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    Walter Davis, Basketball Star With a Velvet Touch, Dies at 69

    “Walter is a good shooter until the fourth period,” one coach said of Davis, a standout in both college and the N.B.A. “Then he becomes a great shooter.”Walter Davis of the University of North Carolina in action against Duke in 1976. He averaged 15.7 points a game over four seasons there.Harold Valentine/Associated PressWalter Davis, whose smooth shooting propelled him to basketball stardom with the University of North Carolina and the Phoenix Suns, but who late in his career struggled with drug addiction, died on Thursday while visiting family in Charlotte, N.C. He was 69.The university announced his death but did not specify a cause.Davis, a 6-foot-6 forward, played at North Carolina from 1973 to 1977 for Dean Smith, one of the most successful coaches in college history. He averaged 15.7 points a game over four seasons on Tar Heels teams that also included Bobby Jones, Phil Ford and Mitch Kupchak.In one of Davis’s signature games, in March 1974, North Carolina was losing to Duke, 86-78, with 17 seconds left. After North Carolina closed the deficit to two points with time expiring, Davis tied it with a shot from a distance estimated at between 30 and 35 feet. (The basket would have counted for three points and won the game today, but the three-point shot was not officially introduced by the N.C.A.A. until 1986.) North Carolina went on to win in overtime, 96-92.“I wasn’t trying to bank it in,” Davis, then a freshman, said afterward. “It wasn’t a desperation shot. I was just trying to do my part, that’s all. I didn’t allow myself to think about anything. I just told myself it could only do two things, go in or come back out.”In 1976 he was a member of the United States team, also coached by Dean Smith, that won a gold medal at the Olympics in Montreal. A year later, he led North Carolina with 20 points — and 10 of his team’s last 12 — when it lost to Marquette, 67-59, in the final game of the N.C.A.A. men’s basketball tournament.He was twice selected for all-Atlantic Coast Conference teams.His nephew Hubert is currently the North Carolina coach.Walter Davis was born on Sept. 9, 1954, in Pineville, N.C. His high school in Charlotte won three state titles in basketball before he left to attend prep school in Delaware. He arrived at North Carolina in 1973.In 1977, Davis had surgery on a broken finger after North Carolina won the A.C.C. tournament in his senior year. “Before they put me out, I remember looking up and Coach Smith was right there,” he told Ken Rosenthal for his book “Dean Smith: A Tribute” (2001). “I remember seeing him and having the screws drilled into my finger.”Davis was drafted by the Phoenix Suns in the first round of the 1977 N.B.A. draft. After averaging 24.2 points a game — the highest average of any season in his career — he was voted the league’s Rookie of the Year. He remained a steady performer throughout his 11 seasons with Phoenix, averaging 20.5 points a game as a small forward and shooting guard.Davis was a steady performer in his 11 seasons with the Phoenix Suns, averaging 20.5 points a game as a small forward and shooting guard.Focus on Sport/Getty ImagesDuring a game in 1983, he set a league record by scoring 34 points (on 15 field goals and four free throws) against Seattle before missing a shot.“I don’t remember a sweeter shot,” Alvan Adams, one of his teammates, told NBA.com in 2015. “He was a feared shooter. The other team knew it, too.”Chuck Daly, then the Detroit Pistons’ coach, told The New York Times in 1987: “Walter is a good shooter until the fourth period. Then he becomes a great shooter.”Davis had two nicknames: Sweet D and Greyhound.In his later years in Phoenix, Davis dealt with drug problems. In 1986, he spent a month in a drug rehabilitation center to treat cocaine and alcohol dependency. Early the next year he told The Times, “The scariest part is knowing that it is a disease that I will have to work on for the rest of my life.”When he relapsed in 1987, Davis was suspended by the league and once again entered a drug rehabilitation facility. He also received immunity from prosecution when he agreed to testify against several current and former Suns teammates, who were indicted on drug charges.In his testimony, The Arizona Republic reported, Davis said that he had first used cocaine in his second season in the league after being introduced to it by a teammate, Gar Heard. When asked by a prosecutor who else was there, he said, “Pretty much the whole team.”Later that year, Davis said that prosecutors had forced him to testify against his teammates.“I had no choice,” he told Sports Illustrated. “The last thing I wanted to do was get my teammates and friends indicted. If I’d known I was going to do that, I’d have probably gone to jail instead.”Davis left the Suns in 1988 to sign as a free agent with the Denver Nuggets. He was traded to the Portland Trail Blazers in 1991 and then re-signed with Denver, where he played in the 1991-92 season before retiring.Davis was honored by the Suns and the Black Chamber of Arizona during a Black History Month celebration in Phoenix in 2016. Barry Gossage/NBAE, via Getty ImagesDavis averaged 18.9 points a game for his career and played in six All-Star Games.After his retirement, he worked as an announcer and community ambassador for the Nuggets and a scout for the Washington Wizards.Information on survivors was not immediately available. More

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    For Bobby Knight, a Basketball Legend, Baseball Provided a Comforting Coda

