The popular studio host and reporter was widely expected to depart after disparaging remarks made by a colleague were made public. Her next stop could be NBC.On Tuesday, she hosted the N.B.A. finals for ESPN. The next day she was gone.ESPN announced on Wednesday that Maria Taylor, one of the network’s high-profile talents, had left the company. More
The Bucks defeated the Phoenix Suns in the N.B.A. finals in six games for their first title in 50 years. It’s the first championship for Giannis Antetokounmpo.MILWAUKEE — A half-century ago, Kareem Abdul-Jabbar — a young goliath then known as Lew Alcindor — led the Milwaukee Bucks to their first championship. For decades, it was the only time the franchise had reached that height. More
A writer adored the basketball-Looney Tunes mash-up as a boy. Watching the movie again after his father died, he felt the movie resonate in a surprisingly deeper way.When I was 10, I thought the coolest person in the world was Michael Jordan. The second-coolest person in the world was my dad. He played in an amateur men’s soccer league; I preferred basketball, so MJ got the edge. Like a lot of kids who grew up in the ’90s, I revered the seemingly unbeatable Chicago Bulls, and I was devastated when, on Oct. 6, 1993, Jordan announced that he would be retiring from the NBA to play minor-league baseball with the Birmingham Barons. I liked baseball even less than I liked soccer.Jordan’s triumphant return to basketball in March 1995 was a moment of intense relief and exhilaration for me; and when the Bulls won their fourth championship, in the summer of 1996, my enthusiasm for Jordan reached a fever pitch. So when “Space Jam” debuted that autumn, I could not have been more excited. Michael Jordan teaming up with Bugs Bunny and the Looney Tunes in a feature film about a high-stakes basketball game? It was as if they had scanned my brain and made a movie of my innermost fantasies. I begged my dad to take me to see it, and the minute it was over, I begged him to take me to see it again.He was not especially impressed with “Space Jam,” but it was everything I dreamed it would be. First, it was hilarious. The Nerdlucks, a cabal of short, wormlike aliens who smack one another around like the Three Stooges, had me in stitches; my friends and I impersonated their screechy, helium-pitched voices for months, to gales of approving schoolyard laughter. Jordan’s bumbling, nebbish assistant Stan — played by Wayne Knight, whom I knew as the guy who gets smeared by a dilophosaurus in “Jurassic Park,” another childhood favorite — was hysterically funny. And of course the Looney Tunes cracked me up. When the Tasmanian Devil spins around a basketball court and cleans it single-handedly in a matter of seconds, declaring it “lemony fresh” — that seemed like the funniest thing I had ever heard in my life.Jordan with the Looney Tunes in 1996 — a young basketball fan’s dream lineup.Warner Bros.What I loved most about “Space Jam” was the candid glimpse it seemed to offer of Jordan’s life off the court. I had seen him in action, and in interviews as well as in commercials. But “Space Jam” showed me a family side of Jordan. Here was the star talking to his wife. Here was Jordan watching TV with his kids. And here was a flashback of a young Jordan, shooting hoops in the backyard, talking about his hopes and aspirations with his own dad.His father, played by Thom Barry, has only a small role in “Space Jam”: He appears in the first scene of the movie, watching his son drop bucket after bucket in the moonlight. “Do you think if I get good enough, I can go to college?” asks the young Michael, played by Brandon Hammond. “You get good enough, you can do anything you want to,” the elder Jordan replies. Mike starts rattling off his dreams: “I want to go to North Carolina … I want to play on the championship team … then I want to play in the NBA.”His dad takes the ball and says it’s time for bed. But Michael has one more dream to mention. “Once I’ve done all that,” Michael says, beaming up at his father, “I want to play baseball — just like you, Dad.”Last April, as the coronavirus was sending most of the world into lockdown, my dad died suddenly in his home late one night of a heart attack. He was 58. He’d been in immaculate health. We were extremely close, and spoke or texted every day. I was shattered.Around the same time, ESPN began to air “The Last Dance,” the network’s 10-part documentary series about Jordan and the ’90s Chicago Bulls. I watched the show in the weeks following my dad’s death as a distraction from my grief. But I was not prepared for the revelations of the seventh episode, which deals with the death of Jordan’s