the playoffs even start. There were blowouts, shenanigans and punches thrown.It was one of the most exciting days of the season, and highlighted part of N.B.A. Commissioner Adam Silver’s ethos: that change, though it may come at a cost, can be good.Kyle Anderson and Rudy Gobert had to be separated after a heated altercation during a timeout. pic.twitter.com/HVuPNdjrxs— SportsCenter (@SportsCenter) April 9, 2023
    The world of sports is an obstinate and unyielding realm, where tradition reigns. Two years ago, Silver met resistance when he introduced the play-in tournament, in which the teams seeded seventh through 10th compete for the last two of eight playoff spots in each conference.Luka Doncic of the Mavericks argued that it was unfair for teams to play a whole season to land among the top eight seeds just to face elimination in the play-in tournament. The Lakers star LeBron James said whoever came up with it should be fired.But two weeks ago, Silver said all but four of the league’s 30 teams still had a chance to make the playoffs. On Saturday afternoon, with two days of games left, the N.B.A. posted a dizzying, color-coded graphic on Twitter with 64 scenarios for the final West seedings.Did any team really want to face the Warriors, the defending champions?How dangerous could the Clippers be once Kawhi Leonard locked in, and if Paul George was healthy?A team with James and Anthony Davis is fearsome no matter its record, and their Lakers have excelled since the trade deadline.On the other hand, Sacramento (No. 3) and Denver (No. 1) haven’t inspired fear in conference opponents this year. The Kings, who are in the playoffs for the first time since 2006, were well aware that some teams hoped to face them in the first round.“If I’m another team, I’m targeting us, too,” Kings Coach Mike Brown told reporters last week. He paused and shrugged. “I would target us too. And we’re the only ones that can change that narrative.”None of this intrigue would have been possible without the play-in tournament.This is an era when player injuries have concerned teams enough that they have been cautious by occasionally resting them. The league tried to address the wear and tear on players’ bodies several years ago by reducing the number of back-to-back games on the schedule. Adding games with a play-in tournament seemed counterintuitive to that.It’s undeniable, though, that it made the end of the season more intriguing. With more teams in the playoff hunt, that left fewer teams willing to coast for more favorable draft positioning.The Golden State Warriors beat the Portland Trail Blazers by 56 points on Sunday. Klay Thompson had six 3-pointers in the win.Craig Mitchelldyer/Associated Press“It makes it more exciting and it keeps things really interesting all the way down the stretch,” Warriors Coach Steve Kerr said recently, adding: “I’m watching all of it for sure.”There are certain lulls in the 82-game season during which stakes are hard to manufacture. The last month of the season is often one of those times. Added interest during the regular season could help the league as it looks toward its next media rights deals after the 2024-25 season.Every team played on Sunday. The slot at 1 p.m. Eastern time offered a slate of mostly meaningless Eastern Conference games. At 3:30 p.m. the real drama began.Golden State (No. 6) dismantled the Portland Trail Blazers by 56 points, but it was only the team’s 11th road win. At about the same time, the Dallas Mavericks, with no chance to make the playoffs, lost to the San Antonio Spurs by 21 points. At the trade deadline, the Mavericks had acquired Kyrie Irving from the Nets to play with Doncic and seemed to be a championship contender. And yet there they were, ending the season by losing to a 22-win team while under investigation for tanking.The Lakers finished the season with an emphatic win over the Utah Jazz to claim the seventh seed.The Lakers had spent most of the season floundering, with injuries further hampering a mismatched roster that struggled to flow. They improved at the trade deadline, but by that point they needed a furious rally to give themselves even a chance at the playoffs. Finishing with the seventh-best record in the West was an accomplishment, but one that took a lot out of them.Their reward is another game on Tuesday, in the play-in, when their stars could use some time to heal from their bumps and bruises.The Suns, settled in the fourth seed, sat their stars on Sunday, but the Clippers played their stars as they fought for better seeding.Rick Scuteri/Associated PressThe Lakers’ opponent Tuesday, the Minnesota Timberwolves (No. 8), had the most dramatic day. They had spent all season trying to adjust to adding center Rudy Gobert, for whom they had traded away a treasure trove of assets last summer. On Sunday night, during the second quarter of their game against the New Orleans Pelicans, Gobert punched his teammate Kyle Anderson during a verbal altercation. A few minutes earlier, Timberwolves forward Jaden McDaniels broke his right hand by punching a wall.McDaniels is out indefinitely, and Minnesota suspended Gobert for the play-in game against the Lakers. It’s not the kind of drama the N.B.A. wants, but it did have people talking. It also showed another example of how much can go wrong with a blockbuster trade for a star.Then there were the Suns and the Clippers. The Clippers were playing to stay out of the play-in tournament and the only way to ensure that was to win — even if that meant facing a star-studded Phoenix team in the first round.“I’m not a fan of the play-in, me personally, because we didn’t make it last year and we fought so hard to get a top-eight seed,” Clippers Coach Ty Lue said last week. “You don’t make it, it’s tough. But we knew today was a big game to stay away from that.”The play-in tournament is not the last break with tradition Silver will oversee. This month the league and the players’ union agreed to add an in-season tournament to the regular season. It will add more games, but could also add drama. This weekend’s theatrics may be taken as evidence that it doesn’t hurt to try. More