    As his memory declined, Bobby Knight, the volatile former Indiana University basketball coach, found some solace in the Cleveland baseball team of his youth.Luke Epplin answered a phone call two years ago. He didn’t recognize the Indiana number, but the voice on the other end of the line was unmistakable.“Luke,” the man said, “this is Coach Knight.”His voice had grown fainter, but the intimidating tenor of Bobby Knight, the former basketball coach, was still there.Epplin had sent Knight a copy of his book, “Our Team,” after learning that he was a huge fan of the Cleveland baseball team, now called the Guardians. So he tracked down Knight’s address, sent him a copy of the book and included his contact information.Epplin, who grew up in a household with strong ties to the University of Illinois, a sworn enemy of Knight’s Indiana Hoosiers, was surprised to hear from Knight. He was also slightly concerned about which way the conversation would go: Knight sounded frail, but he was known as a chair-throwing, unrepentant, volcanic personality on the basketball court.Instead, Knight wanted to talk about the book, which details the journey of four figures who helped Cleveland become the first American League team to integrate Black players in 1947. Knight, who grew up in nearby Orville, Ohio, was about 7 years old then.But Epplin thought Knight sounded confused.“You could tell there was a fog, that I wasn’t connecting,” Epplin said. “I didn’t know what to make of it. I just figured he seemed a little distracted and out of it.”A week later, Epplin would learn that Knight had Alzheimer’s disease. Bob Hammel, a friend of Knight’s, called Epplin to let him know that Knight had lost nearly all his memory, including of his decades spent coaching basketball. But one memory remained: that of the Cleveland baseball team of his youth.Hammel had read the book aloud to Knight, who would stop him to talk about specific players or games. The book brought both of them comfort, Hammel said.Epplin had kept that story to himself for two years until this week, when Knight died at age 83; he shared the exchanges on X.Knight was known as a brilliant coach but one of the most polarizing characters in sports when he led the Hoosiers from 1971 to 2000, winning three national championships and 11 Big Ten titles. He ranted and cursed, and he was convicted of assault. His bombastic approach was ultimately his downfall. He was fired from Indiana after he choked a player during practice and had an altercation with another student.Epplin grappled with how to reconcile the persona he grew up with and the shell of a man who was clinging to childhood memories. Perhaps, he thought, “we can hold both of these ideas together.”Bobby Knight, right, had many allegiances, including to the Yankees. He chatted with Joe Torre, center, a former manager, and Derek Jeter, a shortstop, during an All-Star event in St. Louis in 2009.Elsa/Getty Images“He did have a complicated legacy that we should not discard,” Epplin said. “My story doesn’t do anything to erase that. But he also had these moments of humanity and had friends he interacted with.”Many of those moments came in the form of baseball.Hammel, 87, a longtime friend, a journalist and a co-author of Knight’s autobiography, said that Knight grew up as a Cleveland fan. His mother used to walk around the house with a portable radio held to her ear listening to Jimmy Dudley calling the games.Just a year ago, Hammel said, Knight could recite the entire starting lineup of Cleveland’s team from 1948, the last time the franchise won a World Series. Hammel said Knight began to lose his memory when he stopped coaching at Texas Tech, where he led the men’s basketball team from 2001 to 2008.But baseball was a constant, and his coaching approach — a combination of ferocious intensity and upholding academic standards — was admired by many of his cohort, including George Steinbrenner, the longtime owner of the Yankees; Sparky Anderson, the former manager of the Cincinnati Reds; and Tony La Russa, who managed the Oakland Athletics, St. Louis Cardinals and Chicago White Sox.In 1988, La Russa got an unexpected call from Knight. La Russa, who was coaching the A’s, had been using a quote from Knight as a way to encourage his players. Knight was worried that La Russa had been misquoting him, so La Russa invited him to spring training that year.Knight would continue to visit each of La Russa’s spring trainings through 2011, earning new allegiance to whichever team he was coaching.La Russa’s players looked forward to Knight’s visits, La Russa said; the basketball coach forged relationships through his own brand of back-seat coaching. La Russa even let Knight write the starting lineup for an A’s spring training game.La Russa said that Knight’s love of both basketball and baseball made sense.“A lot of what he saw in basketball and baseball was the attention to detail and the thin edge of expert, elite execution,” La Russa said.La Russa acknowledged that his friend “wasn’t perfect.”“He had a short fuse,” he said. “But most often you saw the fun, the intelligence, the respect. You were lucky to be his friend.” More

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    Need a Restaurant Recommendation? Ask an N.B.A. Player.