father, James R. Jordan, at the hands of carjackers in 1993. I was struck by certain similarities: how close Michael had been to his father, how much he relied on him as a mentor and a friend. James Jordan died a week shy of 57.A young Jordan (Brandon Hammond) and his father (Thom Barry) came to mean a great deal years later.Warner Bros.After that episode, I put on “Space Jam.” Again, I was looking for distraction; again, I was floored by grief. That opening scene with young Michael and his father, such a beautiful testament to a parent’s influence, now seemed completely overwhelming. Three years after his death, Jordan Sr. had been resurrected onscreen for a heartfelt tribute. And what’s more, Jordan had invoked his father as the reason he was pursuing baseball — a career move most people had dismissed as ridiculous.When Jordan announced his retirement, back in 1993, he told the gathered reporters that, although he was sad to leave the sport behind, he was glad his father had been alive to see his last game of basketball. The same line appears in “Space Jam,” in a restaging of the retirement news conference, and in light of the earlier scene with Jordan’s dad, the moment has a special emphasis.At the time, pundits could not fathom why someone as gifted as Jordan would give up his place at the top of one sport just to start at the bottom in an entirely different one. Jordan used “Space Jam” in part to explain his decision, to explain that while it looked as if he was following a whim, he was actually following his father. In light of my own loss, it seemed to me that Jordan was pouring his heart out. Watching last year — nearly 25 years later — I was profoundly moved.“Space Jam” was not really as candid about Michael Jordan’s home life as I believed when I was 10 and as “The Last Dance” made clear. Understandably, “Space Jam” did not touch on Jordan’s sometimes reckless gambling, nor on his embattled relationship with the media nor his weariness with the demands of fame. But the movie does contain some sincere and deep-seated wisdom about loss, which I was only able to see once I was was in mourning myself.It’s about looking up to somebody and wanting to follow in his footsteps. To do right by him. To reflect back the love that person selflessly showed you. And although it might seem strange to say of a movie about Michael Jordan playing basketball with Bugs Bunny, seeing that truth in “Space Jam” after all these years helped me deal with the pain of what I’d lost. More
Jrue Holiday’s daring decisions sealed a victory for Milwaukee in Game 5, giving the Bucks a 3-2 series lead over the Phoenix Suns.PHOENIX — In the most consequential sequence of his basketball career, Jrue Holiday threw both caution and the basketball to the wind. More
Giannis Antetokounmpo, the Milwaukee Bucks star, has frustrated fans and opponents with his drawn-out free-throw routine that often ends with a miss.Philip Flory, a college basketball player from Wisconsin Rapids, Wis., is a huge fan of the Milwaukee Bucks. He is rooting for them in the N.B.A. finals against the Phoenix Suns, though Flory has found himself cringing whenever Giannis Antetokounmpo, the Bucks’ do-everything forward and one of his favorite players, tries to do one of the few things that make him look vulnerable: shoot free throws. More
He founded the American Basketball Association, which revolutionized the game, and participated in other imaginative, sometimes zany sports ventures.Dennis Murphy, the impresario of alternative athletic leagues, including the American Basketball Association, who also shook up tennis and ice hockey and launched imaginative, sometimes quixotic ventures in other sports, among them indoor roller hockey, died on Thursday at an assistant living facility in Placentia, Calif. He was 94.His son, Dennis Jr., said the cause was congestive heart failure.Mr. Murphy’s most lasting achievement was the A.B.A., which he conceived, and which he started in 1967 as a cheeky competitor to the National Basketball Association. The league was known for its wide-open offenses; its red, white and blue ball; and the salary war it ignited against the N.B.A. to bring stars like Rick Barry and Zelmo Beaty into the upstart league.Mr. Murphy’s rationale for starting the A.B.A. was simple, as was his research into its viability: There were only 12 teams in the N.B.A.“There’s only one basketball league and one hockey league, so why not have another?” he was quoted as saying in Terry Pluto’s oral history “Loose Balls: The Short, Wild Life of the American Basketball Association” (1990). “Since I knew nothing about hockey, but basketball was my favorite sport, I figured I’d pursue the idea of a basketball league.”The A.B.A. thrived as a freewheeling hoops spectacle. It nurtured stars of its own, like Julius Erving and David Thompson, and generated excitement with the three-point shot and the All- Star Game slam-dunk contest, which eventually became staples in the N.B.A.