    The best basketball players on the planet travel regularly, embrace local cultures and have deep pockets — making them very credible reviewers of restaurants across the country.Pick a city, any city, on the National Basketball Association’s 30-team circuit, and Kelly Olynyk, a forward for the Utah Jazz, has deep knowledge of the local restaurant scene.If you are searching for top-tier sushi in Boston, where he spent his first four N.B.A. seasons, he recommends Fuji at Ink Block in the South End. In Charlotte, N.C., he will most likely suggest the smoked wings at Rooster’s Wood-Fired Kitchen. Whether you are craving the best Italian in San Francisco or in pursuit of tasty treats in Indianapolis — Mr. Olynyk knows a place. He is a 6-foot-11 human version of Yelp.“You have spots in each city that you love and know you can count on,” said Mr. Olynyk, 32, after eating at thousands of restaurants over the 10 years he has played professionally on five N.B.A. teams. “But part of having an interest in different cultures and cuisines and restaurants is trying new ones.”In a league that consists of 28 cities, roughly 450 players and 1,230 regular season games each year, N.B.A. business travel is frequent and first-class. Teams fly private and stay in five-star hotel chains like the Four Seasons and the Ritz-Carlton. But they also eat, a lot, and by embracing local culture and institutions with their deep pockets, they have become very credible restaurant authorities.Karl-Anthony Towns, of the Timberwolves, at Fratelli’s Pizza & Cafe in his hometown, Piscataway, N.J. Mr. Towns grew up eating Fratelli’s pizza. When they started dating, he told his girlfriend: “‘All you need is a cheese slice and I promise you it will change your life.”via Karl-Anthony TownsN.B.A. players are larger-than-normal humans (average height is 6-foot-6) with equally large salaries (average annual pay is $8.32 million), a combination that results in voracious appetites and often in reservations at the country’s most renowned restaurants. Each player also receives a $133 food per diem for days on the road.“Sometimes, if we’re only in a city one night, I’ll go to two dinners,” admitted Mr. Olynyk.The 2023-24 N.B.A. season just tipped off on Oct. 24, and in a typical season, each team plays 41 games on the road, visiting each opposing market (that includes 27 U.S. cities and Toronto) at least once. There are additional preseason and playoff games also to consider. The Golden State Warriors, for example, traveled to Los Angeles — home of the Lakers and Clippers — seven times last season. That means many meals and time to bond.“We travel so much around the country that going out to restaurants has always been the greatest way to bring everyone together,” said Karl-Anthony Towns, a three-time N.B.A. All-Star center with the Minnesota Timberwolves.Regardless of which teammates or coaches they choose to dine with, players take notice of the food, service and settings: Word-of-mouth recommendations between players are a major part of N.B.A. restaurant culture.“We’re a brotherhood, so you’re going to definitely have some honest reviews from your 449 brothers,” said Mr. Towns, 27.Rudy Gobert, a Timberwolves teammate, frequent gives Mr. Towns tips on lesser-known eateries with little fanfare on Yelp, Tripadvisor or other recommendation websites. Mr. Olynyk, of the Jazz, enjoys introducing his younger teammates to top restaurants in different cities (and picking up the bill), much as his former teammate Rajon Rondo did for him, treating Mr. Olynyk to Strega Italiano in Boston when Mr. Olynyk was a rookie with the Celtics.“It’s kind of like a rite of passage,” Mr. Olynyk, a native of Toronto, said.Kevin Love, a veteran forward for the Miami Heat, grew up in Portland, Ore., a city known for its creative dining scene. As his basketball career — one that has included five All-Star selections and a championship ring with the Cleveland Cavaliers — has advanced, his food knowledge has improved and his network of fellow food lovers has expanded (The Times documented his passion for travel in 2019).“Having a love for food, as well as wine, has brought me into a number of circles where I’ve made really good friends with restaurateurs, chefs and people who have similar interests,” said Mr. Love, 35, who is a partner (along with his former teammate Channing Frye) in Chosen Family Wines, a wine brand based out of Willamette Valley, Ore. “That’s a fun world to be in.”He has leveraged connections in the restaurant industry to organize team dinners, key to building team camaraderie. Before the Heat visit New York City, Mr. Love will call area restaurants and design unique dining experiences for his teammates.“I’m going to take these guys out and show them great food and introduce them to maybe a different cuisine,” Mr. Love said.He still considers Portland one of his top food destinations, naming Kann and RingSide Steakhouse (he strongly suggests the onion rings) as his hometown favorites. In New York City, where he lived in the off-season before recently moving to Long Island, Mr. Love lists as favorites Carbone, Sadelle’s, Hometown Bar-B-Que, Fini Pizza and Misi (Sean Feeney, the restaurateur, is a good friend of his), and Eleven Madison Park (Daniel Humm, the chef and owner, is also a friend).Kevin Love, a veteran forward for the Miami Heat, has leveraged his connections in the restaurant industry to organize team dinners.Michael Dwyer/Associated Press“It’s one of the most unbelievably beautiful kitchens I’ve ever seen,” Mr. Love said of Eleven Madison Park.For many N.B.A. players, supporting minority-owned businesses can be as important as finding establishments with Michelin stars. Mr. Towns, of the Timberwolves, will also approach local residents to seek restaurant recommendations.“I’ve always been intrigued by people and cultures,” said Mr. Towns, who has Dominican and African American roots. “And the best way to learn about people and cultures is to sit down and enjoy their food.”In Minneapolis, Mr. Towns recommends Soul Bowl, a soul food and Caribbean-inspired restaurant in the city’s North Loop. But it was Fratelli’s Pizza Cafe, in his hometown, Piscataway, N.J., where he took his girlfriend when they first started dating.“‘I got to take you home to a pizzeria that I grew up on,’” Mr. Towns recalled saying. “I said, ‘All you need is a cheese slice and I promise you it will change your life.’”“She agrees with me,” he said with a laugh.Follow New York Times Travel on Instagram and sign up for our weekly Travel Dispatch newsletter to get expert tips on traveling smarter and inspiration for your next vacation. Dreaming up a future getaway or just armchair traveling? Check out our 52 Places to Go in 2023. More

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    Tug-of-War Over N.B.A. Rights Provides Glimpse of Media’s Future