“He wasn’t responsible for them, but he recognized their value and he went with it,” said Jim O’Brien, a reporter for The Sporting News who covered the Miami Floridians when Mr. Murphy was the team’s general manager. In an interview, he recalled Mr. Murphy’s promotional prowess and his willingness to make players accessible to the media.“He was fun and creative,” Mr. O’Brien said, “and he was always hustling somebody.”Mr. Murphy, center, at an A.B.A. meeting in Miami 1971. He was the general manager of the league’s Miami Floridians at the time.Arthur Hundhausen CollectionMr. Murphy had left the A.B.A. by 1972, four years before the league shut down and four of its teams — the New York Nets (who now play in Brooklyn), San Antonio Spurs, Denver Nuggets and Indiana Pacers — were absorbed into the N.B.A.Soon he was in the midst of itinerant league creation.He and Gary Davidson, another sports entrepreneur, in 1972 started the World Hockey Association, which challenged the dominance of the National Hockey League; in 1974, he and a group of partners, including the lawyer Larry King, who was then married to the tennis superstar Billie Jean King, formed World Team Tennis; and in 1976, he and Ms. King were among the founders of the International Women’s Professional Softball League.“He was a great cheerleader, a good manager and a skillful orchestrator at getting big egos to agree on things,” Mr. King said by phone.Of those three leagues, the W.H.A. probably had the greatest impact: It brought the Detroit Red Wings legend Gordie Howe out of a brief retirement to join the Houston Aeros, persuaded Bobby Hull to leave the Chicago Blackhawks for the Winnipeg Jets and signed the 17-year-old Wayne Gretzky to the Indianapolis Racers.Its level of play challenged the N.H.L.’s, just as the A.B.A.’s had challenged the N.B.A.’s. But its teams had financial difficulties, and the W.H.A. died in 1979. Four of its teams — the Edmonton Oilers, the New England Whalers, the Quebec Nordiques and the Jets — joined the N.H.L.“Murphy had a couple of things going for him,” the hockey writer Stan Fischler wrote recently in his column on Substack. “One was that N.H.L. president Clarence Campbell never took the W.H.A. seriously — until too late.”Another, Mr. Fischler said, was chutzpah. Before the W.H.A. started, Mr. Murphy showed up at a minor-league hockey meeting in the Bahamas, posing as a reporter, and started asking Emile Francis, the general manager of the New York Rangers, about the N.H.L.’s plans for expansion.Soon after, Mr. Francis was watching television and saw Mr. Murphy being interviewed by another reporter about the league he planned to start.Dennis Arthur Murphy was born on Sept. 4, 1926, in Shanghai, where his father, Arthur, was an engineer for Standard Oil. His mother, Adele (Gurevitz) Murphy, was a homemaker. The family moved to Brentwood, Calif., in 1940.After serving in the Army in the Philippines, Mr. Murphy attended the University of Southern California, where he earned a bachelor’s degree in economics.For most of the 1950s and the early ’60s, Mr. Murphy worked at an engineering firm. For two years during that period, he was the part-time mayor of Buena Park, in Orange County.His fascination with sports leagues continued with the creation in 1981 of Team Tennis, also with Mr. King, after World Team Tennis failed in 1978. Team Tennis would later adopt the name of its predecessor and rechristen itself World Team Tennis. And in the early 1990s, Mr. Murphy, Mr. King and Ralph Backstrom, a former N.H.L. player, formed Roller Hockey International, an attempt to capitalize on the popularity of in-line skating.“We believe we can be the No. 1 hockey sport,” Mr. Murphy told The New York Times in 1994.But the league played its last season in 1999, when the champion St. Louis Vipers won the Murphy Cup. One of his mistakes, Mr. Murphy told The Hockey News in 2019, had been expanding to 24 teams in the league’s second season.“We should have kept it smaller and then expanded,” he said. “But we did it for money. I had a lot of contacts through my other leagues. Everybody wanted to get in because of our success in the other leagues. So they put pressure on me, and I fell for it.”Besides his son, Mr. Murphy is survived by his daughters, Dawn Mee and Doreen Haarlamert; eight grandchildren; and seven great-grandchildren.The A.B.A. did not have a national television contract and struggled for attention. The Floridians, for example, had bikini-clad cheerleaders, an idea that came from a publicist.“The idea was that we needed to get attendance at the games,” Mr. Murphy told The Reno Dispatch, a blog, in 2013. The cheerleaders, he added, were always on the visitors’ side of the court “so the visiting players would look at girls rather than pay attention to the game.”Alex Traub contributed reporting. More