    The league’s longtime television partners, including ESPN and Turner, are undergoing major changes, which could alter how games are watched.The National Basketball Association’s season tipped off on Tuesday with stars like LeBron James and Nikola Jokic beginning the long quest for a title. But the action that will have longer-term ramifications for the league, and the media and entertainment landscape, is happening off the court.The companies holding the rights to show N.B.A. games — Disney, which owns ESPN and ABC, and Warner Bros. Discovery, the parent company of TNT — are collectively paying the league $24 billion over nine years for that privilege. But their contracts expire after next season, and the N.B.A. hopes to more than double the money it receives for rights in the next deal, according to several people familiar with the league’s expectations who spoke on the condition of anonymity to discuss ongoing negotiations.It won’t get that without a fight. After decades in which sports leagues garnered ever bigger piles of money for the rights to show their games, there are signs that media and technology companies are under increasing pressure to justify the exorbitant amounts they spend on broadcast rights. Interest rates are high, Wall Street is demanding profitability over growth, and streaming has reconfigured the entertainment industry.The result of the N.B.A.’s negotiations will say a lot about the future of broadcast networks, the cable bundle, streaming services and the sports media ambitions of technology companies.“I think in this era that we’re coming out of, this is the last of the big deals,” said John Kosner, who advises sports media and tech start-ups after a two-decade career as an executive at ESPN.The National Football League, the most valuable sports league in the world, did not quite double its rights fees when it signed new agreements in 2021. And that was before the stock market declined, interest rates rose and wars began in Europe and the Middle East.Disney and Warner Bros. Discovery, which have televised N.B.A. games for more than two decades, aren’t necessarily in positions to shell out lots of cash, either.Disney has carried out extreme cost-cutting and layoffs this year, and its chief executive, Robert A. Iger, has said the company is considering “strategic options” to sell equity in ESPN. Warner Bros. Discovery has also cut costs, and said in August that it had a debt load of nearly $50 billion following the merger of the two companies last year.The most likely scenario, according to the people familiar with the negotiations, is that Disney and Warner Bros. Discovery will sign new agreements with the N.B.A. to televise fewer games. The N.B.A. declined to comment for this article.The two companies together show about 160 regular-season games each year, as well as the playoffs and N.B.A. finals. Most games are shown on cable (ESPN and TNT), with a handful on ABC.For both companies, N.B.A. broadcast rights still represent a valuable bargaining chip in negotiations with their biggest customers: cable and satellite companies. Those distributors pay billions of dollars to Disney and Warner Bros. Discovery for the rights to show their cable channels, including TNT and ESPN, based in part on the expectation that those channels will air sports like N.B.A. basketball.An N.B.A. package would also help both companies shift to a streaming future. Warner Bros. Discovery recently added a live sports package to its streaming service, Max, while ESPN has been vocal about having a stand-alone streaming offering for its flagship channel in the near future.Disney and Warner Bros. Discovery are not likely to be the only companies showing N.B.A. games, though. If those companies end up showing fewer games in the new deal, the league may create a third rights package, perhaps even a fourth, of the games no longer included in the first two packages, as well as the league’s new in-season tournament.The most likely buyers for those packages of games are Amazon and NBC, according to the people familiar with the negotiations.Top executives at Fox, CBS and the Google-owned YouTube have said that they are unlikely to put in serious bids for broadcasting rights. The intentions of Netflix and Apple are less clear, but Netflix has long said it is uninterested in paying the kind of prices the N.B.A. is looking for. Apple has largely committed itself to a sports strategy of buying up all of a league’s domestic and international rights, like in its recent deal with Major League Soccer. That isn’t possible with the N.B.A.Amazon and NBC are attractive partners to the N.B.A. for very different reasons.For a generation, most N.B.A. games have been watchable only with a cable package. But the collapse of the cable bundle — from around 100 million households with a cable package a decade ago to around 70 million today — has made old-school broadcast networks, the most widely distributed television channels, more attractive. With CBS and Fox as unlikely bidders, the league could want games to be shown on NBC’s broadcast channel.As for Amazon, it is seen as highly unlikely that the N.B.A. — a league that is proud of being forward-thinking regarding technology — would sign a new rights agreement with only traditional media companies, according to some of the people familiar with the negotiations. Amazon has long been interested in broadcasting the N.B.A., according to a person familiar with the league’s negotiation history, and it has won plaudits for how it has handled Thursday night N.F.L. games.The media and technology companies declined to comment for this article. CNBC, Bloomberg and The Wall Street Journal have all previously reported on parts of the N.B.A.’s media-rights negotiations.The league has a number of other media assets it could leverage. Most N.B.A. games are not shown nationally. Instead, they are broadcast in their local markets, with individual teams controlling the rights to sell those games. Teams have traditionally sold those rights to regional sports networks, but those are collapsing, leaving teams looking for alternatives.If Diamond Sports, which is in bankruptcy proceedings, collapses, the N.B.A. could suddenly regain control of the local rights for about half the teams in the league. If that happens, it might sell some of those rights to a national partner. But that would require the league to work with its team owners — as well as current rights holders — for the complicated task of navigating roughly 30 different local agreements.It would also leave out a number of high-profile teams, like the New York Knicks and the Los Angeles Lakers, which have long-term local rights agreements with successful regional sports networks.The N.B.A. could also sell some international rights. The rights to show N.B.A. games in some basketball-mad countries like China could be extremely valuable, especially as domestic streaming companies seek new markets. But the league — unique in American sports in that it sells all its international rights directly rather than working with third parties — is seen as more likely to sell those rights country by country to the highest bidder.The real wild card if the N.B.A. looks to do something groundbreaking could be its old stalwart: ESPN.Disney and ESPN executives have spoken in recent months with private equity firms, tech and mobile companies and sports leagues, and have concluded that if they are to give up equity, it should be to a league, or leagues, as part of a long-term partnership, according to two people familiar with ESPN’s plans.Analysts have valued ESPN at $25 billion to $50 billion, meaning a potential partner would have to trade billions in value for even a small stake. While a partner could pay Disney for a stake in ESPN, what the company is really looking for is exclusive content, some of those involved in the negotiations said.Disney executives have spoken with a number of sports leagues, including the N.B.A., about selling them equity in ESPN and what the company would want out of such an arrangement. According to one of the people, the benefits sought by ESPN in a partnership could include more closely integrating a league’s social media operations with the network’s, content like documentary rights and more in-game audio from players, distributing games it does not have the broadcast rights to within its apps and working together on marketing. More

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    Terry Dischinger, College Basketball Star and Olympian, Dies at 82

    An all-American at Purdue, he was the youngest member of the gold medal-winning 1960 U.S. Olympic team. He later became a top N.B.A. rookie.Terry Dischinger, one of the greatest players in Purdue University basketball history and the youngest member of the U.S. Olympic team that won a gold medal in Rome in 1960, died on Oct. 9 in Lake Oswego, Ore. He was 82.The cause of his death, at a memory care center, was complications of Alzheimer’s disease, said his son, Bill Dischinger.Dischinger (pronounced DISH-ing-er) was an undisputed star at Purdue, in West Lafayette, Ind. A 6-foot-7, 190-pound center, he led the Big Ten in scoring for three straight seasons; was a two-time first-team consensus all-American; and scored at least 40 points in a game nine times, still a Purdue record.After averaging 26.3 points in his sophomore season, Dischinger made the Olympic team, which included several future members of the Naismith Memorial Basketball Hall of Fame, among them Oscar Robertson, Jerry West, Jerry Lucas and Walt Bellamy. The U.S. won all eight of its games, including the final against Brazil, to earn the gold medal. Dischinger averaged 11.8 points a game, fourth best on the team.Early the next year, when Dischinger was a junior, a short profile in Sports Illustrated described the skillful fakes, fast first steps and soft jump shots that made him a Big Ten star, and recalled a moment when he vexed Robertson during a practice at the Olympics.According to the profile, Robertson, whom Dischinger idolized, “ended one frustrating Olympic scrimmage in which he was trying to guard Dischinger by shouting, ‘Man, go ahead and score. Who cares!’ as Terry faked him out for the nth time.”Dischinger went on to play in the National Basketball Association, earning Rookie of the Year and All-Star honors. He was inducted into the National Collegiate Basketball Hall of Fame in 2019.Dischinger was inducted into the National Collegiate Basketball Hall of Fame in 2019. He scored 40 points or more in nine games at Purdue University, setting a school record that still stands.Orlin Wagner/Associated PressTerry Gilbert Dischinger was born on Nov. 21, 1940, in Anderson, Ind. His father, Donas, was a high school teacher and football coach. His mother, Clara (Wood) Dischinger, was a physical education teacher.Dischinger was chosen by the Chicago Zephyrs in the first round of the 1962 N.B.A. draft and broke in with them as if he were still at Purdue. Converted to forward, he scored 25.5 points a game in the 1962-63 season, while playing only 57 games on a part-time contract that let him complete his bachelor’s degree in chemical engineering.Despite not playing a full season, he was voted Rookie of the Year over other future Hall of Famers like Dave DeBusschere of the Detroit Pistons and John Havlicek of the Boston Celtics.Dischinger played on All-Star teams in his first three seasons.“He was a very smart player with a great shot,” Bill Bradley, the former New York Knicks forward and U.S. senator, who frequently played against Dischinger, said in a phone interview. “I remember him as much for the 1960 Olympics as for him playing in the N.B.A.”Dischinger remained with the Zephyrs when they relocated to Baltimore and were renamed the Bullets after his rookie year. He averaged 20.8 points a game in 1963-64. After one season in Baltimore, he was traded to Detroit, where he scored an average of 18.2 points a game. After two years of Army service, he returned to the Pistons in 1967.Having played on an Army basketball team, he told The Detroit Free Press in 1971, “I thought I could make the readjustment to the pros again pretty quickly.”But, he added, “it didn’t work out that way.”A knee injury reduced his playing time and his productivity. He never averaged more than 13.1 points a game in his last six seasons, five with the Pistons and his last with the Portland Trail Blazers.By the time his basketball career ended in 1973, he was already planning his next one. A friend in the Army had piqued his interest in a post-basketball career in dentistry, and he began studying at the University of Tennessee College of Dentistry in the summers between N.B.A. seasons.He completed his D.D.S. degree in 1974 and went on to earn a certificate in orthodontics in 1977 from the University of Oregon Health Sciences Center (now Oregon Health & Science University).He held several patents, including one for a version of an appliance to help an underdeveloped jaw grow. He taught orthodontics and had a practice in Lake Oswego, which Bill Dischinger joined 24 years ago and now runs.In addition to his son, Dischinger is survived by his wife, Mary (Dunn) Dischinger, whom he married in 1962; his daughter, Kelly Loomis; his sisters, Nancy Rudolph and Tommy Groth; and nine grandchildren. Another son, Terry, died in 2010.Heading into the final game of his college basketball career against the University of Michigan in March 1962, Dischinger was tied for the Big Ten scoring lead with Jimmy Rayl of Indiana University, which was playing Ohio State.Before the game, he received a telegram from two Ohio State players — Jerry Lucas, who had become a friend during the Olympics, and John Havlicek — “telling me not to worry — get my points and they’d shut down Rayl,” he told The Journal & Courier of Lafayette in 1980.Whatever they and their teammates did seemed to work.Dischinger won the title with 30 points. Rayl scored 25. More