Beal and Love are out of the Olympics for health reasons. The Spurs’ Keldon Johnson and the Nuggets’ JaVale McGee will join the men’s basketball team.The U.S. men’s national basketball team added to its roster Keldon Johnson of the San Antonio Spurs and JaVale McGee of the Denver Nuggets after two other players were no longer able to participate in the Tokyo Olympics for health reasons.Bradley Beal, a guard expected to be one of the primary scorers for the United States, will miss the Olympics after being placed in the coronavirus health and safety protocols. Kevin Love withdrew from the competition on Friday because of a lingering calf injury.Team U.S.A. also canceled Friday’s exhibition against Australia and placed forward Jerami Grant in the coronavirus protocols as the team faces multiple challenges in the lead-up to the Olympics, which begin next week. Gregg Popovich, Team U.S.A.’s coach, told reporters that he expected Grant to still participate in the Olympics.Beal started all three exhibitions and averaged 10.3 points per game on 10-for-21 shooting. He finished second in the N.B.A. in scoring this season with 31.3 points per game for the Washington Wizards.“Since he was a little kid, this has been a dream of his, and he was playing great,” Popovich told reporters, adding: “For him and his immediate family, it’s devastating. We just feel horrible about it.”The men’s team has had a shaky beginning to defending its three consecutive gold medals. Team U.S.A. opened with exhibition losses to Nigeria and Australia before blowing out Argentina.Top players like LeBron James (Lakers), Jimmy Butler (Heat), Kyrie Irving (Nets) and James Harden (Nets) declined to participate in the Olympics following a condensed off-season last year. Forward Jayson Tatum (Celtics), who is on the roster, is dealing with right knee soreness. Also on the team: Bam Adebayo (Heat), Kevin Durant (Nets), Draymond Green (Golden State), Zach LaVine (Bulls) and Damian Lillard (Trail Blazers).Milwaukee’s Jrue Holiday and Khris Middleton and Phoenix’s Devin Booker are expected to join the team after the completion of the N.B.A. finals. The best-of-seven series is tied at two games apiece, with Game 5 on Saturday in Phoenix. More
The filmmaker recalls the “organized chaos” that went into making the new film and the studio pickup games with Chris Paul and other pros.The making of “Space Jam: A New Legacy” was a head-spinning exercise in the unfamiliar for the director Malcolm D. Lee.For one thing, the film went into production less than a week after he officially signed on to direct the film. Lee was a late addition in summer 2019, taking over directing duties from Terence Nance. The script was still in development. Lee, the veteran director of comedies like “Girls Trip” (2017) and “The Best Man” (1999), had never worked with animation before and had never seen the original “Space Jam,” the 1996 basketball-Looney Tunes crossover starring Michael Jordan.On top of all that, Lee was charged with taking care of a movie built around LeBron James, one of the most popular athletes in the world. James had appeared on the big screen before (most notably in a supporting role in the 2015 romantic comedy “Trainwreck”) but had never anchored a feature.“It was organized chaos,” Lee, 51, said in an interview this week.The director met James a decade earlier when they had discussed making a film together, but it never came to fruition. The new project is a gamble for both Lee and James: It will inevitably be compared to the now-beloved original in the same way that James is continually measured against Jordan. If it flops, a movie literally billed as “A New Legacy” may be damaging to James’s own.The movie is, if nothing else, self-aware. At one point, James, playing himself, notes how poorly athletes fare when they try to act. (Similarly to the original, other pro basketball players — including Damian Lillard, Anthony Davis and Diana Taurasi — have cameos.) The film also features Don Cheadle as the villainous manifestation of an algorithm named, well, Al G. Rhythm, who kidnaps James, his youngest son (Cedric Joe) and the rest of the Warner Bros. universe.James and Bugs share the screen.Warner Bros. In addition to preparing