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    How Phoenix Fans Watch Their Teams May Change How You Watch Yours

    Numerous franchises are expected to overhaul their local media deals, returning games to free networks. The transition is underway in Arizona.Days after Mat Ishbia reached a deal in December to buy majority stakes in the N.B.A.’s Phoenix Suns and the Phoenix Mercury of the W.N.B.A., he met with top executives to learn more about the teams’ business operations, including how local fans were able to watch their games on TV.The executives detailed three possibilities going forward, including sticking with Diamond Sports Group, which owned the regional sports network that for more than a decade had held the rights to show the teams’ games. Diamond Sports was saddled with $8 billion in debts — it would file for bankruptcy protection in March — but it still wrote big checks worth millions of dollars a year.Mr. Ishbia, though, gravitated to the riskiest of the three options: ditching the regional sports network model that most teams followed for decades and returning to showing Suns and Mercury games for free on over-the-air channels. It might cost the teams money in the short term, but the bet was that it would help them reach more fans, including those who dropped their cable subscriptions or, like many younger fans, never had one.“What was interesting was the amount of people that were reaching out to me on social media about how they couldn’t watch the Suns games,” Mr. Ishbia said in an interview, adding: “It’s their team. It’s not Mat’s team. To not be able to watch your game wasn’t an option that we were interested in.”In April, the organization announced that it would leave Diamond Sports and broadcast all Suns and Mercury games on over-the-air channels with the company Gray Television. They sent thousands of free antennas to fans who needed them. They also created a streaming option with the company Kiswe.Mr. Ishbia’s decision shook a sports media world — clubs, leagues, networks, cable and satellite providers — trying to navigate the decade-long shift in how fans watch their home teams. Those used to finding games on one channel are having to search for them elsewhere as networks and leagues reshuffle their distribution deals in response to the rise of cord cutting and the boom in streaming. Some clubs could face shortfalls as they search for ways to replace revenue lost by the end of local media deals, potentially hindering their ability to bid for top players.More teams are expected to overhaul their local media deals in the coming months as their contracts expire. Those that choose to show more of their games on free television are returning to a world that the N.F.L., which shows more than 90 percent of its games on over-the-air channels, never abandoned.“It’s back to the future,” said Michael Nathanson, a media analyst at MoffettNathanson. “As more people cut the cord, these teams are losing their ability to reach their fans. So why not put it over the air for free and also build a streaming product that’s more accessible for younger fans.”Bally Sports Arizona, the network that televised the games for Phoenix’s N.B.A., W.N.B.A., N.H.L. and Major League Baseball franchises, shut down last week.Christian Petersen/Getty ImagesAs the largest market going through this, Phoenix is ground zero for the rapid transition. In recent months, the Phoenix Coyotes of the N.H.L. and the Arizona Diamondbacks of Major League Baseball joined the Suns and the Mercury in overhauling their local media deals. On Friday, Bally Sports Arizona, the Diamond Sports network that carried all of those teams, shut down.The Phoenix-area franchises are part of a growing wave of teams doing the same. The San Diego Padres, like the Diamondbacks, ended their agreement with Diamond Sports, the largest regional sports network provider. Major League Baseball used its broadcasting and streaming capabilities to keep the teams on the air and guaranteed they would get 80 percent of the revenue they received in their Diamond Sports deals.Diamond Sports, which must make at least $400 million in annual debt payments, is in talks with its creditors, some of whom want to reshape the company’s business while others want to be bought out. Diamond Sports is also in talks with the N.B.A. and other leagues about reducing their rights fees.A company spokesperson declined to comment on the talks with creditors and the leagues.Last year, Monumental Sports Network, which is owned by Ted Leonsis, the owner of the Washington Wizards (N.B.A.), Capitals (N.H.L.) and Mystics (W.N.B.A.), bought NBC Sports Washington and unveiled a new streaming service. The N.H.L.’s Vegas Golden Knights said in May that they planned to shift to a free over-the-air channel. The N.B.A.’s Utah Jazz and Los Angeles Clippers are selling their games and programming directly to viewers with streaming packages, with the Jazz also broadcasting their games on a free channel.The Jazz are “probably the largest real media company in the state,” Ryan Smith, the team’s owner, said in an interview this year. “If you actually think about the N.B.A., we’re not that different than a media or tech company.”Mr. Smith said he expected most teams to take over their broadcasts entirely within three years.Major League Baseball and the N.B.A. have been preparing for this possibility for years. When Sinclair, Diamond’s parent company, bought the regional sports networks from Fox Sports in 2019, M.L.B. made a bid because it wanted to control as much of its content as possible, Commissioner Rob Manfred said.“That was a product of our belief the media was going to change dramatically,” he said, noting that 11 major league teams still have contracts with Diamond Sports.Local media deals have traditionally been handled by the clubs, but in January, M.L.B. hired executives from regional sports networks to develop contingency plans, like taking back the rights to Padres and Diamondbacks games and showing them on MLB.TV’s subscription service, as well as an array of cable and satellite companies. The broadcasts included the same announcers.While deals with regional sports networks bring in dependable checks for teams, cord cutting has led to shrinking viewership.Kevin D. Liles/Atlanta Braves, via Getty ImagesJason and Wendy Dow, who live in Queen Creek, south of Phoenix, canceled their cable package with Cox this summer to save money and signed up for YouTube TV. Now they watch the Diamondbacks using the MLB app, which they said had better streaming functions.“I was kind of upset at first, but it’s turned out to be better in the end,” Jason Dow said at a recent Diamondbacks home game. “On the old feed, you basically just saw the game without a lot of extras.”The N.B.A. began preparing for changes in 2018, creating a “next gen” service that includes a streaming service and production and distribution support that teams can use to stream broadcasts. So far, the Clippers, the Jazz and the Suns are using it.Diamond’s bankruptcy doesn’t affect every team. Franchises like the New York Knicks, the Denver Nuggets and the Wizards in the N.B.A. and the New York Yankees and the Boston Red Sox in baseball own their networks. Other teams are locked into long-term deals, like the Los Angeles Dodgers, who signed a 25-year, $8.35 billion deal with Time Warner Cable in 2013 and have part ownership of their regional sports network.While the deals bring in dependable checks, some teams are reaching a shrinking viewership because of cord cutting. For others, like the Nuggets and the Dodgers, disputes with carriers like DirecTV and Comcast meant their games weren’t available to most people in their markets for part of their contracts.The Suns first had games on cable television in 1981, and started broadcasting games on Fox Sports, which later became Bally Sports, in 2003.“​At the time it seemed pretty good, pretty solid,” said Jerry Colangelo, who was with the Suns as an executive and then an owner from 1968 until 2004. “And they had some strong years of growth, for sure.”Instead of outsourcing the production and ad sales to the networks, the Suns produced their own content “to control our own destiny,” Mr. Colangelo said.The Suns continued to produce their own games and sell their own ads after Mr. Colangelo sold the team. That gave them and the Mercury a head start when Mr. Ishbia decided to change course. Most other teams will have to create those resources if they cut ties with regional sports networks.The early results have been positive. Viewership for Mercury games jumped 418 percent last season, said Josh Bartelstein, chief executive of the Suns and the Mercury. Mr. Ishbia said getting fans hooked on the Suns and the Mercury was the goal. He has made big (and expensive) moves since buying the team, trading for the highly paid stars Kevin Durant and Bradley Beal, and investing more than $100 million in a new practice facility for the Mercury and a new headquarters for both teams.“I’m not focused on money,” Mr. Ishbia said. “We’re focused on success. We’re focused on fan experience. And money always follows those things.”He added: “I think other teams will follow whether they have to or whether they want to. I think this is the future.” More

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    Joan Jett Loves the New York Liberty. The Feeling Is Mutual.

    As an early fan of the W.N.B.A. team, the musician saw the squad lose four championship series. This week, she returned courtside to cheer another attempt.Joan Jett’s unmistakable voice was carrying, and she was pretty sure it was working some magic.The New York Liberty had taken a slim lead against the Las Vegas Aces in the third quarter of Game 3 of the W.N.B.A. finals on Sunday, and the Rock & Roll Hall of Famer was doing her part, bellowing along with the crowd’s “De-fense” chant from her courtside perch at Brooklyn’s Barclays Center. When the Aces started to go cold, Jett took it as a sign.“I’m hoping they recognize my voice and I’m messing up their shot,” the husky-throated musician said, using an expletive. “It’s all mental, you know what I’m saying?”It was a must-win contest for the Liberty, who were down 2-0 in the best-of-five series. As Jett kept up her boisterous chant, the Aces missed six consecutive shots. The Liberty went on an 8-0 run, and the diminutive singer and guitarist jumped up to high-five the 6-foot-3 former Liberty center Sue Wicks, a friend.Some 10 years had passed since Jett last attended a W.N.B.A. game (her summer touring schedule got in the way), but she fell quickly back into the playoff delirium she had enjoyed as a courtside fixture in the late 1990s and early ’00s, when the team made the final round of the playoffs four times but failed to win a title.The rock star said she first fell for the game in 1996 when the N.C.A.A. asked her permission to use Joan Jett and the Blackhearts’ cover of “Love Is All Around” to promote the women’s basketball tournament. The following year, the W.N.B.A. began its first season and Jett bought Liberty season tickets, often showing up to big games with a red cloth voodoo doll she used to taunt opposing players.“She’d hold it up and stab that dang thing!” Teresa Weatherspoon, the former Liberty guard, said during halftime. “When you talk about the Liberty, you have to mention Joan’s name. Any battle we had on the floor, Joan was in it with us.”Jett grew up a self-described tomboy in Rockville, Md., and became a fan of Major League Baseball’s Baltimore Orioles at age 11, after her father took her to see the pitcher Jim Palmer throw a no-hitter. Her intersection with sports continues today: She still follows the Orioles faithfully, and is known to set up livestreams on the drum riser during shows so she can follow along. The theme song for “Sunday Night Football,” is an adapted version of the Blackhearts hit “I Hate Myself for Loving You,” performed by Carrie Underwood.During her early days of W.N.B.A. fandom, Jett opted to sit directly behind the bench instead of courtside with the other celebrities. (“It just feels more inside basketball to me,” Jett said. “You can hear the coaches talking.”) The Liberty would slap her hand on their way onto the floor. Jett occasionally came to practices, and once even flew to Houston with the team for a finals game.Jett developed particularly close friendships with Weatherspoon and Wicks, who remembers being so star-struck the first time she saw Jett at Madison Square Garden, where the Liberty initially played, that she almost knocked over Rebecca Lobo, the team’s center. Wicks had a copy of “The Hit List,” Jett’s 1990 album, while playing overseas in Europe, and said it had been a “great friend” to her during lonely stretches abroad. “For me, she’s a goddess,” Wicks said.In 1999, Ray Castoldi, the Garden’s organist, asked Jett and the Blackhearts to record “Unfinished Business,” a song he had written for the Liberty after their crushing finals loss that year. Jett not only cut the track the following season, but filmed a video with the team and performed the song at halftime during a game.“It’s hard to explain the energy,” Jett said of those early years. “I was on the outside looking in, but they made me feel like I was on the inside. It was a fun, really inclusive time.”Jett feels a natural kinship with athletes, who, like longtime touring bands, travel with a tight-knit team and are expected to perform on command. And like the athletes in the W.N.B.A., who have carved out a professional place for themselves while expanding the public’s idea of what women are capable of doing, Jett broke down boundaries in music: battling to prove to record labels and crowds that she deserved to be a frontwoman despite her prodigious talent. “We’re people that could relate to what each other was doing,” she said.Crystal Robinson, a former Liberty forward with whom Jett remains close, said the recognition was mutual: “For us, it was just the fact that she supported us,” she said. “She was fighting that female battle before we started. We had this camaraderie.”Jett’s return to the Liberty on Sunday was an overdue homecoming. Before the game, she nursed a beer as she held court with Wicks and Robinson at a table in the Barclays’ V.I.P. lounge. The recently retired W.N.B.A. star Sue Bird came by to pay her respects, as did the actors Jason Sudeikis and Michael Shannon, who portrayed Kim Fowley, the manager of Jett’s band, the Runaways, in a 2010 film.As the restaurant emptied before game time, Jett got restless. “I feel like we’re missing stuff!” she said giddily, before heading toward the court to find her seat. Just before tipoff, Becky Hammon, the Aces head coach who had been a Liberty guard in her playing days, spotted Jett taking a photo of her from across the court and struck a quick pose.Once the game started, Jett was up out of her seat to cheer on nearly every Liberty point. She gleefully taunted Hammon after a Jonquel Jones bucket (“Three-pointer, Becky!”), and debated foul calls with Wicks and Robinson. When Jones blocked a shot from the Aces star A’ja Wilson in the third quarter, Jett removed her black jean jacket to cheers from the crowd. “It’s hot in here!” she shouted back.After the Aces went cold in the third quarter, the Liberty stretched their lead. “I feel good,” Jett said. “But they’ve broken my heart before.”She appeared on the Jumbotron soon after, gamely swinging a Liberty towel overhead as “I Love Rock ’n Roll” blared on the public address system. Then, she fired T-shirts into the crowd with an air cannon, with the crowd roaring for her.“I felt the love,” Jett said. But she was mainly focused on her potential as a tactical influence: “It reminds Las Vegas that I’m here, and that can make them nervous.”She needn’t have worried. The Liberty found their rhythm in the second half and defeated the Aces, 87-73, extending the series to a Game 4, which will be played in Brooklyn on Wednesday. Should the team force a Game 5, it will play for the franchise’s elusive, first-ever title.“You’ve got to be back Wednesday!” a fan told Jett as the clock wound down. “You’re clearly the good luck charm.”But Jett is prepared for any outcome. “That’s the nature of being a sports fan,” she said. “To be there through the tough times and the good times.” More

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    How Ellie the Elephant, NY Liberty’s Twerking Mascot, Electrifies Barclays Center