for the film, James, 36, also had to stay in shape for the N.B.A. season. Lee said that on shoot days, James would wake up at 2 a.m. and work out till 6 a.m., then show up for a full day on set.In an interview, Lee, who is the cousin of fellow filmmaker Spike Lee, discussed his own love for basketball and how he directed a star without a traditional acting background. Here are edited excerpts from our conversation.Did you grow up playing basketball?The third grade really is when I started playing organized basketball. I wasn’t as into it as my brother and my dad were encouraging me to. I started playing in this league in Brooklyn called the Youth Basketball Association. My dad coached a year. In fact, it’s funny, too, because Spike, who was living with us at the time, was the assistant coach. [Lee is 13 years older than his cousin.]No kidding.Swear to God. And Spike will tell you himself. There was one week when my dad went down to Alabama — that’s where he’s from — and Spike had to coach us. We had an undefeated season until that date, so Spike was sweating coaching us. And we actually got the victory. He didn’t want to spoil my father’s streak.What was your first conversation with LeBron like when you took the “Space Jam” gig?I think LeBron had the same agenda as everyone else in that he wanted to make the movie great. He wanted to make sure that I knew what I was doing, that my vision was clear and that he’d be taken care of. Not coddled, but that there was a leader aboard who was going to say, “This is what we’re going to do and this is how are we going to do it.” I assured him that there could be delays — I just don’t know — but I’m a professional, I’ve been in this for a long time and I will make sure that you’re taken care of.Lee signed onto the film late in the process. “It was organized chaos,” he said.Justin Lubin/Warner Bros.Did you have any reservations about working with a basketball star who doesn’t have the traditional acting training that someone like Don Cheadle has?Not really. LeBron’s been in front of the camera since he was 18 years old. Now, I mean, “Oh, those are just interviews,” but people get asked the same questions over and over again. So he’s got some rehearsed responses. He also was very funny. He wants to be good. He was good in “Trainwreck.” There’s some actors that get something and say, “OK, that’ll cut together.” And some that are just natural. I think LeBron has a lot of natural ability.Without spoiling it, there is a scene where LeBron has to convey a vulnerable emotion toward his son. Is there anything in particular either you or he did to prepare for that scene? Because that had to be out of his comfort zone.For sure. Look, the first thing that I try to get with any actor is trust, right? I have to trust them. They have to trust me because I’m going to ask them to go to some places that they aren’t necessarily comfortable going. So yes, we did talk about something before he delivered some of those lines. Then we did a couple of takes — just let him get warmed up. If I’m not getting what I’m looking for, then I’ll say, “Why don’t you think about this? And don’t worry about the line so much. Just have this in your brain and then say it.”From left, Nneka Ogwumike, Cedric Joe, Damian Lillard, Anthony Davis, Klay Thompson and Diana Taurasi on the set. Scott Garfield/Warner Bros.Film is a director-driven medium, and basketball is very much player-driven in that players can get coaches fired or disregard them entirely. Did that dynamic ever come into play in the course of filming?No. I don’t think there was ever any “I want to do it this way and I don’t care what you have to say.” I think LeBron likes to be coached. He’s a master of his craft. But at the same time, people are in your corner whose job it is to say: “Make sure you do this. Think about this. I’m seeing this on the court. You’re not seeing blah, blah, blah.” And I think he takes that information. Same thing with acting.During the filming of the original “Space Jam,” Michael Jordan hosted scrimmages with other N.B.A. players. Was there anything like that here?There was a court built for [James] on the Warner Bros. lot. I did go to one pickup game and that was thrilling for me, because I’m a huge basketball fan. Chris Paul was there, Ben Simmons, Anthony Davis, JaVale McGee, Draymond Green.You didn’t ask to play?Hell no.What an opportunity, man!Are you kidding? The opportunity to get embarrassed. A lot of those guys come into the gym, they don’t know I’m the director of the movie. They’re like, “Who’s this dude?” I can’t be like, “Hey, how you doing? I played intramurals at Georgetown.” That’s not going to impress anybody. More