    Ellie the Elephant, the mascot for the New York Liberty, has danced her way into the hearts of fans as the team has played its way into the W.N.B.A. finals.Every mascot has its thing. Some dunk. Others flip. As for Ellie the Elephant, the mascot for the New York Liberty women’s basketball team? She twerks.Amelia Bane, 33, said she was blown away the first time she saw Ellie at a Liberty game in 2021. Ms. Bane, a video editor and a host of “Let the Girls Play!,” a comedic W.N.B.A. podcast, said she recorded a video of the elephant, who has often performed alongside the Liberty’s dance troupe, the Torch Patrol, and sent it to a friend.“You’re not going to believe this elephant that’s just absolutely throwing ass,” Ms. Bane recalled telling her friend. (While recounting the story, she excused herself for her colorful language.)“I don’t ever want to go to the bathroom during a game,” said Ms. Bane, who lives in Brooklyn and is planning to dress her infant as the mascot for Halloween. “Because even if the game isn’t on, Ellie is on.”The author Fran Lebowitz said she was surprised to see the mascot when she and a friend went to see the Liberty — who are playing the Las Vegas Aces in Game 3 of the W.N.B.A. finals on Sunday — at Barclays Center in Brooklyn this summer.“I fail to understand what the elephant has to do with Brooklyn,” Ms. Lebowitz said. “Because to me, it’s the Republicans that are symbolized by an elephant.”Of Ellie’s dance skills, she added: “She did seem to be, I guess, very good for an elephant.”Ellie dancing with the Timeless Torches, a Liberty dance troupe whose members are over 40-years-old.Monique Jaques for The New York TimesThe Ellie EffectEllie has been a fixture at Liberty home games since 2021, a year after the team relocated to Barclays Center from its previous home, the Westchester County Center in White Plains, N.Y., a smaller arena where they had been playing since 2018. Before that the Liberty, who have been a part of the W.N.B.A. since the league debuted in 1997, played home games at Madison Square Garden.But this year, after a series of trades and draft picks resulted in the Liberty becoming a so-called superteam, Ellie’s fame has grown as the team has played its way into the W.N.B.A.’s championship round for the first time since 2002.Jillian Steinhauer, 38, a journalist in Brooklyn, compared Ellie to members of the Fly Girls, the in-house dance troupe from “In Living Color,” a sitcom from the early 1990s.“She’s just so good,” she said, “and she’s wearing a freaking elephant costume.”During a halftime performance on the opening night of the Liberty’s 2023 season in May, Ellie danced to a medley of hits by the rapper Lil’ Kim, who grew up in Brooklyn. She was wearing a black caped leotard, black thigh-high boots, sparkly sunglasses and a luminous, golden-brown wig tucked behind her giant ears.At a performance the year before, Ellie channeled Mary J. Blige while grooving to a supercut of Ms. Blige’s most popular songs in a brown wig with crimped, 48-inch-long locks that flew through the air whenever Ellie snapped and shook her head.Criscia Long, the senior director of entertainment for the Liberty and the Brooklyn Nets, said those wigs were such a hit that they inspired a new hairstyle that Ellie debuted this season: a 72-inch-long braid that falls to her feet.Ms. Long added that, each season, Ellie has received a new pair of customized Nike sneakers for her Barclays Center performances.This season Ellie debuted a new hairstyle: a 72-inch-long braid that falls to her feet.The New York Liberty“We had to step it up with Ellie’s foot game,” she said.Ellie has shown off her footwear while performing her signature dance move: the Ellie stomp.During the fourth quarter at home games, the arena’s lights go dark and a spotlight appears on a huddle of other dancers. “Headsprung” by LL Cool J starts booming through the arena’s speakers, and then Ellie leaps over the dancers and lands on one foot with a thunderous stomp. The Jumbotron camera somersaults and shakes as the dancers fall to the ground, seemingly knocked unconscious by the aftershock.“The Ellie stomp totally brings the crowd together,” said Rachel Kaly, a 28-year-old comedian in Brooklyn.She added that Ellie’s braid, custom sneakers and costumes — which have included a pink bikini worn at a Barbie-themed game — have made the elephant “kind of a fashion icon.”Keia Clarke, chief executive of the Liberty, said that the W.N.B.A. has traditionally targeted families as the league’s primary audience. Ellie, she added, “opened up a different lane that I think we weren’t completely expecting from a fandom standpoint.”The Evolution of EllieMs. Clarke said that choosing an elephant to replace the Liberty’s former mascot — a scruffy blond dog named Maddy, after Madison Square Garden — had nothing to do with the Republican Party.Ellie, she said, is a homage to the elephants that the circus founder P.T. Barnum paraded across the Brooklyn Bridge, in 1884, to demonstrate its stability after its completion a year earlier. Her name is a nod to Ellis Island.An elephant, an animal that can symbolize power and resilience, also seemed fitting because the Liberty arrived in Brooklyn after its two worst seasons on record, Ms. Clarke said. (The team is owned by Clara Wu Tsai and Joe Tsai, a married couple who also own the Brooklyn Nets; Mr. Tsai is a founder and the chairman of the Chinese tech conglomerate Alibaba.)“For Brooklyn,” Ms. Clarke added, “We knew Ellie needed to be able to dance.”During a Liberty game in September, Ellie pumped up the crowd by doing a split.Mike Lawrence/NBAE via Getty ImagesFans said Ellie’s personality is as memorable as her dancing.Calla Kessler for The New York Times“When we thought about Brooklyn and its music and its culture, dancing absolutely had to be a part of it,” she said.Ellie was chosen after auditions were conducted with the help of a mascot consultant. Ever since, Ms. Clarke said, she has continued to surprise audiences with her ability. Ellie is “an extremely talented dancer in many, many different genres,” she said.Ms. Long, who was a captain of the New York Knicks’ dance troupe before she started working with the Liberty and the Nets, said she has been surprised by Ellie’s moves at “every single game.”“We just keep trying and throwing more things” at her, she added. (Ellie is paid for performing with the Liberty.)Watching Ellie dance is only part of her appeal, according to fans, lots of whom said they have also been charmed by her personality. In interviews for this article, Ellie was described as “welcoming,” “hilarious,” “joyful,” “fierce,” “fly,” “mischievous” and “the life of the party.”Mike Zakarian, 38, who hosts Team Hold!, a comedic sports-video series on YouTube, said that the way Ellie walks is almost more eye-catching than her dancing. “She stomps around like something is about to happen,” he said. “It draws your attention.”Ellie wore a rainbow tutu and matching hair bows while performing at a game in June.Mitchell Leff/Getty ImagesAll the attention he has paid to Ellie, though, has not helped Mr. Zakarian identify the person inside the mascot’s costume. And he is not alone.“I’ve had so many conversations like, ‘Is Ellie a man? Is Ellie a woman? Is Ellie in their 30s or in their 20s?’” said Mr. Zakarian, who lives in Queens. “‘Is there is a world in which Ellie was a running back in college? Or maybe a Division 1 cheerleader?”He has had conversations with multiple people in his YouTube videos about Ellie’s identity, he said, and whether there is “a crew of Ellies” that rotate performing at games.“I need a podcast,” he said. “A ‘Serial’-esque breakdown of who is Ellie?”Who Is Ellie?In an interview on Monday afternoon at Barclays Center, Ellie, who was accompanied by Ms. Long, did not speak. (Ms. Long had previously declined to comment on Ellie’s identity.)But Ellie, who was wearing a white Liberty jersey and a pair of white-and-turquoise sneakers, one of which had “equality” painted across its toe box, did answer some questions by gesturing.Is she the best dancer in the W.N.B.A.? She shrugged bashfully.Does she feel the love from the crowd when she comes out? She vigorously nodded yes.Is the Liberty going to win the championship? Another vigorous nod. (At the time of publication, the team was down 0-2 in the best-of-five finals.)Is she single? Ellie threw her head back as if she was laughing, then opened her arms wide.Ms. Long offered to interpret her answer. “She’s for the fans,” she said.During the interview, Ms. Long also addressed one rumor about the mascot.“There’s only one Ellie,” she said in response to speculation that multiple people might rotate wearing the elephant costume. “There will only ever be one Ellie.” More